Emotional Responses to Visual Art and Commercial Stimuli: Implications for Creativity and Aesthetics

, , &
Frontiers in Psychology 10 (2019)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.3389/fpsyg.2019.00014

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,881

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

A Biological Basis for the Emotional Impact of Art.Nancy Ellen Bryan Aiken - 1992 - Dissertation, Ohio University
Nonindependence of successive responses at the visual threshold as a function of interpolated stimuli.George Collier & William S. Verplanck - 1958 - Journal of Experimental Psychology 55 (5):429.
Speed, Accuracy and Constancy of Response to Visual Stimuli as Related to the Distribution of Brightnesses Over the Visual Field.H. M. Johnson - 1924 - Journal of Experimental Psychology 7 (1):1.
Perceptual responses as a function of the sequential properties of multiple visual stimuli.Lee W. Gregg & Harry W. Karn - 1963 - Journal of Experimental Psychology 65 (2):124.
Vigilance in the detection of low-intensity visual stimuli.Jack A. Adams - 1956 - Journal of Experimental Psychology 52 (3):204.
Facial reactions to emotional stimuli: Automatically controlled emotional responses.Ulf Dimberg, Monika Thunberg & Sara Grunedal - 2002 - Cognition and Emotion 16 (4):449-471.
Emotion identification across adulthood using the Dynamic FACES database of emotional expressions in younger, middle aged, and older adults.Catherine A. C. Holland, Natalie C. Ebner, Tian Lin & Gregory R. Samanez-Larkin - 2018 - Cognition and Emotion 33 (2):245-257.
To what extent are emotional visual stimuli processed without attention and awareness?Luiz Pessoa - 2005 - Current Opinion in Neurobiology 15 (2):188-196.
Nonindependence of successive responses in measurements of the visual threshold.William S. Verplanck, George H. Collier & John W. Cotton - 1952 - Journal of Experimental Psychology 44 (4):273.
Learning of responses to stimuli classes and to specific stimuli.Burton H. Cohen & Peter A. Hut - 1963 - Journal of Experimental Psychology 66 (3):274.
Encapsulated social perception of emotional expressions.Joulia Smortchkova - 2017 - Consciousness and Cognition 47:38-47.
Emotional empathy transition patterns from human brain responses in interactive communication situations.Tomasz M. Rutkowski, Andrzej Cichocki, Danilo P. Mandic & Toyoaki Nishida - 2011 - AI and Society 26 (3):301-315.
A view of the cortical integrational process through liminal visual stimuli.M. Luckiesh & F. K. Moss - 1934 - Journal of Experimental Psychology 17 (3):449.
Unwanted reflex-like saccades in visual extinction patients.Alessandra Fanini & Carlo Alberto Marzi - 1999 - Behavioral and Brain Sciences 22 (4):683-683.
“A sweet smile”: the modulatory role of emotion in how extrinsic factors influence taste evaluation.Qian Wang & Charles Spence - 2017 - Cognition and Emotion 32 (5):1052-1061.

Analytics

Added to PP
2019-01-22

Downloads
69 (#236,795)

6 months
41 (#96,087)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

The pleasures of aesthetics: philosophical essays.Jerrold Levinson - 1996 - Ithaca, NY: Cornell University Press.
The Pleasures of Aesthetics: Philosophical Essays.Stephen Davies - 1996 - Journal of Aesthetics and Art Criticism 57 (3):371-374.

View all 7 references / Add more references