The latest volume in the Oxford Readings in Philosophy series, this work brings together some of the best and most influential recent philosophical scholarship on Nietzsche. Opening with a substantial introduction by John Richardson, it covers: Nietzsche's views on truth and knowledge, his 'doctrines' of the eternal recurrence and will to power, his distinction between Apollinian and Dionysian art, his critique of morality, his conceptions of agency and self-creation, and his genealogical method. For each of these issues, the papers show (...) Nietzsche's continuing philosophical importance. Giving a clear and accessible overview, while retaining an analytical philosophical approach throughout, this volume is essential reading for all students of Nietzsche. (shrink)

This book argues, against recent interpretations, that Nietzsche does in fact have a metaphysical system--but that this is to his credit. Rather than renouncing philosophy's traditional project, he still aspires to find and state essential truths, both descriptive and valuative, about us and the world. These basic thoughts organize and inform everything he writes; by examining them closely we can find the larger structure and unifying sense of his strikingly diverse views. With rigor and conceptual specificity, Richardson examines the will-to-power (...) ontology and maps the values that emerge from it. He also considers the significance of Nietzsche's famous break with Plato--replacing the concept of "being" with that of "becoming." By its conservative method, this book tries to do better justice to the truly radical force of Nietzsche's ideas--to demonstrate more exactly their novelty and interest. (shrink)

Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as mediocre. So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was deeply and (...) pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin. Moreover, Richardson claims, these Darwinian borrowings were to Nietzsche's credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsche's radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a new Darwinism. (shrink)

In this book John Richardson argues for centering the concept of values in the study of Nietzsche's philosophical thinking. He identifies twelve of Nietzsche's key concepts, and organizes them into three sections: the first two outline how values influence human behavior and self-conception, while the third presents new values Nietzsche himself defines in response to his previous critiques. The study builds on recent scholarship in philosophy and provides one of the most up-to-date comprehensive assessments of Nietzsche.

Martin Heidegger is one of the twentieth century’s most influential, but also most cryptic and controversial philosophers. His early fusion of phenomenology with existentialism inspired Sartre and many others, and his later critique of modern rationality inspired Derrida and still others. This introduction covers the whole of Heidegger’s thought and is ideal for anyone coming to his work for the first time. John Richardson centres his account on Heidegger’s persistent effort to change the very kind of understanding or truth we (...) seek. Beginning with an overview of Heidegger’s life and work, he sketches the development of Heidegger’s thought up to the publication of _Being and Time_. He shows how that book takes up Husserl’s method of phenomenology and adapts it. He then introduces and assesses the key arguments of_ Being and Time_ under three headings—pragmatism, existentialism, and temporality—its three levels of analysis of human experience. Subsequent chapters introduce Heidegger’s later philosophy, including his turn towards a historical account of being, and new ideas about how we need to ‘think’ to get the truth about it; his influential writings on language, art, and poetry, and their role in the Western history of being; and his claim that this history has culminated in a technological relation to things that is deeply problematic, above all in the way it excludes the divine. The final chapter looks at Heidegger’s profound influence on several intellectual movements ranging from phenomenology to existentialism to postmodernism. A much-needed and refreshing introduction to this major figure, _Heidegger_ is ideal reading for anyone coming to his work for the first time and will interest and stimulate students and scholars alike. (shrink)

An international team of scholars offer a broad engagement with the thought of Friedrich Nietzsche. They discuss the main topics of his philosophy, under the headings of values, epistemology and metaphysics, and will to power. Other sections are devoted to his life, his relations to other philosophers, and his individual works.

A lucid introduction to the "existential phenomenology" of Martin Heidegger, particularly as developed in his major work, Being and Time, this work focuses on how Heidegger's ideas bear on the central problem in epistemology--that of how we can have objective knowledge. The author constructs fresh arguments clarifying Heidegger's contribution to the theory of knowledge, and shows why Heidegger deemed misguided the search for knowledge of the way things are in themselves.

Nietzsche attributes 'will power' to all living things, but this seems in sharp conflict with other positions important to him-and implausible besides. The doctrine smacks of both metaphysics and anthropomorphizing, which he elsewhere derides. Will to power seems to be an intentional end-directedness, involving cognitive or representational powers he is rightly loath to attribute to all organisms, and tends to downplay even in persons. This paper argues that we find a stronger reading of will to power-both more plausible and more (...) consistent with Nietzsche's other views-by developing his affinities with Darwinism. By seeing will to power as an 'internal revision' to Darwinism, opposing the latter's stress (as Nietzsche thinks) on 'survival', but assenting to its uses of natural selection, we can ground or naturalize that notion, congenially to Nietzsche and to us. (shrink)

This chapter contains sections titled: Introduction The World as Becoming How Time Arises for Organisms Human Time Eternal Return Conclusion on Realism and Idealism.

Nietzsche attributes ‘will power’ to all living things, but this seems in sharp conflict with other positions important to him‐and implausible besides. The doctrine smacks of both metaphysics and anthropomorphizing, which he elsewhere derides. Will to power seems to be an intentional end‐directedness, involving cognitive or representational powers he is rightly loath to attribute to all organisms, and tends to downplay even in persons. This paper argues that we find a stronger reading of will to power‐both more plausible and more (...) consistent with Nietzsche's other views‐by developing his affinities with Darwinism. By seeing will to power as an ‘internal revision’to Darwinism, opposing the latter's stress (as Nietzsche thinks) on ‘survival’, but assenting to its uses of natural selection, we can ground or naturalize that notion, congenially to Nietzsche and to us. (shrink)

My plan is to examine Nietzsche's view of (what is I think) the most characteristically Kantian kind of argument, what's now often called 'transcendental argument'. I understand this as an argument in which a concept or principle or value is justified as a 'condition of the possibility' of something indisputable (or indispensable). I will look at Nietzsche's critique of this pattern of argument in Kant, but also at the ways he still uses such arguments himself, in all three of the (...) sectors of Kant's critique: theoretical, practical, aesthetic. Planejo examinar a visão de Nietzsche sobre o que creio seja o tipo de argumento mais kantiano, o que é atualmente chamado de 'argumento transcendental'. Eu o entendo como um argumento no qual um conceito, ou princípio, ou valor seja justificado como uma 'condição da possibilidade' de algo indisputável (ou indispensável). Aprofundar-me-ei na crítica que Nietzsche estabelece sobre esse padrão de argumento em Kant, mas também nas formas em que ele mesmo se utiliza de tais argumentos, em todos os três setores da crítica de Kant: a teórica, a prática e a estética. (shrink)

This chapter begins with a discussion of the “opposition” between beauty and truth, and the way Nietzsche seems to divide his loyalty between them. It then considers Nietzsche's genealogy and argues that Nietzsche wants us to redesign our aesthetic aims once again, by “self selecting” them. This fourth locus of Darwinism in Nietzsche is probably the most surprising of all.

Introduction -- Navigating the neosurreal : background and premises -- Neosurrealist tendencies in recent films -- Neosurrealist metamusicals, flow and camp aesthetics -- In tandem with the random : loose synchronisation and remediation in Philip Glass's -- La Belle et la Bête and The dark side of Oz -- The surrealism of the virtual band in the digital age : Gorillaz' "Clint Eastwood" and "Feel good inc." -- Back to the garden? Performing the disaffected acoustic imaginary in the digital age (...) -- Concluding thoughts : all that is solid melts into air? (shrink)

This chapter presents a precise account of Nietzsche's biology, i.e., his explanation of organisms by those drives and wills. It is argued that we cannot understand Nietzsche's views on our values without seeing first and precisely how he thinks we are animals with drives. And we should only take those views about values seriously, if we have reason to think these foundations might let them be true.

This chapter focuses on Nietzsche's ethics and politics. It considers the particular genealogies Nietzsche gives for pity and altruism; his genealogies generally proceed through two stages: natural and social selection. Whether/how those social virtues get selected naturally and how they are then exapted by social selection are examined. This Nietzschean story is compared with the Social Darwinists' account of how morality evolves. These Darwinists hold that the development of these social virtues represents “progress”, and that it shows us the way (...) to progress still further. Nietzsche vehemently rejects this claim about progress, and even seems to dispute whether the notion itself is coherent. It is argued that his critique of progress leaves untouched kinds of personal and social progress in which he still believes. Nietzsche's ethical and political revaluings are discussed. (shrink)

This introductory chapter begins with a discussion of Nietzche's hostile views about Darwin and Darwinism. However, it is argued that this pointed animosity is misleading. Nietzsche appropriates the central idea of Darwinism, and his attacks on Darwinists really express the ways he tries to extend or build beyond it. This Darwinism in four areas of Nietzsche's philosophy is discussed: his biology, metaethics, ethics-politics, and aesthetics. An overview of the subsequent chapters in this book is presented.

This chapter begins by examining the interface between Nietzsche's values generally and the claims of fact sketched in Chapter 1. It is argued that just as his explanations are variants on Darwinian ones, so is his way of making his transition from explanations to values. How Nietzsche explains values is determined in order to address his metaethics — in particular this question about the ontic and epistemic relations between his facts and his values. It is shown that Nietzsche uses his (...) quasi-Darwinian facts about the sources of our values to raise himself into a superior valuative stance, from which he carries out his “revaluation of values”. This stance gives credit or support to the “new values” that result from this revaluation. (shrink)

This essay is one of ten contributions to a special editorial feature in The Journal of Nietzsche Studies 49.2, in which authors were invited to address the following questions: What is the future of Nietzsche studies? What are the most pressing questions its scholars should address? What texts and issues demand our urgent attention? And as we turn to these issues, what methodological and interpretive principles should guide us? The editorship hopes this collection will provide a starting point for discussions (...) about the most fruitful directions for Nietzsche scholarship to take and the most promising avenues for building on the best recent work. (shrink)

ABSTRACT Schacht's 1983 book remains a valuable resource for thinking philosophically about Nietzsche. In this article, I examine the book's treatment of two fundamental interpretive issues regarding how Nietzsche values, and what he values. I argue that Schacht misinterprets Nietzsche as a value realist, by failing to see that Nietzsche means his descriptive use of value to refer not to “so-called values,” but to genuine or full-fledged values. Moral values are just as much values as Nietzsche's own. And regarding Nietzsche's (...) own values, I argue here for a different relation among the values of affirmation, power, and truth than the one Schacht attributes to them. (shrink)

This handbook offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals-producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too-from street to stadium to classroom-would at times be hardly (...) recognizable to the mid-twentieth-century subject. The Oxford Handbook of New Audiovisual Aesthetics provides powerful ways to understand these changes.Earlier approaches tended to consider sound and music as secondary to image and narrative. These remained popular even as practices from theater, cinema and television migrated across media. However, the traversal, or "remediation," from one medium to another has also provided practitioners and audiences the chance to rewrite the rules of the audiovisual contract. Whether viewed from the vantage of televised mainstream culture, the Hollywood film industry, the cinematic avant-garde, or the participatory discourses of "cyberspace," audiovisual expression has changed dramatically. The book provides a definitive cross-section of current ways of thinking about sound and image. Its authors-leading scholars and promising younger ones, audiovisual practitioners and non-academic writers - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image. All consider the aural dimension, and what Michel Chion calls "audio-vision:" the sensory and semiotic result of sound placed with vision, an encounter greater than their sum. (shrink)

This chapter presents a list of the English words the author uses as stand-ins for Nietzsche's German.