Abstract

The specific complexity of the question of genres depends on the plurality of the problems to which genre is pertinent and relevant. When Croce proclaimed, at the beginning of the century, the non-existence of the genre, he reduced the entire range of problems to the sole question relative to a work's belonging to a genre. In more recent times, there has been an attempt to reduce genre to the property of the linguistic act, in a methodological framework that understands poetics exclusively as the science of literature. Against such reductionism, it is important to keep in mind a wider, more articulated idea of poetics as a pragmatic meditation, to investigate genres according to the multiple lines of systematization that are pertinent to them