Even though The Medium Place is overshadowed by the dramatic events that unfold in the fake Good Place neighborhood, it is more significant to The Good Place. The Medium Place is described as an individually tailored “eternal mediocrity,” a place of neutrality and compromise. One of the most prominent contemporary cultural theorists, Homi K. Bhabha, calls this space of becoming, where contradictions and differences are explored rather than resolved, a “Third Space”. Bhabha claims that despite its importance, being (...) “in‐between” is usually “unrepresentable,” and Roland Barthes too refers to his idea of the “third possibility” as having “no place” of its own. But the writers of The Good Place have proved them wrong—they have found a way to represent this middle “in‐between” space it as a geographical neighborhood. The morality of The Medium Place is the most human and realistic of all The Good Place neighborhoods. (shrink)

Current orthodoxy takes representation to be essential to computation. However, a philosophical account of computation that does not appeal to representation would be useful, given the difficulties involved in successfully theorizing representation. Piccinini's recent mechanistic account of computation proposes to do just that: it couches computation in terms of what certain mechanisms do without requiring the manipulation or processing of representations whatsoever (Piccinini 2015). Most crucially, mechanisms must process medium-independent vehicles. There are two ways to understand what "medium-independence" (...) means on this account; however, on either understanding, the account fails. Either too many things end up being counted as computational, or purportedly natural computations (e.g., neural computations) cannot be counted at all. In the end, illustrating this failure sheds some light on the way to revise the orthodoxy in the hope of a better account of computation. (shrink)

La traduction arabo-latine attribuee a Guillaume de Luna du commentaire moyen d'Averroes sur la Logica vetus a fait l'objet en 1996 d'un premier volume: curieusement peut-etre, il proposait l'edition du texte de la troisieme uvre concernee, le Peri Hermeneias ou De interpretatione. Le present volume poursuit l'edition dudit commentaire dans la meme traduction arabo-latine et porte, non sur la premiere uvre de la trilogie: l'Isagoge, mais sur la deuxieme: les Categories ou Predicaments. A peine impliquee dans des citations d'auteurs, l'oeuvre (...) n'est plus connue que par six manuscrits; s' y ajoutent douze editions des XVe et XVIe siecles. La presente edition ressemble a la precedente du commentaire du Peri Hermeneias au moins sous quatre rapports: 1. une comparaison systematique de la version latine medievale du commentaire d'Averroes avec la version hebraique correspondante a ete exclue, ces deux versions ne pouvant etre qu'independantes l'une de l'autre; 2. dans l'apparat comparatif de la version latine avec l'original arabe, les mots arabes sont imprimes en arabe, puis retraduits en latin dans la langue meme du traducteur, sur base d'une etude systematique de la terminologie utilisee dans la traduction; 3. les lexiques sur lesquels s'appuie cette etude de la terminologie, rendent compte d'a peu pres toutes les equivalences arabo-latines etablies par le traducteur, et non, parmi celles-ci, d'une categorie particuliere ne reprenant, par exemple, que les concepts philosophiques; 4. dans les lexiques, les mots arabes sont transcrits en caracteres latins: certaines verifications sont ainsi accessibles aux lecteurs non arabisants; quant aux arabisants, la vocalisation qu'implique la transcription leur signale comment, en fonction de l'interpretation supposee avoir ete celle du traducteur medieval, le referent arabe a de nouveau ete relu et compris. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2018 Heft: 224 Seiten: 269-293.

This chapter critically explores the notion of medium specificity both in its classical form, as represented by figures such as Rudolf Arnheim and André Bazin, and in its current revised versions as proposed by philosophers such as Berys Gaut, Dominic Lopes, and Ted Nannicelli. The thesis of this entry is that the idea of medium specificity is flawed in all of its variations.

The Visible Medium. Opaque Interface and Non-Mimetic Immersivity -/- The relation of reciprocal co-implication that Merleau-Ponty formulates—and on which he insists throughout his work—between sense and the sensible, perception and expression, and then visible and invisible, transforms the way in which one conceives of the medium. Merleau-Ponty’s aesthetics reveals an idea of the medium as a support that erases itself in the act of conveying the signifi cation and also shakes the direct correlation between transparency and mimetic (...) simulation. Understood as the sensible thickness of the body opening onto the world, then as depth and écart that catalyzes vision, the medium, then, furnishes one of the defi nitions of fl esh, as the element of auto-mediation: connective tissue or fabric of communication that is at once écart and internal difference. Merleau-Ponty conceives of the medium as both that which renders and that which is rendered visible. It is therefore no longer an intermediary; it ceases to be an invisible mediator and becomes the opaque element that reveals in fi ligree the movement of gestaltic difference. It is from such a Merleau-Pontian conception of medium that one can begin to elaborate the complex issues posed by mediality in the post-medial age. The idea of a “visible medium” permits us to break with the confl ation of the simulation’s immersive effect and performance, which often informs the rhetoric concerning medias and new technologies, in order rather to think of an “opaque interface” or an “non-mimetic immersivity.” From such a conception of mediality we can equally understand the phenomenon of numerical convergence, not as the accomplishment of the suppression or dematerialization of the medium, as is the case with traditional theories, but as the point of departure for a return to the body as the condition of possibility for every aesthetic experience. (shrink)

I argue that the physical marks on a canvas resulting from an artist's intentional, stylistic and expressive acts cannot themselves be the artist's expression, but instead they serve to signify or indicate those acts. Thus there is a kind of indicative content associated with a picture that is distinct from its subject matter (or 'representational content'). I also argue that this kind of indicative content is closely associated with the specific artistic medium chosen by the artist as her expressive (...) medium, for which reason I call this kind of content medium content (or medium-related content). (shrink)

The paper analyses empirical research results comparing the impact of the medium on the reading process and text comprehension. It focuses on two analytical approaches—the first looks at the construction of cognitive maps of texts and the other the material aspects of the medium – which enable readers to orientate themselves and to explore and interpret the text more comprehensively. The paper discusses differences in how readers approach textual meaning according to experience of using digital technologies, the text, (...) and reader experience and abilities. It concludes by arguing that strengthening these individual experiences and abilities is key to effective inference of textual meaning. (shrink)

In this paper, Christian Morgner provides a critical reading of Niklas Luhmann's thinking as ignoring human beings or even as antihumanist. Here, he presents an alternative view that centers on Luhmann's idea of the child or human being as a medium. To explain Luhmann's use of these ideas to conceptualize the child and the consequences for research, Morgner refers to the translation of Luhmann's paper “The Child as the Medium of Education” and to as yet unpublished material from (...) his famous card-box reference system. Drawing on these materials, Morgner can more clearly illuminate Luhmann's novel perspective and how it could inform further theoretical development, supported by new analysis of existing research in other fields, including developmental psychology, education, philosophy, and sociology. He concludes that, far from neglecting the human, Luhmann's theory takes human being very seriously and acknowledges its key role as a form-giving medium in addressing the challenges faced by contemporary society. This renewed perspective should be of particular interest to educational theorists, enabling them to more freely apply his ideas in various settings. (shrink)

In this paper, for the benefit of reflection processes in clinical and in local, regional, and national priority-setting, we aim to develop an ethical theoretical framework that includes both ethical principles and medium-range narratives. We present our suggestion in the particular case of having to choose between treatment interventions for attention deficit hyperactivity disorder (ADHD) and treatment interventions for other conditions or diseases, under circumstances of scarcity. In order to arrive at our model, we compare two distinct ethical approaches: (...) a generalist (principles) approach and a particularist (narratives) approach. Our focus is on Sweden, because in Sweden prioritization in healthcare is uniquely governmentally regulated by the “ethics platform.” We will present a (fictional) scenario to analyse the strengths and weaknesses of the generalist principled perspective of the ethics platform and the particularist perspective of narrative ethics. We will suggest an alternative (moderately particularist) approach to prioritization, which we dub a “principles plus medium-range narratives” approach. Notwithstanding the undeniably central role of principles in distributive justice, we claim that medium-range narratives concerning individuals or groups who stand to benefit or lose from ADHD prioritization practices should also be read or listened to and taken into account at all levels of priority-setting. These narratives are expected to ethically optimize clinical priority-setting, as well as that undertaken at local, regional, and national levels. (shrink)

What begins with an unlikely collection of unrelated phenomena--mechanical dolls, weather, atoms, lyric poetry--blossoms in the course of _Toy Medium_ into a subtle and persuasive meditation on one of Western philosophy's biggest puzzles: the relation of mind and matter. What is the role of the imagination in defining material substance? In a dazzling study of the poetics of materialist philosophy and of the materialism of lyric poetry, Daniel Tiffany traces the historical conjunction of matter and metaphor through a remarkable range (...) of topics: automata in classical antiquity and the eighteenth century; Kepler's treatise on snowflakes; animal magnetism; fireworks and cloud-chamber photographs; the origins of the microscope as a philosophical toy and its bearing on the figure of the virtuoso. At critical junctures in modern Western culture, Tiffany finds uncanny parallels between the metaphorics of science and visions of material substance rooted in popular culture and lyric poetry. _Los Angeles Times Best Nonfiction Book of 2000_. (shrink)

Artistic Medium Artistic medium is an art critical concept that first arose in 18th century European discourse about art. Medium analysis has historically attempted to identify that out of which works of art and, more generally, art forms are created, in order to better articulate norms or standards by which works of art and art … Continue reading Artistic Medium →.

e medium and the revolution exclude each other, insofar as two kinds of violence, restlessly ghting for domination, collide. e ght is a ght for the ght itself. e violence of the medium can namely suppress the ght the revolution needs. e violence of this suppression of violence, the violence of nonviolence produces the psycho-somatic state of depression. In this depression the body is drawn together, onto itself. It does not experience anything anymore. e violence of »the ancient« (...) directs itself therefore only towards itself alone. us the immediate and its origin are veiled. e medium excludes them. e origin cannot return, it remains in absence. e violence of the revolution cannot awaken anymore. e absence of the revolution is the absent origin itself. (shrink)

This paper provides a commentary on Truth and Method III.1.

Medium- and high-spin states of Pr-134 were populated using the Cd-116(Na-23, 5n) reaction and studied with the GAMMASPHERE spectrometer. Several new bands have been found in this nucleus, one of them being linked to the previously observed chiral-candidate twin-band structure. The ground state of Pr-134 could be determined through establishing a level structure that connects the two previously known long-lived isomeric states. Unambiguous spin-parity assignments for the excited states could be performed based on the known 2(-) spin-parity of the (...) ground state combined with the present experimental data. Intrinsic single-particle configurations have been assigned to the newly observed bands on the basis of the measured B(M1)/B(E2) ratios, alignments, band-crossing frequencies, bandhead spins, the observed single-particle configurations in the neighboring nuclei, and taking into account the predictions of total Routhian surface and tilted-axis cranking calculations. (shrink)

Dans le fragment sur la musique, Max Weber réduit l'objet musical empiriquement descriptible au « médium technique » utilisé par chaque culture, dans la mesure où son analyse reste hétérogène aux valorisations esthétiques. Weber souligne que la reproduction phonographique du son constitue la condition de possibilité d'une analyse empirique du matériau musical, le point de départ d'une musicologie comparée moderne. Approche empirique et comparaison culturelle apparaissent ainsi reliées dans un chiasme « empirico-transcendental » qui fait du médium technique à la (...) fois un objet et un a priori. L'article explicite ce choix méthodologique et ses conséquences pour une sociologie comparative de l'art. (shrink)

The notion of a distinct 'executive power' was famously employed by Locke and Montesquieu; but the term potestas executiva, coined by medieval canonists, had been adopted by the early sixteenth-century theologian Cajetan, who located it as regimen medium in his defence of papal power against a revived 'conciliarist' challenge. The distinction between legislative sovereignty and a power effectively executive was used in post- Reformation political controversy and in Bodin's République. From those beginnings it was developed by mid-seventeenth-century writers, from (...) whom it passed to Locke; and the concept of the executive as a 'mediating' power was notably echoed by Rousseau. (shrink)

Artistic Medium Artistic medium is an art critical concept that first arose in 18th century European discourse about art. Medium analysis has historically attempted to identify that out of which works of art and, more generally, art forms are created, in order to better articulate norms or standards by which works of art and art … Continue reading Artistic Medium →.

How do we challenge the structures of late capitalism if all possible media through which to do do is inescapably capitalist? This urgent political question is at the heart of Peter Trawny's major new work. With searing precision Trawny demonstrates how our world has become wholly determined by technology, capital, and the medium. In this world of the 'TCM', we universal subjects remain in a state of apathy that is temporarily punctuated, but also reinforced, by the phantasmatic dream of (...) difference offered us by the 'Hollywood machine.' Our sole motivation is to gain money and the power it brings. The only meaningful difference in the world of the TCM universal is the difference between wealth and poverty. Freedom here is then the freedom to dispose of things (particularly technological objects) and to gain pleasure. It makes our relation to our surroundings essentially 'touristic,' and our relation to the earth an essentially exploitative one. The notion of personal or societal freedom has never been more controversial or, seemingly, more far from our grasp. While exploring in details the difficulties we face in our attempts to be free, Trawny builds an almost Utopian vision of how to break out of the mediums in which we operate and experience a new kind of freedom – both one of intimacy, and one through philosophy. An ambitious and lively yet completely rigorous work, this book offers a fascinating vision of how to live and live well. (shrink)

In 1792 Dugald Stewart published Elements of the philosophy of the human mind. In its section on abstraction he declared himself to be a nominalist. Although a few scholars have made brief reference to this position, no sustained attention has been given to the central role that it played within Stewart’s early philosophy of mind. It is therefore the purpose of this essay to unpack Stewart’s nominalism and the intellectual context that fostered it. In the first three sections I aver (...) that his nominalism emanated from his belief that objects of the mind—qualities, ideas and words—were signs that bore no necessary relation to the external objects that they were meant to represent. More specifically, it was these signs that were arranged into systems of thought by the ‘operations of the mind’. The next three sections suggest that his treatment of words as signs most probably originated in his views on language and medicine and that his nominalistic philosophy of mind could also be extended to systems that sought to classify the natural world. I conclude by suggesting several avenues of enquiry that could be pursued by future scholars interested in excavating Stewart’s thought. (shrink)

Среди неоднозначностей, наблюдаемых в высказываниях о пропозициональных установках, некоторые связаны с возможностью понять то или иное слово в общепринятом значении или же в идиолекте носителя установки, которую передает высказывание. Хотя этот факт известен уже около двух десятилетий, первой работой, где на этом в известной мере основана вся теория интерпретации высказываний об установках, можно назвать недавнюю статью [Tancredi, Sharvit, 2022]. Значительная гибкость ее формального аппарата обусловлена тем, что выражающее установку придаточное рассматривается как еще не проинтерпретированный языковой объект, так что его интерпретация (...) в высказывании об установке может отличаться от его интерпретации в качестве отдельного высказывания и денотативно (в мирах, совместимых с содержанием установки, у входящих в него выражений могут быть не те же денотаты, что в реальном мире), и сигнификативно (в отношении смыслов, или толкований, этих выражений). Настоящая статья, помимо исторического очерка (§1) и краткого представления идей К. Танкреди и Я. Шарвит (§2), критикует такие аспекты их теории, как отсутствие в ней возможности прямо отсылать к возможным мирам (§3) и нужда в синтаксическом передвижении для предсказания невозможности некоторых интерпретаций (§4). С другой стороны, мы показываем, как подобная теория, разделяющая сигнификативный и денотативный аспекты интерпретации, позволяет развить представление о шкалах, связанных с высказываниями об установках, и, соответственно, о порождаемых ими скалярных импликатурах (§5). (shrink)

It has been claimed that a great deal of AI research is an attempt to discover the empirical laws describing a new type of entity in the world—the artificial computing system. I call this enterprise 'medium AI', since it is in some respects stronger than Searle's 'weak AI', and in other respects weaker than 'strong AI'. Bruce Buchanan, among others, conceives of medium AI as an empirical science entirely on a par with psychology or chemistry. I argue that (...) medium AI is not an empirical science at all. Depending on how artificial computing systems are categorized, it is either an a priori science like mathematics, or a branch of engineering. (shrink)

In the eighteenth and nineteenth centuries, mediatization was understood as a condition through which a person lost his or her agency. A person mediatized was a person deprived of his sovereign power to act. This understanding is perhaps more pertinent today than ever in describing the way humans are, in a manner, mediatized by their own technological constructs. In a McLuhanesque sense, if we place too much influence on the understanding of the message, we do not understand the medium. (...) In doing that, we become blind to the environments in and through which we must act, for better or worse. The article is a discussion on the conditions of techno-scientific development and their effects on the human condition. (shrink)

Subjects communicated prior to playing trust games; the richness of the communication media and the topics of conversation were manipulated. Communication richness failed to produce significant differences in first-mover investments. However, the topics of conversation made a significant difference: the amounts sent were considerably higher in the unrestricted communication conditions than in the restricted communication and no-communication conditions. Most importantly, we find that first-movers' expectations of second-movers' reciprocation are influenced by communication and strongly predict their levels of investment.

The seduction-theory defines film in a broader sense as a medium of seduction, based on the French concept of séduction. It is a theoretical approach influenced by continental philosophy and classical film theory, linked to a three-stage analytical model. The book introduces the theoretical foundations and, using various classical and contemporary examples from film history, presents a genuine method of film analysis.

Résumé On aimerait voir un miroir dans Contact de Markus Raetz, mais il s’agit d’une photographie dans une photographie. En montrant comment l’artiste parvient à tirer profit de l’ambiguïté perceptive entre reflet et photographie, c’est-à-dire entre différents médiums, ce texte essaie de clarifier la complexité des niveaux de représentation mis en jeu.

In industries populated by small and medium enterprises, managers' good intentions frequently incur barriers to superior environmental performance (Tilley, Bus Strategy Environ 8:238-248, 1999). During the period when the U.S. wine industry was beginning to promote voluntary adoption of sound environmental practices, we examined managers' attitudes, norms, and perceptions of stakeholder pressures to assess their intentions to implement environmental management programs (EMP). We found that managers within the simple structures of these small and medium firms are responsive to (...) attitudes, norms, and pressures from internal stakeholders and that voluntarily established EMP increased the success of firms' implementation of energy conservation and recycling practices. Applications of our findings to future research on small and medium enterprises as well as direct practical applications of our results are discussed. (shrink)

Pioneers in psychology discovered, then repudiated, the traumatic origins of dissociation. Recent scientific research is showing how genetic predisposition plus trauma cause dissociation along with observable changes in the brain. EEG and PET scans have demonstrated that distinct neural networks lie at the base of dissociative states, with differences as striking as blindness vs. sight. Research is pointing as well to the role of the right hemisphere in developing a core sense of self through the mother-infant bond and dividing it (...) in response to childhood trauma and later stressors. Analysts from the nineteenth through the twenty-first century have witnessed frequent paranormal claims, such as telepathy, in mediums and dissociative patients, and wondered at the knowledge they displayed. This paper reports case studies of an empathic therapeutic matrix where unconscious transfers of information occurred with surprising revelations and imaginative constructs that both healed the patient and changed the therapist's own beliefs. (shrink)

outlines two fields of research: and , which in their entanglement form the starting point of an actor-media theory (AMT). Since the triple role of media – as , and – is currently being studied in a series of analyses, this paper suggests to introduce the procedural concept of the auxiliary medium to AMT. By the auxiliary in- and adscription of media and tools it should become clear that one cannot determine in advance where to find in the complex (...) of an action, and that the media's part in the concatenation of action initiatives is not fixed. In any case, a of media is necessary. German Durch die ANT sind zwei Forschungsfelder umrissen: Medien der Agentschaft und Agenturen der Medien , die in ihrer Verschränkung den Ansatzpunkt einer Akteur-Medien-Theorie (AMT) bilden. Da derzeit in einer Reihe von Analysen die Dreifachrolle der Medien als intermediary , mediator und device untersucht wird, schlägt der Aufsatz vor, den verfahrenstechnischen Begriff des Hilfsmediums für die AMT anzuwenden. Durch die hilfsmediale Ein-/Zuschreibung von Medien und Werkzeugen soll deutlich werden, dass man nicht vorab festlegen kann, wo man die Medien in einer Handlungsverknüpfung findet, und dass der Anteil der Medien an der Verkettung von Handlungsinitiativen nicht fixiert ist. Gleichwohl ist ein modicum der Medien notwendig. (shrink)

Durch die ANT sind zwei Forschungsfelder umrissen: Medien der Agentschaft und Agenturen der Medien, die in ihrer Verschränkung den Ansatzpunkt einer Akteur-Medien-Theorie (AMT) bilden. Da derzeit in einer Reihe von Analysen die Dreifachrolle der Medien als intermediary, mediator und device untersucht wird, schlägt der Aufsatz vor, den verfahrenstechnischen Begriff des Hilfsmediums für die AMT anzuwenden. Durch die hilfsmediale Ein-/Zuschreibung von Medien und Werkzeugen soll deutlich werden, dass man nicht vorab festlegen kann, wo man die Medien in einer Handlungsverknüpfung findet, und (...) dass der Anteil der Medien an der Verkettung von Handlungsinitiativen nicht fixiert ist. Gleichwohl ist ein modicum der Medien notwendig. outlines two fields of research: and, which in their entanglement form the starting point of an actor-media theory (AMT). Since the triple role of media – as, and – is currently being studied in a series of analyses, this paper suggests to introduce the procedural concept of the auxiliary medium to AMT. By the auxiliary in- and adscription of media and tools it should become clear that one cannot determine in advance where to find in the complex of an action, and that the media's part in the concatenation of action initiatives is not fixed. In any case, a of media is necessary. (shrink)

Inquiries into the medium of education take up a question that has so far usually been answered teleologically or psychologically. The coherence of educational endeavors has been illustrated by their objective, and this again has been illustrated by the changes in the state of the educatees. The difficulty of such an approach is that no educator is able to know the inner state of the educatee, i.e., that which the latter really experiences, remembers, and expects during the process of (...) education. Moreover, the drawback of all teleology is that it does not provide a concept for understanding the frequent failure of these efforts. Here, Niklas Luhmann demonstrates that this kind of teleological theory can be replaced by the distinction between medium and form. (shrink)

People have always wondered how thinking takes place and what thoughts are constructed from. We typically experience our thoughts as involving pictorial (or sensory) contents or as being in words. Although this idea has been enshrined in psychology as the “dual code” theory of reasoning and memory, serious questions have been raised concerning this view. It appears that whatever the form of our thoughts it is unlikely that it is anything like our experience of them. But if thought is not (...) in pictures or words, what form does it take? If we do not sometimes think in words, then what actually goes on when we think by engaging in an “inner dialogue”? And if we do not sometimes think in pictures, what goes on when we reason by creating and examining “mental images”? (shrink)

The language of Seneca’s messenger speeches concentrates preceding patterns of imagery into grotesquely violent action. In three tragedies – Phaedra, Thyestes, and Trojan Women – the report of an anonymous messenger dominates an entire act. All three scenes describe gruesome deaths: the impalement of Hippolytus on a tree trunk in Phaedra, Atreus’ butchering of his nephews in Thyestes, and the slaughter of Astyanax and Polyxena in Trojan Women. In portraying violence, these messenger speeches repurpose language established in earlier scenes to (...) realize and deform a dominant theme of each play: distorted sexuality, appetite, and moral dissolution. (shrink)