Abstract

The politics of the popular-music business clearly showed its head at this year�s Grammy Awards. Two worthy artists were vying for New Female artists: Alicia Keys and India Arie. When the winner was called, Alicia Keys walked away with the award (and five others) while India Arie was shut out. I�m convinced that the reason Keys won was not that her work�the strong and ubiquitous Songs in A Minor �was so much better than Arie�s Acoustic Soul. It isn�t. Instead it was because of the power and major push on the Grammy voters supplied by Clive Davis, the long-time music power broker who runs Keys� label, J-Records.