Abstract

In the Aeneid, Virgil sets out to achieve a new sublime style, paradoxically steeped in the common parlance. He aims for the spontaneity of everyday language to win readers’ involvement, while elaborating a discourse both expressively taut and stylistically marked, that avoids a register too colloquial or prosaic. Above all, he tirelessly deploys an array of subtle strategies – below the threshold of perception – that defamiliarize language in order to elevate its style. The present paper furnishes a selection of case studies.