Although it might seem to elicit only a marginal interest for philosophical inquiry, in 20th century continental philosophy the experience of solitude and loneliness were shown to have unexpected importance and gravity. For philosophers such as M. Heidegger, H. Arendt, H.-G. Gadamer or P. Sloterdijk, solitude and loneliness are to be seen, on the one hand, as an ontological determination of our Being and, on the other, as a cause for some of the most worrisome problems of our (...) times such, as the birth of totalitarianism or the phenomenon of self-alienation wide-spread in the Western bureaucratic societies. But none of the philosophers dealing with these matters offers us a clear positive understanding of what solitude and loneliness actually are nor what the task of philosophy should be with regard to these experiences even though they give us to understand that philosophy has one. The present paper tarries upon this question, approaching it from the other end though an investigation of the status of alterity in Heidegger and Gadamer’s philosophy. (shrink)

Recent research has defended the surprising thesis that in many cases the search for truth is better off if the information exchanged between the members of an epistemic community is limited. This is what one may call the limited information thesis. There is, however, the possibility of an even more radical position than this: the thesis that any communication between peers has zero epistemic value and that the search for truth is better off if the truth-inquirer does not take into (...) consideration the truth-claims of her peers. This can be called the solitude thesis. The paper defends the claim that Descartes is a supporter of the solitude thesis with respect to metaphysical inquiry. The defense is facilitated by means of interpreting textual evidence found in Descartes’ essays Discourse on the Method, The Search for Truth and the Meditations on First Philosophy. (shrink)

In so far as the Tao Te Ching and the Chuang Tzu are life-philosophies, they are philosophies of solitude. My aim in the following pages is to explain and defend this claim, clarifying the distinctive kind of solitude that is taught by Lao Tzu and Chuang Tzu.

What makes solitude a positive experience? What distinguishes experiences of solitude from experiences of loneliness? We review some of the literature on the benefits of solitude, focusing on freedom, creativity, and spirituality. Then, we argue that the relationship between agent and environment is an important factor in determining the quality of experiences of solitude. In particular, we find that solitude may support a person’s sense of agency, expanding the possibilities for action that a person has, (...) and creating the conditions for authenticity. We describe a phenomenology of solitude, based on a study that explores the nature of experiences of loneliness and solitude in a religious community. One finding is that solitude is characterised by presence, whereas loneliness is characterised by absence. Another finding is that solitude can contribute to a sense of empowerment that enables agents to pursue and achieve the goals they find valuable. (shrink)

Five philosophical meditations on the conflict between personality and society.

Unger has recently argued that if you are the only thinking and experiencing subject in your chair, then you are not a material object. This leads Unger to endorse a version of Substance Dualism according to which we are immaterial souls. This paper argues that this is an overreaction. We argue that the specifically Dualist elements of Unger’s view play no role in his response to the problem; only the view’s structure is required, and that is available to Unger’s opponents. (...) We outline one such non-Dualist view, suggest how to resolve the dispute, respond to some objections, and argue that ours is but one of many views that survive Unger’s challenge. All these views are incompatible with microphysicalism. So Unger’s discussion does contain an insight: if you are the only conscious subject in your chair, then microphsyicalism is false. Unger’s mistake was to infer Substance Dualism from this; for microphysicalism is not the only alternative to Dualism. (shrink)

Abstract: This paper reflects on the political importance of the activity of thinking and suggests that Arendt's space of politics may not be limited to its traditional abode within the public realm. Beyond the public realm of politics, Arendt's defense of political action requires attention to the private as well. What has been overlooked amidst all the attention to Arendt's defense of the public realm of politics over and against the rise of the social is her equally strong insistence upon (...) a vibrant and secure private realm where active thinking is possible. Arendt's private realm is a space of solitude that is the necessary prerequisite for the activity of thinking. Indeed, it is solitude that nurtures and fosters thoughtfulness and thus prepares individuals for the possibility of political action. To create a meaningful politics amidst the loneliness of the modern world, Arendt suggests, requires solitude, which she sees as the cradle of thinking. (shrink)

Five philosophical meditations on the conflict between personality and society.

This fictionalized script traces the contours of the conversation that seeks to fathom the crisis unleashed by the outbreak and global spread of the coronavirus and the ensuing anxieties created in our current social living. The scenario of deepened isolation of the self from the other is considered, and it is proposed that isolation, while an unavoidable requirement, does not mean it is some mental lassitude but rather may be seen as an enthusiastic concern toward recovering physical and mental wellbeing (...) of the larger communities concerned to control the possible avenues of transmission of the contagion. The conversation meanders around the issue of quarantine, its attraction or otherwise, and who benefits from this restriction, its effects on one’s mental constitution, etc. Philosophers have been known to isolate themselves in other contexts and situations give us a taste of what is to come in the dialogue to resist the calamity of the coronavirus and its grim effects that engulf the entire humanity. (shrink)

Historically, philosophers, artists, and spiritual leaders have extolled the benefits of solitude; currently, advice on how to achieve solitude is the subject of many popular books and articles. Seldom, however, has solitude been studied by psychologists, who have focused instead on the negative experiences associated with being alone, particularly loneliness. Solitude, in contrast to loneliness, is often a positive state—one that may be sought rather than avoided. In this article, we examine some of the benefits that (...) have been attributed to solitude—namely, freedom, creativity, intimacy, and spirituality. In subsequent sections, we consider the environmental settings and personality characteristics conducive to solitude, how time spent alone is experienced differently across the life span, and the potential dangers related to the attractiveness of solitude. We conclude with a brief discussion of the theoretical and practical implications of solitude. (shrink)

Two terms, solitude and common, were chosen in order to develop some reflections on the articulation between difference and sameness in Lacan’s teaching and to tease out some political implications therefrom. In this context, an analysis of the collective experience of transmission such as is practiced and theorized in Lacan’s École de la cause enables a critical evaluation of the so-called Lacanian left.

Dans cet article, nous relions la solitude à la souffrance chez Kierkegaard. Nous montrons que la pensée existentielle est un travail de distance, précisément un jeu de dissimulation dont la signification réside dans la capacité à sauvegarder le silence. Le secret de intériorité est intraduisible dans l’extériorité du langage, ce qui isole et fait souffrir, mais ouvre le passage vers le religieux. Dieu seul peut voir les efforts de l’existant dissimulant dialectiquement sa souffrance dans la différence entre l’infini et (...) le fini. Pour illustrer cette thèse, nous approfondissons les cas où Kierkegaard présente la souffrance en recourant à des figures d’exception — des marqueurs de solitude — comme Abraham, Job et le quidam. Nous relisons l’« Histoire de la souffrance » des Stades et le Post-scriptum pour mieux saisir les liens entre la souffrance et la solitude — une idée qui se trouve justifiée dans le Point de vue explicatif — de celui qui se veut, finalement, seul devant Dieu. (shrink)

This chapter explores a so-far neglected way of avoiding the bads of loneliness: by learning to value solitude, where that is understood as a state of ‘keeping oneself company’, as J. David Velleman puts it. Unlike loneliness, solitude need not involve any deprivation, whether subjective or objective. This chapter considers the various goods to which solitude is constitutive or instrumental, with a focus on the promise that proper valuing of solitude holds for combating loneliness. The overall (...) argument is this: If loneliness significantly detracts from individual wellbeing, and if the ability to value solitude protects against loneliness, then such an ability is obviously valuable to human flourishing. If, further, loneliness raises concerns of justice, then supporting people’s ability to value solitude is a way to implement a desideratum of justice. Individuals can cultivate their ability to value solitude, an ability that others can promote or hinder. (shrink)

Journal of Philosophy of Education, EarlyView.

As interest in aesthetic experience evolved in the eighteenth century, discussions of the sublime located two opposed accounts of its place and use. Ferguson traces these two positions - the Burkean empiricist account and the Kantian formalist one - to argue that they had significance of aesthetics, including recent deconstructive and New Historicist criticism.

In Machiavelli’s Prince there appears to be a link between Chap.IX on the civil principality and the hope for a unification of Italy by a new prince – a theme presented in the final Exhortation. In both sections, Machiavelli’s unusual lack of historical illustrations suggests the hypothesis that the civil principality and the new prince play a symbolic function. The reading here proposed argues that there is an ideal relation between Machiavelli’s Prince and the Discourses on Livy regarding the opportunity (...) of a regime change from popular principality to Republic. The possibility to switch from one form of government to the other is due to Machiavelli’s idealizations of the civil principality and the new prince. Accordingly, it is argued that Machiavelli’s method follows a strategy of mythologizing realism. In the civil principality the tension between the new prince and his people is not resolved, nor that between the plebs and the nobles. The paper concludes that Machiavelli emphasis on ‘the solitude’ of the prince is what ultimately justifies a transition from the civil principality to the Republic. (shrink)

The following reflections are intended as a preliminary to a more extended and in-depth series of case studies, focused analyses of actual artworks, and the issues arising from their particularity within what will be described here as a Heideggerian post-aesthetic aesthetics. The essay is not written from the perspective of a professional or academic philosopher or of a practising artist (even though I am one), neither fields of which have sufficiently engaged with the existential and aesthetic predicament sketched out below. (...) Thus, the attraction of both Heidegger and Blanchot is not just related to their well-known discussions of inbetween-ness, but, more essentially, to the peculiarly in-between location of their own thought and trajectory of thinking: Heidegger from "out of" philosophy "drawn" towards art; Blanchot from within the space ofliterature towards the exteriority of ontological thinking. The intention is to identify similarities and differences in their thought, but this is only perceived as relevant to the extent that it allows an initial reassessment of a de-subjectivized existential and aesthetic mode of thinking that has been largely abandoned by academic philosophy and art practice alike (albeit for very different reasons). If nothing else, the hope is that a different voice might be heard in the clamorous exchange between philosopher and artists, one that is sensitive to the complex predicament of the artist in a post-Heidegerrian world, and which above all remains faithful to the project of the artist and the artwork in the face of the philosophical valorization of "Art". Las siguientes reflexiones se presentan como preliminares a una serie de estudios de caso mas extensos y profundos, analisis focalizados de obras de artes reales, y los temas que surgen de sus particularidades dentro de lo que se describira aqui como una estetica heideggeriana post-estetica. El ensayo no esta escrito desde la perspectiva de un filosofo profesional o academico ni de un artista operante (aunque yo lo soy), ninguno de cuyos campos se ha comprometido suficientemente con el dilema bosquejado mas adelante. Asi pues, la atraccion de Heidegger y Blanchot no solo tiene que ver con sus bien conocidas discusiones sobre la inbetween-ness, sino, mas esencialmente, con la ubicacion particularmente in-between de su propio pensamiento y trayectoria del pensar: Heidegger desde "fuera de" la filosofia "sacado" hacia el arte; Blanchot desde dentro del espacio de la literatura hacia la exterioridad del pensar ontologico. La intencion es identificar similitudes y diferencias en su pensamiento, pero esto solo es percibido como relevante en la medida en que permite una reevaluacion de un modo de pensar existencial y estetico des-subjetivado, que ha sido ampliamente abando-nado por la filosofia academica y la practica del arte (aunque por razones distintas). Sin mas pretensiones, la esperanza es que se pueda escuchar una voz diferente en el intercambio clamoroso entre el filosofo y los artistas; voz que es sensible al complejo dilema del artista en un mundo post-heideggeriano, y que sobre todo permanece fiel al proyecto del artista y a la obra de arte frente a la valorizacion filosofica del "Arte". (shrink)

Pétrarque a goûté la solitude et l’a prônée. L’a-t-il pour autant pensée comme telle et pour elle-même? Il sera permis d’en douter car elle n’est point la fin qu’il se fixe, condition qu’elle est pour lui de la vie solitaire, elle-même condition de la vie heureuse. Nous travaillerons alors à montrer de quelle solitude il est question quand la question de la vie solitaire est abordée par l’auteur, cela puisqu’il en est assurément de multiples. L’exercice littéraire d’une apologie (...) de la vie solitaire devant céder le pas à une analyse philosophique de la solitude, restera à savoir comment la définir : absence à soi-même ou excès de soi en soi? (shrink)

Ernest Gellner's final book, first published in 1998, is a synoptic interpretation of the thought of Wittgenstein and Malinowski.

Christian solitude -- Bounded solitude in Augustine's Confessions -- The humanist tradition : Petrarch, Montaigne, and Gibbon -- Rousseau's myth of solitude in reveries of the solitary walker -- Thoreau at Walden : soliloquizing and talking to all the universe at the same time -- Twentieth-century varieties of solitary experience -- Thomas Merton and solitude : the door to solitude opens only from the inside -- Solitude, writing, and fathers in Paul Auster's The invention (...) of solitude -- Conclusion: The value of solitude. (shrink)

Certain strands of modern literature and philosophy have laid pronounced emphasis upon the impossibility of sharing the experience of dying: in the face of death, all social bonds dissolve and the human being finds himself in the deepest and most inescapable of solitudes. Greek myth, however, depicts stories in which death is physically shared by two individuals, or magically transferred from one individual to another: such stories provide a fascinating starting point for comparing ancient and modern views on the same (...) problem, or, rather, for exploring ancient perspectives on a modern problem. This article takes as its premise the idea that ‘death’ as an abstract notion is a human construct, and argues that feelings and questions associated with death, such as that of its inexorable power to isolate the dying person psychologically from the rest of mankind, are not intrinsic to the phenomenon, but instead determined by culture. (shrink)

L’article offre une discussion de l’affirmation qui ouvrait en 1977 les Fragments d’un discours amoureux de Roland Barthes, selon laquelle le discours amoureux se trouvait dans une condition d’extrême solitude. Afin de comprendre cette affirmation, on commence par un aperçu des caractéristiques du discours amoureux, pour montrer en quelle mesure son incohérence et sa fragmentation lui sont constitutives. Ensuite, on analyse le projet barthésien de restituer une dignité à ce discours et à l’expérience qu’il véhicule — de le soustraire (...) à sa solitude. Pour conclure, on montre pourquoi certaines attaques moralisatrices contemporaines contre l’instabilité de l’expérience amoureuse actuelle, au lieu d’offrir un espace d’écoute au discours amoureux, finissent souvent par le réduire encore au silence. (shrink)

Peu d'oeuvres souffrent autant que celles de Rousseau et Sartre de la réputation qui leur est faite. Prix de leur accessibilité peut-être, de l'ampleur des controverses auxquelles elles ont donné lieu, elles sem-blent irrémédiablement marquées l'une et l'autre par quelques formules censées en résumer la substance: errant seul dans les bois, Rousseau serait le champion d'un homme sauvage et bon qu'il opposerait à toutes les manifestations de la vie sociale; assis seul dans les cafés, Sartre affirmerait, de son côté, l'échec (...) douloureux de tout rapport interpersonnel—et leurs oeuvres réspectives developperaient cette position centrale. Simplifications sans doute. Malgré tout, il n'est peut-être pas inutile d'interroger le fait qu'on ait surtout retenucelad'oeuvres si riches, particulièrement en regard de leurs nombreux textes politiques, en tentant d'envisager ces oeuvres moins à travers l'une ou l'autre de leurs théses que selon des lignes de force plus génerales sur ce problème de l'existence sociale. Ceci peut permettre, croyons-nous, quelques mises en rapport suggestives. (shrink)

In his final seminar, The Beast and the Sovereign, vol. 2 , Jacques Derrida spends the entire year reading just two texts, Daniel Defoe’s Robinson Crusoe and Martin Heidegger’s Fundamental Concepts of Metaphysics. This essay looks in detail at Derrida’s treatment of this latter and, in particular, at Derrida’s emphasis on the Heideggerian notion of Walten in this work. The essay begins by considering several of Derrida’s prior engagements with Heidegger, especially in Of Spirit and the “Geschlecht” essays, and their (...) analyses of such themes as Geist or spirit, sexual and species difference, violence, and ontotheology. The essay then develops the relationship between what Derrida considered to be the hyper-sovereignty of Walten and Derrida’s own notions of autoimmunity and différance, before concluding with the question of why Derrida would think it necessary to devote so much of his final seminar to this Heideggerian notion. (shrink)

Adrian Paul Iliescu, Solitude and the Birth of Modernity Ed. Cris, Bucuresti, 1999, 120 p.

An important American lecture tour undertaken by Bertrand Russell in April 1939 has been largely ignored because of the long-standing embargo on tour letters sent by Russell to his third wife, Patricia. Taking advantage of the embargo’s recent expiry, this paper provides annotated transcriptions of twenty-four letters sent by Russell to Patricia and others during the tour and analyzes topics such as his family relationships and interactions with a wide array of individuals. Most importantly, Russell’s tour letters demonstrate his evolving (...) viewpoint on pacifism and his evaluation of the tense international situation as World War II approached. (shrink)

In this paper, the “secret” that the Other always retain for us and the unescapable loneliness of every existence are approached in the double light projected on them by philosophy and literature, and for the latter more particularly Proust and Rilke. The author’s claim is that philosophy, and especially phenomenology with a cartesian background, has misunderstood the meaning of both phenomena – secret and loneliness – by interpreting the first one as absolute transendance, and the second one as egological closeness. (...) Of greater interest is the writers’ testimony that would lead us to a completely different phenomenology of the Other. (shrink)

Depuis le XIXe siècle, on lit Montesquieu comme le théoricien du libéralisme politique, l'héritier de Locke et des penseurs du droit naturel, le chantre de la modernité post-révolutionnaire. Jean Goldzink montre ici avec brio combien cette lecture est discutable: l'essentiel de la gloire de notre plus fameux théoricien politique serait dû à un « blanchiment d'idées » involontaire, opéré dans les camps idéologiques les plus opposés. En proposant une relecture de De l'esprit des lois et des oeuvres des lecteurs français (...) les plus marquants de cet ouvrage fondateur - de Voltaire à Rousseau, en passant par de Maistre, Constant, Comte et d'autres -, Jean Goldzink rappelle que Montesquieu refuse avec la dernière énergie de penser avec Locke, et que tout son projet consiste au contraire à fonder une science politique sans droits naturels attachés à la personne humaine, autrement dit sans la visée universelle qu'implique le jusnaturalisme moderne. Sa méthode et ses objectifs lui interdisent de concevoir une déclaration des droits de l'homme et du citoyen ou une quelconque républicanisation de la liberté par l'élection d'un parlement. De cette remise en cause d'un dogme quasi unanime depuis deux siècles, il ressort aussi qu'il faut questionner la pertinence de l'emploi inconsidéré du terme « libéralisme » en histoire des idées, compte tenu de sa propension vorace à tout avaler, au mépris des moments, des projets et des rudes saveurs d'origine. Jean Goldzink a enseigné la littérature française à l'ENS de Saint-Cloud/Fontenay/Lyon de 1967 à 2002, et l'histoire des idées politiques à Sciences Po Paris de 2003 à 2009. Il a publié une douzaine d'ouvrages sur les Lumières, dont deux sur Montesquieu. (shrink)

The author reads Rimbaud, Mallarme. Holderlin, and Trakl in relation to philosophy, and in particular to Heidegger.