Best (1978, 117) argues that sport, unlike art, does not allow for ‘the possibility of the expression of a conception of life issues, such as contemporary moral, social and political problems’. For...

Arthur Danto, in Transfiguration of the Commonplace, poses the important, but easily neglected question, as to whether art is the sort of thing of which there can be a philosophy (1981, 54). If it...

This paper explores space as a core source of aesthetic pleasure in various codes of football. The paper begins by applying Kant’s distinction between the agreeable and the pleasurable to sport, arguing that the appreciation of sport entails more than just excitement. Pleasure comes from an appreciation of the rules, strategies and history of the game. The significance of the rules of various codes of football in articulating our experience of space will be taken as fundamental to such appreciation. Drawing (...) on the phenomenology of Merleau-Ponty and the ‘topoanalysis’ of Gaston Bachelard, it will be argued that the aesthetic appreciation of football lies, not simply in recognising the complexity and subtlety of the movement of players and ball about the pitch, but more significantly in the creative and poetic imagination that the player embodies, and the striving of the player to create places within the course of play within which they can exercise their own competence as a player, and inhibit the competence of their opponents. A poetics of football is suggested to lie in the response that poetry and reverie about football can make through the metaphorical articulation and explication of the player’s embodied imagination and their experience of the game. (shrink)

Philosophy as a discipline is typically characterized through the use of rigorous argument and analysis, and the clarification of the meaning of concepts. Philosophical problems are thus resolved, not through the appeal to empirical evidence, but by identifying inconsistent and confusing patterns of thought and reflection. This paper will clarify the nature of a philosophical methodology by explicating the relationship between the philosophy of sport and the core traditional areas of philosophy, metaphysics, epistemology, axiology and logic.

The structure of the next three chapters owes much to Kant's four great definitions of ‘beauty’ found with his Critique of Judgement, in the ‘Analytic of the Beautiful’ (1952, §§1–22). The first pa...

Danto, in a somewhat Hegelian manner, argues that art is an alienated form of philosophy. My contention is that sport, too, is an alienated form of philosophy. In making his argument, Danto (1981,...

In the previous chapter ‘The Beauty of Sport', I made a distinction between classical and modernist aesthetics. The classical is exemplified in eighteenthcentury art criticism and its use of the la...

The purpose of this paper is to suggest that sport can be understood as a form of engagement with the fundamental contingency and vulnerability of the human condition, and as such that it expresses a yearning for meaning in a modern society that offers only the illusion of meaning. Sport, at its most profound, is argued to be a negative liturgy, in the sense that it highlights an absence of meaning, rather than offering a positive alternative. The paper draws on (...) an analysis of contemporary society, and resultant defence of the potential role that liturgy might play in restoring meaning and a sense of transcendence to society, that is offered by the Radical Orthodoxy theologian Catherine Pickstock. (shrink)