Abstract

Among the most used expressions in scholarly articles concerning collective memory, is “dealing with the past”, or its more specific alternative, “dealing with the traumatic past”. This is a rather inexact formulation, because what scholars, artist, curators deal with is not the past in itself but the manner in which it is narrated and represented, or remembered, reconstructed. A series of questions are triggered by this statement: who “remembers”, for what purpose, with what consequences? The scope of this yearbook is to present two different ways of approaching the construction of collective remembrance: the authoritarian one and the post-authoritarian one. Th e articles discuss case studies of collective memory and identity building in Communist Romania, comparative studies of participative art in post-authoritarian regimes in Central and Eastern Europe, or intricate artistic approaches of traumatic collective memories.