"This wonderful book does nothing less than to create the next stage of feminist thought." —Catharine R. Stimpson "De Lauretis provides a way of thinking about feminism that accepts rather than tries to resolve differences, that refuses ...

The changing face of feminist discourse as reflected by the career of one of its preeminent scholars Figures of Resistance brings together the unpublished lectures and little-seen essays of internationally renowned theorist Teresa de Lauretis, spanning over twenty years of her finest work. Thirty years after the height of feminist theory, this collection invites us to reflect on the history of feminism and take a hard look at where it stands today. Selected essays include "Sexual Indifference and Lesbian (...) Representation," "The Lure of the Mannish Lesbian," "Eccentric Subjects," "Habit Changes," "The Intractability of Desire," and the unpublished article "Figures of Resistance." An introduction from feminist film scholar Patricia White provides an overview of the development of de Lauretis's thought and of feminist theory over past decades. (shrink)

The European Legacy, Volume 17, Issue 4, Page 549-550, July 2012.

We introduce the variety $\scr{L}_{n}^{m}$ , m ≥ 1 and n ≥ 2, of m-generalized Łukasiewicz algebras of order n and characterize its subdirectly irreducible algebras. The variety $\scr{L}_{n}^{m}$ is semisimple, locally finite and has equationally definable principal congruences. Furthermore, the variety $\scr{L}_{n}^{m}$ contains the variety of Łukasiewicz algebras of order n.

Este trabajo parte de la idea de que en el marco de una lógica occidental moderna, y de sociedades capitalistas patriarcales, se relega a las mujeres al lugar de alteridad en relación a lo masculino, y se las homogeneiza bajo la representación de una “arquetípica Mujer”, que se articula con otra que homologa mujer a madre. Mostraremos que para que estas representaciones sean internalizadas, es necesario que operen discursos que circulan en tecnologías sociales como el cine, en los que se (...) prescriben normas y criterios de “lo normal”. Frente a estos discursos normativizantes con sesgos sexistas, racistas, elitistas y capacitistas, sostengo que las posiciones discursivas excéntricas, al decir de Teresa de Lauretis, son potentes para subvertir los procesos de subjetivación/sujeción que determinan qué lugar ocupar dentro de la estructura social. Para ello se recuperan críticas desde el margen como las de Adrienne Rich, y sus reflexiones en torno a la experiencia personal sobre la maternidad, experiencia que comprende simultáneamente como institución. Así mismo son recuperados los aportes del pensamiento feminista negro y su importancia de narrar en primera persona las experiencias vividas. Todo esto tiene el propósito mayor de cuestionar nuestros propios posicionamientos y experiencias, y de abogar por el reconocimiento de un sujeto múltiple, contradictorio, disidente y otro. (shrink)

Marking a ground-breaking moment in the debate surrounding bodies and "body politics," Elizabeth Grosz's Space, Time and Perversion contends that only by resituating and rethinking the body will feminism and cultural analysis effect and unsettle the knowledges, disciplines and institutions which have controlled, regulated and managed the body both ideologically and materially. Exploring the fields of architecture, philosophy, and--in a controversial way--queer theory, Grosz shows how these fields have conceptually stripped bodies of their specificity, their corporeality, and the vestigal traces (...) of their production as bodies. Her tour de corpe investigates the work of Michel Foucault, Teresa de Lauretis, Gilles Deleuze, Judith Butler and Alphonso Lingis. Grosz considers their work by examining the ways in which the functioning of bodies transforms understandings of space and time, knowledge and desire. Begining with an exposition of the epistemological implications of bodily and sexual difference, Grosz examines the effects such knowledge have on the reception of meaning. She looks at the relationship between the knowledge of difference and the way that knowledge validates, affirms, avows and valorizes subjects. Grosz then extends this analysis to an investigation of the relationship between space, time, bodies and the spatial "arts" such as architecuture, urban planning and geography. In the last section, Grosz moves toward a radical consideration of bodies and their relationship to transgression and perversity. Controversially showing the ways in which "queer" theory fails to offer a truly transformative conception of bodies and their politics, Grosz finds "queer" a reactive category "which sees itself in opposition to a straight norm and thus defines itself in terms of this norm." Consequentially, "queer" theory inherits the acceptance of an entire range of sexual practices, without "asking what they share and without taking into account the profound tension that may exist among these practices." Grosz's Space, Time and Perversity is a diverse and incisive collection of essays from a renowned feminist philosopher. (shrink)

We focus on the literature about UBI and the experiments developed all around the world to test it in order to address how UBI implementation could affect entrepreneurship. Building on these findings and various strands of entrepreneurial theory, we develop a theoretical framework to explain how the implementation of UBI would dramatically change the environment of entrepreneurial activity, shaping entrepreneurial action at three levels: (i) the desirability of becoming an entrepreneur; (ii) the perceived feasibility of becoming an entrepreneur; (iii) the (...) propensity to act. Consequently, UBI implementation would arguably facilitate the decision to become an entrepreneur. The contribution of the paper is threefold. It firstly provides a theoretical framework that opens new directions for further research on the relationship between UBI and entrepreneurship. Secondly, it offers new insights for policy makers by shedding light on potential effects of UBI implementation. Finally, it raises further questions that remains unsolved related to the role of non-pecuniary motivations and financial constraints. (shrink)

É este o momento de uma mudança de paradigma? Piaget será substituído por Vygotsky? Tal polêmica não teria por base uma atitude científica. Não é o caso de se privilegiar uma abordagem em detrimento de outra. Deve-se, antes, procurar conhecer suas similitudes e diferenças para participar do processo de renovação da pedagogia brasileira e para compreender por que a abordagem sócio-histórica vem ganhando espaço na construção do conhecimento.

This article presents a critical analysis of Disney's animated film and stage production of Beauty and the Beast, especially of the heroine, Belle, within a more general and brief historiography of the fairy tale. It is argued that Disney's version displaces the heroic focus from Belle to Beast, while also narrating a response to feminism that involves compressing feminist ideology into conventions of popular romance. The broader representation of femininity in Disney is also examined with reference, particularly, to Snow White (...) and the Seven Dwarfs, and with reflections also on non-fictional characters from media with a relationship to Disney, specifically, Diana Princess of Wales, Lillian Disney and Ellen DeGeneres. Teresa de Lauretis's `elsewhere of vision' is introduced to disrupt and rewrite the domesticating effects of Disney's feminism on its heroines. (shrink)

Who or what counts as a feminist subject? This article considers the place of the child, in particular, within the framework of feminist theories of the subject. Locating these theories in a framework of ‘oppositional’ theory, the article asks how and when the child appears in this field of theory. Although children’s oppression and representations of the child in culture have been continuously addressed in contemporary feminism at least since the 1970s, it is simultaneously the case that the child appears (...) in feminism as well as other theories of the subject as the other to the presumed adult subject, even – and sometimes especially – when that subject is being retheorized in oppositional terms, that is, against a hegemonic order of things. The article focuses on instances of the child’s appearance as a resource in feminist theories of the subject, and particularly in feminist uses of psychoanalysis. After considering male poststructuralist or postmodern uses of the child, this article contrasts their generic use of the child with feminist uses of psychoanalysis in the work of Valerie Walkerdine, Judith Butler and Teresa de Lauretis. Psychoanalysis, even in its feminist guises, emerges as a technology of childhood that figures the child as the adult’s ontological origin, and as such an origin that the adult theorist can claim to know by way of psychoanalysis itself. Frequently constituted as a not-yet subject, the child stands in for this ontological origin, from which theorists of the subject, both feminist and not, refashion theories of subjective resistance to the very forms of power that make us subjects in the first place. Working both with and against feminist and other appropriations of the child by way of its ontological positioning, this article attempts to offer an alternative theorization of subjects that accounts for the differences between children and adults. While undercutting the claims to knowledge of the child as the site of human ontology, this alternative theorization also makes a claim to the transformative possibilities that have been located in ontology itself. In addressing feminist uses of the child together with theories of the feminist subject, this article speaks not only to questions of the child, but to the possibility of a feminist politics that begins from a position of privilege – that is, one that does not require subordination as a condition of its own possibility. (shrink)

ABSTRACT This article makes a case for the contemporary relevance of Charles Sanders Peirce’s conception of rhetoric and its further fulfillment through biosemiotics and pragmatist-inflected physiological feminisms. It situates itself in an era when rhetoric is undergoing conceptual change, with the social constructivism that guided much thinking since the 1970s supplanted in part by a family of postconstructivisms. In conversation with new materialist, affective, and biological strands of rhetorical theory, the article maps questions and risks involved in developing newer conceptions (...) of rhetoric not limited to discourse, symbolic action, and exclusively human capacities. It argues that Peircean thinking provides resources for nonreductive understandings of how rhetoric emerges from life itself and is pluralistically mediated through the forming conditions and multimodal consequences that materially give it meaning. Contemporary biosemiotics and physiologically oriented feminisms like Teresa de Lauretis’s then move the promise of Peircean rhetoric closer to reality. (shrink)

The paper confronts the disagreement argument for relativism about matters of taste, defending a specific form of contextualism. It is first considered whether the disagreement data might manifest an inviariantist attitude speakers pre-reflectively have. Semantic and ontological enlightenment should then make the impressions of disagreement vanish, or at least leave them as lingering ineffectual Müller-Lyer-like illusions; but it is granted to relativists that this does not fully happen. López de Sa’s appeal to presuppositions of commonality and Sundell’s appeal to metalinguistic (...) disagreement are discussed, and it is argued that, although they help to clarify the issues, they do not fully explain why such impressions remain under enlightenment. To do it, the paper develops a suggestion that other writers have made, that the lingering impression of disagreement is a consequence of a practical conflict, appealing to dispositions to practical coordination that come together with presuppositions of commonality in axiological matters. (shrink)

This book is an attempt to save "the sexual" from the oblivion to which certain strands in queer theory tend to condemn it, and at the same time to limit the risks of anti-politics and solipsism contained in what has been termed antisocial queer theory. It takes a journey from Sigmund Freud to Mario Mieli and Guy Hocquenghem, from Michel Foucault and Judith Butler to Teresa de Lauretis, Leo Bersani, Lee Edelman, and Tim Dean, and from all of (...) these thinkers back to Immanuel Kant and Thomas Hobbes. At the end, through readings of Bruce LaBruce's movies on gay zombies, the elitism of antisocial queer theory is brought into contact with popular culture. The living dead come to represent a dispossessed form of subjectivity, whose monstrous drives are counterposed to predatory desires of liberal individuals. The reader is thus lead into the interstitial spaces of the Queer Apocalypses, where the past and the future collapse onto the present, and sexual minorities resurrect to the chance of a non-heroic political agency. (shrink)

In this essay I argue that the crisis of action in postwar narrative cinema as it has been conceptualised by Gilles Deleuze in his Cinema books is linked to a crisis of the male quest. I will approach this double crisis primarily through Deleuze’s concept of the whatever-space ( l’espace-quelconque ), a decentered narrative site that stands in a relation of mutual determination to its wandering protagonists. Through a discussion of different types of whatever-space in Italian neorealism and ‘post-neorealism’ (De (...) Sica, Antonioni, and Bertolucci) as well as films by Godard, Hitchcock and Polanski, I argue that the crisis of action not only consists in a loosening up of ‘the sensory-motor schema’, but also in a breaking down of the bond between male desire and narrative structure, or what Teresa de Lauretis calls ‘Oedipal structure’. In this double crisis the whatever-space is transformed into a site of narrative impotence, and thereby comes to resemble its archetypical form, that of the Wasteland. In ‘post-Italian-neorealism’, examples of which are Antonioni’s Zabriskie Point and Bertolucci’s Last Tango in Paris , the whatever-space is reinvested with meaning and transformed into an escapist site of imagination that unites wandering and the encounter. This encounter, which is by definition ephemeral, forms the condition of the image, a product of cinematic love that comes at the price of the forfeited male quest for the Holy Grail. (shrink)

This paper argues for contextualism about predicates of personal taste and evaluative predicates in general, and offers a proposal of how apparently resilient disagreements are to be explained. The present proposal is complementary to others that have been made in the recent literature. Several authors, for instance (López de Sa, 2008; Sundell, 2011; Huvenes, 2012; Marques and García-Carpintero, 2014; Marques, 2014a), have recently defended semantic contextualism for those kinds of predicates from the accusation that it faces the problem of lost (...) disagreement. These authors have proposed that a proper account of the resilient disagreement in the cases studied is to be achieved by an appeal to pragmatic processes, and to conflicting non-doxastic attitudes. It is argued here that the existing contextualist solutions are incomplete as they stand, and are subject to objections because of this. A supplementation of contextualism is offered, together with an explanation of why failed presuppositions of commonality (López de Sa), disputes over the appropriateness of a contextually salient standard (Sundell), and differences in non-doxastic attitudes (Sundell, Huvenes, Marques, and García-Carpintero) give rise to conflicts. This paper claims that conflicts of attitudes are the reason why people still have impressions of disagreement in spite of failed commonality presuppositions, that those conflicts drive metalinguistic disputes over the selection of appropriate standards, and hence conflicting non-doxastic attitudes demand an explanation that is independent of those context dependent pragmatic processes. The paper further argues that the missing explanation is 2-fold: first, disagreement prevails where the properties expressed by taste and value predicates are response-dependent properties, and, secondly, it prevails where those response-dependent properties are involved in evolved systems of coordination that respond to evolutionarily recurrent situations. (shrink)

The hope of moving beyond formalism is one of two things that unites an otherwise diverse group of literary theorists who have begun to explore the role of desire in narrative. Peter Brooks, for example, in Reading for the Plot, says in more than one place that his interest in desire “derives from my dissatisfaction with the various formalisms that have dominated critical thinking about narrative.”3 Leo Bersani sees desire as establishing a crucial link between social and literary structures. (...) class='Hi'>Teresa de Lauretis faults structuralist models for their inability to disclose the ways in which narrative operates, through the desire it excites and fulfills, to construct the social world as a system of sexual differences. Other names could be added, both within and outside the field of narrative theory—Nancy Armstrong, Roland Barthes, Georges Bataille, Jessica Benjamin, Gilles Deleuze and Félix Guattari, René Girard, Luce Irigaray, Fredric Jameson, Peggy Kamuf, Linda Kauffman, Julia Kristeva, Jacques Lacan, Jean Laplance, Catharine A. McKinnon, and Eve Kosofsky Sedgwick—for desire has become one of the master tropes of contemporary criticism. 3. Peter Brooks, Reading for the Plot: Design and Intention in Narrative , p. 47; hereafter abbreviated RP.4. Leo, Bersani, A Future for Astyanax: Character and Desire in Literature , p. 13; hereafter abbreviated FA.5. Bersani and Ulysse Dutoit, The Forms of Violence: Narrative in Assyrian Art and Modern Culture , p. v; hereafter abbreviated FV. Although Bersani coauthored this book with Dutoit, for convenience I refer to it by Bersani’s name alone. This practice is justified by two considerations: first, most of the arguments about narrative, violence, and desire are elaborations of positions that Bersani has taken in earlier works; second, passages and examples in the sections with which I shall be dealing are reprinted with only minor changes from an article that Bersani published under his own name. Jay Clayton, associate professor of English at Vanderbilt University, is the author of Romantic Vision and the Novel and coeditor of Contemporary Literature and Contemporary Theory . He is currently completing a study of contemporary American literature and theory, Narrative Power. (shrink)

This paper explores the changing feminine subject of feminism by investigating women's sexual daydreams. Described by Rosi Braidotti following Luce Irigaray as the ‘virtual feminine’, and by Teresa de Lauretis as the ‘space-off, the feminist subject is a mutating configuration embodying that which is not colonised from phallogocentric representations. Following Frigga Haug's work on daydreams, the paper is informed by a study that draws on responses from nineteen women in a university setting to an anonymous online survey that (...) asked them to write a daydream about how they would like to express their sexualities in an ideal world. The data reveal that these women of the new millennium imagine spaces of gender/sexual equity, characterised by a spirit of sexual adventure and ethical and emotionally intimate sex. I argue that these sexual imaginings are more progressive than earlier ones, filling in some of the details omitted from contemporary hegemonic representations of feminine sexuality. Arguably providing a snapshot of the feminist subject in its ongoing historical metamorphosis, the paper considers the meaning of these transformations. (shrink)

Tras el Pacto de Estado contra la Violencia de Género se han llevado a cabodiversas iniciativas legislativas en torno a las denominadas violencias sexualesque han desembocado en la L.O. 10/2022 de Garantía Integral de la LibertadSexual.En este trabajo se pretenden abordar dos de las cuestiones más importantesde esta Ley, el consentimiento expreso y la eliminación de la distinción entreabuso sexual y agresión sexual, todo ello, partiendo de la realidad a que sequiere dar respuesta, de las obligaciones asumidas a nivel internacional (...) ydel análisis del derecho comparado, sin olvidar la ineludible perspectiva degénero y, por su puesto, teniendo en cuenta los informes el Consejo Fiscal y elCGPJ al anteproyecto y las enmiendas presentadas al articulado del proyectopresentado el 07/07/2021. (shrink)

This article stems from a sense of discontent and frustration that the cultural position of Eastern/Central European feminisms have not been theorized enough in comparison with other non-First World feminisms. To construct my argument, I use a rhetorical figure, zeugma, which is able to underpin the specificity and the commonalities of the post-Communist area feminisms as compared to the hegemonic feminisms of the world or to Third World feminisms. Zeugma (from an ancient Greek word meaning “bridge”) is a figure of (...) speech that relies on balance and acceptance of grammatical difference. An almost perfect cultural space shifter, Eastern/Central Europe produces feminist discourses that constitute, in my opinion, zeugmatic spaces in the worldwide concerto of world feminisms.I suggest that many of the problems of contemporary feminist theory arise from the context that has defined feminist theory. Only if we fully understand this context will we be in a position to understand how to escape from the dilemmas posed by this context” (Joan C. Tronto, Moral Boundaries. A Political Argument for an Ethic of Care)“Which is why the critique of all discourses concerning gender, including those produced or promoted as feminist, continues to be as vital a part of feminism as is the ongoing effort to create new spaces of discourse, to rewrite cultural narratives, and to define the terms of another perspective—a view from ‘elsewhere’” (Teresa de Lauretis, Technologies of Gender). (shrink)