Das Problem der Intersubjektivitiit Intersubjektivität ist Husserl schon seit der Darstellung der Ideen I in Zusammenhang mit dem Problem der phiinomenologischen phänomenologischen Reduk tion sehr stark bewusst und wird, wie die neue VerOffentlichung Veröffentlichung 'Zur Phänome Phiinome nologie der Intersubjektivität'l Intersubjektivitiit'l ausdrücklich ausdrucklich zeigt, zeit seines Lebens in seinem Denken mit mehr oder weniger Intensitiit Intensität behandelt. Bekanntlich hat Husserl Hussed die Einfühlungslehre EinfUhlungslehre in seinem spiiten späten Versuch mit der 'Selbstobjektivation' 'Selbstobjektivation',, 'Selbstauslegung' des absoluten, anonymen, transzen 2 dentalen ego (...) erkliirt. erklärt. Gerade auf diesen Punkt konzentriert sich zutreffende Kritik und zeigt die Unvermeidbarkeit des transzendentalen Solipsismus; was als Grund für fUr echte echte Intersubjektivitiit Intersubjektivität gesucht gesucht wird, wird, niimlich nämlich die die Gleichursprunglich Gleichursprünglich keit keit von von Subjekten, Subjekten, fUhrt führt schliesslich schliesslich auf auf den den Weg der Radikalisierung der trans zendentalen Reduktion und der Erklärung Erkliirung mit der immanenten Zeitigung des transzendentalen ego in die 'einseitige Verlagerung des Gewichts auf ein konsti tuierendes Ur-Ich, dem kein ebenso ursprungliches ursprüngliches Du gegenübersteht, gegeniibersteht,...'3. (shrink)

Passive frame theory attempts to illuminate what consciousness is, in mechanistic and functional terms; it does not address the “implementation” level of analysis (how neurons instantiate conscious states), an enigma for various disciplines. However, in response to the commentaries, we discuss how our framework provides clues regarding this enigma. In the framework, consciousness is passive albeit essential. Without consciousness, there would not be adaptive skeletomotor action.

It is an intimate experience for us to think, to understand and to perceive things as being identical to themselves, and to suppose, consequently, that things are truly “what” they are. Something is always conceived as itself. The given is given full of itself in all its modifications. For instance, I can think or perceive partially some lips, I can see them almost in their whole or in some of their aspects, or just see them disappear. But it does not (...) seem to be possible to think or to perceive a given as almost itself, as an aspect or as part of itself. It is the aim of this work to study the assumptions and conditions for the original position of sameness in experience, just as it occurs in the synthesis of the datum singular and distinct. The polarization of single tone (einstimmig) intentional rays in an αvτó already contains the aporiae peculiar to the experience of the identical, whose revelation shall lead us, on the one hand, to one of the nuclei of the analysis of passive synthesis, and, on the other hand, to point up how critical revision of the numerical or extensional model of self-identity is for the unity of meaning. Then, it will be a question of pointing out the reasons why in a phenomenology of identity, the renunciation of the phenomenological legitimacy of the αvτó as a guarantee for the different positions of identity must be observed. DOI: 10.1007/978-94-011-3464-4_13 . (shrink)

Both Schelling and Husserl reveal that any attempt to ground objective cognition in subjectivity would encounter the problem of constitution of original experience. They also endorse similar solutions to this very problem. The constitution of original experience is depicted as passive synthesis, i. e., it is the pre-conscious activity of the original ‘I’ (Ur-Ich). However, unlike Schelling’s interpretation of passive synthesis, understood as a theory of quasi-conscious willing (Wollen), Husserl relocates passive synthesis in the (...) transition from instinct to habituality. The constitution of original experience, as well as the activity of the original ‘I’, uncovers the dynamic structure of Being. Owing to this, transcendental philosophy must become a transcendental ontology. (shrink)

ABSTRACTA number of philosophers within critical race theory use phenomenology to describe the way in which their identities are always already constituted as delinquent within the consciousness of white people, and how their own identity fractures in relation to this white gaze – a fracturing that creates unspeakable ontological, and ultimately physical, violence. Though these philosophers are already doing phenomenology in their work, there is a deeper level of analysis that has yet to be given. Specifically, an account has not (...) yet been provided as regards the production of the white gaze within the consciousness of white people. That is, how is an already racialized world of experience produced prior to any active reflection? In this essay, I engage George Yancy’s famous elevator example, using Edmund Husserl’s concepts of apperception, internal time consciousness and passive synthesis to give a phenomenological description of the production of a pre-reflective racialized world. (shrink)

Although ‘modern’ mental health care comprises a variety of theoretical approaches and practices, the supposed identification of ‘mental illness’ can be understood as being made on the basis of a specific conception of subjectivity that is characteristic of ‘modernity’. This is to say that any perceived ‘deviation’ from this characteristically ‘modern self’ is seen as a possible ‘sign’ of ‘mental illness’, given a ‘negative determination’, and conceptualized in terms of a ‘deficiency’ or a ‘lack’; accordingly, the ‘ideal’‘therapeutic’ aim of ‘modern’ (...) mental health care can be understood as the ‘rectification’ of that ‘deficiency’ through a ‘re-instatement’ of the ‘modern self’. Although contemporary mental health care is increasingly becoming influenced by the so-called ‘death’ of the ‘modern self’, this paper will suggest that it is the work of the 20th century French philosopher, Gilles Deleuze, that is able to provide mental health care with a coherent determination of a ‘post-modern self’. However, a Deleuzian account of subjectivity stands in stark contrast to ‘modernity’s’ conception of subjectivity and, as such, this paper will attempt to show how this ‘post-modern’ subjectivity challenges many of the assumptions of ‘modern’ mental health care. Moreover, acknowledging the complexity and the perceived difficulty of Deleuze’s work, this paper will provide an account of subjectivity that can be understood as ‘Deleuzian’ in its orientation, rather than ‘Deleuze’s theory of subjectivity’, and therefore, this paper also seeks to stimulate further research and discussion of Deleuze’s work on subjectivity, and how that work may be able to inform, and possibly even reform, the theoretical foundations and associated diagnostic and therapeutic practices of psychiatry, psychotherapy, and mental health nursing. (shrink)

These lectures are the first extensive application of Husserl's newly developed genetic phenomenology to perceptual experience & to the way in which it is connected to judgments & cognition. Students of phenomenology will find this work indispensable.

This paper argues that the Husserlian notion of “passive synthesis” can make a substantial contribution to the understanding of aesthetic experience. The argument is based on two empirical cases of qualitative interview material obtained from museum visitors and a world-renowned string quartet, which show that aesthetic experience contains an irreducible dimension of passive undergoing and surprise. Analyzing this material through the lens of passive syntheses helps explain these experiences, as well as the sense of subject–object fusion (...) that occurs in some of the most intense forms of aesthetic experience. These analyses are then contrasted with a potentially contradicting take on aesthetic experience from a recent trend in cognitive science, namely enactive aesthetics, which insists on the active subjective construction and sense-making of aesthetic experience. Finally we show that the two positions are in fact compatible. (shrink)

FEEL FREE TO CITE - IGNORE IN-PDF REQUEST -/- Husserl defines affection in the Analyses1 as "the allure given to consciousness, the particular pull that an object given to consciousness exercises on the ego."2 That something becomes prominent for the ego implies that the object exerts a kind of 'pull' upon the ego, a demanding of egoic attention. This affective pull is relative in force, such that the same object can be experienced in varying modes of prominence and affective relief (...) depending upon bodily comportment, egoic attentiveness, etc. The phenomenon of affection allows Husserl to describe the genesis of association in terms of the lawful, regular exertions of affection upon the ego, prompting (for example) the reproduction of remembered pasts in retention on a purely passive level. Affection thus provides Husserl a non-Humean mechanism for the lawful phenomenon of association. In this light, we can see that affection plays a crucial role in the passive phenomenon of association and thereby in the constitution of sense. The precise role played by affection, however, remains quite problematic in the Analyses. Husserl is rather unclear on this point, and two of the leading commentators on the Analyses, Anthony Steinbock and Bruce Bégout, offer opposing viewpoints. Is affection the precondition for the constitution of any sense unity, as Steinbock suggests, or is it the.. (shrink)

The first part of this paper explores the kinship in diagnosis of contemporaneity of Hugo Ball and Martin Heidegger. Both thinkers recognize leveling as an important trait of their age. In Ball?s terms, leveling is identified with the apocalyptic abolishment of humanity. That happens by equalizing all of human creation, which becomes possible only after the abolishment of the hierarchy of values, thanks to which it was previously possible to distinguish a work of art from an average work. With Heidegger, (...) leveling is equated with the perverted forms of curiosity. Unlike the former forms of curiosity, coupled by the common desire for deeper insight, modern curiosity is fairly superficial, let loose with no boundaries to all the impressions which supersede the expected and already seen. In the second part of the paper, Husserl?s term of passive synthesis is examined, so we can observe the intervention of phenomenology from the perspective of deconstruction of the effects of leveling. I conclude with a warning that we cannot protect ourselves from the world to which we are exposed by natural subjectivity and conventional forms of knowledge. Which insight leads us to revert to the sources of subjectivity, the idea common to both the avant-garde and the phenomenologists. (shrink)

Deleuze's theory of time set out in Difference and Repetition is a complex structure of three different syntheses of time – the passive synthesis of the living present, the passive synthesis of the pure past and the static synthesis of the future. This article focuses on Deleuze's third synthesis of time, which seems to be the most obscure part of his tripartite theory, as Deleuze mixes different theoretical concepts drawn from philosophy, Greek drama theory (...) and mathematics. Of central importance is the notion of the cut, which is constitutive of the third synthesis of time defined as an a priori ordered temporal series separated unequally into a before and an after. This article argues that Deleuze develops his ordinal definition of time with recourse to Kant's definition of time as pure and empty form, Hölderlin's notion of ‘caesura’ drawn from his ‘Remarks on Oedipus’ (1803) and Dedekind's method of cuts as developed in his pioneering essay ‘Continuity and Irrational Numbers’ (1872). Deleuze then ties together the conceptions of the Kantian empty form of time and the Nietzschean eternal return, both of which are essentially related to a fractured I or dissolved self. This article aims to assemble the different heterogeneous elements that Deleuze picks up on and to show how the third synthesis of time emerges from this differential multiplicity. (shrink)

Recent phenomenological research has picked up on the old claim that sometimes artworks seem to take possession of the perceiver. Simon Høffding and Tone Roald have argued that Edmund Husserl’s not...

This article discusses passive and active aspects of consciousness as two equally justified roots of life experiencing the world. The passive domain involves the synthesis of internal time, association, habituality, bodily aspects, etc. The active domain includes strictly cognitive competences of consciousness: thinking, judging, etc. What has been actively constituted becomes passive as the basic level for higher form of understanding. The two domains interweave, influence each other, complement each other, and also remain in a certain (...) tension and discrepancy. In the broader perspective of the system of consciousness and its various layers, the passive-active differentiation must be treated functionally, and not as hierarchically arranged or constituted by separable concepts. It reflects the dynamics of the consciousness system at all its levels, and its meaning oscillates between the opposite and the overlapping. --------------------- Received: 26/01/2022. Reviewed: 28/03/2022. Accepted: 12/05/2022. (shrink)

Foucault and Derrida react in two different ways to the new paradigm imposed by structuralism. Foucault uses structuralism to overcome phenomenology, in fact structuralism shows the naivety of phenomenology, in its claim to rely on conscience to constitute meaning. Instead, Derrida on the contrary immediately nurtures a certain distrust of structuralism, especially in its philosophical ambitions and uses the resources of phenomenology to criticize it, showing the metaphysical implications operating in it. We want to show how this opposing position is (...) generated by the specific way in which the two philosophers have responded to the open problems and bequeathed by Husserlian phenomenology. In particular, the theme of “passive genesis,” which was raised in the French debate by Tran-Duc-Thao and Merleau-Ponty, is central. In the first writings it emerges how Foucault has received Merleau-Ponty’s theses and it is precisely to overcome them that he inaugurates an archaeological analysis to try to distance himself from the normalizing anthropological discourse present in the passive synthesis. Derrida reads passive genesis in a radically different way from Merleau-Ponty (and therefore Foucault): the radical nature of Husserl’s phenomenology has opened a space to question the transcendental genesis of philosophical discourse and its possibility of transcending its historical, social and psychological genesis and therefore the sciences that preside over these dimensions. Consequently, showing the naivety of structuralism, Derrida’s research of the sixties is configured as post-structuralist. (shrink)

In the present book, Pauline Phemister argues against traditional Anglo-American interpretations of Leibniz as an idealist who conceives ultimate reality as a plurality of mind-like immaterial beings and for whom physical bodies are ultimately unreal and our perceptions of them illusory. Re-reading the texts without the prior assumption of idealism allows the more material aspects of Leibniz's metaphysics to emerge. Leibniz is found to advance a synthesis of idealism and materialism. His ontology posits indivisible, living, animal-like corporeal substances as (...) the real metaphysical constituents of the universe; his epistemology combines sense-experience and reason; and his ethics fuses confused perceptions and insensible appetites with distinct perceptions and rational choice. In the light of his sustained commitment to the reality of bodies, Phemister re-examines his dynamics, the doctrine of pre-established harmony and his views on freedom. The image of Leibniz as a rationalist philosopher who values activity and reason over passivity and sense-experience is replaced by the one of a philosopher who recognises that, in the created world, there can only be activity if there is also passivity; minds, souls and forms if there is also matter; good if there is evil; perfection if there is imperfection. (shrink)

What is the primary function of consciousness in the nervous system? The answer to this question remains enigmatic, not so much because of a lack of relevant data, but because of the lack of a conceptual framework with which to interpret the data. To this end, we have developed Passive Frame Theory, an internally coherent framework that, from an action-based perspective, synthesizes empirically supported hypotheses from diverse fields of investigation. The theory proposes that the primary function of consciousness is (...) well-circumscribed, serving the 'somatic nervous system[. For this system, consciousness serves as a frame that constrains and directs skeletal muscle output, thereby yielding adaptive behavior. The mechanism by which consciousness achieves this is more counterintuitive, passive, and “low level” than the kinds of functions that theorists have previously attributed to consciousness. Passive frame theory begins to illuminate (a) what consciousness contributes to nervous function, (b) how consciousness achieves this function, and (c) the neuroanatomical substrates of conscious processes. Our untraditional, action-based perspective focuses on olfaction instead of on vision and is 'descriptive' (describing the products of nature as they evolved to be) rather than 'normative' (construing processes in terms of how they should function). Passive frame theory begins to isolate the neuroanatomical, cognitive-mechanistic, and representational (e.g., conscious contents) processes associated with consciousness. (shrink)

In A Thousand Plateaus, Deleuze and Guattari refer to Glenn Gould as an illustration of the third principle of the rhizome, that of multiplicity: ‘When Glenn Gould speeds up the performance of a piece, he is not just displaying virtuosity, he is transforming the musical points into lines, he is making the whole piece proliferate’ (1987: 8). In an attempt to make sensible their ostensibly modest statement, I proliferate the relationships between Glenn Gould's philosophy of sound recording, Deleuze's theory of (...) passive synthesis, and Deleuze and Guattari's concept of the stutter. I argue, ultimately, that Glenn Gould's radical recording practice stutters and deterritorialises the temporality of the recorded performance. More generally, the Deleuzian perspective broadens the scope of Gould's aesthetic practices that highlights the importance of aesthetic acts in the redistribution of sensory experience. But the study serves a broader purpose than celebrating a pianist/recordist that Deleuze admired. Rather, while his contemporaries began to use the studio as a compositional element in sound recording, Gould bypassed such a step towards the informational logics of recording studios. Thus, it is inappropriate to think of Gould as having immersed himself in ‘technology’ than the broader concept of a complex, one that redistributed the striated listening space of the concert hall. (shrink)

I The Kantian notion of ‘affection’ is indeed problematic and obscure. In so far as the subject is finite and does not create the object of knowledge, the latter must always be somehow given. The passive faculty of sensibility makes it possible for the object to appear. But this receptive character of the subject correlates to some affection. Something affects us, and our sensibility receives this affection under the pure forms of space and time. The question that immediately arises (...) is what performs the action of affecting. And any answer, in the theoretical framework of the transcendental idealism, is always troubling. If we say that the thing in itself affects us, we are speaking about something that is not cognoscible. If we say that the object performs the action of affecting, we are considering that the sensation that is involved in every experience is, at the same time, a result of an affection produced by the object of experience. (shrink)

The present volume completes the publication of the most important and most representative Husserl texts from the twenties. The second half of the book contains important variants selected from the earlier versions of the lectures, a large number of independent short essays and notes, and finally a huge number of editorial notes on the texts and their reconstruction. The lectures deal with perception, expectation, and their implied phenomena, centered around the underlying major theme of the in-itself, hence of the passivity (...) of the flux of consciousness. By sacrificing deliberately an in extenso publication of the three versions of the lectures in favor of concentrating the theme into one volume, the editor chose to satisfy the most pressing needs of the Husserl scholar. Yet, one cannot but wonder whether an author of Husserl's stature might not deserve a more complete presentation.--M. J. V. (shrink)

It is expected that industrial heritage actually tells the story of the emerging capitalism highlighting the dynamic social relationship between the “workers” and the owners of the “production means”. In current times of economic crisis, it may even involve a painful past with lost social, civil, gender and/or class struggles, a depressing present with abandoned, fragmented, degraded landscapes and ravaged factories, and a hopeless future for the former workers of the local (not only) society; or just a conquerable ground for (...) controversial investments. This is certainly an emotionally charged subject matter, with multiple readings and interpretations. However, this view is only partial when facing landscape during its historical evolution process. A diachronic study, thus, embraces all resources that probably gave rise to a variety of human activities; all of them embody heritage values -“subjectively” or “objectively” perceived- their evaluation, though, is a matter of an on-going process of the civil society. Greece's landscape accommodates a diversity of diachronic productive practices that may overlap historical periods, technological evolutions and social transformations. Pre-, early and industrial exploitation of resources does not remain firm but vary according to time and the needs of each society. The comparative scale of certain resource exploitation is highlighted as the key for the assessment methodology in close relation to the specific frame of a local landscape and a historical period. Even though archaeological evidence may possibly reveal and document continuity in a range of sustainable productive processes without conflicts, great controversies emerge when new investments are “offered” as an antidote to economic crisis -not harmonized to the local scale, traumatizing thus the “spirit” of the landscape. Suggestions for incompatible productive use and investment planning imply irreversible and irreparable effects on the environment, society and economy of a region and are only faced through social awareness. Case studies of passive and/or active involvement of local communities, in synthesizing and enhance landscape’s “spirit”, its diachronic industrial heritage and the embedded tangible and intangible values, will support a pragmatic -not a suspended- step towards a sustainable future. Quoting Neil Cossons (TICCIH Congress 2012) “Industrial imperialism ensures its position and protects its future not by the conquest of distant lands as by the securing of its sources of raw materials ... The modern world is as much under the control of the major industrial powers as it ever was during the colonial era”; if such a case can the industrial heritage sector remain apolitical? (shrink)

In this paper I compare McDowell′s conceptualism to Husserl′s later philosophy. I aim to argue against the picture provided by recent phenomenologists according to which both agree on the conceptual nature of experience. I start by discussing McDowell′s reading of Kant and some of the recent Kantian and phenomenological non-conceptualist criticisms thereof. By separating two kinds of conceptualism, I argue that these criticisms largely fail to trouble McDowell. I then move to Husserl’s later phenomenological analyses of types and of (...) class='Hi'>passive synthesis. Although Husserl appropriates McDowell’s idea of conceptually ‘saddled’ intuitions as a ‘secondary passivity’, I argue that he also provides a strong case for non-conceptual synthesis. (shrink)

In den folgenden Überlegungen wird der Frage nachgegangen, welchen Status die Unterscheidung zwischen Sinnlichkeit und Begriff in der Philosophie Husserls hat und inwiefern sie für die Herausarbeitung eines ästhetischen Wissens fruchtbar gemacht werden kann. Husserl formuliert in den Ideen I das „Prinzip aller Prinzipien“ für die Philosophie, „daß jede originär gebende Anschauung eine Rechtsquelle der Erkenntnis sei, daß alles, was sich uns in der ‚Intuition’ originär (sozusagen in seiner leibhaften Wirklichkeit) darbietet, einfach hinzunehmen sei, als was es sich gibt, aber (...) auch nur in den Schranken, in denen es sich da gibt[...].“1 Eine Anschauung ist also die subjektive Erscheinungsweise eines Gegenstandes: Etwas erscheint mir „als“ etwas, d.h. das Selbstsein der Sache ist nicht ein ‚ansich’ Sein, sondern eine „subjektive[], situationsgebundene[] Gegebenheitsweise.“2 Es gibt eine Korrespondenz zwischen der Gegebenheitsweise – dem ‚Wie’ des Erscheinens – und dem Gegenstandsart bzw. dem Gegenstandssinn – dem ‚als Was’ der Gegenstand vermeint ist. Sinnliche und kategoriale Anschauungen konstituieren die Form der Gegenständlichkeit: die sinnliche aus den „Auffassungsstoffen“, die kategoriale aus den „Auffassungsformen“. Sie sind nicht getrennte Bereiche in der husserlschen Phänomenologie, sondern sind durch ein Fundierungsverhältnis3 aufeinander bezogen: Laut den Logischen Untersuchungen ist eine kategoriale Anschauung4 ein durch eine sinnliche Wahrnehmung fundierter intentionaler Akt;in der kategorialen Anschauung erfüllen sich die „kategorial geformten Bedeutungen“.5 Im Unterschied zur sinnlichen Anschauung ist die kategoriale Anschauung durch einen „Überschuss in der Bedeutung“ charakterisiert, denn „nur die in []einem ‚Begriff‘ vereinten Merkmalbedeutungen terminieren in der Wahrnehmung“.6 In seinen späteren Überlegungen erkennt Husserl aber, dass das Kategoriale auf das Nichtkategoriale, auf das Vorprädikative bzw. die passive Synthesis hinweist. Im Folgenden wird daher die These vertreten, dass diese Anerkennung einer passiven, vorkategorialen, ursprünglichen Sinnstiftung und die darauf aufbauende sich stets fortbildende Sinnbildung des identischen Gegenstandes im kontinuierlichen Wahrnehmungsverlauf dem Gegenstand einen sinnlichen Überschuss aufprägt, den die kategoriale Wahrnehmung nicht einzulösen vermag. Diesem Überschuss liegen spezifische Wissensformen zugrunde, die nicht mehr ganz im Sinne Husserl, sondern in Anknüpfung an Platons Politeia als eikasía (Vermutung: den Bildern, eikones, entsprechend) und pístis (Hinnahme, Überzeugung) bestimmt werden können. Im letzten Teil des Vortrages wird schließlich ein auf dem Boden der Lebenswelt aufbauendes Fundierungsverhältnis zwischen ästhetischem und wissenschaftlichem Wissen vorgeschlagen. (shrink)

The paper shows connection between the cultivation of attention in Buddhist meditation vipassanā and the phenomenological theory of affectivity. At first, it shortly describes the way how the praxis of meditation achieves progress of mindfulness. Then, this experience is interpreted from the point of view of Husserl’s theory of passive constitution. Finally, it describes mindfulness in terms of the boundary between activity and passivity of human being in the world.

In 1999, Dan Zahavi’s Self Awareness and Alterity: A Phenomenological Investigation initiated a critique of the standard interpretation of the distinction between the second and third levels of Husserl’s analysis of time-constituting consciousness. At stake was the possibility of a coherent account of self-awareness (Zahavi’s concern), but also the possibility of prereflectively distinguishing the acts of consciousness (Brough and Sokolowski’s rebuttal of Zahavi’s critique). Using insights gained from Husserl’s Analyses Concerning Passive Synthesis rather than the work on time-consciousness, (...) this paper provides a new, more precise vocabulary in which to carry on the debate, in the hopes of bringing it to a mutually satisfactory resolution. After briefly laying out the terms of the Zahavi–Brough/Sokolowski debate (Sect. 2), I then elaborate a three-fold distinction in consciousness from the Analyses (Sect. 3) and relate that back to the issue of objectivity in the debate (Sect. 4). I end by suggesting how this three-fold model from the Analyses helps us preserve the essentially tripartite structure (as Brough and Sokolowski insist we do) while not making one of these levels the object of another (in keeping with Zahavi’s critique) (Sect. 5). (shrink)

In the sixth Logical Investigation, Husserl thematizes the surplus (Überschuß) of the perceptual intention whereby the intending goes beyond the partial givenness of a perceptual object to the object as a whole. This surplus is an apperceptive surplus that transcends the purely perceptual substance (Gehalt) or sensed content (empfundene Inhalt) available to a perceiver at any one time. This surplus can be described on the one hand as a synthetic link to future, possible, active experience; to intend an object is (...) to intend it as it would appear if we were to have an exhaustively synthetic explication of it. This perceptual apperceptive surplus is, on the other hand, distinguished from the surplus that categorial form represents over the perceptual sense data. In this paper I show how the apperceptive surplus can also be understood as a synthetic link to past experience that is passively operative in any present perception. The synthetic link to both past and possible experience is a link to non-actual perceptions. Links to non-actual experience are despite their non-actuality nevertheless genuinely intentional in that they enter into the sense of any actively constituted object understood as a unity of sense. Key to this interpretation is an explanation of how Husserl appropriated the key concepts of attention and apperception from psychologists of his day, such as Stumpf and Wundt. (shrink)

A pesar de los matices y variaciones de significado, el concepto husserliano de intencionalidad no deja de estar al servicio de la idea clásica de la verdad como adaequatio, finalmente adaptada al orden monádico de la conciencia trascendental. Veremos, sin embargo, que en los análisis de Husserl sobre la conciencia interna del tiempo se manifiesta toda la dificultad para interpretar intencionalmente la esfera pasiva de la conciencia, peligrando la peculiar vocación a la verdad de la misma intencionalidad. Intentaremos, mediante las (...) últimas ideas husserlianas sobre la constitución eidética, encontrar una génesis pasiva del sentido ideal intencional sin perder su referencia egológica. Abstract: Despite the nuances and differences of meaning, the husserlian’s concept of intentionality supplies coherently that of classic true as adaequatio, even if adapted to the monadic order of transcendental conscience. We will show how Husserl’s analysis of inner time consciousness shows all the difficulties for an intentional interpretation of the passive sphere of consciousness, altering the peculiar vocation of intentionality to truth. Through the latest husserlian ideas on constitution, we will try to find a passive genesis to the ideal meaning of intentionality without losing its egologic reference. -/- . (shrink)

There is today much debate about the contents of perceptual experience relative to our capacity to make them figure in judgments. There is considerably less interest, however, in how we subsume perceptual contents in judgments, that is, what judging about a perception is like for us. For Kant and Husserl, this second question is as important as the first. Whereas Kant tries to answer it in the schematism section of the first Critique, Husserl addresses it at length in Experience and (...) Judgment. This paper draws new attention to this ‘forgotten’ transcendental problem by comparing both accounts of it. I will first discuss Kantian conceptualism in section two and schematization in section three. In section four I then turn to the Husserlian notion of type, which is today often juxtaposed to Kant’s schema. After rejecting one commonly held view that they are functionally identical, I turn to Husserl’s work on active synthesis, where I distinguish three different acts of judgment and their respective contents. (shrink)

En este artículo, procederemos a examinar el concepto de agencement en El anti-Edipo. Probamos que su uso inicial se registra, efectivamente, en el primer tomo de Capitalismo y esquizofrenia. Analizamos las nueve apariciones del concepto en dicho marco y demostramos que se halla, al menos en principio, estrechamente ligado al concepto de máquina (deseante). A la vez, sentamos la hipótesis de que este último no es sustituido por el primero (equívoco suscitado por el propio Deleuze) sino que, tras haber coexistido (...) ambos, agencement habría resultado más eficiente como pilar teórico de una teoría general de las máquinas. (shrink)

This paper aims to highlight the life of computer technologies to understand what kind of ‘technological intentionality’ is present in computers based upon the phenomenological elements constituting the objects in general. Such a study can better explain the effects of new digital technologies on our society and highlight the role of digital technologies by focusing on their activities. Even if Husserlian phenomenology rarely talks about technologies, some of its aspects can be used to address the actions performed by the digital (...) technologies by focusing on the objects’ inner ‘life’ thanks to the analysis of passive synthesis and phenomenological horizons in the objects. These elements can be used in computer technologies to show how digital objects are ‘alive.’ This paper focuses on programs developed through high-order languages like C++ and unsupervised learning techniques like ‘Generative Adversarial Model.’ The phenomenological analysis reveals the computer’s autonomy within the programming stages. At the same time, the conceptual inquiry into the digital system’s learning ability shows the alive and changeable nature of the technological object itself. (shrink)

I develop a “two-systems” interpretation of Husserl’s theory of belief. On this interpretation, Husserl accounts for our sense of the world in terms of (1) a system of embodied horizon meanings and passive synthesis, which is involved in any experience of an object, and (2) a system of active synthesis and sedimentation, which comes on line when we attend to an object’s properties. I use this account to defend Husserl against several forms of Heideggerean critique. One line (...) of critique, recently elaborated by Taylor Carman, says that Husserl wrongly loads everyday perception with explicit beliefs about things. A second, earlier line of critique, due to Hubert Dreyfus, charges Husserl with thinking of belief on a problematic Artificial Intelligence (AI) model which involves explicit rules applied to discrete symbol structures. I argue that these criticisms are based on a conflation of Husserl’s two systems of belief. The conception of Husserlian phenomenology which emerges is compatible with Heideggerean phenomenology and associated approaches to cognitive science (in particular, dynamical systems theory). (shrink)

This paper revives phenomenological elements to have a better framework for addressing the implications of technologies on society. For this reason, we introduce the motto “back to the technologies themselves” to show how some phenomenological elements, which have not been highlighted in the philosophy of technology so far, can be fruitfully integrated within the postphenomenological analysis. In particular, we introduce the notion of technological intentionality in relation to the passive synthesis in Husserl’s phenomenology. Although the notion of technological (...) intentionality has already been coined in postphenomenology, it is “in tension” with the notion of technological mediation since there are still no clear differences between these two concepts and studies on how they relate one to another. The tension between mediation and intentionality arises because it seems intuitively reasonable to suggest that intentionality differs from mediation in a number of ways; however, these elements have not been clearly clarified in postphenomenology so far. To highlight what technological intentionality is and how it differs from mediation, we turn the motto “back to the things themselves” into “back to the technologies themselves,” showing how the technologies have to be taken into consideration by themselves. More specifically, we use the concept of passive synthesis developed by Husserl, and we apply it to technologies to show their inner passive activity. The notion of the passive synthesis enables to demonstrate how technologies are able to connect to a wider (technological) environment without the subjects’ activity. Consequently, we claim that technologies have their pole of action, and they passively act by themselves. (shrink)

I argue that, on Husserl's account, affectivity, along with the closely related phenomenon of association, follows a form of sui generis lawfulness belonging to the domain of what Husserl calls motivation, which must be distinguished both (1) from the causal structures through which we understand the body third-personally, as a material thing; and also (2) from the rational or inferential structures at the level of deliberative judgment traditionally understood to be the domain of epistemic import. In effect, in addition to (...) recognizing a “space of causes” and a “space of reasons,” Husserl’s account of affectivity and the epistemology of passive synthesis in which it is situated suggest that we should recognize a separate “space of motivations.” Within this space, on Husserl’s phenomenological picture, we can isolate two different sorts of epistemic import, one belonging directly to the passive-synthetic content of experience, as explained in Husserl’s account of association and his closely aligned notion of nonlinguistic sense, and a second—my primary focus—affectivity, which is still relevant for that content, albeit indirectly, and holds epistemic import in its determination not of what that content is but of how it comes to matter for us. (shrink)

Husserl’s theory of passive experience first came to systematic and detailed expression in the lectures on passive synthesis from the early 1920s, where he discusses pure passivity under the rubric of affection and association. In this paper I suggest that this familiar theory of passive experience is a first approximation leaving important questions unanswered. Focusing primarily on affection, I will show that Husserl did not simply leave his theory untouched. In later manuscripts he significantly reworks the (...) theory of affection in terms of instinctive intentionality and a passive experience of desire aimed at satisfaction and enjoyment. This paper will show that the theory of affection and the theory of instincts in Husserl are really one and the same, differing only in the superior theoretical apparatus with which Husserl treats the phenomenon in his more considered theory of the instincts. I demonstrate the connection between the two theories by showing how what he generically calls “affection” in earlier texts is the same phenomenon he calls “curiosity” in later texts. The connection is further supported by the way curiosity does the same work as affection in its function within Husserl’s theory of association, serving as the basic connective tissue linking diverse experiences. In closing, I deal with the problem of how to integrate the experience of the body into the theory of instincts, displaying in another way how Husserl improves his theory of affection by making it more concrete when he recasts it as a theory of instincts. (shrink)

To discover affects within Husserl’s texts designates a difficult investigation; it points to a theme of which these texts were forced to speak, even as they were explicitly speaking of regional ontologies and the foundations of sciences. For we may at first wonder: where can affection find a positive role in the rigor of a pure philosophy that seeks to account for its phenomena from within the immanence of consciousness? Does this not mean that the very passivity and foreignness of (...) affect will be overlooked; will it not be continually linked to a Vorstellung that issues as a ray of the pure ego? That is, will the phenomenological account of affect be reduced to the cognition of an object, as Emmanuel Levinas suggests? Yet there are affects in Husserl’s texts that maintain their autonomy and resist subsumption to an objectivating intentionality.We may see this in the Lectures On the Phenomenology of the Consciousness of Internal Time: in the longitudinal intentionality of retention, through which consciousness becomes aware of its elapsed phases without making them into objects—a passive synthesis that gives the flow of time-constituting consciousness the form of a continually deferred auto-affection.1We find it again as early as the fifth Logical Investigation, 2 providing us with the impetus to radicalize Husserlian phenomenology. (shrink)

The main goal of this article is to examine Edmund Husserl’s method of “eidetic variation”—that is, to examine the way this method is supposed to work in connection with the notion of “similarity” (Ähnlichkeit). Unlike most interpretations, it will be suggested that similarity represents the leading methodologicalprinciple of eidetic variation. We will argue, therefore, that, on the one hand, this method is rooted in the sphere of association and passivity while, on the otherhand, it is constituted by the transposition of (...) a passive synthesis into an active operation. After having introduced and discussed a twofold notion of phantasy(as “localized phantasy” and as “pure phantasy”) as well as a twofold concept of eidos (as “hen epi pollon” and as “pure eidos”), the extent to which for Husserl there cannot be any eidetic variation without a monadology will be shown. (shrink)

The main goal of this article is to examine Edmund Husserl’s method of “eidetic variation”—that is, to examine the way this method is supposed to work in connection with the notion of “similarity” (Ähnlichkeit). Unlike most interpretations, it will be suggested that similarity represents the leading methodologicalprinciple of eidetic variation. We will argue, therefore, that, on the one hand, this method is rooted in the sphere of association and passivity while, on the otherhand, it is constituted by the transposition of (...) a passive synthesis into an active operation. After having introduced and discussed a twofold notion of phantasy(as “localized phantasy” and as “pure phantasy”) as well as a twofold concept of eidos (as “hen epi pollon” and as “pure eidos”), the extent to which for Husserl there cannot be any eidetic variation without a monadology will be shown. (shrink)