Georgetown University Press (
1993)
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Abstract
"This is an extremely intelligent, interesting, and well written book." --Murder Is Academic "... compelling analysis of the comedy thriller... " --Theatre Studies "... almost as much fun to read as is seeing the actual plays discussed... " --Journal of Popular Culture The phenomenal success of such plays as Deathtrap and Sleuth heralded the advent of a new form of detective play--the comedy thriller. Carlson takes the wraps off the comedy thriller and reveals its postmodern effects. He looks at all the elements of the thriller--openings, settings, characters, plot lines, the role of the audience, and endings--and shows how they work to overturn the conventions of realism in detective drama.