What does it take to be subjectively free in an objectively rational social order? In this book Andreja Novakovic offers a fresh interpretation of Hegel's account of ethical life by focusing on his concept of habit or 'second nature'. Novakovic addresses two central and difficult issues facing any interpretation of his Philosophy of Right: why Hegel thinks that it is is better to relate unreflectively to the laws of ethical life, and which forms of reflection, especially critical (...) reflection, remain available within ethical life. Her interpretation draws on numerous parts of Hegel's system, particularly on his 'Anthropology' and his Phenomenology of Spirit, and also explores connections between his account and those of other philosophers. Her aim is to argue that Hegel has a compelling conception of the ordinary ethical standpoint which takes seriously both the virtues and the perils of reflection. (shrink)

Hegel frequently identifies ethical life with a “second nature.” This strategy has puzzled those who assume that second nature represents a deficient appearance of ethical life, one that needs to be overcome, supplemented, or constantly challenged. I argue that Hegel identifies ethical life with a second nature because he thinks that a social order only becomes a candidate for ethical life, if it provides a context conducive to the development of what I call “real habits.” First, I show that a (...) criterion for a real habit can be found in Hegel's Anthropology, namely, that of liberation. Next, I explain how the state, as Hegel analyzes it in the Philosophy of Right, provides such an environment by enabling trust toward and within it. I then consider two literary examples of contexts that fail to be similarly supportive—Coates' Between the World and Me and Atwood's Handmaid's Tale—concluding with reasons for thinking that real habits are an integral part of ethical life. (shrink)

Hegel's Science of Logic tracks the self-contained and self-generated development of what Hegel calls the concept. My question is: can the concept in the Logic surprise itself? I argue that the answer to that question is yes—the concept can surprise itself when it rediscovers itself in a place it did not expect to be. I first clarify the kind of perspective that the Logic asks us as readers to occupy and its difference from the perspective inside the ‘opposition’ of consciousness. (...) I then provide an example of the concept's self-surprise, namely, the transition from subjective to realized purpose in the Subjective Logic. I conclude by drawing out some implications of self-surprise for Hegel's method in the Logic and in the subsequent Realphilosophie. (shrink)

Hegel never wrote a treatise on the philosophy of history, though he lectured regularly on the subject between 1818 and 1831 in Berlin. The posthumously publish.

In the Preface to the Philosophy of Right, Hegel draws a favourable comparison between his project and Plato’s Republic, while making a critical comment about an example taken from Plato’s Laws. In...

Critique of Forms of Life, by JaeggiRahel, trans. Ciaran Cronin. Cambridge, MA: Harvard University Press, 2018. Pp. xx + 395.

European Journal of Philosophy, EarlyView.

European Journal of Philosophy, Volume 29, Issue 1, Page 279-282, March 2021.

In this paper, we consider multiplicative-additive fragments of affine propositional classical linear logic extended with n-contraction. To be specific, n-contraction (n 2) is a version of the contraction rule where (n+ 1) occurrences of a formula may be contracted to n occurrences. We show that expansions of the linear models for (n + 1)- valued ukasiewicz logic are models for the multiplicative-additive classical linear logic, its affine version and their extensions with n-contraction. We prove the finite axiomatizability for the classes (...) of finite models, as well as for the class of infinite linear models based on the set of rational numbers in the interval [0, 1]. The axiomatizations obtained in a Gentzen-style formulation are equivalent to finite and infinite-valued ukasiewicz logics. (shrink)

In this paper, constructions of free algebras corresponding to multiplicative classical linear logic, its affine variant, and their extensions with -contraction () are given. As an application, the cardinality problem of some one-variable linear fragments with -contraction is solved.

Kaj učimo, ko v sodobni slovenski gimnaziji učimo latinsko? S kakšnimi cilji vstopamo v razrede, kaj pričakujemo, da bodo naši dijaki znali? Navedena vprašanja so le na videz preprosta. V najbolj pragmatičnem smislu nanje odgovarja veljavni učni načrt za latinščino, ki niza cilje pouka in s tem pričakovane zmožnosti dijakov. V tem prispevku skušam slednje osvetliti z zornega kota prakse in sicer z vpogledom v slovensko državno tekmovanje v znanju latinščine, namenjeno di­jakom tretjega letnika gimnazije. Ob tem izhajam iz predpostavke, (...) da je tekmovalne naloge moč vsaj do določene mere imeti za »praktično« dopolnilo učnemu načrtu, za dovolj reprezentativne odgovore na vpra­šanje, kaj si pod začrtanimi cilji predstavljamo povsem pragmatično, in tako tudi za ilustrativen prikaz naših skupnih pričakovanj o tem, katere kompetence naj bi dijaki po skoraj treh letih gimnazijskega učenja imeli. Tekmovalne naloge, deloma pa tudi dileme, ki jih pred ocenjevalce postavlja točkovanje odgovorov, mi obenem služijo kot osnova za razmislek o tem, kje ležijo prednosti in didaktični izzivi sodobnega pouka latinščine. (shrink)

The paper analyses a short scene that forms part of the opening of Sophocles’ Aias : Aias, suffering from the madness that was inflicted upon him by Athena, is displayed by the goddess to Odysseus. In the corpus of extant ancient drama, this inset appears to be unique. Its expressive power is derived from the scene’s specific structure that doubles the integral elements of theatre. The paper suggests the reasons why the scene has often been labeled “a play-within-a-play,” describing and (...) illustrating the elements that can be paralleled with the structural components of theatre. Taking as basis concepts and ideas proposed by modern theatre theoreticians, the paper argues that the essence of the performative dimension of the scene is to be found in the phenomenon of the “ostentation act” first described by Umberto Eco. Tracing the meaning of the inset within the tragedy as a whole, the paper emphasizes the fact that the “ostentation” in Aias is a divine creation, and examines how Odysseus, a privileged recipient of the spectacle, reacts to the display of Aias’ shameful condition. (shrink)

This article explores how the Slovenian women's lifestyle magazine Naša žena (Our Woman) helped the Yugoslavian socialist project construct and shape the ideal socialist woman, and argues that she became the crucial ally in implementing socialist ideas in the everyday lives of Slovenians. The article shows how texts on food preparation and consumption, as well as those touching on household management and family care, published in Naša žena from 1960 to 1991 played an important part in the ‘civilising’ process that (...) shaped behaviour, directed cultural and social practices, influenced social relations and constructed women's identities during socialism. We show how food-related texts (articles, recipes, columns, advertisements and advertorials) were never far removed from the larger political and economic socialist realities. In fact, they bore witness to changes in living standards and told stories about gender regimes, socialist ideologies and fantasies. These texts belong to a corpus of social transcripts that guide collective understandings of what it means to select, prepare, cook and eat food; what constitutes good cooking and eating; and who is responsible for preparing meals. Despite official socialist feminist rhetoric about freeing women from backward patriarchal arrangements, this article shows that texts offering food-related advice in socialist Yugoslavia contained explicit instructions for the ‘correct’ performance of the social roles of women, legitimising women's roles as worker, mother, wife and housekeeper. Above all, a woman was to be an ‘engineer’ of the private domain whose goals were to feed her family and keep the nation healthy and hence productive, and to modernise her kitchen in support of the technological and economic development of Yugoslavia. (shrink)

This book aims to re-think the way in which the subject is inscribed in the modern political, and does so by exploring the potentiality of Lacano-Deleuzian theoretical framework. It concerns a different ontology and a non-dualist understanding of political and legal existence, by focusing on questions such as _how to think alternative notions of political existence_ and _what kind of political, social and legal order do these come to create. _ This investigation into political appearance of subjects through concepts of (...) law, body and life is led and influenced by the thought of Gilles Deleuze and Jacques Lacan, as well as Alain Badiou, Antonio Negri and Slavoj Žižek. The book takes on various conceptualisations of life, explores the relationship between law and life and develops an alternative notion of legal and political existence in particular in the context of rights. On the back of Guantánamo’s legal and political discourses this work aims to show why and how the problems of world politics or the limitations of rights discourse require an engagement with questions such as what it means to exist as a human being, what forms of life are politically recognised, which are not, and why this distinction. By pointing to a different ontology for thinking and understanding global politics and demonstrating how a trans-disciplinary and philosophical approaches can foster the debates in world politics, this book will be of interest to postgraduates and scholars working on critical normative ideas in international politics, critical security studies and critical legal studies. (shrink)

In this paper, we introduce connectification operators for intuitionistic and classical linear algebras corresponding to linear logic and to some of its extensions withn-contraction. In particular,n-contraction (n2) is a version of the contraction rule, wheren+1 occurrences of a formula may be contracted ton occurrences. Since cut cannot be eliminated from the systems withn-contraction considered most of the standard proof-theoretic techniques to investigate meta-properties of those systems are useless. However, by means of connectification we establish the disjunction property for both intuitionistic (...) and classical affine linear logics withn-contraction. (shrink)

In this paper, constructions of free ordered algebras on one generator are given that correspond to some one-variable fragments of affine propositional classical logic and their extensions with n-contraction (n ≥ 2). Moreover, embeddings of the already known infinite free structures into the algebras introduced below are furnished with; thus, solving along the respective cardinality problems.

In this paper, constructions of free ordered algebras on one generator are given that correspond to some one-variable fragments of affine propositional classical logic and their extensions with n-contraction. Moreover, embeddings of the already known infinite free structures into the algebras introduced below are furnished with; thus, solving along the respective cardinality problems.

This paper deals with some strengthenings of the non-directional product-free Lambek calculus by means of additional structural rules. In fact, the rules contraction and expansion are restricted to basic types. For each of the presented systems the usual proof-theoretic notions are discussed, some new concepts especially designed for these calculi are introduced reflecting their intermediate position between the weaker and the stronger sequent-systems.

The main purpose of this note is to present "difficult" embeddings of minimal and full intuitionistic logic into classical linear logic, and to prove their soundness and faithfulness. Moreover, it is also pointed out that Girard's translation of intuitionistic logic into classical linear logic is provably equivalent to one of the translations considered in this paper.

This paper takes the removal of the Colston statue in Bristol in the summer of 2020 and the accompanying Black Lives Matter protest as a political setting which can help us explore the radical political potential of Ari Hirvonen’s work. In this intervention I return to some of the themes that his work continuously engages with (such as the question of the limits, transgressions of law, and ethical acts), and re-think them in the context of racial justice. This think-piece opens (...) with reconsideration of ethics and politics drawing on Hirvonen’s brilliant readings of the Antigone and his last book Ethics of Tragedy. By reading transgressions of law as forms of (productive) perversions, this intervention, explores ways in which a different kind of politics might emerge. If in most of his works, Hirvonen saw radical democracy as a vehicle for socio-political transformation, his last work, I argue, moves towards radical even revolutionary transformations. Here I propose to read actions taken by the contemporary racial justice groups as an attempt to embody ‘perversion as rebellion’ or perversion as resistance (both ideas found in Hirvonen’s work). (shrink)

When anti-racist protestors toppled the statue of Edward Colston in Bristol in June 2020, British political elites across the left-rights spectrum, despite acknowledging that a statue of a slave trader has no place in the contemporary politics, called to firm the application of law and order. Through the example of Edward Colston, the essay examines what Lacan’s idea of perversion can reveal about the power relations between political elites and anti-racist protestors. It opens by discussing the impossibility of ethics in (...) political contexts, before turning to the question of jouissance and its role in the creation of a racialised other and political institutions (and myths of white supremacy). If jouissance of the other racialises the other as deviant, pervert’s jouissance is de-personalised and made to follow “a greater good”. In doing so, the essay argues that perversion reveals the logics of racial hierarchies, which underpin and maintain modern society. (shrink)

As a counterpoint to demonstrative proofs in metaphysics, Robert Nozick presented the case for God’s existence based on the value of personal experiences. Personal experiences shape one’s life, but this is even more evident with extraordinary experiences, such can be religious ones. In the next step, says the argument, if those experiences can be explained only by invoking the concept of the Supreme Being, then God exists. The second step mirrors scientific explanation constituting what Nozick calls the “argument to the (...) best explanation.” The argument is set against the background of Nozick’s methodology which rejects demonstrative proofs in metaphysics. Its purpose is threefold. It aims to establish a certain sort of experience (religious/spiritual) as a legitimate basis for the argumentation; it aims to show that it is not philosophically blasphemous to explain such experiences by introducing a concept of divinity. Finally, it seeks to showcase the non-dogmatic, investigative nature of the argument. By exploring the merits of Nozick’s proposal, I will try to elucidate all three components, which should pave the way for a broader discussion on the role of non-demonstrative arguments in metaphysics. (shrink)

Summary The aim of this paper is to provide an examination of the concept of aesthetic rationality in the philosophy of art of Theodor W. Adorno, related to his celebrated critique of the enlightenment in The Dialectic of the Enlightenment written with Max Horkheimer. Our main purpose is to show how Adorno?s conception of art responds to a problem posed in the former study, namely that of a dialectical self-enchantment and alienation of subjective reason. In the first two sections is (...) shown how self-preservation of subjective reason leads to its fall into the realm of myth. This turn was dialectically exposed in Adorno?s interpretation of Odysseus? voyage as prahistory of subjectivity. The next four chapters expose a necessity and mode of critical approach and possibility of a transcendence of this mythical reality of reification in the structure of works of art, especially their form, with its ultimate goal to free individuals from social injustice and unconscious enslavement. Adorno?s account of the dialectics of aesthetic semblance, artistic truth content and immanent law of its form which embodies the consciousness of non-identity provides an ex?planation how modern art mimetically manages to transcend conditions of empirical reality and at the same time offers a plausible model of a?transitive? rationality, which serves to discover its better possibilities. Rad se bavi Adornovom idejom estetske racionalnosti razvijenom u njegovoj filozofiji umetnosti. Ona predstavlja odgovor na problem zacaravanja uma kojeg postavlja Dijalektika prosvetiteljstva i pokusaj njegovog prosvecivanja po uzoru na nacin postupanja umetnosti. Ovde se pokazuje na koji nacin se mehanizmu opire estetski model racionalnosti prisutan u umetnosti i pod kojim uslovima on postize oslobadjanje prirode iz vlasti subjektivnog duha, a saglasno sa tim i coveka iz vlasti prirode, koja se u toku rascaravanja dijalekticki preobrazila u mitsku silu koja ljude otudjuje od slobode, a samim tim i od mogucnosti postizanja srece. Prema ovoj argumentaciji, umetnost u Adornovom misljenju igra sredisnju ulogu u kritici prosvecenosti. PR Projekat Ministarstva nauke Republike Srbije, br. 149029. (shrink)

Ovaj ogled razmatra kritiku Kjerkegorovog ucenja o egzistenciji, koju je izneo Teodor V. Adorno u svom habilitacionom spisu Kjerkegor. Konstrukcija estetskog. Polazeci od ove filozofije, Adorno iznosi osnovnu tezu da je Kjerkegor, suprotno svojoj osnovnoj nameri suprotstavljanja Hegelovoj ontologiji, upravo idealista i da sa njegovim radikalnim personalizmom idealisticka filozofija dolazi u poznu fazu dezintegracije. Kjerkegorovo ucenje o?unutrasnjosti bez objekta? pokazuje nerazresive protivrecnosti, ali u fazi?raspadanja? na figurativan nacin otkriva i svoju istorijsku istinu da je on duhovni izraz individualizma gradjanskog doba (...) i otudjenja coveka u modernom drustvu. To otudjenje Kjerkegor vidi kao gubitak?smisla?, koji se ponovo moze zadobiti jedino u veri. Adorno preokrece ovo stanoviste misleci da se Kjerkegorova filozofija najvise priblizava njenoj istini ne u religioznom iskustvu, nego u estetskom. Trazeni smisao se ne moze ponovo pronaci skokom u transcendentno, vec u estetskoj sferi, gde je on utopijski, jer nagovestava privid pomirenog stanja izmedju coveka i prirode. (shrink)

Ovaj ogled razmatra kritiku Kjerkegorovog ucenja o egzistenciji, koju je izneo Teodor V. Adorno u svom habilitacionom spisu Kjerkegor. Konstrukcija estetskog. Polazeci od ove filozofije, Adorno iznosi osnovnu tezu da je Kjerkegor, suprotno svojoj osnovnoj nameri suprotstavljanja Hegelovoj ontologiji, upravo idealista i da sa njegovim radikalnim personalizmom idealisticka filozofija dolazi u poznu fazu dezintegracije. Kjerkegorovo ucenje o?unutrasnjosti bez objekta? pokazuje nerazresive protivrecnosti, ali u fazi?raspadanja? na figurativan nacin otkriva i svoju istorijsku istinu da je on duhovni izraz individualizma gradjanskog doba (...) i otudjenja coveka u modernom drustvu. To otudjenje Kjerkegor vidi kao gubitak?smisla?, koji se ponovo moze zadobiti jedino u veri. Adorno preokrece ovo stanoviste misleci da se Kjerkegorova filozofija najvise priblizava njenoj istini ne u religioznom iskustvu, nego u estetskom. Trazeni smisao se ne moze ponovo pronaci skokom u transcendentno, vec u estetskoj sferi, gde je on utopijski, jer nagovestava privid pomirenog stanja izmedju coveka i prirode. (shrink)

: This book makes interesting reading not only because of the subject but also because of the authors’ approach to it. It is, in fact, an energetic and thought-provoking dialogue between a libertarian political economist, Nikolai G. Wenzel, and a conservative political philosopher, Nathan W. Schlueter. By setting aside the journalistic urge for simplifications and […].

Rad se bavi Adornovom idejom estetske racionalnosti razvijenom u njegovoj filozofiji umetnosti. Ona predstavlja odgovor na problem zacaravanja uma kojeg postavlja Dijalektika prosvetiteljstva i pokusaj njegovog prosvecivanja po uzoru na nacin postupanja umetnosti. Ovde se pokazuje na koji nacin se mehanizmu opire estetski model racionalnosti prisutan u umetnosti i pod kojim uslovima on postize oslobadjanje prirode iz vlasti subjektivnog duha, a saglasno sa tim i coveka iz vlasti prirode, koja se u toku rascaravanja dijalekticki preobrazila u mitsku silu koja ljude (...) otudjuje od slobode, a samim tim i od mogucnosti postizanja srece. Prema ovoj argumentaciji, umetnost u Adornovom misljenju igra sredisnju ulogu u kritici prosvecenosti. PR Projekat Ministarstva nauke Republike Srbije, br. 149029. (shrink)