- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
The ontology of mass art
Journal of Aesthetics and Art Criticism 55 (2):187-199 (1997)
Abstract
This article has no associated abstract. (fix it)Author's Profile
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Collingwood's ‘performance’ theory of art.David Davies - 2008 - British Journal of Aesthetics 48 (2):162-174.
A philosophy of mass art.Justine Kingsbury - 2003 - Australasian Journal of Philosophy 81 (1):134 – 135.
Defending mass art: A response to Kathleen Higgins's "mass appeal".Noël Carroll - 1999 - Philosophy and Literature 23 (2):378-386.
Mass art as art: A response to John Fisher.Noël Carroll - 2004 - Journal of Aesthetics and Art Criticism 62 (1):61-65.
On Carroll's enfranchisement of mass art as art.John Andrew Fisher - 2004 - Journal of Aesthetics and Art Criticism 62 (1):57-61.
Interpretation, theatrical performance, and ontology.Noel Carroll - 2001 - Journal of Aesthetics and Art Criticism 59 (3):313–316.
The Ontology of Art.Guy Rohrbaugh - 2013 - In Berys Gaut & Dominic Lopes (eds.), Routledge Companion to Aesthetics, 3rd edition. Routledge. pp. 235-45.
Ingarden and the ontology of cultural objects.Amie Thomasson - 2005 - In Arkadiusz Chrudzimski (ed.), Existence, Culture, and Persons: The Ontology of Roman Ingarden. Frankfurt: pp. 115-136.
Analytics
Added to PP
2009-01-28
Downloads
119 (#151,516)
6 months
7 (#437,422)
2009-01-28
Downloads
119 (#151,516)
6 months
7 (#437,422)
Historical graph of downloads
Author's Profile
Citations of this work
Audience, Implicit Racial Bias, and Cinematic Twists in Zootopia.Dan Flory - 2019 - Journal of Aesthetics and Art Criticism 77 (4):435-446.
References found in this work
The Rhetoric of Fiction.Wayne C. Booth - 1964 - Journal of Aesthetics and Art Criticism 22 (4):487-488.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-5ff6c685cb-pqwqt uwo