Abstract

During the 20th century, the format of domestic life became an explicit object of functional reworking and rewriting. Thanks to the industrialisation processes that affected it, the home entered the era of its technical reproducibility, becoming a container aimed at optimising the functions it is called upon to perform. The meanings that were associated with it in the bourgeois tradition of the previous century, first and foremost that of being the place of intimacy and family affection, underwent a significant transformation. The signs of this transformation are particularly evident in the experimental and futuristic projects on human domesticity by Richard Buckminster Fuller. Thanks to them, domesticity enters a new horizon of expression, even beyond the architectural imagination, anticipating elements and characteristics that define its contemporary condition.