You'd never know Athens was locked in a life-or-death struggle from the tranquil and leisurely philosophical discussion that unfolds through the pages of the Republic...Plato's masterpiece continues to inform our questions and our thinking when it comes to being, truth, beauty, goodness, justice, community, the soul, and more." -From Dr. Littlejohn's Introduction. On the way back from a festival, Socrates is waylaid by some friends who compel him to go home with them. There he and his companions engage in (...) a long discussion about whether it is worse to suffer evil or to commit it. Far from being dry or abstract, Plato's dialogue is full of practical questions about the nature of justice, education, power, and virtue, and it ends with two of the most vivid myths ever devised by man. This Canon Classic is translated clearly by Benjamin Jowett, and unlike all other works of philosophy, it's actually fun to read. The Canon Classics series presents the most definitive works of Western literature in a colorful, well-crafted, and affordable way. Unlike many other thrift editions, our classics are printed on thicker text stock and feature individualized designs that prioritize readability by means of proper margins, leading, characters per line, font, trim size, etc. Each book's materials and layout combine to make the classics a simple and striking addition to classrooms and homes, ideal for introducing the best of literary culture and human experience to the next generation. This Worldview Edition features an introduction divided into sections on The World Around, About the Author, What Other Notables Said, Setting, Characters, & Plot Summary, Worldview Analysis, 21 Significant Questions & Answers, and Further Discussion & Review. (shrink)

Republic, Plato's best known and most frequently read dialogue, although receiving a flood of translations and philosophical analysis over the last 100 years, has in recent times been quite short of detailed commentaries. In particular, a full edition of the introductory sections of the dialogue, representing, probably, a single papyrus roll in the original text, has not been attempted for more than fifty years. In that period scholarship has moved on, and this edition aims to take into account recent (...) developments in the study of Plato's literary style as well as of his ideas. The arguments have always been of great interest to philosophers, especially the sophist Thrasymachus' clash with Socrates in defending injustice as the most profitable life-choice. But there is a great deal more to this introduction than abstract ideas; Plato chooses to begin his great work by staging a dramatic debate, arising out of a social meeting between Socrates and friends in the Athenian port of the Piraeus during a religious festival. The case against justice as a state of affairs leading to eudaimonia is put with great force and humour, not to mention bad temper, and in the cut-and-thrust of argument and the clash of personalities, Plato brings vividly to life the cultural and social world of his times and the crucial issues at stake for his contemporaries. He also puts as effectively as possible the adversarial case which Socrates has to answer in the rest of Republic. This edition is aimed principally at readers without Greek; however, following the main purpose of the Series, a spectrum of needs is catered for, ranging from those studying through the original text to those working with the translation. Greek text with facing-page translation, introduction and commentary. (shrink)

In Plato’s Apology of Socrates we see a philosopher in collision with his society—a society he nonetheless claims to have benefited through his philosophic activity. It has often been asked why democratic Athens condemned a philosopher of Socrates' character to death. This anthology examines the contribution made by Plato’s Apology of Socrates to our understanding of the character of Socrates as well as of the conception of philosophy Plato attributes to him. The 11 chapters offer complementary (...) class='Hi'>readings of the Apology, which through their different approaches demonstrate the richness of this Platonic work as well as the various layers that can be discerned in its presentation of Socrates. -/- While the contributions display variety in both topics and angles, they also share common features: An awareness of the importance of the literary aspects of Plato’s courtroom drama, as well as a readiness to take into consideration the historical context of the work. Thereby they provide contributions to a manifold understanding of the aims and impact of the work, without losing sight of the philosophical questions that are raised by Socrates’ confrontational and unrepentant defense speech. Allowing the character of Socrates to take center stage, the chapters of this volume examine the philosopher in relation to ethics, and to politics and democracy, as well as to the ideology, religion, and virtue shared by the Athenians. -/- Readers will also find reflections on classical Platonic subjects such as the nature of Socratic philosophical inquiry and of philosophy itself, as well as on the notoriously ambiguous relationships between philosophy, sophistry and rhetoric, and their several relationships to truth and justice. The anthology emphasizes and explores the equivocal and sometimes problematic aspects of Socrates as Plato presents him in the Apology, illuminating why the Athenians let the verdict fall as they did, while drawing out problematic features of Athenian society and its reaction to Socrates’ philosophic activity, thereby encouraging reflection on the role philosophy can play in our modern societies. (shrink)

Ostensibly a discussion about love, the debate in the Phaedrus also encompasses the art of rhetoric and how it should be practised. This new edition contains an introductory essay outlining the argument of the dialogue as a whole and Plato's arguments about rhetoric and eros in particular. The Introduction also considers Plato's style and offers an account of the reception of the dialogue from its composition to the twentieth century. A new Greek text of the dialogue is accompanied (...) by a select textual apparatus. The greater part of the book consists of a Commentary, which elucidates the text and makes clear how Plato achieves his philosophical and literary objectives. Primarily intended for advanced undergraduates and graduate students of ancient Greek literature and philosophy, it will also benefit scholars who want an up-to-date account of how to understand the text, argument, style and background of the work. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

A superb example of the bookmaker's and translator's art, this new edition of Plato's "Symposium" exhibits aesthetic, literary, and intellectual excellences rarely found together in a single volume.Tom Griffith's translation of this foundation work of Western culture is unsurpassed for the balance it achieves between readability and fidelity to Plato's Greek. For felicity of phrasing, freshness, care to match the sense of the Greek rather than its wording, and for its idiomatic rendering of the spoken word, it (...) has no peer.Originally published in a limited edition with facing Greek and color wood engravings, Griffith's translation is here presented in reduced format that retains the aesthetic quality of the original version at an affordable price. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, (...) a detailed glossary, and a selected bibliography are also included. (shrink)

Turnbull offers a close and detailed reading of the Parmenides, using his interpretation to illuminate Plato's major late dialogues. The picture presented of Plato's later philosophy is plausible, highly interesting, and original.

Euthyphro is frequently dissected for its philosophical dilemmas regarding god’s love’s relation to holiness, and whether justice is a part of the holy or the converse. But how can we understand it as a literary whole? This paper exhibits five ways in which it can be so understood: Euthyphro is the subjectivist patsy (both a literalist and divine command theorist) playing against Socrates’ natural law-like moral objectivity; the dialogue is elenchic because the dilemmas are true; the dialogue is elenchic, (...) but the dilemmas are false; the dialogue produces a double irony; the irony is in the existence of the dialogue. (shrink)

Essestially an inquiry into morality, the Republic is the central work of the Western world's most famous philosopher. Containing crucial arguments and insights into many other areas of philosophy, it is also a literary masterpiece: the philosophy is presented for the most part for ordinary readers, who are carried along by the wit and intensity of the dialogue and by Plato's unforgettable images of the human condition. This new, lucid translation is complemented by full explanatory notes and an (...) up-to-date critical introduction. (shrink)

Plato's Phaedo, written by legendary author Plato, is widely considered to be one of the greatest classic texts of all time. This great classic will surely attract a whole new generation of readers. For many, Plato's Phaedo is required reading for various courses and curriculums. And for others who simply enjoy reading timeless pieces of classic literature, this gem by Plato is highly recommended. Published by Classic Books International and beautifully produced, Plato's Phaedo would make (...) an ideal gift and it should be a part of everyone's personal library. (shrink)

Republic is the central work of the western world's most famous philosopher. Essentially an inquiry into morality, Republic also contains crucial arguments and insights into many other areas of philosophy. It is also a literary masterpiece: the philosophy is presented for the most part for the ordinary reader, who is carried along by the wit and intensity of the dialogue and by Plato's unforgettable images of the human condition. This new, lucid translation by Robin Waterfield is complemented by (...) full explanatory notes and an up-to-date critical introduction. (shrink)

A collection of Plato's work showing the unsurpassed power of his writing, which ultimately lies in the fact that he was as much a literary as a philosophic genius.

In preparation for his article on Russell’s mathematical logic (1944), Gödel read carefully Peano’s Arithmetices Principia. His six pages of summary in the Gabelsberger shorthand contain a remarkable analysis of the formal structure of Peano’s proofs which is diametrically opposed to the common view that Peano’s treatise contained no formal deductive machinery.

In preparation for his article on Russell’s mathematical logic, Gödel read carefully Peano’s Arithmetices Principia. His six pages of summary in the Gabelsberger shorthand contain a remarkable analysis of the formal structure of Peano’s proofs which is diametrically opposed to the common view that Peano’s treatise contained no formal deductive machinery.

Euthuphro.--Apology.--Crito.--Phaedo.--Symposium.--Phaedrus.--Republic.--Cratyius.--Parmendies.--Tha etetus.--Sophist.--Timaeus.--Laws, book x.--The myth of Er (from the Republic).

Given its brevity, Plato's Meno covers an astonishingly wide array of topics: politics, education, virtue, definition, philosophical method, mathematics, the nature and acquisition of knowledge and immortality. Its treatment of these, though profound, is tantalisingly short, leaving the reader with many unresolved questions. This book confronts the dialogue's many enigmas and attempts to solve them in a way that is both lucid and sympathetic to Plato's philosophy. Reading the dialogue as a whole, it explains how different arguments are (...) related to one another and how the interplay between characters is connected to the philosophical content of the work. In a new departure, this book's exploration focuses primarily on the content and coherence of the dialogue in its own right and not merely in the context of other dialogues, making it required reading for all students of Plato, be they from the world of classics or philosophy. (shrink)

The Phaedo is acknowledged to be one of Plato's greatest masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a seminal document for many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato's thought. This new edition is a revised version of (...) the Clarendon Press translation, and is eminently suitable for readers new to Plato, and ideal for classroom use, thanks to the provision of Stephanus page and letter numbering. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

'What exactly is knowledge?' The Theaetetus is a seminal text in the philosophy of knowledge, and is acknowledged as one of Plato's finest works. Cast as a conversation between Socrates and a clever but modest student, Theaetetus, it explores one of the key issues in philosophy: what is knowledge? Though no definite answer is reached, the discussion is penetrating and wide-ranging, covering the claims of perception to be knowledge, the theory that all is in motion, and the perennially tempting (...) idea that knowledge and truth are relative to different individuals or states. The inquirers go on to explore the connection between knowledge and true judgement, and the famous threefold definition of knowledge as justified true belief. Packed with subtle arguments, the dialogue is also a work of literary genius, with an unforgettable portrait of Socrates as a midwife of wisdom. This new edition uses the acclaimed translation by John McDowell. It includes a valuable introduction that locates the work in Plato's oeuvre, and explains some of the competing interpretations of its overall meaning. The notes elucidate Plato's arguments and draw connections within the work and with other philosophical discussions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Seventeenth-century philosopher Margaret Cavendish wrote not only several philosophical treatises, but also many fictional works. I argue for taking the latter as serious objects of study for historians of philosophy, and sketch a method for doing so. Cavendish's fiction is full of conflicting viewpoints, and many authors have argued that this demonstrates that she did not intend her literary works to serve serious philosophical purpose. But if we consider philosophers more central to the canon, such as Plato or (...) Kierkegaard, who sometimes used literary forms to do serious philosophy, we see that these arguments are unfounded. Like those philosophers, Cavendish had several philosophical motivations for pursuing value-theoretic issues through the flexible formats of literary genres. This suggests that Cavendish's literary corpus may be fruitful and largely unexplored ground for the history of philosophy. (shrink)

This new, inexpensive translation of Plato's Apology of Socrates is an alternative to the 19th-century Jowett translation that students find online when they're trying to save money on books. Using the 1995 Oxford Classical Text and the commentaries of John Burnet and James Helm, I aimed to produce a 21st-century English translation that is both true to Plato's Greek and understandable to college students in introductory philosophy, political theory, and humanities courses. The book also includes a new translation (...) of the death scene from Plato's Phaedo, a short introduction, a dozen explanatory notes, advice on how to cite Plato in papers, and suggestions for further reading. Search for "Plato Armstrong" in Apple Books (epub ISBN 9781957448022) and Amazon (paperback ISBN 9781957448008, Kindle ISBN 9781957448015). (shrink)

Set in the idyllic countryside outside Athens, the Phraedrusis a dialogue between the philosopher Socrates and his friend Phaedrus, inspired by their reading of a clumsy speech by the writer Lysias on the nature of love. Their conversation develops into a wide-ranging discussion on such subjects as the pursuit of beauty, the immortality of the soul and the attainment of truth, and ends with an in-depth consideration of the principles of rhetoric. Probably a work of Plato's maturity, the Phaedrusrepresents (...) a high point in his achievement as a writer. This volume also contains two of his letters, which discuss his involvement in politics, in particular his role as adviser to Dionysius II of Syracuse, which are crucial documents for our understanding of Plato's life and career. (shrink)

This new edition of Plato's_ Symposium_ provides beginning readers and scholars alike with a solid, reliable translation that is both faithful to the original text and accessible to contemporary readers. In addition, the volume offers a number of aids to help the reader make his or her way through this remarkable work: A concise introduction sets the scene, conveys the tenor of the dialogue, and introduces the reader to the main characters with a gloss on their backgrounds and a (...) comment on their roles in the dialogue. It also provides a list of basic points for readers to keep in mind as they read the work. A thought-provoking interpretive essay offers reflections on the themes of the dialogue, focusing especially on the dialogue as drama. A select bibliography points to works, both classic and contemporary, that are especially relevant to readers of the Symposium. Two appendices consist of a line drawing that depicts the spacial layout and positioning of characters in the Symposium, and a chart that shows the relation of the first six speeches to number, age, parentage and the function of Eros. (shrink)

I argue that the type of progress exhibited by philosophy is not that exhibited by science, but rather is akin to the kind of progress exhibited be someone becoming ‘older and wiser’. However, as actually-existing philosophy has gotten older, it has not always gotten wiser. As an illustration, I consider Rawls's conception of justification. I argue that Rawls's notion of what it is to have a philosophical justification exhibits no progress at all from Euthyphro's. In fact, drawing on a remark (...) of Wittgenstein's, I suggest that Rawls's conception is inferior to the situation as depicted in Plato's famous dialogue – because at least in the case of Plato's Euthyphro, there is no illusion of justification. (shrink)

The Phaedo is acknowledged to be one of Plato's greatest masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a seminal document for many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato's thought. This new edition is a revised version of (...) the Clarendon Press translation, and is eminently suitable for readers new to Plato, and ideal for classroom use, thanks to the provision of Stephanus page and letter numbering. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

The Phaedo is acknowledged to be one of Plato's greatest masterpieces, showing him both as a philosopher and as a dramatist at the height of his powers. For its moving account of the execution of Socrates, the Phaedo ranks among the supreme literary achievements of antiquity. It is also a seminal document for many ideas deeply ingrained in western culture, and provides one of the best introductions to Plato's thought. This new edition is a revised version of (...) the Clarendon Press translation, and is eminently suitable for readers new to Plato, and ideal for classroom use, thanks to the provision of Stephanus page and letter numbering. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Socrates Dissatisfied: An Analysis of Plato’s Crito by Roslyn WeissMark L. McPherranRoslyn Weiss. Socrates Dissatisfied: An Analysis of Plato’s Crito. New York: Oxford University Press, 1997. Pp. xii + 187. Cloth, $39.95.The speech by ‘the Laws’ of the Crito has commonly been understood as a case of Socratic ventriloquism, voicing a doctrine of authoritarian civic obligation that Socrates himself endorses. This, of course, generates the standard (...) problem of reconciling this docile son of Athens with the radically autonomous Socrates of the Apology, a man obedient only to the dictates of his own reason. Roslyn Weiss’s book sets out to challenge this mainstream reading.On Weiss’s account, the speech of the Laws is a piece of crafty Socratic rhetoric antithetical to Socrates’ own convictions. Its purpose, then, is to convince not the reader but the lawless and unphilosophical Crito that Socrates ought to remain in Athens, using terms that Crito can comprehend (terms that will benefit his soul by making him more law-abiding). Despite this false ‘oratory’ (50b6–8), however, Socrates’ own first allegiance is to “justice and philosophy” (3) whose principles dictate that he suffer the court’s judgment, “abiding by the things agreed to” at his trial (Cr. 50a2–3).Although others have argued for this thesis, this is the first book-length argument of its kind and it supersedes all previous attempts in its persuasiveness and its thorough and detailed treatment: sensitive not only to the dialogue’s Greek and argumentative structure, but also to its literary/characterological nuances, it establishes an important scholarly outpost on the interpretation of the Crito and a worthy challenge to Richard Kraut’s reading. It is, finally, written in a remarkably engaging, clean and effective style, addressing the secondary scholarship adequately, and providing a useful bibliography and general index (though, regrettably, no Index Locorum).The book essentially follows the text of the Crito in a series of nine chapters. After a short Introduction, Chapter 2 begins by portraying Socrates as an autonomous moral agent utterly devoted to justice; Chapter 3 distinguishes Crito from Socrates; Chapter 4 contends that 46b–50a outlines Socrates’ complete argument against escape (one compatible with the principles of the Apology); Chapter 5 unpacks Socrates’ hint at 50a–d that the Laws will be offering only rhetorical arguments; Chapter 6 outlines these arguments and their logical flaws; Chapter 7 addresses Socrates’ characterization of their effect as ‘Corybantic’ (54d); Chapter 8 explains how the Laws are able to “boost Crito to a higher rung on the moral ladder,” (6); and finally, Chapter 9 reaffirms the radical moral independence of Socrates.Provocative and impressive, the book is bound to provoke criticism and reservations in its readers. Here I can only record a sample of my own. First, it seems to me that Weiss’s desire to portray Socrates as a slave of reason and not the state leads her astray when she tries to account for Socrates’ apparent reliance on the extrarational (15–23). Weiss, for example, tries to map out a new third alternative to the opposition between Vlastos’ view that the daimonion is no more than a kind of subjective, contentless hunch and the Brickhouse, Smith and McPherran view that the daimonion can oppose and ‘trump’ the results of rational deliberation. As she sees it, for Socrates the daimonion is not a voice independent of, and in potential conflict with, his own thinking; rather, it is the voice of his own unconscious beliefs, restraining him for his own reasons from [End Page 620] doing what he is tempted to do in moments of weakness. There is much to be said against this account, but it will suffice to point out that whatever the true nature of the daimonion might have been, Socrates is not likely to have been sympathetic to Weiss’s analysis of it. All our evidence, after all, indicates that Socrates takes the cause of the daimonion to be a god or daimoôn in the traditional sense of those terms (see, e.g., Ap. 27b–28a). Weiss’s proposal also runs up against texts such as Lysis 218C4–8 and 215C4–5, where Socrates recounts an... (shrink)

This paperback edition of Dodds's standard edition of Plato's Gorgias is designed to meet the needs both of undergraduates and professional scholars. The text and apparatus criticus are based on a fresh survey of the evidence: two major manuscripts are here for the first time fully collated, and account has been taken both of new papyri and of the exceptionally rich indirect tradition. The text is supplemented by a full introduction giving details on the subject and structure of the (...) dialogue, its characters and intended historical setting, the real date of composition, and the background to Plato and Athens at the time of composition. The commentary, besides explaining Platonic usages and discussing textual points, aims to treat the historical, philosphical, and literary questions which arise from the text. (shrink)

This article questions a longtime credo concerning Plato’s Laws, namely that the three choruses introduced in Book 2 are institutions of the dialogue’s political project. A detailed analysis of relevant passages shows that the evidence is insufficent. Rather, it is argued, this part of Book 2 is essentially plurivalent: on three separate semantic layers, the choruses illustrate political, moral-psychological and key educational issues of the Laws. Apart from explaining the disappearance of the choruses after Book 2, the proposed reading (...) aims to bring to light an impressively artful philosophical and literary strategy of Plato’s. (shrink)

The first truly introductory text on Lyotard, this book situates Lyotard's interventions in the postmodern debate in the wider context of his rethinking of the politics of representation. Bill Readings examines Lyotard's relationship to structuralism, Marxism and semiotics, and contrasts his work with the literary deconstruction of Paul de Man; he positions Lyotard's work so as to draw out the implications of poststructurlaism's attention to _difference_ in reading. Lyotard's willingness to question the political and examine the relationship between (...) art and politics is shown to undermine the charge that deconstruction abdicates political and social articulation. (shrink)

Gorgias is about the struggle to overcome the temptations of worldly success and to concentrate on genuine morality. Platio attempts to establish that only morality can bring a person true happiness: this is one of his most widely read dialogues - vivid, clear, and persuasive.

'What exactly is knowledge?' The Theaetetus is a seminal text in the philosophy of knowledge, and is acknowledged as one of Plato's finest works. Cast as a conversation between Socrates and a clever but modest student, Theaetetus, it explores one of the key issues in philosophy: what is knowledge? Though no definite answer is reached, the discussion is penetrating and wide-ranging, covering the claims of perception to be knowledge, the theory that all is in motion, and the perennially tempting (...) idea that knowledge and truth are relative to different individuals or states. The inquirers go on to explore the connection between knowledge and true judgement, and the famous threefold definition of knowledge as justified true belief. Packed with subtle arguments, the dialogue is also a work of literary genius, with an unforgettable portrait of Socrates as a midwife of wisdom. This new edition uses the acclaimed translation by John McDowell. It includes a valuable introduction that locates the work in Plato's oeuvre, and explains some of the competing interpretations of its overall meaning. The notes elucidate Plato's arguments and draw connections within the work and with other philosophical discussions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

I argue that the language of some schizophrenic persons is akin to the language of Benjy in Williams Faulkner's novel The Sound and the Fury, in one crucial respect: Faulkner displays to us language that, ironically, cannot be translated or interpreted into sense... without irreducible 'loss' or 'garbling.' The same is true of famous schizophrenic writers, such as Renee and Schreber. Such 'garbling' is of an odd kind, admittedly: it is a garbling that inadvisably turns nonsense into sense.... Faulkner's language (...) is a language of paradox, of nonsense masquerading beautifully as sense. When this language works, it generates the powerful illusion that we can make sense of the 'life-world' of a young child or an 'idiot'—or a sufferer from chronic schizophrenia. But this remains, contrary to Louis Sass's claims, an illusion. Thus, drawing on the thinking of Wittgenstein (his On Certainty, especially, with its incisive critique of the very idea of being able to make claims or statements from within a sufficiently altered [non]state of mind) and of the Wittgensteinian literary critic James Guetti (who critiques the very idea of 'deranged language' being paraphrased into sense), I argue that the most impenetrable cases of schizophrenia may be cases not of a sense being made that we cannot grasp, nor of a different form of life, but, despite appearances, of no sense, no form of life, at all. This is an option that has not really been considered in the literature of/on psychopathology to date. And it can be tentatively established, not through a dubious scientism, but through a careful attention to the literature of the insane and the literature of Modernism. (shrink)

This thesis argues that Dame Iris Murdoch’s writings portray a dialectical picture of morality that invites the reader to acknowledge the presence of evil and reflect upon the necessarily ‘opposing forces’ of good and evil. Murdoch’s engagement with both historical and contemporary discussions of evil is traced through close reading of both her published texts, including fiction and philosophy, and her unpublished and recently published texts and resources, including annotations, interviews and letters. These close readings are focused on the (...) theological, psychological and literary aspects of the contemporary problem of evil. The perspectives offered within this study all transcend the focus on goodness invited by Murdoch’s fiction and philosophy, thus challenging the biased perspective of scholars of the late-twentieth century who sought to elevate Murdoch’s good characters by drawing equations between her moral philosophy and her fiction. This study begins, first, by demonstrating how Murdoch’s writings engage with the problem of evil, with the theological attempt to reconcile goodness with the presence of evil and suffering in the world, by drawing on her allusions to the Book of Job and to the writings of Simone Weil and Dame Julian of Norwich, all of which assert the necessary presence of evil and suffering in the moral life. Second, I interrogate the inconsistencies between Murdoch’s fictional and philosophical pictures of evil to illustrate how her fictional and philosophical engagement with Saint Paul’s writings reveals that she adopted the same dialectical picture of morality for which she critiqued Jung in her moral philosophy. For her, Jung’s picture of morality merges aspects of dualism and monism, both of which, traditionally speaking, offer two countervailing ways in which to picture the moral life, where evil represents, respectively, either an independent moral force separate from the good or a failure to carry out the moral iii ideals of goodness. Third, I identify and develop a link between contemporary moral, psychological and sociological discourses on psychopathy and the evil characters, both male and female, within Murdoch’s novels: not only do her antagonists and demons, often called ‘enchanter’ figures by scholars, echo the psychopath’s moral psychology, but so too do her saintly figures. Such an ambiguous picture resonates with contemporary interpretations of psychopathy, such as those offered by Robert D. Hare, Kevin Dutton, or Simon Baron- Cohen, which highlight the complex role of compassion, empathy and emotion on the individual’s moral awareness, whether they are saintly or psychopathic. In the final chapter, I argue that Murdoch’s dialectical picture of morality is indebted to Blake, whose The Songs of Innocence and of Experience and The Marriage of Heaven and Hell illustrates the necessity of the ‘contrary’ pairs of innocence and experience, reason and passion, and good and evil. While Murdoch may praise goodness, her complex engagement with evil reveals a dialectical task for the moral agent in which they have to appreciate the complexity of the moral life, with its inherently ambiguous mixtures of emotion and rationality, the saintly and the psychopathic, and goodness and evil. (shrink)

This book continues from where the authors' previous book, Structural Proof Theory, ended. It presents an extension of the methods of analysis of proofs in pure logic to elementary axiomatic systems and to what is known as philosophical logic. A self-contained brief introduction to the proof theory of pure logic is included that serves both the mathematically and philosophically oriented reader. The method is built up gradually, with examples drawn from theories of order, lattice theory and elementary geometry. The aim (...) is, in each of the examples, to help the reader grasp the combinatorial behaviour of an axiom system, which typically leads to decidability results. The last part presents, as an application and extension of all that precedes it, a proof-theoretical approach to the Kripke semantics of modal and related logics, with a great number of new results, providing essential reading for mathematical and philosophical logicians. (shrink)

A key development in Wittgenstein Studies over recent years has been the advancement of a resolutely therapeutic reading of the Tractatus. Rupert Read offers the first extended application of this reading of Wittgenstein, encompassing Wittgenstein's later work too, to examine the implications of Wittgenstein's work as a whole upon the domains especially of literature, psychopathology, and time. Read begins by applying Wittgenstein's remarks on meaning to language, examining the consequences our conception of philosophy has for the ways in which we (...) talk about meaning. He goes on to engage with literary texts as Wittgensteinian, where 'Wittgensteinian' does not mean expressive of a Wittgenstein philosophy, but involves the literature in question remaining enigmatic, and doing philosophical work of its own. He considers Faulkner's work as productive too of a broadly Wittgensteinian philosophy of psychopathology. Read then turns to philosophical accounts of time, finding a link between the division of time into discrete moments and solipsism of the present moment as depicted in philosophy on the one hand and psychopathological states on the other. (shrink)

It is the aim of this article to establish the conceptual continuity between Fichte's early manuscript Personal Meditations on Elementary Philosophy/ Practical Philosophy (1793/94) and his Foundation of the Entire Wissenschaftslehre (1794/95) and thereby draw implications for understanding the proper foundation of the Wissenschaftslehre. The second section will begin with a remark on Fichte’s term “setzen” (to posit), a term that Fichte appropriated from his predecessors to designate a fundamental activity which is central to rational agency and prior to the (...) Kantian distinction of sensibility and understanding. I suggest that the positing act underlies the act of judging as well as representing. The third section points out that there is a common task in Personal Meditations and the Foundation. On that score, their continuity is prominent, and it justifies taking them together as one project in which the third element takes up the unique synthetic role in the system. The fourth section acknowledges some significant nuances that differentiate the two phases. In the fifth section, I attempt to give a modern reading of the fundamental principles of the Foundation under the assumption that Fichte’s account of the positing acts gives us an idealist account of the transcendental conditions of judgments. The final section traces the foundational conception of limitation in Personal Meditations, where representation was given greater prominence, and draws out the theoretical implications that were largely preserved in the Jena phase. (shrink)

The central theme of this book is that "Plato's written discourses were intended by their author to serve primarily as teaching instruments, modeled after the live conversations in which Plato himself participated with the historical Socrates, and that the right way to read the dialogues, accordingly, is not as repositories of philosophic doctrine, but rather as interactions with a master philosopher that are carefully shaped to guide the attentive reader in a personal pursuit of philosophic understanding". The correct (...) reading of the dialogues will enable "conversation to progress in a fruitful direction". (shrink)

This book appears in the International Library of Psychology, Philosophy and Scientific Method, along with the Platonic studies of Cornford, but it can hardly satisfy the public that reads those. There are chapters on various aspects of Plato’s thought such as Ethics, Aesthetics, Philosophy of Religion, Philosophy of Education, and included in the last is the perennial topic of Plato’s relation to Socrates, so that most subjects of importance are touched on in some way. But the treatment will (...) not satisfy a philosopher or a Hellenist, for it seems everywhere too superficial; there is much in summary, but problems are not properly indicated. Indeed, in spite of its length and inclusiveness, the book still has the feel of journalism, of something addressed to the readers of a literary digest who wish to know what broad line Plato took on various matters of human interest, or at any rate of lectures intended for those who need some philosophy in a rapid course on liberal arts, or on the background of modern literature, or educational theory which has been influenced by Plato. This impression is strengthened by the style, which is deliberately chatty and repetitive, and uses such expressions as ‘the Veritable Above’ and ‘biosocial living’. It is also most misleading to call such a person as Heraclitus a ‘factual scientist’. (shrink)

Argues that Seneca distinguishes two modes of philosophical learning understood as concept formation: fortifying accretion and critical weeding. Progress is achieved by alternating between the two modes. A reading of Epistula moralis 102 illustrates the two types of philosophical discourse Seneca employs for each of the two modes: dialectical argumentation and high-minded “big talk,” very often in a style alluding to and evocative of Plato.

This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part (...) of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism. (shrink)

In ‘Reading and Its Discontents’, Anne Emmanuelle Berger makes a plea for the specificity of reading literature. Unlike other kinds of reading, the reading of literature has the unique ability to ‘keep the wound open’. As such, it can never be reduced, as some have recently tried, to just another form of culture production or to some politically motivated pedagogical therapeutics. It is also a type of reading, this essay will argue, that cannot be reduced to the kind of silent (...) reading that, as Derrida demonstrated in ‘Plato’s Pharmacy’, has been the model and telos of reading since Plato. After a brief look at the controversy surrounding the history of silent reading, this essay looks at the question of reading in Plato and, especially, at the surprising number of references in the dialogues to Socrates as a reader. It then turns to Derrida’s reading of Plato in ‘Plato’s Pharmacy’, first to Derrida’s critique of the Platonic model of reading and writing in the dialogues and then to the deployment of a new kind of philosophical reading and writing in Derrida’s own work, a reading that, as Berger herself suggests, is always also a writing, a reading that is itself then always double, at once silent and aloud. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reading and Writing PlatoCharles L. GriswoldThe Play of Character in Plato's Dialogues, by Ruby Blondell; 452 pp. Cambridge: Cambridge University Press, 2002, $55.00Plato's Dialectic at Play: Argument, Structure, and Myth in theSymposium, by Kevin Corrigan and Elena Glazov-Corrigan; 266 pp. University Park: Pennsylvania State University Press, 2004, $25.00Questioning Platonism: Continental Interpretations of Plato, by Drew Hyland; ix & 202 pp. Albany: State University of New York Press, (...) 2004, $44.00The People of Plato: A Prosopography of Plato and Other Socratics, by Debra Nails; 414 pp. Indianapolis: Hackett, 2002, $75.00.Why did Plato write dialogues? How should his dialogues be read (does the literary form matter, for example, to our getting at the heart of what Plato is saying)? These questions are now familiar in contemporary Plato scholarship, and their answers—which undoubtedly are interconnected—are the subject of lively and fascinating exploration. Any doubt that Platonic studies flourishes would quickly be put to rest by the four books under review here.It was once thought that attention to the "dramatic dimension" of Plato's literary-philosophical productions was the province of two much despised schools of thought: "the Straussians," and "the Continentals." The first of these was viewed as advocating a dangerous combination of esotericism (the idea that somehow Plato's meaning is not on the surface of the dialogues, but concealed in them, as though they were a cryptogram), elitism (the idea that the true Plato is only available to [End Page 205] "the few"—such as the Straussians, according to themselves anyhow), and unphilosophical and dilettantish meanderings about this or that literarily cast "teaching." Straussian hermeneutics was thought to open the way to unprincipled appeals to irony whenever it suited the interpreter, so that any text could end up saying pretty much whatever the interpreter wished for it to say, including the opposite of what the surface of the dialogue appeared to say. And further, it was thought (perhaps in a manner at odds with the "unprincipled interpretation" charge) that the Straussians' mode of "taking into account" the dramatic context—and in particular their contextualization of claims made in the dialogues such that this or that claim gets "explained" as a rhetorical gesture addressed by character X to character Y in context Z, a gesture whose content and validity, so to speak, are limited to that exchange—robs the dialogue of its philosophical content. Hence the worry that Straussian hermeneutics leads to skepticism about the possibility of philosophy itself—philosophy understood precisely in the way that it is regularly spoken of in the Platonic dialogues, namely as the effort to transcend perspective and partiality and to grasp through argument the essence of the matter as such. To cap it off, there is the background suspicion that Straussians are politically conservative, in a way that is somehow connected with their interpretation of Plato.There is more than a kernel of truth in the view that Straussians have insisted on the hermeneutic importance of the dialogue form, taking their cue from Strauss's own remarks in such texts as The City and Man. He did argue that Plato's meaning is not on the surface (and thus in some sense is esoteric), that it was intended by Plato to be available to "the few" while not debunking the beliefs of "the many," and that Plato is an ironist. There is also warrant for the worries about unprincipled interpretation, as well as about the reduction of philosophy to a sort of literary sensibility substituting for genuine philosophical argument (where, after all, are Strauss's arguments for any philosophical position, whether or not about a Platonic "teaching"?). And it is by and large true, so far as I can tell, that his self-identified followers are politically conservative (in the contemporary American sense), and in a way somehow tied to their interpretation of Plato.I myself find Strauss's interpretation of Plato to be deeply problematic both in its substance and its method (I put aside the issue of the political conservatism of Strauss's followers, a "teaching" I also find objectionable). And while I join the authors of the four... (shrink)

This article discusses the Homeric background of the Republic with the aim of elucidating Plato’s critique of Homeric nostos. It argues that the Republic unfolds as a nostos voyage, with Socrates striving to steer the soul home. Even though Segal has already argued for seeing the Republic as an Odyssean voyage, this article suggests that Plato does more than simply borrow the idea of a voyage as a metaphor for the wanderings of the soul. Rather, there is an (...) implicit critique of Homer as the “poet of Becoming” in the dialogue. Thus, reading the Republic in the context of other Platonic dialogues such as the Cratylus and Theaetetus where Socrates identifies Homer as the source of the view that Ocean is the origin of all things and that everything is in flux allows us to better appreciate Socrates’ critique of poets in the Republic. At stake in this critique is ultimately the question of the soul’s true nostos, which Plato identifies with a vertical ascent to Being rather than with a temporary homecoming within Becoming. This article contributes to the elucidation of the Homeric and pre-Socratic background of Platonic philosophy. It undertakes a literary reading of the Republic against the background of the hero’s journey motif. Specifically, it argues that Plato critiques and emends the Odyssean nostos in order to make space for Parmenidean ontology, thus forging a new understanding of salvation. (shrink)

Contributors to this volume focus on the character of Socrates as the embodiment of philosophy, employing this as a starting point for exploring various themes exposed in the Apology. These include the relation of philosophy to democracy, rhetoric, politics, or society in general, and the overarching question of what comprises the philosophic life.