Abstract

While many have celebrated Black Panther, some have also criticized it – such as contemporary philosopher Christopher Lebron, who argues that Black Panther 's plot is centrally driven by anti‐Black stereotypes about Black Americans, and particularly about Black American men. Anti‐colonial theory emerges in situations of colonial domination. But there are different kinds of colonialism, and there are different manifestations of anti‐colonial resistance. The image of colonialism that Black Panther most directly invokes – stopping short, however, of openly recognizing it – is really just one species of colonizatism. As previously noted, Black Panther rarely invokes the concepts of slavery and colonialism. In Black Panther, Killmonger is the very site at which the terror of colonial history is sutured – the anti‐heroic figure who must be depicted as a genocidal and misogynistic monster in order to dissipate the shame and the guilt he would otherwise elicit.