Works by Trehub, Sandra E. (exact spelling)

10 found
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  1.  54
    Infant music perception: Domain-general or domain-specific mechanisms?Sandra E. Trehub & Erin E. Hannon - 2006 - Cognition 100 (1):73-99.
  2.  21
    Speech vs. singing: infants choose happier sounds.Marieve Corbeil, Sandra E. Trehub & Isabelle Peretz - 2013 - Frontiers in Psychology 4.
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  3.  32
    Dancing to Metallica and Dora: Case Study of a 19-Month-Old.Laura K. Cirelli & Sandra E. Trehub - 2019 - Frontiers in Psychology 10.
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  4. Music lessons from infants.Sandra E. Trehub - 2008 - In Susan Hallam, Ian Cross & Michael Thaut (eds.), Oxford Handbook of Music Psychology. Oxford University Press.
     
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  5.  19
    Music as a dishonest signal.Sandra E. Trehub - 2008 - Behavioral and Brain Sciences 31 (5):598-599.
    Instead of the discrete emotions approach adopted by Juslin & Vll (J&V), the present perspective considers musical signals as functioning primarily to influence listeners in ways that are favorable to the signaler. Viewing music through the lens of social-emotional regulation fits with typical uses of music in everyday contexts and with the cross-cultural use of music for infant affect regulation.
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  6.  30
    Exaggeration of Language-Specific Rhythms in English and French Children's Songs.Erin E. Hannon, Yohana Lévêque, Karli M. Nave & Sandra E. Trehub - 2016 - Frontiers in Psychology 7.
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  7.  42
    Cultural determinism is no better than biological determinism.Sandra E. Trehub & E. Glenn Schellenberg - 1998 - Behavioral and Brain Sciences 21 (3):427-428.
    Deliberate practice and experience may suffice as predictors of expertise, but they cannot account for spectacular achievements. Highly variable environmental and biological factors provide facilitating as well as constraining conditions for development, generating relative plasticity rather than absolute plasticity. The skills of virtuosos and idiots savants are more consistent with the talent account than with the deliberate-practice account.
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  8.  6
    Challenging infant-directed singing as a credible signal of maternal attention.Sandra E. Trehub - 2021 - Behavioral and Brain Sciences 44.
    I challenge Mehr et al.'s contention that ancestral mothers were reluctant to provide all the attention demanded by their infants. The societies in which music emerged likely involved foraging mothers who engaged in extensive infant carrying, feeding, and soothing. Accordingly, their singing was multimodal, its rhythms aligned with maternal movements, with arousal regulatory consequences for singers and listeners.
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  9.  7
    Divergent Perspectives on Musical Knowledge, Expertise, and Science.Sandra E. Trehub - 2020 - Evolutionary Studies in Imaginative Culture 4 (2):121-134.
    I review two recent books on music, both inspired by cognitive neuroscience but differing in most other respects. Isabelle Peretz, an expert in the cognitive neuroscience of music, describes how we perceive and produce music, as reflected in neural and behavioral re­sponsiveness. Her book is intended for general readers who are interested in music and curious about the science behind our musical nature-brains that are prepared for music and changed by active musical engagement. Lynn Helding, an expert in vocal perfor­mance (...)
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  10. Perspectives on music and affect in the early years.Sandra E. Trehub, Erin E. Hannon & Schachner & Adena - 2011 - In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oxford University Press.
     
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