Performing an Appearance. On the Performativity of Images

Paradigmi. Rivista di Critica Filosofica 41 (3):415–428 (2023)
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Abstract

It is all the rage today to speak about the “powerµ of images. Yet while it seems hardly disputable that images generate fascination or repulsion and that they provoke laughter, tears or delight, it is by no means clear what it entails to grant them an agency of their own. The article sets out to chart the current literature on the topic, and to indicate why it is not the same to ask what it means for images to do things to us and what it means do things with images. While the former question often leads, under a disguise of object-oriented thinking, to reintroduce mentalism, the latter gets caught up in inextricable problems that Austin’s speech act theory already had to struggle with. In the last section, at alternative account is proposed: the performance of image is not an event of causation, it is a process of visualization that lets appear what can only appear in images

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Emmanuel Alloa
Université de Fribourg

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