Giorgio Agamben, Homo Sacer. Puterea suverană şi viaţa nudă (Homo Sacer. Sovereign power and the naked life) Ed. Idea Design&Print, Cluj- Napoca, 2006.

The Romanian Journal of Society and Politics Corruption and Development,volume 2, number 1, May 2002.

Review CLAHR (Colonial Latin American Historcal Review), Vol. 11, Fall 2002, No. 4.

Florea Lucaci, Creatie si fiintare. Un temei in ontologia umanului Editura Dacia, Cluj Napoca, 2002.

Marius Jucan, Singuratatea salvata. O încercare asupra operei lui Henry David Thoreau din perspectiva modernitatii americane Editura Fundatiei pentru Studii Europene, Cluj Napoca, 2001.

A concise examination and description of freedom per se, among humans, in human interaction with the nonhuman environ­ment, and as innate human capacity. The subject is freedom, not politics, though McMackin describes political systems in his first essay, “Alternatives and Restrictions,” and references those descriptions in illustra­tion of human presumptive exercise of choice. Democracy is accorded more atten­tion than most systems for the help it offers in his careful study of freedom. The second essay, “Choice and Determin­ism,” is devoted to (...) determinism, the hope that all, in the full sense of that word, either flows from the personal, conscious decisions of a perfect creator who transcends his uni­verse, or the desire that all has been, is, and will be caused by the inherency of the self-existing universe, the relentless working of mindless matter. The topic suggests meta­physics; the discussion does not. McMackin is an accomplished essayist with a style uniquely his own, and the deftness he demonstrates as he clarifies concepts through his illuminating and suggestive analyses enter­tains while the insights challenge. As McMackin writes early in his first essay, “We need abstract and ideal terms not because we are amused by_ _toying mystically with impos­sibilities but because only through them are we able to deal intelligently with the commonplace.”. (shrink)

Problems Section. Problem 3 by Richard Sharvy. Solution to Problems 1 and 2 from previous issue (3:1).

Cartea Karenei Gloy este un produs tipic al tradiţiei universitare germane ce-şi are originile încă de la Wolff: solidă, cuprinzătoare, bine informată, fără excese şi fără părtinire în interpretare. Aceste caracteristici fac din ea un excelent ghid în clarificarea tematicii tratate. Înţelegerea naturii în civilizaţia occidentală, de la greci până în zilele noastre este, desigur, un subiect extrem de vast, şi, aparent, o sarcină imposibilă. Concentrându-se însă doar asupra perspectivei istorice, autoarea reuşeşte foarte bine să evite complicaţiile inerente unor domenii (...) ca antropologia culturală, istoria mentalităţilor, a ideilor sau a ideologiilor, punând în faţa cititorului o lucrare care, în intenţie dar şi în realizare, îşi merită pe deplin numele: o istorie a gândirii naturii, al cărei gen proxim este istoria filosofiei propriu-zise. (shrink)

Do all clinical research publications show strong application of ethics principles and respect for biomedical law? We examined, for the year 2009, the ethics requirements displayed on the website of 30 leading medical journals with an impact factor (IF) >10, and 30 others with an IF <10. We carried out a short study looking at the relationship between the IF of a journal and the ethics requirements in its instructions to authors. We show that the IF of a biomedical journal (...) bears a direct relationship to its ethics requirements. Such results should improve the ethics requirements of all biomedical journals, especially those with low IF, so that they are internationally standardised to the higher standard required by journals with higher IF. (shrink)

The current research is based on Senninger’s Learning Zone Model applied to the tourists’ comfort zone. This model was created in 2000 and it proved to be useful in many applied areas: Psychology, Sociology, Marketing and Management. This modes is a behavioral one and shows how a person can justify his action based on previous tested experiences or dares to step beyond in fear, learn or growth zone. Our research is extending the existent area of expertise to tourism. We aimed (...) at exploring whether the tourists’ apprehension toward choosing their next destination from a comfort zone perspective or rather from the other zones’ perspectives such as fear, learning or growth. To meet this purpose we conducted a mixed method: firstly a qualitative one, an in-depth interview based on Delphi method with 10 tourism specialists and secondly an online survey on 208 Generation Z tourists. The interviews were meant to help developing a 20 items scale to measure from which of the 4 zones are the respondents making the choice of the future travel destination. Our conclusions show that Gen Z tourists display behaviors that can be associated with learning or growth zones rather than the comfort zone. This is relevant when choosing the next travel destination, because our findings could bring about a new approach to promoting tourist destinations as part of various products. As a result, a large range of managerial tools can better adapt the promotion messages to the target market from a new psychological perspective. (shrink)

This essay explores the faultlines, poetic pressures and social structures of feeling determining poetry “after” Hiroshima. Nuclear bombs, accidents and waste pose theoretical and poetic challenges. The argument outlines a model of nuclear implicature that reworks Gricean conversational implicature. Nuclear implicature helps to describe ways in which poems “represent” nuclear problems implicitly rather than explicitly. Metonymic, metaphorical, and grammatical modes of implication are juxtaposed with recognition of social attitudes complicit with nuclear problems. Mushroom and lichen metaphors are analysed and distinguished. (...) There are brief accounts of The Chernobyl Herbarium, The Nuclear Culture Source Book and poems by Aidan Semmens, Lorine Niedecker, George Oppen, Denise Levertov, Adrienne Rich, Allen Ginsberg and Gerry Loose. The argument attempts to keep open the fragile agency of writing in poems that confront nuclear power. Poetry after Hiroshima is also contrasted with Adorno’s provocative questions about poetry after Auschwitz, amid Cold War arguments that have distorted recognition of the reality of nuclear production. The essay concludes by considering the emergence of poetry within E.P. Thompson’s theoretical account of “Exterminism,” sketching ways in which poetics and theory might inform both the nuclear imagination and the difficulties of nuclear song. (shrink)