Abstract

Kierkegaard dismissed the quest for the historical Jesus that dominated historical‐critical biblical scholarship in the nineteenth century. Instead of historical reconstructions of the life of Jesus, he embarked on polyphonic rewritings of the story of the life of Jesus from still new perspectives. This chapter investigates how Kierkegaard's different narrations of the “life of Jesus” inscribe the New Testament texts and imitate their narrative art, particularly the role of dramatic irony, in relation to Kierkegaard's metareflections on how to communicate this story in a modern age.