Sometimes, ignorance is inexpressible. Lewis recognized this when he argued, in “Ramseyan Humility,” that we cannot know which property occupies which causal role. This peculiar state of ignorance arises in a number of other domains too, including ignorance about our position in space and the identities of individuals. In these cases, one does not know something, and yet one cannot give voice to one's ignorance in a certain way. But what does the ignorance in these cases consist in? This essay (...) argues that many standard models of ignorance cannot account for the phenomenon of inexpressible ignorance. It then develops an alternative model that does better, on which the ignorance consists in a failure to identify something by way of its nature or essence. (shrink)

Everyone working on metaphysical questions about properties or propositions knows the reaction that many non-philosophers, even nonmetaphysicians, have to such questions. Even though they agree that Fido is a dog and thus has the property (or feature or characteristic) of being a dog, it seems weird, suspicious, or confused to them to now ask what that thing, the property of being a dog, is. The same reservations do not carry over to asking what this thing, Fido, is. There is a (...) substantial and legitimate project to find out more about Fido, but is there a similar substantial and legitimate project to find out more about the property of being a dog? Metaphysicians know that there is a straightforward way to motivate such a project, and much of the contemporary debate in the metaphysics of properties is in the ballpark of carrying it out. If we agree that Fido has the property of being a dog, then there is something that is a property and that Fido has. Thus we can ask about what this thing is that he has. How does it relate to Fido? Is it concrete or abstract? Is it fully present in each object that has it? And so on and so forth. Maybe the nonphilosophers are merely not used to asking such questions about unusual entities such as properties, but they are equally legitimate for them as they are for any other thing. However, even metaphysicians sometimes have the nagging feeling that something has gone wrong in the metaphysics of properties, and that a substantial metaphysical investigation into their.. (shrink)

In this paper, we offer a contribution to the discussion of one of the most important objections against a relativist position in the absolute generality debate. The inexpressibility objection accuses the generality-relativist of not being able to coherently express her own position. First, we examine Glanzberg’s attempt to reply to this objection and we show that it fails. Second, we study the prospects of generalizing the relativist position. In particular, we analyze Fine’s and Linnebo’s modal approaches and we argue (...) that, even though they are able to coherently express one of the core ideas of relativism while avoiding the inexpressibility objection, there is an important sense in which they are no longer relativist positions. Third, while strengthening the idea that the inexpressibility objection does succeed, we argue that this is no guarantee of the falsity of relativism. Relativism may be inexpressible but true. However, we stress that even if the inexpressibility objection does not supply a definitive, knock-down objection against relativism, if we want to discuss relativism in a rational way, the objection offers a compelling reason not to embrace generality-relativism. (shrink)

The paper discusses whether there are strictly inexpressible properties. Three main points are argued for: (i) Two different senses of ‘predicate t expresses property p ’ should be distinguished. (ii) The property of being a predicate that does not apply to itself is inexpressible in one of the senses of ‘express’, but not in the other. (iii) Since the said property is related to Grelling’s Antinomy, it is further argued that the antinomy does not imply the non-existence of that property.

I argue on linguistic grounds that when Mary comes to know what it's like to see a red thing, she comes to know a certain inexpressible truth about the character of her own experience. This affords a "no concept" reply to the knowledge argument. The reason the Knowledge Argument has proven so intractable may be that we believe that an inexpressible concept and an expressible concept cannot have the same referent.

Tarski's Undefinability of Truth Theorem comes in two versions: that no consistent theory which interprets Robinson's Arithmetic (Q) can prove all instances of the T-Scheme and hence define truth; and that no such theory, if sound, can even express truth. In this note, I prove corresponding limitative results for validity. While Peano Arithmetic already has the resources to define a predicate expressing logical validity, as Jeff Ketland has recently pointed out (2012, Validity as a primitive. Analysis 72: 421-30), no theory (...) which interprets Q closed under the standard structural rules can define nor express validity, on pain of triviality. The results put pressure on the widespread view that there is an asymmetry between truth and validity, viz. that while the former cannot be defined within the language, the latter can. I argue that Vann McGee's and Hartry Field's arguments for the asymmetry view are problematic. (shrink)

Ontology has traditionally been regarded as a core area of philosophy. However, during the 20th century, some philosophers have maintained that issues concerning existence and ontology are meaningless or inexpressible. Others, like Quine, have argued that these issues are both intelligible and important. After a short discussion of these views, the paper goes on to discuss the twist Husserl gives to our way of looking at this kind of philosophical knowledge through his notion of the thetic component of acts.

Frege and Heidegger appear to appear to have diametrically opposed attitudes towards logic. Frege thinks logic must govern any investigation whatsoever, whereas Heidegger (in "What is Metaphysics?") apparently wants to dismantle logic. But when they try to explicate the nature of judgment, a striking similarity emerges. For while their accounts of judgment are radically different, each finds his account to be, by his own lights, _inexpressible<D>. This paper shows how Heidegger and Frege arrive at their respective accounts of judgment, explains (...) why they regard the status of their accounts as problematic, and explores and evaluates their responses to their parallel predicaments. (shrink)

Véronique Fóti’s Tracing Expression in Merleau-Ponty demonstrates how the problem of expression motivates and unifies Merleau-Ponty’s investigations of art, life, nature, and ontology, culminating in a timely conception of nature as a differential expressive matrix. The key to this expressive ontology is diacritical difference. We raise three questions for this diacritical ontology: how it embodies the memory of the world, how it is interrupted by transcendence, and how it dissolves into elementality. Our inquiry points towards a diacritics of the inexpressible.

My propositions are elucidatory in this way: he who understands them eventually recognizes them as senseless [unsinnig], when he has climbed out through them, on them, over them… He must surmount these propositions; then he sees the world rightly. (Tractatus 6.54) These statements must be taken seriously and therefore must be interpreted as literally possible. They have nevertheless been experienced by some philosophers as posing a major interpretational problem. For if Wittgenstein’s words are taken literally, we seem to have a (...) major problem in our hands. If what Wittgenstein had said before proposition 6.54 is literally nonsense, we apparently cannot understand his book at its face value. And, as was pointed out, this face value is that of a treatise in logical semantics. Hence.. (shrink)

Kant, in his third Critique, confronts the issue of how rule-governed objective judgement is possible. He argues that it requires a particular kind of aesthetic response to one's experience. I dub this response 'the Feeling of Unity', and I raise the question whether it is a type of inexpressible knowledge. Using David Bell's account of these matters as a touchstone, I argue that it is.

All too often, the study of ineffability only looks on the bright side of life—mystical experiences of blissful unity, primordial grounds of overflowing fecundity, noetic truths of existential profundity. To some extent, this is true too for Mélanie V. Walton’s Expressing the Inexpressible in Lyotard and Pseudo-Dionysius: Bearing Witness as Spiritual Exercise, which turns to a “desperate love letter to God” —the eros-infused naming and unnaming of God in The Divine Names, a treatise by the sixth-century Neoplatonic-Christian Pseudo-Dionysius the Areopagite—for (...) a means by which a Holocaust survivor might confront a Holocaust denier. Still, that the Holocaust features at all in a religio-philosophical book on ineffability might help give an otherwise lofty field of inquiry a much-needed grounding.It is difficult to put Walton’s thesis succinctly: Expressing the Inexpressible in Lyotard and Pseudo-Dionysius is a multi-faceted work with several theses. To begin with, there is the pro .. (shrink)

This paper presents a reading of the Tractatus’ remarks on ethics. Drawing on work by Anselm Müller, subsequently developed by Anthony Price, the reading makes of some of Wittgenstein’s most striking and most puzzling early remarks a recognizable and insightful account of ethical experience, while also accommodating the equally striking formal quality of those remarks. The account identifies a distinctive ethical achievement that requires a distance from particular concrete goods that one might pursue and a responsiveness to those goods as (...) a whole—to one’s world as a whole; only through such openness is one open to the abstract objective that is doing what is best; and only through openness to that does one express oneself in, and assume responsibility for, one’s actions. This account allows us to understand why, for example, Wittgenstein connects “absolute or ethical value” with “wonder at the existence of the world” and with “understand[ing] the question about the meaning of life”. But it also makes sense of why that is precisely a question, and why those to whom “the meaning of life … become[s] clear” cannot “say in what this meaning consist[s]”. The responsiveness to a good which ethical subjects distinctively manifest is a responsiveness not to some distinctive and describable state of affairs but to the question of what is best—willing determination of what here and now that is. This account yields a vision of self-expression not as hearkening to some inner voice but as an openness to one’s life as a whole; and this, in turn, opens up a way of approaching the puzzle of Wittgenstein’s insistence that “of [the willing subject] we cannot speak”. I also suggest that we find here one possible sense for Wittgenstein’s famous remark to Ludwig von Ficker that “the point of [the Tractatus] is ethical”, in that openness to the world as a whole—openness to how things are as such and as a whole—emerges as fundamentally a practical, rather than theoretical achievement. (shrink)

I analyse here some histories of people who lived in concentration camps and told their experiences: De Gaulle Anthonioz (La Traversée de la nuit), Geoffroy (Au temps des crématoires…), Semprun (L’Écriture ou la vie). These histories represent the lives of survivors, but they are also a form of literary expression with a narrative structure that codifies a genre. More particularly, I focus the attention on the incipit, a strategic place in which some of the specific features of the global meaning (...) and structural organization of the whole text can be seized. My hypothesis is that in histories of survival, already in the incipit, the authors strive to convey the emblematic value of their history: an extreme and traumatic experience which is difficult to express. The analysis of these incipit shows that experiences related to concentration camps, to be expressed, need an elaborated message and that an artistic aim can contribute to the representation of these experiences. From the structural viewpoint, histories of survival amplify a dichotomy existing in several literary genres and currents: ‘external reference’ and ‘internal organization’, mimetic ‘truth’ and narrative ‘structure’, ‘reality’ and ‘convention’, ‘experience’ and ‘narration’. In my opinion, histories of survival solve theseoppositions by reconciling some contraries through the use of oxymora. Even narratives structures or key figures such as the author, the narrator, the observer, the witness and so on, tend to become oxymora. The study of these features (and combination) is pertinent for anthropology (by seizing facts thanks to elaborated ‘ways of uttering’ authors often redefine forms of humanity) and for semiotics (any form of expression, even if original, has to be collectively shared and based on a system of signs). In my opinion, a joint semiotic and anthropological approach can help analysing histories of survival as a ‘literary genre’ and as a ‘historical tragic phenomenon’. (shrink)

I analyse here some histories of people who lived in concentration camps and told their experiences: De Gaulle Anthonioz (La Traversée de la nuit), Geoffroy (Au temps des crématoires…), Semprun (L’Écriture ou la vie). These histories represent the lives of survivors, but they are also a form of literary expression with a narrative structure that codifies a genre. More particularly, I focus the attention on the incipit, a strategic place in which some of the specific features of the global meaning (...) and structural organization of the whole text can be seized. My hypothesis is that in histories of survival, already in the incipit, the authors strive to convey the emblematic value of their history: an extreme and traumatic experience which is difficult to express. The analysis of these incipit shows that experiences related to concentration camps, to be expressed, need an elaborated message and that an artistic aim can contribute to the representation of these experiences. From the structural viewpoint, histories of survival amplify a dichotomy existing in several literary genres and currents: ‘external reference’ and ‘internal organization’, mimetic ‘truth’ and narrative ‘structure’, ‘reality’ and ‘convention’, ‘experience’ and ‘narration’. In my opinion, histories of survival solve theseoppositions by reconciling some contraries through the use of oxymora. Even narratives structures or key figures such as the author, the narrator, the observer, the witness and so on, tend to become oxymora. The study of these features (and combination) is pertinent for anthropology (by seizing facts thanks to elaborated ‘ways of uttering’ authors often redefine forms of humanity) and for semiotics (any form of expression, even if original, has to be collectively shared and based on a system of signs). In my opinion, a joint semiotic and anthropological approach can help analysing histories of survival as a ‘literary genre’ and as a ‘historical tragic phenomenon’. (shrink)

I argue that the reflections on language in Adorno and Heidegger have their common root in a modernist problematic that dissected experience into ordinary experience, and transfiguring experiences that are beyond the capacity for expression of our language. I argue that Adorno’s solution to this problem is the more resolutely “modernist” one, in that Adorno is more rigorous about preserving the distinction between what can be said, and what strives for expression in language. After outlining the definitive statement of this (...) problematic in Nietzsche’s early epistemological writings, I outline Heidegger’s solution and subsequently Adorno’s critique of Heidegger. Finally, I argue that situating Adorno within the modernist problem of language and expression is crucial for making sense of his philosophy as a form of critical theory. (shrink)

It is a remarkable fact about the early history of the analytic tradition that its three most important protagonists all held, at least during significant intervals of their respective careers, that there are entities that cannot be named. This shared commitment on the part of Frege, Russell and the early Wittgenstein is the topic of this thesis. I first clarify the particular form this commitment takes in the work of these three authors. I also illustrate a distinctive cluster of philosophical (...) difficulties attending the view that there are unnameable entities, and explore the relationship between unnameability and inexpressibility. I then investigate what grounds there are for countenancing the unnameable, focussing in particular on the thesis that concepts cannot be named. I give a detailed hearing to four arguments for the unnameability of concepts discernible in, or suggested by, early analytic writings. The first and second arguments (chapters 3 and 4) are distinguishable in the locus classicus, Frege's 'On Concept and Object'. The first concerns the relationship between co-reference and intersubstitutability; the second concerns the unity of thought. The third argument (chapter 4) appeals to the alleged impossibility of expressing identities between objects and concepts, while the fourth (chapter 5) draws on considerations pertaining to diagonalization and Russell's paradox. I make the case that all four arguments fail to provide grounds for accepting the unnameable, contending that each argument can and should be resisted in defence of singular reference to concepts. In doing so I develop a novel defence of the view that absolutely any entity can be referred to with a singular term. (shrink)

Recently, some philosophers have argued that we should take quantification of any order to be a legitimate and irreducible, sui generis kind of quantification. In particular, they hold that a semantic theory for higher-order quantification must itself be couched in higher-order terms. Øystein Linnebo has criticized such views on the grounds that they are committed to general claims about the semantic values of expressions that are by their own lights inexpressible. I show that Linnebo's objection rests on the assumption of (...) a notion of semantic value or contribution which both applies to expressions of any order, and picks out, for each expression, an extra-linguistic correlate of that expression. I go on to argue that higher-orderists can plausibly reject this assumption, by means of a hierarchy of notions they can use to describe the extra-lingustic correlates of expressions of different orders. (shrink)

One response to the problem of logical omniscience in standard possible worlds models of belief is to extend the space of worlds so as to include impossible worlds. It is natural to think that essentially the same strategy can be applied to probabilistic models of partial belief, for which parallel problems also arise. In this paper, I note a difficulty with the inclusion of impossible worlds into probabilistic models. Under weak assumptions about the space of worlds, most of the propositions (...) which can be constructed from possible and impossible worlds are in an important sense inexpressible; leaving the probabilistic model committed to saying that agents in general have at least as many attitudes towards inexpressible propositions as they do towards expressible propositions. If it is reasonable to think that our attitudes are generally expressible, then a model with such commitments looks problematic. (shrink)

This paper introduces a new Ehrenfeucht-Fraïssé type game that is played on two classes of models rather than just two models. This game extends and generalizes the known Ajtai-Fagin game to the case when there are several alternating moves played in different models. The game allows Duplicator to delay her choices of the models till the very end of the game, making it easier for her to win. This adds on the toolkit of winning strategies for Duplicator in Ehrenfeucht-Fraïssé type (...) games and opens up new methods for tackling some open problems in descriptive complexity theory. As an application of the class game, it is shown that, if m is a power of a prime, then first order logic augmented with function quantifiers F1n of arity 1 and height n < m can not express that the size of the model is divisible by m. This, together with some new expressibility results for Henkin quantifiers H1n gives some new separation results on the class of finite models among various F1n on one hand and between F1n and H1n on the other. Since function quantifiers involve a bounded type of second order existential quantifiers, the class game solves an open problem raised by Fagin, which asks for some inexpressibility result using a winning strategy by Duplicator in a game that involves more than one coloring round. (shrink)

This essay is concerned with solipsism, understood as the extreme sceptical view that I have no knowledge except of my subjective state. A less rough formulation of the view is mooted, inspired by a Quinean combination of naturalism and empiricism. An objection to the resultant position is then considered, based on Putnam’s argument that we are not brains in vats. This objection is first outlined, then pitted against a series of counter-objections. Eventually it is endorsed, but only at the price (...) of exposing the formulation of solipsism in question as not, after all, a satisfactory formulation. This leads to further speculation about the status of solipsism itself. Two of the possibilities that are considered are, firstly, that it is incoherent and, secondly, that it is inexpressible. (shrink)

This article reflects on the received view of the rupture which constitutes the beginning of a critical, ethical, political and legal opening, the understanding of which inhabits the cry of, and response to, injustice. It takes the very critique that feeds into, and is distorted by, practical reasoning, as its point of departure. Grasping this rupture as the complementary relation between deconstruction and radical alterity, would entail unreflectively accepting a certain kind of truthfulness—truthfulness as [in]correctness, manifesting in a relationship that (...) involves rootless and controlling movement of making and unmaking of world. In closely reading Wittgenstein and Heidegger on the level of seeing, showing and saying, truthfulness is shown to contain an essential tension between, on the one hand, the Socratic, metaphysically-bound notion of beingness, correctness and meaning-steering and, on the other hand, the pre-Socratic notion of unconcealment (a-lethia), which, pointing even earlier than pre-Socratics into aboriginality, involves attentive letting of gliding in the inexpressible saying of language. While steering is about generating new possibilities of expressibility, gliding is about poetic dwelling, or enduring inexpressibility as a constitutive part of saying. Although aletheia is taken to be the key influence on rootless post-foundational thinking, it is argued that unconcealment involves letting and enduring the presencing inexpressibility of place and home-coming, that is, worlding-rootedness; thus showing Heidegger’s originary politics as the district of the uncanny to be about worlding that attentively lets the presencing inexpressibility of earth be as place. In reading Heidegger’s views on humanism, beginning and language, the argument links inexpressibility—essentially and historically—to the grasping of the belongingness together of world, earth and place, viewing this belongingness as key to both the saying of art and of mortals dwelling together temporally, spatially, materially in a manner always strange to, and nearer than, the steering/controlling of beingness, time, space and place that the very gesture and emergence of critique is captive of and is not capable of attuning to and capturing. Art always estranges the metaphysical cycle of correctness which preserves pain and suffering—a cycle that inhabits a double bind of responding to violence and injustice generated by the violence of metaphysics with metaphysical violence and justice. In showing essential strife within truthfulness itself, Heidegger points to even greater and earlier problematic than the pre-Socratics—to the painful core of inexpressibility between the ontology of steering time, spaces and material—steering places—and the gliding temporality, spatiality and materiality of ontology of place. (shrink)

Inexpressibility results in Finite Model Theory are often proved by showing that Duplicator, one of the two players of an Ehrenfeucht game, has a winning strategy on certain structures.In this article a new method is introduced that allows, under certain conditions, the extension of a winning strategy of Duplicator on some small parts of two finite structures to a global winning strategy.As applications of this technique it is shown that • — Graph Connectivity is not expressible in existential monadic (...) second-order logic , even in the presence of a built-in linear order,• — Graph Connectivity is not expressible in MonNP even in the presence of arbitrary built-in relations of degree n0, and• — the presence of a built-in linear order gives MonNP more expressive power than the presence of a built-in successor relation. (shrink)

'PERHAPS WHAT is inexpressible (what I find mysterious and am not able to express)', wrote Wittgenstein, 'is the background against which whatever I could express has its meaning'. Wittgenstein's remark is a useful reminder to all who attempt to write about the nature and the value of art, for there our powers of expression often seem inadequate to the phenomena we aim to describe. In such cases it is natural to direct attention to the 'background' of aesthetic experience itself. In (...) consequence, many philosophical elucidations of art works will make good sense only to whose who are already engaged with them on their own terms—engaged with their distinctive character and forms. That this is so is perhaps most evident when the philosopher's target is the art of music. Roger Scruton's latest contribution to philosophical aesthetics, The Aesthetics of MusIc, is guided by a deep appreciation of the background of musical experience and he often allows music to speak for itself, through musical example and illustration. This study is exceptionally, if not uniquely, informed by a wide and thorough acquaintance with its subject matter, and it is commendably replete with references to, andmusic examples illustrating specific compositions. (shrink)

I critically examine some deflationary theories of properties, according to which properties are ‘shadows of predicates’ and quantification over them serves a mere quasi-logical function. I start by considering Hofweber’s internalist theory, and pose a problem for his account of inexpressible properties. I then introduce a theory of properties that closely resembles Horwich’s minimalist theory of truth. This theory overcomes the problem of inexpressible properties, but its formulation presupposes the existence of various kinds of abstract objects. I discuss some ways (...) to reduce these existence assumptions, but ultimately suggest that deflationists can hardly avoid quantification over abstract objects of one sort or another. I conclude that property deflationism is perhaps not as deflationary as some philosophers want it to be, but that it’s still apt to call the position ‘deflationary’. (shrink)

The thesis of the inexpressibility of certain kinds of philosophical knowledge, as ascribed to plato, is subjected to an analysis and, in consequence, interpreted in such a way which does not charge plato's position with any kind of mysticism or irrationalism. The interpretation propounded assumes that it is only some vague philosophical ideas that are said to be not expressible in a definite way.

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vacabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, (...) and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inatriculate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. About the Author: Elaine Scarry is Associate Professor of English at the University of Pennsylvania. (shrink)

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it.Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and (...) military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre.Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate. (shrink)

Perhaps the most important work of philosophy written in the twentieth century, the Tractatus Logico-Philosophicus first appeared in 1921 and was the only philosophical work that Ludwig Wittgenstein (1889-1951) published during his lifetime. Written in short, carefully numbered paragraphs of extreme compression and brilliance, it immediately convinced many of its readers and captivated the imagination of all. Its chief influence, at first, was on the Logical Positivists of the 1920s and 30s, but many other philosophers were stimulated by its philosophy (...) of language, finding attractive, if ultimately unsatisfactory, its view that propositions were pictures of reality. Perhaps most of all, Wittgenstein himself, after his return to philosophy in the late 1920s, was fascinated by its vision of an inexpressible, crystalline world of logical relationships. The posthumous publication of other writings has, therefore, only served to reawaken interest in the Tractatus and to illuminate its more neglected aspects. David Pears and Brian McGuinness revised their translation in the light of Wittgenstein's own suggestions and comments in his correspondence with C.K. Ogden about the first translation. In addition, this edition contains the introduction by Bertrand Russell which appeared in the original English translation. (shrink)

Rather than focus on effects, the isolatable and measureable outcomes of events and interventions, the papers assembled here offer different perspectives on the affective dimension of the meaning and politics of human/non-human relations. The authors begin by drawing attention to the constructed discontinuity between humans and non-humans, and to the kinds of knowledge and socialities that this discontinuity sustains, including those underpinned by nature-culture, subject-object, body-mind, individual-society polarities. The articles presented track human/non-human relations through different domains, including: humans/non-humans in history (...) and animal welfare science (Fudge and Buller); the relationship between the way we live, the effects on our natural environment and contested knowledges about ‘nature’ (Whatmore); choreographies of everyday life and everyday science practices with non-human animals such as horses, meerkats, mice, and wolves (Latimer, Candea, Davies, Despret). Each paper also goes on to offer different perspectives on the human/non-human not just as division, or even as an asymmetrical relation, but as relations that are mutually affective, however invisible and inexpressible in the domain of science. Thus the collection contributes to new epistemologies/ontologies that undercut the usual ordering of relations and their dichotomies, particularly in that dominant domain of contemporary culture that we call science. Indeed, in their impetus to capture ‘affect’, the collection goes beyond the usual turn towards a more inclusive ontology, and contributes to the radical shift in the epistemology and philosophy of science’s terms of engagement. (shrink)

Two expressive limitations of an infinitary higher-order modal language interpreted on models for higher-order contingentism – the thesis that it is contingent what propositions, properties and relations there are – are established: First, the inexpressibility of certain relations, which leads to the fact that certain model-theoretic existence conditions for relations cannot equivalently be reformulated in terms of being expressible in such a language. Second, the inexpressibility of certain modalized cardinality claims, which shows that in such a language, higher-order (...) contingentists cannot express what is communicated using various instances of talk of ‘possible things’, such as ‘there are uncountably many possible stars’. (shrink)

Can art, religion, or philosophy afford ineffable insights? If so, what are they? The idea of ineffability has puzzled philosophers from Laozi to Wittgenstein. In Ineffability and its Metaphysics: The Unspeakable in Art, Religion and Philosophy, Silvia Jonas examines different ways of thinking about what ineffable insights might involve metaphysically, and shows which of these are in fact incoherent. Jonas discusses the concepts of ineffable properties and objects, ineffable propositions, ineffable content, and ineffable knowledge, examining the metaphysical pitfalls involved in (...) these concepts. Ultimately, she defends the idea that ineffable insights as found in aesthetic, religious, and philosophical contexts are best understood in terms of self-acquaintance, a particular kind of non-propositional knowledge. Ineffability as a philosophical topic is as old as the history of philosophy itself, but contributions to the exploration of ineffability have been sparse. The theory developed by Jonas makes the concept tangible and usable in many different philosophical contexts. (shrink)