This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...) made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The first book to offer an integrated reading of ancient Greek attitudes to laughter. Taking material from various genres and contexts, the book analyses both the theory and the practice of laughter as a revealing expression of Greek values and mentalities. Greek society developed distinctive institutions for the celebration of laughter as a capacity which could bridge the gap between humans and gods; but it also feared laughter for its power to expose individuals and groups to (...) shame and even violence. Caught between ideas of pleasure and pain, friendship and enmity, laughter became a theme of recurrent interest in various contexts. Employing a sophisticated model of cultural history, Stephen Halliwell traces elaborations of the theme in a series of important texts: ranging far beyond modern accounts of 'humour', he shows how perceptions of laughter helped to shape Greek conceptions of the body, the mind and the meaning of life. (shrink)

"The book's qualities are, first, its scope and persuasiveness. The whole book demonstrates the seriousness of humor and its central place in human life. I know of no comparable work.

: Humor seems uniquely human, but it has deep biological roots. Laughter, the best evidence suggests, derives from the ritualized breathing and open-mouth display common in animal play. Play evolved as training for the unexpected, in creatures putting themselves at risk of losing balance or dominance so that they learn to recover. Humor in turn involves play with the expectations we share-whether innate or acquired-in order to catch one another off guard in ways that simulate risk and stimulate recovery. (...) An evolutionary approach to three great literary humorists, Shakespeare, Nabokov and Beckett, shows that a species-wide explanation not only cuts deeper but in no way diminishes individual difference. (shrink)

This book assesses the adequacy of the traditional theories of laughter and humor, suggests revised theories, and explores such areas as the aesthetics and ethics of humor, and the relation of amusement to other mental states. Theories of laughter and humor originated in ancient times with the view that laughter is an expression of feelings of superiority over another person. This superiority theory was held by Plato, Aristotle, and Hobbes. Another aspect of laughter, noted by Aristotle (...) and Cicero and neglected until Kant and Schopenhauer developed it into the incongruity theory, is that laughter is often a reaction to the perception of some incongruity. According to the third and latest traditional theory, the relief theory of Herbert Spencer and Freud, laughter is the venting of superfluous nervous energy. Historical examples of all these theories are presented along with hybrid theories such as those of Descartes and Bergson. The book also features traditional explorations of the place of humor in aesthetics, drama, and literature. This is the first work in the last fifty years to include the classic sources in the philosophy of humor and the first to present theories by contemporary philosophers. (shrink)

While the loss of the second book of the Poetics has deprived us of Aristotle’s most extensive account of laughter and comedy, his discussion of eutrapelia (wittiness) as a virtue in his ethical works and in the Rhetoric points toward the importance of humor for his ethical and political thought. This article offers a reconstruction of Aristotle’s account of wittiness and attempts to explain how the virtue of wittiness would animate the everyday interactions of ordinary citizens. Placing Aristotle’s account (...) of wittiness in dialogue with recent work within the ethical turn in contemporary political theory can help articulate what a late-modern ethos of democratic laughter might look like. (shrink)

Political theorists have traditionally grappled with laughter by posing a simple, normative question: ‘What role, if any, should laughter play in the polis?’ However, the outsized presence of laughter in contemporary politics has rendered this question increasingly obsolete. What good does determining laughter’s role in the polis do when the polis itself is to a large extent shaped by laughter? The present essay argues that Kant’s aesthetic investigations of laughter in the Critique of Judgment (...) and Anthropology from a Pragmatic Point of View offer a much needed alternative to the normative discourse. Kant theorizes laughter as an intensely dialectical experience — at once an aesthetic judgment and an affect. Laughter in Kant enacts dissensus: it disrupts and transforms sensus communis, or the ways subjects see and hear the world in common that organize and structure a political community. The essay illustrates the advantages of a Kantian conception of the politics of laughter over the normative discourse by examining Dave Chappelle’s controversial 2019 stand-up comedy special Sticks & Stones. It concludes that the dissensus enacted by laughter, while not necessarily democratic, provides a privileged opening for democratic politics. (shrink)

To let humanoid robots behave socially adequate in a future society, we started to explore laughter as an important para-verbal signal known to influence relationships among humans rather easily. We investigated how the naturalness of various types of laughter in combination with different humanoid robots was judged, first, within a situational context that is suitable for laughter and, second, without describing the situational context. Given the variety of human laughter, do people prefer a certain style for (...) a robot’s laughter? And if yes, how does a robot’s outer appearance affect this preference, if at all? Is this preference independent of the observer’s cultural background? Those participants, who took part in two separate online surveys and were told that the robots would laugh in response to a joke, preferred one type of laughter regardless of the robot type. This result is contrasted by a detailed analysis of two more surveys, which took place during presentations at a Japanese and a German high school, respectively. From the results of these two surveys, interesting intercultural differences in the perceived naturalness of our laughing humanoids can be derived and challenging questions arise that are to be addressed in future research. (shrink)

Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw.

In this article I try to conceive a new approach towards laughter in the context of formal schooling. I focus on laughter in so far as it is a bodily response during which we are entirely delivered to uncontrollable, spasmodic reactions. To see the educational relevance of this particular kind of laughter, as well as to understand why laughter is often dealt with in a very negative way in pedagogical contexts, this phenomenon should be carefully distinguished (...) from humor or amusement. I build my argument for a smaller part on the basis of conceptual analysis, and to a greater extent on Bakhtin’s work on the transition from Medieval folk culture to Modern civilized culture, in which he claims that a reduction from laughing as a strongly physical experience to mere forms of amusement or humor actually implies that laughter no longer possesses its inherent equalizing and communizing potential. In a sense, laughter forms a threat to any organization of social existence according to similarities and differences in identity and position, and this explains why we usually try to suppress it, or why we try to render it functional in view of the continuation of a societal regime or pedagogical order. More positively formulated, laughter may be said to have an intrinsic educational meaning, because it allows a significant transformation of individual and collective existence. (shrink)

Thomas Hobbes’s infamously severe accounts of the phenomenon of laughter earned the condemnation of such varied readers as Francis Hutcheson and Friedrich Nietzsche, and he has maintained his reputation as an enemy of humor among contemporary scholars. A difficulty is raised by the fact that Hobbes makes ample use of humor in his writings, displaying his willingness to evoke in his readers what he appears to condemn. This article brings together Hobbes’s statements on laughter and comedic writing with (...) examples of his own humorous rhetoric to show that Hobbes understands laughter as a species of insult, but that there are conditions under which humor can be made to serve the cause of peace. Drawing on evidence from across Hobbes’s works, and in particular from an understudied discussion of “Vespasian’s law” in the Six Lessons, this essay theorizes the conditions under which Hobbes found witty contumely to be conducive to peace. On this reading, Hobbes models the discreet use of humorous rhetoric in defense of peace, a defense that will be ongoing even after the commonwealth has been founded. Hobbes offers insight into how we can remain attuned to laughter’s inegalitarian tendencies without foregoing the equalizing potential to be found in laughing at ourselves and at those who think too highly of themselves. (shrink)

Introduction: Laughter as an expression of human nature in the Middle Ages and the early modern period: literary, historical, theological, philosophical, and psychological reflections -- Judith Hagen. Laughter in Procopius's wars -- Livnat Holtzman. "Does God really laugh?": appropriate and inappropriate descriptions of God in Islamic traditionalist theology -- Daniel F. Pigg. Laughter in Beowulf: ambiguity, ambivalence, and group identity formation -- Mark Burde. The parodia sacra problem and medieval comic studies -- Olga V. Trokhimenko. Women's (...) class='Hi'>laughter and gender politics in medieval conduct discourse -- Madelon Köhler-Busch. Pushing decorum: uneasy laughter in Heinrich von Dem Türlîn's Diu crône -- Connie L. Scarborough. Laughter and the comic in a religious text -- John Sewell. The son rebelled and so the father made man alone: ridicule and boundary maintenance in The Nizzahon vetus -- Birgit Wiedl. Laughing at the beast: the judensau: anti-Jewish propaganda and humor from the Middle Ages to the early modern period -- Fabian Alfie. Yes . . . but was it funny? Cecco Angiolieri, Rustico Filippi and Giovanni Boccaccio -- Nicolino Applauso. Curses and laughter in medieval Italian comic poetry -- Feargal Béarra. Tromdhámh guaire: a context for laughter and audience in early modern Ireland -- Jean E. Jost. Humorous transgression in the non-conformist fabliaux: a Bakhtinian analysis of three comic tales -- Gretchen Mieszkowski. Chaucerian comedy: Troilus and Criseyde -- Sarah Gordon. Laughing and eating in the fabliaux -- Christine Bousquet-Labouérie. Laughter and medieval stalls -- Scott L. Taylor. Esoteric humor and the incommensurability of laughter -- Jean N. Goodrich. The function of laughter in The second shepherds' play -- Albrecht Classen. Laughing in late-medieval verse and prose narratives -- Rosa Alvarez perez. The workings of desire: Panurge and the dogs -- Elizabeth Chesney Zegura. Laughing out loud in the Heptaméron: a reassessment of Marguerite de Navarre's ambivalent humor -- Lia B. Ross. You had to be there: the elusive humor of the Sottie -- Kyle Diroberto. Sacred parody in Robert Greene's Groatsworth of wit -- Martha Moffitt Peacock. The comedy of the shrew: theorizing humor in early modern Netherlandish art -- Jessica Tvordi. The comic personas of Milton's Prolusion VI: negotiating masculine identity through self-directed humor -- John Alexander. Ridentum dicere verum (using laughter to speak the truth): laughter and the language of the early modern clown "pickelhering" in German literature of the late seventeenth century (1675-1700) -- Thomas Willard. Andreae's ludibrium: Menippean satire in The chymische hochzeit -- Diane Rudall. The comic power of illusion-allusion -- Allison P. Coudert. Laughing at credulity and superstition in the long eighteenth century. (shrink)

In 1991, Stephen Halliwell published "The Uses of Laughter in Greek Culture", an essay that, among other things, rejected totalizing definitions of laughter and the laughable in favor of a more nuanced view that emphasized a distinction between laughter perceived as friendly and non-consequential, i.e., not injurious to the reputation of anyone, and laughter seen as abusive, hostile, or belittling, and so deleterious to the reputation of the target. His point was not that laughter could (...) be classified so easily but that there was a gray area at the interface of these two categories, capable of being perceived either way, and that even for non-problematic cases the dynamic quality of the phenomenon allowed non-consequential laughter to metamorphose with alarming speed into laughter perceived as aggressive, confrontational, and potentially violent. (shrink)

Philosophers in the nineteenth century took laughter and its related concepts very seriously. Most philosophers before this period treated laughter as tangential to philosophy’s core concerns, but beginning with Kant’s immediate successors, the family of concepts relating to the laughable—including comedy, wit, irony, and ridicule—took on new significance. They went from describing something derivative about humans to telling us what we, in the most basic sense, are. Well-known philosophers such as Hegel, Schopenhauer, Kierkegaard, and Nietzsche offered substantial treatments (...) of these topics; they were also taken up by lesser-known thinkers such as Rosenkranz, Solger, Jean Paul, Bahnsen, and Bergson. The nineteenth century also saw the introduction of humor in particular as a new and distinct aesthetic category. For several philosophers of this period, humor described nothing less than the relationship between the human and the divine and its implications for how humans should live. It described our awareness of our finitude—our fallibility, our petty concerns, our meaningless obsessions—and the amusement tinged with melancholy this awareness elicits. Despite this wealth of theorizing, the nineteenth century is often neglected in studies of the philosophy of laughter and humor. This essay introduces a volume of articles intended to remedy that neglect. (shrink)

Through an analysis of Nobel Peace Prize winner Leymah Gbowee’s memoir, Mighty Be Our Powers, as well as the story of the biblical Sarah, this essay argues that laughter is a liberating means of ethical and theological resistance, a manifestation of the “hidden transcript” constructed by the marginalized to reclaim hope and dignity in the face of oppression’s radical negation and dehumanization. This essay also argues that laughter helps the suffering faithful resist despair, “Pollyannaism,” evil, either/or dichotomous thought, (...) and the spiritual and social paralysis induced by paradox. (shrink)

Purpose. The article is aimed to substantiate the view on the phenomenon of laughter as a subject of semiotic analysis, which leads to the following tasks: to reveal the possibilities of semiotics application in the study of laughter nature; to analyze the phenomenon of laughter as a cultural and natural phenomenon, as a sign and as an attribute; to consider the place of laughter in culture, which is understood as a sign system. Theoretical basis. The semiotic (...) approach proceeds from the fact that human lives in the world of signs, all the surrounding reality can be interpreted as a sign system. The basic concept of semiotics is the concept of a sign. The theoretical basis of the article is understanding the culture as a sign-symbolic system. Laughter is considered as a phenomenon ontologically rooted in human culture. At the same time, laughter is on the edge of culture. The research is based on the work of semiotic authors, cultural researchers, and the researchers of laughter. Originality. The originality lies in the application of the semiotic method to the research of laughter phenomenon, consideration of the dialectics of natural and cultural, signedness and non-signedness, manifested in the phenomenon of laughter. Conclusions. Laughter is considered as a psychophysiological phenomenon and as a cultural phenomenon. Laughter acts as an emotional manifestation, a physiological reaction, but socially and culturally mediated. In any case, laughter indicates an emotional or cognitive state of a human. Laughter acts as a process and result of the interpretation of a sign, a reaction to a sign. Laughter is a form and a means of communication. Being a natural phenomenon, in the process of social evolution, laughter acquires signedness, is integrated by culture as a sign system, and, at the same time, maintains a connection with nature. Thus, laughter occupies an ambivalent position between nature and culture. In the phenomenon of laughter, the dual state of human is revealed. In laughter, boundaries are blurred, the unity and opposition of natural and cultural, biological and social, soul and body, thought and feeling, sign and attribute are manifested. (shrink)

This article argues that the example of laughter continues to trouble the human/machine binary that so many have troubled, from Descartes to Zupančič. Sounding various objects of “recorded” laughter through psychoanalytic tweeters, deconstructive warps, and object-oriented woofers implicates ontology as so much noise for the projection of certainty. Derivatively speaking, I argue for the primacy of a rhetorical ethics.

Thus far, little attention has been paid by Foucauldian scholars to the role of laughter in our subjectivation and normalization, nor to the possible roles of laughter practices in political resistance. Yet, there is a body of references to laughter in both Foucault’s own work and that of his contemporary commentators, subtly indicating that it might be a tool for challenging normalization through transgression. I seek to negotiate the different functions that our laughter practices can have, (...) proposing that laughter is a worthy site of exploration for Foucauldian feminists in particular. Examining the differential norms, requirements, and sanctions around laughter shows that we are shaped as gendered subjects through the regulation of laughter’s timing and its bodily presentation. I argue that the contemporary state of laughter practices works to uphold docile femininity, using tools such as compulsory happiness and labelling feminists as killjoys. In brief, this article interrogates the ways in which cultivating different laughter practices can function as a path for Foucauldian-feminist political resistance. (shrink)

This article tries to defend the position that Holocaust Education can be enriched by appreciating laughter and humor as critical and transformative forces that not only challenge dominant discourses about the Holocaust and its representational limits, but also reclaim humanity, ethics, and difference from new angles and juxtapositions. Edgar Hilsenrath’s novel The Nazi and the Barber is discussed here as an example of literature that departs from representations of Holocaust as celebration of resilience and survival, portraying a world in (...) which lies, hatred and violence are still perpetuated. Because of its transgressive qualities, Hilsenrath’s narrative of the Holocaust as a satire with elements of black comedy can offer pedagogical openings for using laughter to interrupt normative constructions of the Holocaust as an unspeakable and sacred event that lies outside history, and thus beyond the capacities of human understanding. It is argued that laughter is an important modality for inviting deep thinking about the Holocaust, to move it from a transcendent phenomenon to an immanent event, situated clearly in the realm of human action and worthy of understanding so as to prevent it from happening again. (shrink)

Karl Pfeifer counters the thesis that laughter and pleasure are intimately connected with one another, and addresses the thesis of John Morreall (1982) that a pleasant psyohological shift is a causally necessary condition for laughter. A variety of examples suggesting that laughter does not have to have pleasure as its causal antecedent are presented. Imitative, nervous, hysterical, physiogenic, and acerbic laughter suggest that it is neither incoherent nor implausible to consider laughter as being caused by (...) unpleasant or at least not pleasant psychological states, but also suggest that the phenomenon is actually quite pervasive. An alternative reading of Morreall’s thesis is attempted and also found wanting, although in the end some interesting possibilities for a certain subdomain of laughter are hinted at. (shrink)

A hugely important book that rediscovers three crucial, but long overlooked themes in German idealism: mythology, madness and laughter.

"Ancient philosophers were very interested in the themes of laughter, humor and comedy. They theorized about laughter and its causes, moralized about the appropriate uses of humor and what it is appropriate to laugh at, and wrote treaties on comedic composition. Further, they were often merciless in ridiculing their opponents' positions, often borrowing comedic devices and techniques from comic poetry and drama to do so. The volume is organized around three themes that were important for ancient philosophers: the (...) psychology of laughter, the ethical and social norms governing laughter and humor. and the philosophical uses of humor and comedic technique"--. (shrink)

Interpreting Plato's story of the Thracian handmaid, this essay focuses on questions concerning the supposition of an opposition between common sense and philosophical thinking. Taking the laughter of the maid seriously the author discusses the role of laughter for Plato's approach. By reevaluating the function of laughter she argues for its strength in revealing ideological thinking or an undisclosed hypothesis, and in enabling philosophical thinking. Thus, the author argues that the alliance of laughter and thinking unsettles (...) the state of being enclosed in ideology, everydayness or thoughtlessness, and both distances and unsettles human beings. And hence, it may free us to pose again the question as to how we are thinking what. (shrink)

This paper aims to show that laughter and play are employed as interconnected motifs with a specific function in Plato's Gorgias. I argue that the repeated and seemingly disconnected references to things identified as laughable and to attitudes identified as playful are in fact a systematic attempt to call into question conventional assumptions about the role of philosophy in general and the occasionally playful attitude of Socrates in particular. Socrates – and philosophy – may appear laughable, but the truly (...) laughable ones are the very opponents of philosophy who adopt a mocking attitude towards it. (shrink)

Explaining and classifying attitudes and art forms related to comic laughter, Swabey defends the kind of comic laughter which perceives the laughable as less than the perfect and true. Bad or false pretenders to "comedy" or humor, e.g., apparently all modern art reputed to be comic and playful, are rather bitterly scolded. The thesis might have been more credibly argued if more positive examples had been used.--C. D.

Hobbes' concern when he writes about laughter is a nameless passion, one of the possible responses we can have to somebody's perceived inferiority when they have acted in a way calculated to dishonour us. 'Of great minds, one of the proper works, is to help and free others from scorn', so great minds will not be given to much of such laughter. It is not the laughter that is of concern to Hobbes, but the passion that the (...) laughter expresses; that passion is not one that contributes to fitting man for peace and for obedience. That nameless passion is but one possible reaction to the perceived calamity of another. Even when the other has been attempting to dishonour one, it is possible (and, on Hobbes' account, desirable) to ignore it; a great mind will pay no attention, not glory in its superiority, and compare itself only with other great minds. And another possible reaction is pity or compassion. Nothing in this shows that Hobbes takes human nature to be essentially egotistical. (shrink)

Robert C. Roberts's suggestion that the conditions for laughter at humor (e.g. jokes) can best be captured with a notion of freshness, as opposed to surprise, is pursued. The relationship freshness has to setup and surprise is clarified, and the place of freshness within a larger system of structuring metaphors is alluded to. The question of whether freshness can also cover laughter at the nonhumorous (e.g. tickling) is then taken up, it being determined that such coverage is possible (...) but uneven. However, once the phenomenon of laughter in the absence of feelings of amusement or similarly pleasant psychological states is considered, it is seen that freshness cannot underpin a comprehensive account of laughter. The notion of titillation is then proposed for this role. (shrink)

Previous experimental findings support the hypothesis that laughter and positive emotions are contagious in face-to-face and mediated communication. To test this hypothesis, we describe four experiments in which participants communicate via a chat tool that artificially adds or removes laughter, without participants being aware of the manipulation. We found no evidence to support the contagion hypothesis. However, artificially exposing participants to more lols decreased participants’ use of hahas but led to more involvement and improved task-performance. Similarly, artificially exposing (...) participants to more hahas decreased use of haha but increased lexical alignment. We conclude that, even though the interventions have effects on coordination, they are incompatible with contagion as a primary explanatory mechanism. Instead, these results point to an interpretation that involves a more sophisticated view of dialogue mechanisms along the lines of Conversational Analysis and similar frameworks and we suggest directions for future research. (shrink)

The proposition that man is the only animal capable of laughter is at least as old as Aristotle . In a strictly physical sense, this is probably false; but it is undoubtedly true that as a psychologically expressive and socially potent means of communication, laughter is a distinctively human phenomenon. Any attempt to study sets of cultural attitudes towards laughter, or the particular types of personal conduct which these attitudes shape and influence, must certainly adopt a wider (...) perspective than a narrowly physical definition of laughter will allow. Throughout this paper, which will attempt to establish part of the framework of such a cultural analysis for the Greek world of, broadly speaking, the archaic and classical periods, ‘laughter’ must be taken, by a convenient synecdoche, to encompass the many behavioural and affective patterns which are associated with, or which characteristically give scope for, uses of laughter in the literal sense of the word. My concern, then, is with a whole network of feelings, concepts and actions; and my argument will try to elucidate the practices within which laughter fulfils a recognizable function in Greek societies, as well as the dominant ideas and values which Greek thought brings to bear upon these practices. The results of the enquiry will, I believe, give us some reason to accept a rapprochement between the universalist assumption for which my epigraph from Johnson speaks and the recognition of cultural specificity in laughter's uses for which many anthropologists would argue, as emphatically asserted, from a Marxizing point of view, in the quotation from Vladimir Propp. (shrink)

This essay analyzes the subtle theology of laughter that is scattered across Augustine’s Confessiones. First, I draw on Sarah Byers’s work in order to argue that Augustine adopts and adapts Stoic moral psychology as a means of sorting the laugh into two moral kinds—as evidence of either good joy or bad joy. In turn, these two kinds provide the loose structure for the double theological taxonomy of merciless and merciful laughter that conf. develops. Next, I treat laughter (...) of each sort via exegesis of several textual vignettes. Close readings of key passages show that both merciless and merciful laughter evince distinctive features across Augustine’s conf. This also reveals exactly how Augustine embeds laughter’s double taxonomy in order to confect his own salvation narrative. Thus, on the reading offered here, laughter proves central to the salvation history that Augustine’s conf. weaves. We learn a good deal about Augustine’s story and his theology by attending to the subject, object, and character of laughter that may be found in his conf. (shrink)