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  1. Mark, Image, Sign: A Semiotic Approach to Spinoza.Lorenzo Vinciguerra - 2012 - European Journal of Philosophy 20 (1):130-144.
    Instead of reading Spinoza's account of the imagination in an anthropocentric way, as dependent on the traditional doctrine of human faculties, the author considers it as a consequence of his physics and cosmology. Knowledge by signs, as Spinoza calls imagination, has to be rooted in his theory of marks and images, and concerns all beings (human and non human) that are capable of marking and being marked by other bodies in the infinite semiosis of nature.
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  • Adequate knowledge and bodily complexity in Spinoza’s account of consciousness.Andrea Sangiacomo - 2011 - Methodus 6:77-104.
    This paper aims to discuss Spinoza’s theory of consciousness by arguing that consciousness is the expression of bodily complexity in terms of adequate knowledge. Firstly, I present the link that Spinoza built up in the second part of the Ethics between the ability of the mind to know itself and the idea ideae theory. Secondly, I present in what sense consciousness turns out to be the result of an adequate knowledge emerging from the epistemological resources of a body as complex (...)
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