On the Ethics of Imagination and Ethical-Aesthetic Value Interaction in Fiction

Ergo: An Open Access Journal of Philosophy 9 (2022)
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Abstract

Advocates of interactionism in the ethical criticism of art argue that ethical value impacts aesthetic value. The debate is concerned with “the intrinsic question”: the question of whether ethical flaws/merits in artworks’ manifested attitudes affect their aesthetic value (Gaut 2007: 9). This paper argues that the assumption that artworks have intrinsic ethical value is problematic at least in regards to a significant subset of works: fictional artworks. I argue that, insofar as their ethical value emerges only from attitudes attributable to actual agents, fictional artworks only have extrinsic ethical value. I show that what is at stake for interactionism is whether ethical judgements concerning artists’ attitudes in a context, rather than manifested attitudes, are ever aesthetically relevant. I conclude that, without buying into extreme actual intentionalism, a still controversial theory of interpretation that ties artworks’ meaning to actual artists, interactionism fails to show that ethical flaws/merits are aesthetic flaws/merits.

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Adriana Clavel-Vazquez
Tilburg University

References found in this work

The Moralistic Fallacy.Daniel Jacobson - 2000 - Philosophy and Phenomenological Research 61 (1):65-90.
The Moralistic Fallacy: On the 'Appropriateness' of Emotions.Justin D'Arms & Daniel Jacobson - 2000 - Philosophical and Phenomenological Research 61 (1):65-90.
The Puzzle of Imaginative Resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55.
The ethical criticism of art.Berys Gaut - 1998 - In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press. pp. 182--203.

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