An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love

Film-Philosophy 6 (1) (2002)
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Abstract

I often imagine how good it would be to have a pair of those infrared binoculars -- the ones always used by the hero in movies to see what's ordinarily hidden by darkness. Similar is the alien's vision of warmth in _Predator_. In this film the commandos, led by Arnold Schwarzenegger, cannot escape the prying eyes that see the warmth of their bodies (no matter how much guerrilla is in their warfare)

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