"This volume is a scholarly collection of massive biographical detail, much of which is being revealed for the first time." --Isis A selection of Fisch's most important articles on these topics is presented here in a convenient format, including revisions and updating and a complete bibliography of Fisch's published writings.

The self is presented as a semeiotic matrix with the three categories each articulated with a fitting semeiosis.

Journal Name: Semiotica Issue: Ahead of print.

"This volume is a scholarly collection of massive biographical detail, much of which is being revealed for the first time." —Isis A selection of Fisch’s most important articles on these topics is presented here in a convenient format, including revisions and updating and a complete bibliography of Fisch’s published writings.

: When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. (...) The interaction account of metaphor is reviewed and related to Peirce's conception of semeiotic objects. The result is my suggestion that the dynamic objects to which metaphorical objects are directed are transformed into interpreted, immediate objects through the mediation of incipient immediate objects. Incipient immediate objects initially appear as dyadic objects recognized through identity expressions—e.g., "Juliet is the sun," which is not a classification but an identification of the referents of the subject and the predicate. The incipient mediating immediate object parallels the percipium referred to in Peirce's account of the formation of perceptual judgments, which are interpretations of percepts. (shrink)

When language is expressed metaphorically, metaphors seem to "say" something that has never seen said before. Some of them seem to express insights. What then are the constraints on their interpretations? Charles Peirce's semeiotic suggests a way to answer the question. Crucial to the answer is Peirce's account of semeiotic objects as two-fold, one side, the dynamic or "real" object to be interpreted, the other side, the immediate object, which is the dynamic object that has been interpreted. The (...) interaction account of metaphor is reviewed and related to Peirce's conception of semeiotic objects. The result is my suggestion that the dynamic objects to which metaphorical objects are directed are transformed into interpreted, immediate objects through the mediation of incipient immediate objects. Incipient immediate objects initially appear as dyadic objects recognized through identity expressions—e.g., "Juliet is the sun," which is not a classification but an identification of the referents of the subject and the predicate. The incipient mediating immediate object parallels the percipium referred to in Peirce's account of the formation of perceptual judgments, which are interpretations of percepts. (shrink)

Peirce aspired for the completeness of his logic cum the theory of signs in his 1903 Lowell Lectures and other late manuscripts. Semeiotic completeness states that everything that is a consequence in logical critic is derivable in speculative grammar. The present paper exposes the reasons why Peirce would fall short of establishing semeiotic completeness and thus why he would not continue seeking a perfect match between the theories of grammar and critic. Some alternative notions are then proposed.

Charles Peirce has it that ongoing experience in all its richness is all the product of semeiosis. The argument of this paper is that Carlo Rovelli’s book The Order of Time (2018) provides a context for the notion that the immediate sense of the passing of time emerges from the ongoing creation of experience by semeiosis.

The aim of the article is to present and discuss the concept of semeiotic constructivism, which is a pragmaticistic inspired method. Semeiotic constructivism has nothing to do with social constructivism but is a method that can construct meaning of concepts by implanting a telos in the concept or a certain quality in the artifact, in order to develop the object in a certain direction. The article touches on different elements in Charles Peirce’s philosophy e.g. hyperbolic philosophy and pragmaticism (...) and combines these elements with thoughts about how scientific concepts and brands become meaningful. (shrink)

In his later years, Peirce devoted much energy to the project of a book on logic, whose intended title was “Logic, considered as Semeiotic.” That the science of logic is better considered as semeiotic is indeed one of the most fundamental tenets of Peirce’s mature philosophy of logic. But what is the primary motivation for considering logic as semeiotic and what advantages did Peirce see in doing so? If logic is to be considered as semeiotic, this (...) can only mean that its objects and their functioning are to be described in purely semeiotical terms. But did Peirce succeed in providing such a description? This paper focuses on the semeiotical functioning of the fundamental triad of logic: terms (rhemes), propositions (dici-signs), and arguments; it also discusses the idea of an extension of the science of logic and offers examples of the kind of extension that Peirce had in mind. (shrink)

Too often C. S. Peirce’s theory of signs is used simply as a classificatory scheme rather than primarily as a heuristic framework (that is, a framework designed and modified primarily for the purpose of goading and guiding inquiry in any field in which signifying processes or practices are present). Such deployment of his semeiotic betrays the letter no less than the spirit of Peirce’s writings on signs. In this essay, the author accordingly presents Peirce’s sign theory as a heuristic (...) framework, attending to some of the most important ways that it might serve to facilitate a semeiotic investigation of our legal practices. He pays close attention to the ways the topics of history, formalism, reductionism, and generality become, from a Peircean perspective, salient features of legal studies. (shrink)

Although Charles Peirce only rarely applied his semeiotic principles to art, his ideas are highly informative for contemplating the exchange of qualitative meaningin the iconic signs constitutive of art. Reflecting on Peirce’s theory of the icon, three hypo-iconic sub-types, the formative role of the sign-interpretant, and the metaphysical “qualisignificance” of a universe “perfused with signs”, I provide some theoretical notes toward sketching a semeiotic of art. Further illustrative of a Peircean semeiotic of art is the American painting (...) of the Hudson River School and the modern poetry of Wallace Stevens that progressively advance its insights in their own beautiful signs. These philosophers and artists have intellectual roots in Emerson’s transcendentalism with its Neoplatonic legacy, and together form a unique American strand of aesthetics. (shrink)

Charles Sanders Peirce (1839-1914), American Scientist, Mathematician, and Logician, developed much of the logic widely used today. Using copies of his unpublished manuscripts, this book provides a comprehensive collection of Peirce’s writings on Phaneroscopy and the outlines of his project to develop a Science of Reasoning. The collection is focused on three main fields: Phaneroscopy, the science of observation, Semeiotic, the science of sign relations, and Logic, the science of inferences. Peirce understands all thought to be mediated in and (...) through signs and its essence to be diagrammatic. The book serves as a timely contribution for the introduction of Peirce’s Phaneroscopy to the emerging research field of Image Sciences. (shrink)

The aim of the dissertation is to propose a new understanding of the philosophy of Charles S. Peirce. Peirce sought to construct a philosophical system applicable to all of human experience, but he never presented this system in a unified work. In the dissertation I attempt to present the strongest possible reconstruction of Peirce’s mature philosophy. My thesis is that Peirce’s philosophy is best understood as an extended exploration and application of his concept of mathematical continuity, which he called "the (...) master-key of philosophy." Many scholars have recognized that Peirce’s concept of continuity is important to his metaphysical theories. The bulk of the dissertation is devoted to examining this concept and explicating its importance throughout his philosophy. I argue that Peirce’s theory of semeiotic provides a general model of experience that elaborates the direct experience of continuity described in phenomenology. This model in turn serves as the basis for his metaphysics and evolutionary cosmology. Part I of the dissertation sketches Peirce’s response to Kant’s philosophy and presents an outline of his classification of the sciences. Part II presents Peirce’s technical conception of continuity, showing its origins in formal logic and in his revision of Cantor’s theory of transfinite sets. Part III examines the role of the continuity principle in phenomenology, esthetics, ethics, and semeiotic, which bridge the rather wide gap between mathematics and metaphysics in Peirce’s system. Part IV presents an overview of Peirce’s cosmology and metaphysics, with particular attention to their methodological dependence upon semeiotic. Part IV includes consideration of two issues that emerge as crucial to the assessment of Peirce’s thought. The first concerns the ontological status of extra-semeiotic entities, and is known as the problem of "semiotic idealism." I argue that Peirce is not a semiotic idealist. The second issue concerns the testability of Peirce’s metaphysical hypotheses.. (shrink)

: My contribution to the present symposium on Short's book is an assessment of it as an attempt to provide a reliable starting understanding of Peirce's semeiotic for anyone interested in its relevance to contemporary philosophy of mind and philosophy of science, which is the special (but somewhat limited) perspective from which Short himself views Peirce's work. I suggest that although the central core of the book—meaning those chapters (3 through 9) which present the basic conceptions of Peirce's theory (...) of thought as representation—is successful in providing an unusually lucid account of its basic process conceptions (subject to important qualification), and is clearly of special interest in that part of it in which Short applies Peirce's conceptions in the context of current problematics in analytic philosophy (Chs. 10–12), it is seriously flawed as a book by the gratuitous inclusion (in Ch. 2) of a methodologically unsound and implausibly argued thesis about the development of Peirce's thought which serves no useful purpose relative to the rest of the book. As regards the qualification referred to above the one provided here concerns his account of Peirce's conception of symbolism in particular, which is based on a misunderstanding of its proper interpretant. (shrink)

In this paper, we intend to discuss how, according to Peirce’s semiotics, gestures can be conceptualized and described as diagrams. We are not concerned with answering when, why or how gestures emerged as semiotic motor activities. As a prerequisite for the very formulation of these problems, we are rather interested in discussing the theoretical conditions which should be fulflled for gestures to be characterized as iconic processes - and more specifcally as diagrammatic processes. The frst step is to summarize a (...) systematic analysis of the variety of iconic signs, elaborated by Peirce, followed by his typology of hypoicons in order to describe the hypoiconic class of diagrams. After that, we present some tentative answers to the question of how to describe gestures as diagrammatic signs. (shrink)

In a recent conference volume, American philosopher Michael Sandel engages the Confucian tradition in the search for alternatives to what Sandel calls the “unencumbered self,” the unattached liberal subject as detailed in the philosophy of John Rawls. Responding to Sandel, American Confucianist Roger Ames draws on a lifetime of comparative thought to advance the Pragmatism of John Dewey as a way to interrogate Western philosophy in general, arguing that “humane becomings,” a view of the human person facilitated, Ames writes, by (...) Deweyan Pragmatism, are the Confucian ideal and the key to recovering a holistic anthropology within the Western tradition. In this essay, I intervene in the Ames-Sandel debate to argue that Charles Peirce, and not John Dewey, is the best American Pragmatist for bridging the divide between the Confucian and Rawlsian views of the human person. Peirce’s emphasis on love as true intersubjectivity and on communication as the exchange of real meaning is, I argue, the key to unlocking the Confucian ideal to the West. (shrink)

This special issue should go a long way towards increasing the understanding of Peirce’s semeiotic and its applicability for solving problems in legal studies. In fact, the New Science of Semiotics should result in developing a rigorous and systematic methodology for legal studies making it a true semiotic science which I suggest calling “jurisology.”.

Neste e no próximo artigo, buscamos articular a visão compreensiva arquitetônica de Peirce a respeito do fenômeno da retórica relacionando sua abordagem em Ideas, Stray or Stolen, about Scientific Writing com seu tratamento na classificação muito negligenciado das ciências práticas. Neste artigo, primeiro, reconstruímos o principal eixo conceitual de Ideas, Stray or Stolen, que é erguido pelos termos ‘arte universal da retórica’, ‘retórica ordinária’, e ‘retórica especulativa’. Na medida em que este eixo nos guia para a classificação dos estudos especiais (...) da retórica que Peirce propõe na seção final de Ideas, Stray or Stolen, a cuidadosa reconstrução deste eixo constitui um dever hermenêutico, a negligência do qual impediria uma compreensão adequada do que Peirce está classificando no fim de sua abordagem mais madura da Retórica Especulativa. Em seguida, procedemos à exposição das raízes aristotélicas da concepção de Peirce da arte universal da retórica e analisamos a relação intrínseca que a semiose retórica tem com o summum bonum como uma de suas formas evolutivas históricas. Se esta interpretação da concepção de retórica do Peirce é adequado, no entanto, devemos esperar que ele nos dê em algum lugar uma descrição da capacidade de evolução da retórica – e portanto, de crescer – antes de tudo. Será a tarefa de um segundo artigo subsequente mostrar que e de que maneira a concepção de Peirce da a retórica como ciência prática e faculdade instintiva enraizado no “instinto gráfico” responde pela sua capacidade para o crescimento. (shrink)

Journal Name: Semiotica Issue: Ahead of print.