Abstract

Abstract:Claims are often made that, in the late eighteenth century or early nineteenth century, artists attempted to take over certain functions from religion, particularly the function of redeeming the world. But what exactly it might mean for art to redeem the world is rarely treated with any precision. In this essay, I show that Wordsworth's idea of a poetic theodicy offers an unusually clear and appealing form of the redemptive view of art, which, when properly understood, is less vulnerable to standard criticisms than is commonly thought.