In this paper, I deal with Heidegger’s evolving account of metaphysics, since Heidegger’s persistent concern, the question of being, is a basic metaphysical question. To date, most Heidegger scholars have focused only on a particular stage of Heidegger’s philosophy: either his early attempt to deconstruct metaphysics, or his efforts to overcome metaphysics in the 1930s, or his late embrace of ‘releasement’ from metaphysics. However, these limited approaches fail to address Heidegger’s different understandings of metaphysics, which lie at the root of (...) his changing approaches to the question of being. They also fail to explain whether there is any inner connection between the various approaches. Further, given Heidegger’s unremittingly negative attitude towards metaphysics, some scholars have even maintained that Heidegger thought it both possible and desirable to leave metaphysics behind altogether. I address these issues first by arguing that metaphysics for Heidegger has three interconnected meanings: initially it is the representation of the totality of things that are present-at-hand, a view subsequently developed into subjective representational thinking, and finally radicalized into an expression of the will to power. At each stage, Heidegger critiques the metaphysical tradition but never claims that it can be fully eliminated, since it is a mode of Dasein’s being and ultimately possiblized by being itself. For this reason, Heidegger’s own philosophy of being remains inseparable from metaphysics. (shrink)

With the development of visual prostheses research from the engineering phase to clinical trials, volunteer recruitment for the early visual prosthesis trials needs to be carefully considered. In this article, we mainly discuss several issues related to volunteer recruitment that had posed serious challenges to the visual prosthesis trials, such as low rates of participants, high expectations and underlying motivations to participate in the visual prosthesis trials as well as the importance of informed consent. When recruiting volunteers for visual prosthesis (...) implants, it is critical that the visual prosthesis researchers should not only take into account the patient’s expectations and motivations, but also make the patients fully aware of the possible benefits and risks involved with their participation, and help patients establish realistic expectations for the early phase of visual prosthesis implantation. Based on these considerations to the challenges, eligible volunteers may be recruited in the preliminary stages of visual prosthesis trials. (shrink)

STS scholarship has produced important insights about relationships between the roles of peer review and the social construction of knowledge. Yet, barriers related to access have been a continual challenge for such work. This article overcomes some past access challenges and explores peer review normativities operating in the new discipline of Engineering Education. In doing so, it contributes new insights about disciplinary development, interdisciplinarity, and peer review as a site of knowledge construction. In particular, it draws attention to an aspect (...) of peer review not previously discussed – how peer review normativities are shaped by disciplinary origins. A content analysis of peer review documentation revealed that a hyperfocus on methods, which can be traced back to disciplinary origins, continues to be a guiding normativity. However, interviews with editors revealed that they do not acknowledge that normativity. Implications of those findings and their misalignment are discussed, as are contrasts with the history of other disciplines. (shrink)

The majority of the contemporary literature on Schelling and Heidegger focuses on the direct connection between the two philosophers – Heidegger’s engagement with Schelling’s Freedom essay. This paper, however, explores an implicit link between them on the topic of creation by reading Schelling’s Ages of the World alongside Heidegger’s ‘The Origin of the Work of Art’. It brings God’s creation in Schelling together with artistic creation in Heidegger and argues that the two have similarities in their structures, sources, and aims: (...) both creations are dependent on a two-fold struggle, the sources are either the absolute (in Schelling) or being (in Heidegger), and the aims are to reveal the divine principle (in Schelling) or the truth of being (in Heidegger) in the world. In making these comparisons, I argue that, in spite of Heidegger’s esoteric neologisms, his account of artistic creation is not as radically new as he himself claims. It can be read and better comprehended in the light of a Schellingian metaphysics of creation and, more broadly, in the light of the history of philosophy in general. Eventually, Heidegger’s philosophy remains committed to the tradition of philosophical theology, despite his own attempt to move beyond this tradition. (shrink)