Shakespeare in Advance of Hobbes: Pathways to the Modernization of the European Psyche as Charted in The Merchant of Venice

Telos: Critical Theory of the Contemporary 2010 (153):132-159 (2010)
  Copy   BIBTEX

Abstract

ExcerptI. The Action of the Play: The Playacting Character of Human Life Antonio, the “Merchant of Venice,” in speaking to his friend Gratiano at the beginning of the play, says: “I hold the world but as the world, Gratiano: / A stage where every man must play a part, / And mine a sad one” (1.1.77–79).1 The Merchant of Venice, which is a play, is (as Shakespeare announces at the outset) about the inescapability and insurmountability of playacting as the substance of human reality. Life, as it were, is lived at one remove from itself—where our assumption….

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 92,654

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Analytics

Added to PP
2013-11-03

Downloads
41 (#395,950)

6 months
8 (#399,931)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Add more citations

References found in this work

Afterword.[author unknown] - 2007 - Mediaevalia 28 (Special Issue):187-188.
Religion and Secularism in Liberalism.Aryeh Botwinick - 1998 - Telos: Critical Theory of the Contemporary 1998 (113):79-104.

Add more references