Works by Hannay, A. H. (exact spelling)

23 found
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  1.  37
    The Concept of Art for Art's Sake.A. H. Hannay - 1954 - Philosophy 29 (108):44 - 53.
    THE cult of “art for art's sake,” which had a great vogue at the end of the last century, was, in pictorial art, set aside, or rather absorbed between the two wars by other cults of a similar nature, such as the cult of pure form, of plastic form, of cubism, and these in their turn have been pushed into the background by the sinister spectre of the unconscious. There are genuine problems behind these cults, and they are by no (...)
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  2.  21
    Action.A. H. Hannay - 1942 - Proceedings of the Aristotelian Society 42:141 - 150.
  3.  18
    Is Art Subjective?A. H. Hannay - 1948 - Proceedings of the Aristotelian Society 48:29 - 36.
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  4.  81
    III.—Primary and Secondary Qualities.A. H. Hannay - 1929 - Proceedings of the Aristotelian Society 29 (1):51-66.
  5.  52
    IV.—Is Art Subjective?A. H. Hannay - 1948 - Proceedings of the Aristotelian Society 48 (1):29-36.
  6.  11
    III.—Morality in Art.A. H. Hannay - 1931 - Proceedings of the Aristotelian Society 31 (1):37-54.
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  7.  24
    III.—Analysis of Wickedness.A. H. Hannay - 1945 - Proceedings of the Aristotelian Society 45 (1):59-70.
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  8.  8
    II.—The Realistic Basis of Contemporary Æsthetics.A. H. Hannay - 1933 - Proceedings of the Aristotelian Society 33 (1):29-46.
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  9.  13
    Morality in Art.A. H. Hannay - 1931 - Proceedings of the Aristotelian Society 31:37 - 54.
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  10. Symposium: Artistic Form and the Unconscious.A. H. Hannay & P. Leon - 1934 - Aristotelian Society Supplementary Volume 13:119-158.
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  11.  35
    Seventh International Congress of Philosophy.A. H. Hannay - 1929 - The Monist 39 (4):639-639.
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  12.  23
    Symposium: What Are the Distinctive Features of Arguments Used in Criticism of the Arts.A. H. Hannay, John Holloway & M. Macdonald - 1949 - Aristotelian Society Supplementary Volume 23 (1):165 - 194.
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  13. Symposium: What Are the Distinctive Features of Arguments Used in Criticism of the Arts.A. H. Hannay, John Holloway & M. Macdonald - 1949 - Aristotelian Society Supplementary Volume 23:165-194.
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  14.  14
    VII—Action.A. H. Hannay - 1942 - Proceedings of the Aristotelian Society 42 (1):141-150.
  15.  6
    VI.—Standards and Principles in Art.A. H. Hannay - 1922 - Proceedings of the Aristotelian Society 22 (1):105-122.
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  16.  33
    VI.—Is the Imagination Creative?A. H. Hannay - 1936 - Proceedings of the Aristotelian Society 36 (1):109-130.
  17.  12
    X.—Religion, Morality and Philosophy.A. H. Hannay - 1940 - Proceedings of the Aristotelian Society 40 (1):245-254.
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  18.  36
    XV.—Symposium: The Subject-Object Relation in the Historical Judgment.A. H. Hannay, H. Wildon Carr & T. P. Nunn - 1925 - Proceedings of the Aristotelian Society 25 (1):267-288.
  19.  21
    Institute Notes.J. A. Smith & A. H. Hannay - 1930 - Philosophy 5 (18):321-.
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  20.  4
    Symposium: Is Art A Form of Apprehension or A Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Aristotelian Society Supplementary Volume 5 (1):173-212.
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  21.  7
    Symposium: Is Art A Form of Apprehension or A Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Aristotelian Society Supplementary Volume 5 (1):173-212.
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  22.  29
    Symposium: Is Art a Form of Apprehension or a Form of Expression?John Macmurray, C. E. M. Joad & A. H. Hannay - 1925 - Aristotelian Society Supplementary Volume 5 (1):173 - 212.
  23.  24
    Artistic Form and the Unconscious.J. M. Thorburn, A. H. Hannay & P. Leon - 1934 - Aristotelian Society Supplementary Volume 13 (1):119-158.