A broad survey of the problem of aesthetics, founded on a dynamic and organismic conception of the work of art. The term "formativity" is coined to emphasize the primacy of the making process as against the implied stasis of "form," and what the author regards as the epiphenomenal nature of "expression." The definition, genesis, and internal economy of the work of art, and the problem of criticism are discussed. Contains little that is particularly new or original.--S. A. N.

This latest volume of the Husserliana continues the process of making available to a wider philosophical public the treasure of Husserl's unpublished writings at Louvain, formerly accessible only to a limited circle. Much of the work of later phenomenological psychologists is foreshadowed in this volume. After acknowledging the contributions of Dilthey and Brentano, Husserl proceeds to apply the analytical method of transcendental phenomenology as formulated in the Ideen to the concrete constitution of the living subject in the world. The priority (...) of the subject's world of spontaneous experience over the "objective world" of science is stressed. From an investigation of this direct experience the activity of the ego and the structure of the world as a realm of possible knowledge and action are systematically developed. There are appended the sketches and original text for the Encyclopaedia Britannica article "Phenomenology," and many brief essays amplifying the discussion. An essential book for anyone concerned with a most vital and productive current in continental thought.--S. A. N. (shrink)