Abstract

The second part of “Ars, Natura, Historia” focuses on the narrative techniques used by Pliny’s art history found in the Naturalis Historia. The narratological analysis of the artist anecdotes draws our attention to how Pliny’s diction is essentially rooted within rhetoric. The artist anecdotes of Naturalis Historia fulfill the role of exemplum, and as such, they become the vehicle for conveying the sets of values expounded in the encyclopedia.