In a time of big data, thinking about how we are seen and how that affects our lives means changing our idea about who does the seeing. Data produced by machines is most often ‘seen’ by other machines; the eye is in question is algorithmic. Algorithmic seeing does not produce a computational panopticon but a mechanism of prediction. The authority of its predictions rests on a slippage of the scientific method in to the world of data. Data science inherits some (...) of the problems of science, especially the disembodied ‘view from above’, and adds new ones of its own. As its core methods like machine learning are based on seeing correlations not understanding causation, it reproduces the prejudices of its input. Rising in to the apparatuses of governance, it reinforces the problematic sides of ‘seeing like a state’ and links to the recursive production of paranoia. It forces us to ask the question ‘what counts as rational seeing?’. Answering this from a position of feminist empiricism reveals different possibilities latent in seeing with machines. Grounded in the idea of conviviality, machine learning may reveal forgotten non-market patterns and enable free and critical learning. It is proposed that a programme to challenge the production of irrational pre-emption is also a search for the possibility of algorithmic conviviality. (shrink)

Paranoias are unconscious desires that are represented in consciousness as fears. In being paranoid, one unconsciously desires what one consciously fears.

In light of the recent emergence of predictive techniques in law enforcement to forecast crimes before they occur, this paper examines the temporal operation of power exercised by predictive policing algorithms. I argue that predictive policing exercises power through a paranoid style that constitutes a form of temporal governmentality. Temporality is especially pertinent to understanding what is ethically at stake in predictive policing as it is continuous with a historical racialized practice of organizing, managing, controlling, and stealing time. After first (...) clarifying the concept of temporal governmentality, I apply this lens to Chicago Police Department’s Strategic Subject List. This predictive algorithm operates, I argue, through a paranoid logic that aims to preempt future possibilities of crime on the basis of a criminal past codified in historical crime data. (shrink)

Starting from the Michal Sandel's 2020 book "The Tyranny of Merit", in this essay we will study the resentment of white American workers without college degrees towards political, economic and social elites and its relationship to the phenomenon of disinformation and conspiracy theories, specifically the one known as QAnon. We will first explore Sandel's book and its relationship with paranoia and then we will expose the keys to the QAnon conspiracy theory, which will serve to compare the similarities between (...) its causes and logics with Sandel's reflections on the consequences of meritocracy. (shrink)

trata-se de discutir as relações entre a constituição da paranoia como categoria clínica e experiências estético-sociais de crise. Esta é uma maneira de se perguntar sobre as relações que categorias clínicas tecem com processos e valores advindos dos campos da política e da estética.

This paper addresses the recent challenges faced by universities in teaching, research and outreach. A hermeneutical standpoint is proposed to perform a political analysis of emotions with the aim of revealing how pathological behaviors emerge in academic communities dealing with extreme social pressures. The discussion is developed in two parts: first, the concept of paranoia is characterized; second, appealing to the concept of psychological potentials, the institutional conditions in which paranoia emerges are discussed. The main conclusion of the (...) article is that in conditions of competition and hierarchy, human beings experience negative emotions and a diminished potential for capabilities development. (shrink)

El artículo propone el concepto de paranoia política como una categoría muy útil para comprender algunas manifestaciones contemporáneas de las patologías del poder. Para ello se sirve de una perspectiva interdisciplinar, en concreto, del saber proporcionado por el psicoanálisis, la filosofía política, la teología y los estudios literarios o estéticos. El psicoanálisis elaborado por Freud y Lacan permite comprender por qué el sujeto paranoico es un sujeto megalómano e hiper-racional que pretende controlarlo todo. Se trata del sujeto soberano, no (...) sólo adecuado a la sociedad de control definida inicialmente por Deleuze, sino también a una concepción de la filosofía que aspira a la totalidad. Tras abordar la estrecha relación entre paranoia y teoría política conspirativa, el artículo explica por qué la paranoia política contemporánea es un caso de la más radical teología política: el gnosticismo político. Con este último término se hace referencia a una concepción de lo político que reduce al Otro a la condición de enemigo absoluto que ha de ser eliminado. Finalmente se establece una estrecha relación entre la cura de la paranoia política y la asunción de una ontología de la incompletitud. (shrink)

The present study investigated the relationship between paranoia and job satisfaction. Paranoia is defined as suspiciousness and the feeling of being threatened even if there is no proof of real threat. Paranoia is a concept that is often ignored in researches in Pakistan and rarely explored in context of any concept related to occupational life. After a detailed literature review, it was hypothesized that paranoia would be negatively correlated to job satisfaction. The sample of the present (...) research consisted of 154 professionals from different work settings. Paranoia was measured with the Feingstein Paranoia Scale Urdu version and job satisfaction was measured by the Generic Job Satisfaction Scale. Statistical analysis though Pearson Product Moment Correlation indicates that there is a strong negative correlation between paranoia and job satisfaction. Recommendations for employers and policy makers, avenues of future researches are discussed. (shrink)

Paranoia is obsessive fear, and obsessive fear is unconscious desire.

We suggest that variation, error, and bias will be essential to include in a complete computational theory of groups – particularly given that formation of group representations must often rely on inferences of intentions. We draw on the case study of paranoia to illustrate that intentions that do not correspond to group-constitutive roles may often be perceived as such.

With studies like Discourse Networks 1800/1900 and Gramophone, Film, Typewriter, Friedrich A. Kittler contributed significantly to transforming the history of media into a vital field of inquiry. This essay undertakes to more precisely characterize Kittler’s historiographical approach. When we look back on his early contributions to studies of the relationship between literature, madness and truth – among others, his doctoral dissertation on the Swiss poet and writer Conrad Ferdinand Meyer – what strikes us is the significance that Jacques Lacan’s structuralist (...) psychoanalysis had in shaping the orientation of Kittler’s later studies. His intensive engagement with Lacan galvanized Kittler’s concern with the question of sex and/or gender in the evolution of the humanities as well as his concern with the media history of the university. At the same time, Kittler’s reliance on Lacan led him to a kind of history that is interested above all in the internal logic of discourse. As we see, for instance, in Kittler’s anecdotic treatment of 19th-century physiologist Hermann von Helmholtz, this historiography does not involve any original research in archives and/or museums. Rather, it builds upon existing historical accounts and focuses its analyses on the issue of symbolic structures. Instead of investigating the history of the material culture of science and technology, what is thereby ultimately reinforced is a philosophical idealism in which knowledge and paranoia become superimposed in and by means of an ‘original syntax’. (shrink)

I analyze the case of pregnant athletes, and argue that sexism surrounds pregnant athlete’s participation in sport. I claim that we stigmatize the pregnant body in action. Participating in sport wh...

In being paranoid, one is consciously afraid of something that one unconsciously desires; and in many cases, what is unconsciously desired is to remain within the safe confines of an autistic bubble.

Deviant forms of human thought may provide insight into epistemic standards, such as rationality. A comparative analysis of paranoia and reinforced dogmatism suggests that reinforced dogmatism, such as pseudo-science a-la-Popper, demonstrates a primary epistemic lack of critical rationality, that is, of testability, whereas paranoia demonstrates a lack of range of alternative statements leading secondarily to a lack of testability. This reflects the importance to both epistemology and psychiatry of epistemic standards in addition to testability, such as relevance to (...) problems, and emphasizes the distinction of the context of introduction from the contexts of discovery and of justification. Key Words: context of introduction • paranoia • reinforced dogmatism • relevance • testability. (shrink)

THE BIGNESS COMPLEX by Walter Adams and James W. Brock New York: Pantheon, 1986. 426 pp., $22.95.

DIVUses a discussion of contemporary films and literary works to present an understanding of paranoia as a defining element in postmodern late-capitalist structure./div.

How are individuals affected by their own self-interested unethical behavior? Although self-interested unethical behavior commonly occurs as people attempt to advantage themselves, we argue that this unethical behavior can have deleterious implications for individuals and their social relationships. We propose that engaging in self-interested unethical behavior is positively related to state paranoia—an aversive psychological state. In turn, the social cognitive biases underlying state paranoia can prompt people to misjudge the potential for social threat. This may motivate them to (...) curtail coworker-directed affiliative behavior, thereby inadvertently undermining their social relationships. Our predictions were supported across four studies, including a behavioral study in a controlled environment, a recall study, a field survey in a single organization, and a two-wave survey. Theoretical and practical implications include highlighting the importance of understanding the personal and social consequences of self-interested unethical behavior as well as the impact of state paranoia in the workplace. (shrink)

In the late 1980s and 1990s, American popular culture has been increasingly rife with conspiracy narratives of recent historical events. Among cultural producers, filmmaker Oliver Stone has had a significant impact on popular understanding of American culture in the late twentieth century through a series of docudramas which reread American history through the lens of conspiracy theory and paranoia. This paper examines the films of Oliver Stone-in particular Platoon, Born on the Fourth of July, JFK, and Nixon-asking why they (...) have achieved popularity and brought about catharsis, why they are the subject of attack, and why it is useful to look beyond the debate about truth and falsehood that has surrounded them. It analyzes the ways in which Stone's status as a Vietnam veteran allowed Platoon to be accorded the authenticity of survivor discourse, whereas JFK and Nixon were subject to almost hysterical attack, not only because of Stone's assertions of conspiracy, but also because of his cinematic style of tampering with famous images. Taking these films as its point of departure, this paper examines the role of images in the construction of history, the form of the docudrama, the reenactment of historical images, fantasies of history, and ways in which paranoia is part of the practice of citizenship. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Listening Eye: Postmodernism, Paranoia, and the HypervisibleJerry Aline Flieger (bio)Jean Baudrillard. The Transparency of Evil: Essays on Extreme Phenomena. Trans. James Benedict. London: Verso, 1993. Trans. of La transparence du mal: Essai sur les phénomènes extrêmes. Paris: Galilée, 1990.Jean-François Lyotard. The Inhuman: Reflections on Time. Trans. Geoff Bennington and Rachel Bowlby. Stanford: Stanford UP, 1991. Trans. of L’inhumain. Paris: Galilée, 1988.Slavoj Zizek. Looking Awry: An Introduction to (...) Jacques Lacan Through Popular Culture. Cambridge: MIT P, 1992.“To the insides of the ear belong those who have a sight of internal hearing.” That’s the nocturnal look, the listening eye.—Emmanuel Swedenborg, cited in Lyotard, The InhumanPostmodernism, Yet AgainIn this essay, I shall take a cue from Slavoj Zizek’s discussion of Lacanian anamorphosis, or skewed perspective (Looking Awry), in order to read three dissimilar works alongside one another, and from a “paranoid” slant. For in spite of sometimes radically incommensurate subject matter, the three works I discuss here—The Transparency of Evil (Jean Baudrillard), Looking Awry (Slavoj Zizek) and The Inhuman (Jean-François Lyotard)—all share a focus on the dehumanizing effects of technology as determinants of what Lyotard has called the postmodern condition. 1 Moreover, all three works themselves adopt something like a paranoid perspective, suggesting that under the sway of an ethic of sheer performativity, human contact—face to face—has been rendered obsolete by interface.In the bleak vision of The Transparency of Evil (1993), for instance, Baudrillard describes an isolated disembodied satellite man, cut loose from his moorings: “The centrifugal force of our proliferating technologies has stripped us of all weight.... Freed of all density, all gravity, we are being dragged into an orbital motion which threatens to become perpetual” [30–31]. Similarly, in “The Ecstasy of Communication” (1983), Baudrillard describes a robotic subject mesmerized by pornographic hypervisibility, [End Page 90] “more visible than the visible... the obscenity of what no longer has any secret, or what dissolves completely in information and communication” [130–31]. 2Like Baudrillard, Lyotard (The Inhuman) describes the loss of dimensional intersubjectivity, suggesting that space is no longer an enabling interval between subjects, the scene of the exchanged gaze: contemporary cyberspace is the scene of communication without community, saturated with hypervisible information. But while for Baudrillard, we are already in weightless orbit, in a postcatastrophic, fractal aftermath, for Lyotard our fate is not yet cast, although adumbrated disaster—the end of the species or of the universe—provides a telos for our existence.Slavoj Zizek is not nearly so metaphysical, nor so glum, as his fellow post-philosophers, but he is every bit as concerned with the optical, Looking Awry. Zizek is a patient and even cheery exegete of Lacan, attempting to “introduce” Lacanian thought by looking at film, detective fiction, and other user-friendly instances of modern culture as templates of theory. Indeed, compared to his fellow travelers, Zizek is resolutely quotidian, even earthbound, focusing on the contemporary human subject as consumer/spectator, seated not in a satellite capsule or at a computer terminal but at the movies, popcorn in hand.Yet in spite of his goodwill, Zizek’s take on postmodernism is anything but sanguine: he too depicts a subject who is prey to the fascination of overexposed “obscene” virtual reality (X-rated Hitchcock, if you will), and always threatened as well by the eruption of the menacing Lacanian real into the web of symbolic reality—an intrusion that awakens the paranoid “post-man” from an absorption in the image on the screen, with a reminder of the precariousness of all that appears evident or meaningful. Thus in “The Obscene Object of Postmodernity” [Looking Awry, chap. 8], Zizek describes a blot or stain that sticks out or refuses assimilation to the totalizing gaze, eclipsing the heretofore meaningful and legible symbolic universe with an ineffable real that “produces a radical opacity and blocks every essay of interpretation” [151]. I suggest that Zizek’s notion of the obscene object as blot—like the hair on the camera lens that “disturbs” our absorption in the screen—as well as Lyotard’s notion of obdurate matter, may... (shrink)

A comparison is made, pointing out the parallels, between five systems of domination?racism, sexism, classism, nationalism and speciesism (the human domination of nature). In each of these, one group of (human) beings asserts its superiority over another group and thereby seems to justify the domination, exploitation and abuse of the oppressed group. An analytical model is then presented that traces the psychological development of domination behavior through four stages: (1) perception of difference and group identification, (2) pride and self?affirmation, (3) (...) prejudice, superiority and arrogance, (4) domination, paranoia, and control. Some suggestions are made as to the conditions or events that most likely trigger the escalation from one stage to the next. This model is then applied to all five areas to arrive at a better understanding of the psychological dynamics involved. Hopefully, such an analysis may help us to devise strategies to prevent or minimize the growth of these socially destructive behavior patterns. (shrink)

BackgroundParanoia is associated with a multitude of social cognitive deficits, observed in both clinical and subclinical populations. Empathy is significantly and broadly impaired in schizophrenia, yet its relationship with subclinical paranoia is poorly understood. Furthermore, deficits in emotion recognition – a very early component of empathic processing – are present in both clinical and subclinical paranoia. Deficits in emotion recognition may therefore underlie relationships between paranoia and empathic processing. The current investigation aims to add to the literature (...) on social cognition and paranoia by: characterizing the relationship between paranoia and empathy, and testing whether there is an indirect effect of emotion recognition on the relationship between empathy and paranoia.MethodsParanoia, empathy, and emotion recognition were assessed in a non-clinical sample of adults from the Nathan Kline Institute-Rockland dataset. Paranoia was measured using the Peters Delusions Inventory-21. Empathy was measured using the Interpersonal Reactivity Index, a self-report instrument designed to assess empathy using four subscales: Personal Distress, Empathic Concern, Perspective Taking, and Fantasy. Emotion recognition was assessed using the Penn Emotion Recognition Test. Structural equation modeling was used to estimate relationships between paranoia, the four measures of empathy and emotion recognition.ResultsParanoia was associated with the Fantasy subscale of the IRI, such that higher Fantasy was associated with more severe paranoia. No other empathy subscales were associated with paranoia. Fantasy was also associated with the emotion recognition of fear, such that higher Fantasy was correlated with better recognition of fear. Paranoia and emotion recognition were not significantly associated. The Empathic Concern subscale was negatively associated with emotion recognition, with higher empathic concern related to worse overall emotion recognition. All indirect paths through emotion recognition were non-significant.DiscussionThese results suggest that imaginative perspective-taking contributes to paranoia in the general population. These data do not, however, point to robust global relationships between empathy and paranoia or to emotion recognition as an underlying mechanism. Deficits in empathy and emotion recognition observed in schizophrenia may be associated with the broader pathology of schizophrenia, and therefore not detectable with subclinical populations. (shrink)

A Ontologia Orientada ao Objeto (OOO) é uma linha filosófica contemporânea muito difundida no universo acadêmico, com vários debates acalorados ao longo do globo, mas ainda bastante tímida quando o assunto é o campo da Teoria Social. O objetivo desse ensaio é compreender esse ponto de cruzamento, muitas vezes até de tensão, tomando como ponto de partida as ideias de Graham Harman e suas implicações epistêmico-ontológicas. Como resultado, existe nesse nosso horizonte investigativo uma nova atmosfera teórica, uma nova forma de (...) mergulhar no campo das ciências humanas e sociais, o que vai ser chamado aqui de Teoria Social Orientada ao Objeto (T. S. O. O). Quais os desdobramentos de uma T. S. O. O? Quais são suas vantagens diante de outras tradições já existentes? Essa e outras perguntas vão ser respondidas ao longo destas páginas, pelo menos, enquanto um breve aperitivo. (shrink)

Around 1900, psychiatry was interested in »peculiar documents« from »paranoid malcontents.« Anomalies in the performance and tracing of handwriting were considered as evidence for the clinical picture »malcontent's paranoia.« These diagnoses concerning the noise of writing and the querulous scene of writing can be traced back to bureaucratic decisions of the 18th century: For example, laws and declarations which established the malcontent as a specific type of plaintiff in the legal proceedings of the Prussian bureaucracy. These psychiatric and bureaucratic (...) discussions were concerned with something that one might call »mimetic parasitism.« German Um 1900 interessierte sich die Psychiatrie für »eigentümliche Schriftstücke« von »paranoiden Querulanten«. Indizien für das Krankheitsbild »Querulanten-Paranoia« waren Anomalien der materiellen Schriftspur und der Performanz des Schreibens. Diese Diagnosen über das Rauschen des Schriftzugs und die querulatorische Schreibszene lassen sich bis auf bürokratische Beschlüsse des späten 18. Jahrhunderts zurückführen. Gesetze und Deklarationen etwa, in denen der Querulant als Typus eines spezifischen Klägers in den Gerichtsverfahren der preußischen Bürokratie wirkmächtig installiert wurde. Was psychiatrische und bürokratische Diskussionen dabei beschäftigte, ist etwas, das »mimetischer Parasitismus« genannt werden kann. (shrink)

Name der Zeitschrift: Paragrana Jahrgang: 23 Heft: 2 Seiten: 75-84.

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.2 (2001) 35-48 [Access article in PDF] Film, Freud, and ParanoiaDalí and the Representation of Male Desire in An Andalusian Dog Ignacio Javier López An Andalusian Dog, one of the most universally acclaimed films in cinema history, is frequently mentioned by critics as a privileged point of reference for the Surrealist rebellion. The film remains enigmatic to this day. Criticism has concentrated on the validity and effectiveness of (...) its images to exemplify the avant-garde attack against social conventions and against the exclusive dominance of rationality in epistemology and social discourse. But this contextual approach does not take account of the script's fragmented narrative, which finds support in Freud's psychoanalytical theories and articulates a radical proposal for identity and culture. Largely neglected by critics, this narrative has been highly influential in the history of cinema. An Andalusian Dog is central to a long list of films that explore different aspects of the irrational, among them Jean Cocteau's Le sang du poète, Hunt Stromberg's The Strange Woman, Guy Debord's script Howling in Favor of the Marquis de Sade, Alfred Hitchcock's Spellbound, David Lynch's Blue Velvet, Jonathan Demme's The Silence of the Lambs, and Philip Kaufman's Quills. This impressive list underscores the need for an interpretative critical effort that accounts for the authors' proposal in the context of the Surrealist reaction to convention and tradition.Conventionally An Andalusian Dog has been viewed as a film about sexuality; I suggest that sexuality appears in the film as the pretext for a discussion of the threat sexual desire poses for male identity. In this respect, the film develops ideas that begin to appear in paintings completed by Dalí after his initial contact with Freud's works in the mid-1920s. These paintings display male identity as a fragile form of subsistence unfolding between two alternate forces, desire and fear: the desire for sexual realization and the opposed fear that sexual intercourse will conclude in disease and ultimately in death. Given the scarcity of Buñuel's production prior to 1929, I suggest that Dalí's monumental production of paintings during these years served as a preliminary visual point of reference for the design of some of the images in An Andalusian Dog.By concentrating on Dalí's work, I do not mean to suggest that he deserves exclusive credit for the film; a careful examination of Buñuel's writings clearly indicates that the movie included most of his interests as well. Nonetheless, I would like to correct what has become a common trend in the study of An Andalusian Dog. In the early 1940s, Buñuel and Dalí's friendship came to an abrupt end, and in the following years each claimed sole authorship for the ideas in the film. The conflict between the two artists contaminated critical attitudes, which were guided exclusively by Buñuel's pre-1929 writings on cinema. The recurrence of images in the filmmaker's subsequent work was employed to confirm critics' initial intuitions that the film was exclusively Buñuel's. As a result, Dalí's name became increasingly dissociated from the movie, as is illustrated by the absence of the painter's name on the cover of the English edition of the script. However, the antagonism that separated the artists more than ten years after An [End Page 35] [Begin Page 37] Andalusian Dog premiered in Paris on June 6, 1929, should not be a consideration in our critical understanding of this work. Although Buñuel directed the movie and deserves to be recognized for his undeniable input, we should not forget that he eagerly sought the painter's cooperation in writing the script. Moreover, contrary to Buñuel's later practice of frequently altering the initial script during the course of the film's production, An Andalusian Dog closely follows the original plan. This furthers the idea of the importance of Dalí's contribution, and, despite the opposing claims made by both artists in later years, it certainly appears... (shrink)

Might paranoia bear some promise, not only danger, for democratic theory and politics? To suggest that we should treat paranoia with anything but disdain today, in the age of Q anon and other white-supremacist lies, seems dangerous. But three decades ago, feminist theorist Naomi Schor took the risk and defended female paranoia, arguing that paranoia is an appropriate affect for feminist theory and critique. This essay follows Schor’s invitation to risk proximity to paranoia. I argue (...) that the political importance of Schor’s essay lies in one particular attribute of female paranoia that she celebrates: its love of detail. To explore the promise and limitations of the paranoid love of detail I pair Schor with two 20th-century theorists – Hannah Arendt and Simone de Beauvoir. Each studies a paranoid woman who clings to details: Arendt’s Rahel Varnhagen counts the number of teacups that she serves in her German salon. Beauvoir’s housewife collects tufts of dust. With Schor, Arendt and Beauvoir, the article argues that love of detail is a critical component not only of paranoid indictments of the world, but also of any project that desires to repair the world in the wake of paranoia. (shrink)