Truth in Fiction, Underdetermination, and the Experience of Actuality

British Journal of Aesthetics 61 (4):437-454 (2021)
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Abstract

It seems true to say that Sherlock Holmes is a detective, despite there being no Sherlock Holmes. When asked to explain this fact, philosophers of language often opt for some version of Lewis’s view that sentences like ‘Sherlock Holmes is a detective’ may be taken as abbreviations for sentences prefixed with ‘In the Sherlock Holmes stories …’. I present two problems for this view. First, I provide reason to deny that these sentences are abbreviations. In short, these sentences have aesthetic properties that we should not expect of abbreviations. Second, I argue that the apparent truth of these sentences would not be explained even if they were abbreviations. An alternative is presented that avoids these problems. Following Walton, talk about fiction is viewed as a game of make-believe; following Lewis, interpretations of fiction are modelled using possible worlds.

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Author's Profile

Mark Bowker
Lund University

Citations of this work

‘Truth in Fiction’ Reprised.Manuel García-Carpintero - 2022 - British Journal of Aesthetics 62 (2):307-324.
When (Imagined) Evidence Explains Fictionality.Bradford Skow - 2022 - Journal of Aesthetics and Art Criticism 80 (4):464-476.
Kripke’nin Kurgu Çözümlemesinde Ad ve Adımsı Arasındaki İlişki.Erim Bakkal - 2022 - Kilikya Felsefe Dergisi / Cilicia Journal of Philosophy 18 (2):36-53.

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References found in this work

Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.
Truth in Fiction, Impossible Worlds, and Belief Revision.Francesco Berto & Christopher Badura - 2019 - Australasian Journal of Philosophy 97 (1):178-193.
Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.

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