Abstract

Elise Reimarus was among the leading women intellectuals of eighteenth-century Hamburg. Rarely acknowledged today, her surviving writings contribute to central literary and philosophical debates in Europe at the time. This paper traces Reimarus’s intervention in controversy surrounding Joseph Addison’s tragedy Cato (1713) and its dramatization of republican liberty and virtue. Long erased from the literary canon, Reimarus’s German translation and adaptation (ca. 1776) radicalizes Addison’s critique of Cato’s Stoic leadership style. By rewriting the love-plots and foregrounding the women characters’ private lives, her Cato engenders an alternative “art of politics”—one that steers a consequentialist path toward the common good.