The purpose of the article is, firstly, to explicate and give a critical assessment of the methodological, epistemological, and philosophical foundations that led to the “rhetorical turn” in modern philosophy, and, secondly, to answer the question of how justified the grounds for such a “rhetorical turn” are. The answer proposed is based on a reconstruction of Eugene Dupréel’s critical arguments that were directed against the “classical philosophy” and their reception in Chaim Perelman’s works during his “turning point” period (1947 – (...) 1949). The article proves that these two scholars’ critique of classical philosophy proceeds from a realistic position, therefore it does not apply to the epistemological principles of idealistic philosophy. Their criticism of the classical theory of progress and the ideal of universally valid knowledge is “axiological” in nature and boils down to a reassessment of all traditional values. As a result of this reassessment, the methodological principles of sophistry (subjectivism, pragmatism, pluralism, relativism, conventionalism, etc.) are actually rehabilitated. The criticism of philosophy that appeals to spoken language and everyday knowledge, is not justified, since it is based on a misunderstanding of the conceptual and constructive nature of the philosophical language. Although the rhetorical analysis of philosophical texts should be recognized as fruitful and useful, rhetoric cannot be an instrument of philosophizing, since the interpretation of values depends on their understanding, which is given by “classical philosophy”. (shrink)

The aim of this paper is to make a comparison between two philosophical theories on convention, totally independent from each other, and produced by two thinkers of this century yet totally unknown to each other, in order to assess to what extent both theories meet the same facts or are verified by the same features. The result of this inquiry is that each theory is autonomous, but that both theories are quite compatible with each other, that they even fairly coincide (...) with each other, and that there where they emphasize different aspects of a convention they are complementary to each other. In a general introductory paragraph we lay stress upon the distinction between something conventional and something arbitrary and assign a place to conventionalism between rationalism and relativism. In the second part of the paper we examine D. K. Lewis's conception and analysis of the notion of a convention, which he defines in terms of the theory of games of pure coordination, in terms of coordination equilibrium, of orders of mutual expectations, of preferences and of regularities. In the third part of the paper we show that Dupréel's sociological concept of 'being of one mind' is the analogue of Lewis's definition. We also compare Lewis's remarks on the phenomenon of the imitation with Dupréel's theory of the consolidation and endorse the latter's view that a convention has a creative function so that it cannot be reduced to being a pure sign of something else. In the fourth part of our paper we analyze the relation between value and convention and claim that in Dupréel's philosophy the main values may not be identified with conventions. Lastly we justify our conclusion as already stated at the beginning of this summary. (shrink)

Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are "outside" of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work (...) with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds. (shrink)

The seventeenth and eighteenth centuries are arguably the most important period in philosophy’s history, given that they set a new and broad foundation for subsequent philosophical thought. Over the last decade, however, discontent among instructors has grown with coursebooks’ unwavering focus on the era’s seven most well-known philosophers—all of them white and male—and on their exclusively metaphysical and epistemological concerns. While few dispute the centrality of these figures and the questions they raised, the modern era also included essential contributions from (...) women—like Margaret Cavendish, Elisabeth of Bohemia, Mary Wollstonecraft, and Émilie Du Châtelet—as well as important non-white thinkers, such as Anton Wilhelm Amo, Julien Raimond, and Ottobah Cugoano. At the same time, there has been increasing recognition that moral and political philosophy, philosophy of the natural world, and philosophy of race—also vibrant areas of the seventeenth and eighteenth centuries—need to be better integrated with the standard coverage of metaphysics and epistemology. -/- A New Modern Philosophy: The Inclusive Anthology of Primary Sources addresses—in one volume—these valid criticisms. Weaving together multiple voices and all of the era’s vibrant areas of debate, this volume sets a new agenda for studying modern philosophy. It includes a wide range of readings from 34 thinkers, integrating essential works from all of the canonical writers along with the previously neglected philosophers. Arranged chronologically, editors Eugene Marshall and Susanne Sreedhar provide an introduction for each author that sets the thinker in his or her time period as well as in the longer debates to which the thinker contributed. Study questions and suggestions for further reading conclude each chapter. At the end of the volume, in addition to a comprehensive subject index, the book includes 13 Syllabus Modules, which will help instructors use the book to easily set up different topically structured courses, such as "The Citizen and the State," "Mind and Matter," "Education," "Theories of Perception," or "Metaphysics of Causation." -/- And an eresource offers a wide range of supplemental online resources, including essay assignments, exams, quizzes, student handouts, reading questions, and scholarly articles on teaching the history of philosophy. (shrink)

RésuméLe degré de consistance d'un objet résulte de ses moyens de résister à l'assaut de l'extérieur.Il y a la consistance des ětres, la consistance des notions et la consistance des valeurs. Une notion peu consistante est celle dont le sens varie d'un discours à l'autre. Une valeur très consistante inspire une conduite indépendante des convenances particulières et favorables à l'accord des esprits.Les problèmes les plus fondamentaux sont des problèmes de hiérarchie selon la consistance et surtout des problèmes de promotion, passage (...) à un degré supérieur .Notion complémentaire: le degré de précarité.ZusammenfassungDer Grad der Konsistenz eines Gegenstandes ergibt sich aus dessen Widerstandskraft gegen äussere Einwirkungen.Es gibt die Konsistenz der Wesen, die Konsistenz der Begriffe und die Konsistenz der Werte. Ein wenig konsistenter Begriff kann je nach der Aussage, die ihn enthält, verschiedenen Sinn haben. Ein sehr konsistenter Wert begründet ein Verhalten, welches unabhängig ist von den besonderen Umständen, sogar wenn sie ungünstig sind für die Übereinstimmung der Geister.Die fundamentalsten Probleme sind diejenigen der Hierarchie bezüglich Konsistenz, und vor allem diejenigen der Beförderung, des Überganges von einer Stufe zu einer höhern .Komplementärer Begriff: Grad der Prekarität.The degree of consistence of an object results from its possibilities of resisting external attacks.There are: the consistency of beings, the consistency of notions and the consistency of values. A notion is not very consistent if its contents vary from one utterance to another. A very consistent value gives rise to behaviour independent of personal conveniency and conductive to the agreement of the minds.The most fundamental problems are those concerned with hierarchy according to consistence, and above all those concerned with promotion, the passing to a higher grade .Complementary notion: the degree of precariousness. (shrink)

Sztr la Moraie et les idLes cogfztses. A profios dztne note de M. A. Ledent.