Сборник докладов предназначен для специалистов.

В сборнике представлены очерки, герои которых - художники, философы, священнослужители, ученые, император Индии, французская крестьянка, Учитель Гималайского Братства и другие - сыграли немаловажную роль в земном творчестве Космической эволюции. Для широкого круга читателей.

Новая книга известного философа, историка и индолога Л.В.Шапошниковой — новое слово в осмыслении фигуры И.В.Сталина. Кто он, откуда и какова была цель его жизни — нам предстоит разобраться в этой книге. Если мы не сделаем этого, утверждает автор, то останемся слепыми, верящими в несуществующие мифы и соблазнительные легенды. Личность и деятельность «вождя всех времен и народов» рассматриваются с позиций нового космического мышления, согласно которому исторический процесс является важнейшей составляющей космической эволюции и подчиняется законам Космоса. Центральная тема книги — борьба между (...) Светом и тьмой, которая в ХХ веке обрела острейший и тяжелейший характер и перешла в пространство планеты Земля. Издание адресовано широкому кругу читателей. (shrink)

Центральная тема книги - творчество космической эволюции, осуществляемое на Земле Космическими Иерархами - Великими Учителями. Они через своих Вестников доносят до человечества импульсы, стимулирующие его развитие и выводящие на новую ступень сознания.

Purpose. Romanticism as a movement developed in Germany, where, becoming the philosophy of time in the 18th-19th centuries, spread to all European countries. The "mobility" of the Romantic doctrine, its diversity, sometimes contradictory views, attitude to man as a free, harmonious, creative person led to the susceptibility of this movement by ethnic groups, different in nature and mentality. Its ideas found a wide response in Ukraine with its "cordocentric" type of culture in the early nineteenth century. Since the peculiarity of (...) "Ukrainian Romanticism" was its "literary-centric" nature, the purpose of this study is to analyse and comprehend the place of man in the national philosophy and literature of this period. Accordingly, the main tasks of the work are as follows: to determine the main features, the nature of Ukrainian Romanticism; to trace the main vectors of comprehension and image of man in the literature of this time. Theoretical basis. The ideas of European Romanticism were creatively rethought and assimilated during the emergence of new Ukrainian literature. It provided samples of highly artistic works, unique names of talented writers – creators and thinkers, who in their works reflected the philosophy of time. Based on the works of F. Schlegel, partly E. Husserl, M. Heidegger, K. Jaspers, Romanticism in the Ukrainian humanities, in terms of philosophy, culturology, as well as at the intersection with literature, was studied by T. Bovsunivska, Y. Hrybkova, S. Efremov, N. Kalenichenko, S. Kozak, T. Komarynets, D. Nalyvayko, Y. Nakhlik, I. Ogorodnyk, V. Ogorodnyk, A. Sinitsyna, D. Chyzhevsky, M. Yatsenko, E. Kyryliuk, M. Biletsky, D. Dontsov, S. Efremov, G. Kostyuk, S. Krymsky, Y. Sherekh and others. Originality. The authors of the article prove that Romanticism in Ukraine, being "literary-centric" inherently, having absorbed the main ideas and features of European Romanticism, has its own features and vectors of formation and development. Man in this kind of movement, thanks to the means of art, appears very clearly as a spiritually rich, sensitive, vulnerable and strong person. For him or her, the highest value is freedom, the ability to make freely independent fateful decisions. Conclusions. Ukrainian writers, reflecting the philosophical ideas of Romanticism, saw in man a harmonious combination of "natural" and "social", through which he indirectly carries out his own national existence. In addition to the objective realities of the external world, in their works, Romantic writers appeal to the subjective, internal, spiritual, "ideal" world of the hero, who interacts with reality through his own system of values. At each level of development of the humanities and methodology of cognition, this allows a new reading of these works. (shrink)

В монографии рассматривается проблема целостности духовного смысла в русской художественности на фоне социокультурной динамики. Для специалистов.

The article examines the situation associated with the spread of social networks, which brought not only new communication opportunities, but also the risks of blurring the boundaries between privacy and publicity. People voluntarily share personal data in exchange for public acceptance. This information is recorded and studied by various government and commercial institutions. The danger to information privacy as a right to control access to personal information is aggravated by the peculiarities of online communication, which is characterized by “context collapse”: (...) the merging of different audiences with different norms and values. Content posted on social media is searchable beyond a specific point in time and situation. If offline communication involves a foreseeable number of interlocutors, there is an “invisible audience” on social networks, which leads to information asymmetry. However, despite the fact that most users are aware of the potential dangers of privacy breaches, they share personal information on social networks. This phenomenon is called the privacy paradox. The reasons for this behavior are a lack of technical and social skills, a reluctance to spend time and energy on measures to minimize risks, a desire to have wide social connections and skepticism about the effectiveness of the efforts being made. The behavior of users on social networks is influenced primarily by factors such as age and education. The most concerned about the preservation of privacy are young people and middle-aged people, as they have to manage the most complex social relations. (shrink)

Study on perception (pratyakṣa) according to the Nyāyabhūṣaṇa, an autocommentary by Bhāsarvajña, 10th century Kashmiri scholar, on his Nyāyasāra, aphorisms on the Hindu philosophy of logic (Nyāya).

Because of the outward openness of Platonov's world, and the existence in it of recognizable, seemingly deliberately enhanced motifs, one can easily be misled or in any event confused, never getting to the source of this diversity of meanings which, however, by being repeated over and over again, becomes a kind of monotone calling upon us to make sense of it as well. Something similar may also be identified in Dostoevsky: one and the same element, repeated incessantly, creates an "emblematic (...) theme" or an "ontological schema" the contours of which are discernible in almost all his major writings. (shrink)

In contemporary linguistic studies, the category of taxis is one of the poorly studied aspects of language. It is explained by the fact that the means of expressing time relations are different in different languages. That is conditioned by the properties of the grammatical structure of the languages. Taxis relations are influenced by the representation of the situation in the utterance from the standpoint of its allocation and progression in a set period of time. The relations of the strict chronological (...) asynchrony are of particular interest for contemporary linguistics. In the study of the expression of the asynchrony relations, one of the actual question is the defining of the strict limits of the preceding and following actions. The study conducted on the material of belles-lettres allows the authors to demonstrate the most frequent means of expression of the relations of the strict chronological asynchrony in the German language. The morphological, lexico-grammatical, and syntactic means of organization of utterance, serving for expression of the relations of the strict chronological asynchrony can be used in speech in isolated form and in combination with other means. (shrink)

_Purpose._ The study is aimed at the "philosophy of translation" methodology outlining as an original philosophical texts translation tool from the point of view of culture as anthropological phenomena, namely, individuals’ participating in the text creation process providing the consistent following tasks solution: a) clarifying the text author’s role, which is the object of recipients’ perception; b) the human psyche inexhaustible potential realization for the primary text semantic content understanding by the translator to prevent its distortion; c) defining the requirements (...) for the translation process as a mean of bringing the reader closer to author’s understanding by language barrier elimination as an intuitive "obstacle" on its way. _Theoretical basis._ The author proceeds from the factual absence of the "philosophy of translation" concept unambiguous definition in the modern anthropological and philosophical space and seeks to take into account all the factors affecting the newly created text quality due to the all participants’ features reviled on every stage of the text translation process. Today, the "philosophy of translation" is a widely used phrase, though ignoring the characteristics of man as a single meaning creator of the concept under study. The article provisions are based on philosophical, translation, and psychological studies with an emphasis on classical and non-classical anthropology research (Gadamer, Khoma, Holovach, Chepeleva, Dizdar, Leonov, Lotman, Bakhtin, etc.). _Originality._ The author proposes a methodology for the original philosophical text adaptation and presents a generalized step-by-step scheme for its translation, which helps to solve the personality of the researcher and/or translator’s influence problem on the individual author’s meaning preservation during its reproduction in a reader’s convenient language. _Conclusions._ A look at the "philosophy of translation" from the philosophical anthropology point of view allows us not only to consider the process of translation from the individual characteristics of all the participants (author/philosopher-reader-researcher/translator-reader-philosopher/reader) but also to describe such translation methodology by concentrating on highlighting the author’s reasoning course, which rises new knowledge and encourages further philosophical reflection within the human nature instability problem. The translation of a philosophical text not only reproduces the semantic structure of the original message but also provides a number of possible dialogical reactions to it as an object of human phenomenology. The proposed concept takes into account any reader’s needs, fully preserving the author’s position. (shrink)