Abstract

Haneen Omar is one of the most prominent Algerian poets who used the technique of the mask of Mutanabi in "Bab al-Mutanabbi" - the door of paradise - from her office entitled "Bab al-Jana" to express her contemporary experience. We will try to read this investment, and then stand by its structure, demolish and rebuild it to absorb the skills of employment, then follow the aesthetics of investment, by explaining how the mask melted into the textual fabric of the poet, and highlight how the voice of "self" within the voice of Mutanabi.