Historical Narrative: A Dispute Between Constructionism and Scientific Realism An intense discussion about the issue of historical narrative arose during the time when the naïve realism of classical historiography was being critiqued and led to a dispute, in the last century, between constructionism and critical or scientific realism. We can distinguish between constructionism and noetic constructivism. According to ontological constructionism all facts are human constructions; according to noetic constructivism, our notions and theories are constructs with objective meaning ; (...) they refer to objective reality. Scientific realism recognizes the existence of noetic construction but does not regard facts as our constructions, as pure fictions. The point of contention is the question over whether historical narrative is merely a discursive construction or whether it is also a scientific reconstruction of the past. Resolving the dispute over whether historical narrative can be objectively true, or whether it is subject to empirical control or not, is dependent on finding the answer to this question. (shrink)

Ethics, Policy & Environment, Volume 14, Issue 3, Page 345-359, October 2011.

In lieu of an abstract, here is a brief excerpt of the content:Historical Narratives and the Meaning of NationalismLloyd KramerThe vast, expanding literature on nationalism may well defy every generalization except a familiar, general theme of intellectual history: texts about nationalism have always drawn their perspectives and passions from the evolving political and cultural contexts in which their authors have lived. Modern accounts of nationalism show the unmistakable traces of political, military, and cultural conflicts in every decade of (...) the twentieth century—from the era of nationalist rivalries before World War I to the redefinitions of gender, literature, and history that have emerged in contemporary postmodernism, postcolonialism, and multiculturalism.This connection between the texts of nationalist scholarship and the modern contexts of politics and culture suggests why historical narratives of nationalism have become part of the history of nationalism itself. Nationalism’s scholarly interpreters cannot easily separate themselves from the objects of their analysis, and their interpretations are often as diverse and fragmented as the nations they describe. This essay enters the debate on nationalism, describes recurring themes in the historical literature, and replicates a key characteristic of the historiography by stressing that the complexity of nationalism and its interpreters resists every simplifying, comprehensive definition. Histories of nationalism provide a striking example of how the history of ideas never reaches a point of uncontested closure and never finally escapes the political and cultural contexts in which all historical narratives are produced.Like most analysts of nationalism, I assume that it is one of the decisive forces in modern history and that its significance demands careful, critical analysis. It also calls for always incomplete definitions, one of which can be drawn from the German historian Peter Alter. Nationalism is “both an ideology and a political movement which holds the nation and sovereign nation-state to be crucial indwelling values, and which manages to mobilize the political will of [End Page 525] a people or a large section of the population.”1 Nationalist ideas are thus a distinctive form of modern thought that shapes the political actions and cultural identities of individuals as well as groups. The meanings of nationalism and national identity typically depend on various dichotomies that define the nation in terms of its differences from other places or people—the dynamic process of identity formation that has received wide attention in contemporary cultural studies. My own view of the “oppositional” structures in nationalist thinking coincides with the concise description by Peter Sahlins: “National Identity is a socially constructed and continuous process of defining ‘friend’ and ‘enemy’.... National identities... do not depend on the existence of any objective linguistic or cultural differentiation but on the subjective experience of difference.”2 Sahlins thus assumes that something called national identity is “there,” but he also insists that national consciousness is a “constructed” identity. Nationalism, in short, does not express or reflect a natural, primordial reality.The assumption that nationalisms are historical rather than natural phenomena shapes most of the scholarly literature, so that the study of nationalism leads to historical analysis rather than to biology or physical geography. Although there have been countless historical studies of nationalism in different periods, cultures, and conflicts,3 my discussion will refer to a small number of narratives that have made especially significant theoretical claims about the nature of nationalism. There is of course no way to analyze such theories without exclusions and generalizations, which I shall provide by focusing mostly on works about Europe and dividing the patterns of historical analysis into the following broad categories: (1) the description of nationalism as a central component of modernization, reflecting and also shaping intellectual, cultural, economic, social, and political transitions from premodern to modern history; (2) the claim that nationalisms are modern religious movements, related to but also displacing earlier religions; (3) the argument that nationalism is a linguistic, literary construction that depends on new forms of communication, intellectuals, and narratives; (4) the description of nationalism as a discourse of gender and ethnicity that shapes individual identities and also expresses anxieties about sexuality, culture, and respectability; and (5) the argument that nationalisms can be divided into categories (good/bad, Western/Eastern, [End Page 526] political/cultural) and phases that represent sharp differences in the development of modern... (shrink)

Humans live by experiencing various types of sufferings, directly or indirectly. For this reason, it is evident that one of the topics of great interest in congregations is the question of suffering. This study aims to present redemptive-historical narrative preaching as a homiletical strategy for preaching on suffering. Redemptive-historical narrative preaching can be a homiletical alternative for preaching on suffering because it improves the weaknesses of the traditional homiletic and new homiletic and further develops their strengths. In this (...) study, we will identify the main problems of preaching on suffering in Korean churches. Then, we will discuss redemptive-historical preaching and narrative preaching, which form the foundation of redemptive-historical narrative preaching. Finally, we will propose and explain the redemptive-historical narrative preaching in detail and why it is suitable to respond to contexts of suffering within congregations.CONTRIBUTION: Redemptive-historical narrative preaching has greater significance, not only in terms of overcoming the limitations of redemptive-historical preaching and narrative preaching but also in maximising the advantages of both. This research would contribute to the field of homiletics of the Hervormde Teologiese Studies journal. (shrink)

In attempting to establish a correspondence between the content of historical narrative and that of past facts, F. R. Ankersmit identifies a "mechanism" which enables one to arrive at a narrative representation of the past. He asserts that the mechanism cannot be called a "translation," since the correspondence is indirect. Narrative is, however, closer to the truth than he has stated. Historical narratives can be evaluated on their proximity to the truth by the degree of their coherence. (...) Coherence can be judged on two criteria: the kind of temporal content and the kind of conceptual organization of the worldview of the annalist. The chronicle emerged in the late Middle Ages. Temporally, the chronicler uses retrospection to introduce causal links in a chain of events. The worldview of the chronicler provides the conceptual organization. Strictly historical narratives took form in the nineteenth century and have a temporal organization which is both retrospective and prospective. The control of the theoretical organization of a narrative by an historian can be said to be one of the fundamental rules whereby historiography becomes a more and more coherent and integrated presentation of the past. (shrink)

The article examines three dimensions of the interpretation of both historical and modern war events as they are perceived and undretstood at the level of official propaganda. First, it indicates that consequences of such propaganda are various manifestations of violence, and particular in many cases the emergence of repressive regimes and wars. Second, the article raises the issue of “politics of reconciliation”, the interpretive basis of which is a compromise reading of historical events by participants of conflicts or (...) hostilities. Since propaganda can affect not only interstate relations, but, above all, serve the need for domestic policy formation, the author of the article also pays attention to the interpretation of historical events within a country. In this context, the propagandists explore the idea of “positive reading of one’s own history”, i.e. they are focusing attention on those events that had a positive impact on the life of society. The other leading idea, which is used by propaganda to maintain unity in the state, is the idea of “policy of national unity.” The article concludes about the relevance of study of the phenomenon of propaganda, in particular due to new opportunities developed by modern social media. The author emphasizes the ability of propagandistic interpretations of events to disorient and engage citizens that will largely efect on which political forces a person will support in electoral races. Therefore, there is a need to develop a clear strategy for interpreting the events of history, filtering the mass media space from various manifestations of information distortion. And after all, the process of state formation involves, among other things, the implementation of a number of measures aimed at establishing national unity, i.e. «policy of national unity». (shrink)

A central subject is the main strand around which the fabric of an historical narrative is woven. Such a subject must possess both spatial and temporal continuity. It is integrated into an historical entity through the relationship between those properties which make it an individual, and their interaction with the historical event. Scientific theory is useful in the reconstruction of past events and the definition of the central subject. Ideas used as central subjects present the problem of (...) finding internal principles of integration which will make the idea continuous over time. The purpose of narratives is to explain an event by integrating it into an organized whole. (shrink)

Historians typically tell stories about the past, but how are we to understand the epistemic status of those narratives? This problem is particularly pressing for history education, which seeks guidance not only on the question of which narrative to teach but also more fundamentally on the question of the goals of instruction in history. This article explores the nature of historical narrative, first, by engaging with the seminal work of Hayden White, and second, by developing the critique of (...) White by David Carr. The picture of historical inquiry that emerges is one in which the fundamental cognitive activity is one of negotiating among narratives. Students, like historians, like any of us, come to the work of historical inquiry in possession of prior narratives, which are then thrown into an encounter with other narratives of varying size and scope. Good historians enact the negotiation among narratives responsibly and well, demonstrating the virtues of historical interpretation. History education, therefore, ought to help students improve their historical interpretations at the same time as it fosters those qualities that make them good interpreters. (shrink)

Name der Zeitschrift: Semiotica Jahrgang: 2014 Heft: 202 Seiten: 365-393.

Recent studies of historical synthesis have denied the possibility of "truth" in historical narratives, which they state impose meaning on a series of events. An historian is, however, capable of writing a true history, true in the sense that his or her narrative provides a fair representation of its central subject. Descriptions represent the world when they give us an idea that resembles part of the world itself. A subject can be said to be fairly represented if (...) an author follows certain procedures: events must be presented chronologically; the main changes that occurred in the subject must be described; there must not be descriptions or omissions which might give a misleading impression of the subject; and the subject should be explained at a consistent level of generality and with a consistent level of detail. An historian motivated by preconceptions rather than the desire to represent a subject fairly, will not write a true history. Preconceptions are not incompatible with writing true histories, however, as long as they are discarded when an historian learns that they are incompatible with a fair representation. Analysis can be supplementary to, but is never a substitute for, accurate historical representation of a subject. (shrink)

The traditional mode of explanation in physics via deduction from partial differential equations is contrasted here with explanation via simulations. I argue that the different technologies employed constitute different languages, which support different sorts of narratives. The narratives that accompany simulations and articulate their meaning are typically historical or natural historical in kind. They explain complex phenomena by growing them rather than by referring them to general laws. Examples of such growth simulations and growth narratives (...) come from the evolution of wave functions in quantum chaos, snowflake formation, and Etruscan genetics. The examples suggest a few concluding remarks on historical explanation. (shrink)

This article explores how historical narratives affect the evaluation of political decisions regarding justice during peace negotiations. Specifically, this study evaluates how different narratives of the Colombian armed conflict relate to the preference for either restorative or retributive justice. Results revealed that a historically accurate narrative that included structural elements correlated with the preference for restorative justice, whereas a schematic narrative that focused on individual greed favoured the preference for retributive justice. These results are explained in terms (...) of the characteristics of expert historical narratives, which include structural elements, such as economic and institutional factors. The presence of these elements in the explanation of conflicts decreases the weight of individual decisions and, in this way, prevent ingroup attributional biases. (shrink)

About Padmasambhava: Historical Narratives and Later Transformations of Guru Rinpoche, edited by Geoffrey Samuel and Jamyang Oliphant. Garuda Verlag, 2020. 299 pp. Pb CHF 39,80. ISBN-13: 9783906139364.

Goya's and Manet's painted images, and Jean Renoir's cinematic image of historical executions have the power under the ideology of the image to reveal the truth of a moment outside of historical narrative. At the same time, these images are pulled back into the narrative from which they have been removed. The works of these three artists can be used to trace changes in the relationship of the image to historical narrative and its connection to photography and (...) cinema. Goya, working in the early nineteenth century, uses the power of the scopic drive in a strategy which can be called the "witness effect." He deploys the traditional codes of post- Renaissance art in his composition, leading to a detemporalization of his image. Fifty years later, Manet's scene of execution includes an element outside the domain of codes, an element not symbolic, but indexical-the smoke coming out of the soldiers'gun barrels. The conception of the smoke as a sign of actuality is made possible by the invention of photography, which asks of the historical narrative, "Could such a fact, as it is narrated, have been photographed?" The third scene of execution, a still from a history film, is in a state of narrative nonexistence. The execution will be thwarted as the film continues. Renoir accommodates the historical imagination through allowing the image to assert both its presence and its absence. He articulates the gap between the reality and theatricality of visual representations of history. (shrink)

Dray: Mandelbaum legislates regarding the historian's "task" in the guise of descriptive analysis. He seems to envisage two fundamental tasks for the historian: explaining, and relating parts to wholes. Contrary to Mandelbaum's implication, there is no more opposition between narration and either of these tasks than there is between the two tasks themselves.Ely: Mandelbaum refutes White and Danto, who both hold that historical writing is essentially narrative; but not Gallie, who asserts that historical writing is necessarily, but never (...) solely, a narrative construction. The claim that history is essentially narrative is fruitful even though false because it recognizes an important characteristic of historical thinking - the historian's conceptual isolation of a series of intentional human actions from the situations with which they were designed to cope.Gruner: Mandelbaurn is correct in his criticism of narrativism, but does not support his criticism by good reasons. Historians offer both static, non-narrative descriptions and kinetic, narrative descriptions. Historical description is therefore not the same as historical narration; the latter is only a species of the former. (shrink)

In a number of places over the last few years Hayden White has attacked a view of history which I shall call the common-sense position and which runs as follows. Although moral and aesthetic assessments play some role in the writing of history, historians are to a large extent concerned with making true statements about the past and with giving correct explanations pf past events, and these central activities can and ought to be assessed by empirical standards, which on the (...) whole are not dissimilar to those employed in the sciences. For White, historical accounts are more like literary fictions than like scientific accounts. They are to be assessed ultimately by appeal to pragmatic, moral, and aesthetic considerations rather than to empirical ones. My aim in this paper is mainly critical. I shall examine a number of claims and arguments which White puts forward in opposition to the common-sense position and argue that they do nothing to undermine it. I shall concentrate mainly on his article "The Historical Text as a Literary Artifact" (in Clio, Vol. Ill, No. 3, June, 1974), although I shall be making some reference to his book Metahistory (John Hopkins University Press, Baltimore, 1973). (shrink)

This volume explores the experiences of those with little or no power—usually, although not exclusively, animals. The theme of animals as experiencing entities is what links the chapters and characterises the volume. Broadly each author in this volume contributes in one of two ways. The first group, in Section 1, theoretically engages animal subjectivity, animal experiences, and ways in which these are to some extent accessible and knowable to humans. The second group of authors, in Section 2, offer narrative accounts (...) about specific animals or groups of animals and explore to some extent their subjective historical experiences. In summary, the first section diversely theorises about animal experiences, while the second section’s authors assume animals’ subjective experiences and construct narratives that take into account how animals might have subjectively experienced historical phenomena. (shrink)

The long eighteenth century was a good time for history and historians. This article considers one of its most original genres, conjectural history, and of one of conjectural history’s most interesting subjects, woman. What made the conjectural history of woman most interesting was not only that it brought together all the elements that were themselves the subjects of theoretical histories, such as language, the arts and sciences, society, religion, and man, but continued to matter politically well into the nineteenth century. (...) Indeed, one might argue that it continues to shape understandings of what it means to be civilized to this day. Following some observations on some of the challenges such a history presented to its practitioners, the essay turns to Engels’s The Origin of the Family, Private Property and the State: in the Light of the Researches of Lewis H. Morgan and his contestation of the eighteenth-century view of the history of woman. It ends with some reflections on the importance of revisiting such histories. (shrink)

RésuméCet article analyse le besoin qu'éprouvent certaines personnes de se «reconnecter», ou renforcer lews liens, à une culture dans laquelle elles n'ont jamais été enchâssées, eu égard aux critères auxquels se mesure généralement un tel enchâssement (langue, valeurs, croyances, modes de vie, coutumes religieuses, etc.). Situant les résultats de son analyse par rapport à la pensée de Kymlicka et autres, il fait valoir que des facteurs tels que les liens de parenté, l'identification à autrui et l'expérience du racisme déterminent largement (...) quel est le groupe culturel que les individus parviennent à considérer comme le leur. (shrink)

RésuméCet article analyse le besoin qu'éprouvent certaines personnes de se «reconnecter», ou renforcer lews liens, à une culture dans laquelle elles n'ont jamais été enchâssées, eu égard aux critères auxquels se mesure généralement un tel enchâssement (langue, valeurs, croyances, modes de vie, coutumes religieuses, etc.). Situant les résultats de son analyse par rapport à la pensée de Kymlicka et autres, il fait valoir que des facteurs tels que les liens de parenté, l'identification à autrui et l'expérience du racisme déterminent largement (...) quel est le groupe culturel que les individus parviennent à considérer comme le leur. (shrink)

This case study is a sociocultural analysis of how Kareem, a young Black man, both constructed a historical narrative and rearticulated two of his racialized identities. Kareem carried out two mediated actions. In the first, he incorporated cultural tools from the classroom—the schematic narrative template of racial progress and the specific narrative of the Movement—to support his thesis that NBA legend Bill Russell advanced the Civil Rights Movement. In the second, he positioned Bill Russell as a model Black man, (...) drawing on cultural tools forged from his self-identification, his awareness of the racialization of Black men, and his desire to articulate a positive image of them. Data include field notes, audio-recorded conversation, written work, and an interview. The paper concludes with implications of this study for K-12 educators, teacher educators, and researchers: (1) that students’ racialized identities and experiences are cultural tools that can intersect with disciplinary learning; (2) that racialization includes non-racial identities and practices; and (3) that history/social studies curriculum and instruction can facilitate students’ analyses of how narratives function in the learning of the past. (shrink)

National days often represent unifying narratives about nation-states. Recent calls for historical redress within settler-colonial nations, however, have been based on redefinitions of triumphalist historical narratives, incorporating darker histories of colonialisation’s ongoing effects. This has resulted in controversy about national days, especially in Australia (celebrated on the anniversary of British colonisation). Discussions about Australia's national day may show us if, and how, these competing historical narratives can be integrated into a unified national story. A (...) critical discursive examination of Australian news media articles demonstrated the ways historical narratives were deployed to construct competing understandings of the national day’s meaning. Analysis showed how the narrative of colonisation as a force for cultural advancement was used to justify celebrating the current date. In contrast, acknowledging and reckoning with the past was positioned as crucial to moving forward, and, correspondingly, that changing the date was necessary. Respecifying the historical narrative in this way brought together a more complex, nation-building story unifying Indigenous peoples, settlers, and newer migrants in celebrating the (new?) national day. Such reimagined national stories offer potential ‘golden futures’, but risk allowing nations to continue to avoid reckoning with their dark histories, and, especially, the connection of these to present-day inequalities. (shrink)

This contribution responds to the ongoing discussion about the narrativity of history and looks at some differences between fictive and historical narrative. The objective of this contribution is to further elaborate on the ideas of narrative transformations developed by Wolf Schmid, focusing particularly on historical narratives. The authors see differences between both kinds of narrative, especially on the level of reference. The problem of fiction and reference is illustrated by Schmid's four tiered narratological model, especially on the (...) level of happening. In fiction, this tier is inferred backwards based on the presentation of the narration. This tier is positioned so the elements of the narrative can be selected. In historical narrative happening has a different status and precedes both the story and the text. Although the shape of the past is related to the presentation of the narrative, it is not determined by nor reduced to it. The authors of this contribution describe the specific character and aspects of narrative transformation in the writing process. (shrink)

Notwithstanding the numerous critiques that have been leveled at the field of positive psychology over its short history, the field and its practitioners continue to enjoy substantial growth and popularity. Although several factors have no doubt contributed to their advancement, work in the field of science studies suggests that rhetorical demarcation in scientific writing, by which scientific fields establish their domains and distinguish themselves from other forms of intellectual activity, may be equally significant. Such “boundary work” is an important means (...) through which fields defeat their competitors, persuade their public, and compete for legitimacy. In light of this, I examine the discursive demarcation and legitimization of positive psychology as performed through historical narratives of its origins in its own writings. I offer an analysis of the ways in which these narratives exploit alternating and contradictory images of scientists, legitimate scientific activity, and in particular, images of American society, to perform the ideological and rhetorical work of describing, and making visible, the kinds of issues and problems for which positive psychology presents itself as the natural solution. 2012 APA, all rights reserved). (shrink)

Sweeping denials of the story's capacity to accurately reflect the past are ever catalyzing equally misleading global affirmations. The impositionalists, such as theorist Hayden White, view historical narratives as imposing a falsifying narrative structure on the past, and conclude that narratives cannot be true. Plot-reifiers, such as Alasdair MacIntyre, David Carr, and Frederick Olafson, posit that the past is already narratively structured; historical plots are reified in order for there to be something in the world to (...) which narrative structures can correspond in being true. The antireferentialists such as JeanFrançois Lyotard and Roland Barthes deny that narrative histories even claim truth. Escaping this trilemma of theoretical interpretation involves accepting the idea that construction of a history does not entail its falsification. Historical narrative need to be allowed to function both figurally, in the sense of generating new discursive figures, and at the same time literally, in the sense of asking to be understood literally. Narratives need to be understood on their own terms, and not treated as an approximation to some foreign ideal. (shrink)

Seeking a historical-philosophical approach to science teaching, narrative texts have been used as pedagogical tools to improve the learning experience of students. A review of the literature of different types of narrative texts and their different rates of effectiveness in science education is presented. This study was developed using the so-called Historical Narrative as a tool to introduce science content from a historical-philosophical approach, aiming to discuss science as a human construction. This project was carried out in (...) a 9th grade Physics class in K-12 school, in Rio de Janeiro, Brazil. The steps involved in constructing a Historical Narrative based on the controversy over animal electrical fluid between Luigi Galvani and Alessandro Volta is reported herein. Finally, qualitative research results of the activities inspired by this Historical Narrative are presented with the purpose of answering the research question: to what extent do Historical Narratives support and enhance discussions about the Nature of Science, through teaching the scientific content in a historical-philosophical approach with 9th grade students? The results indicate that Historical Narrative, based on historical episodes, is a good “door opener” to teach scientific content in a historical-philosophical approach, introducing discussions about the Nature of Science without neglecting the scientific content or simplifying the discussions about the NOS. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 127 seems to imply. Of course, this critique can easily be dismissed as asking for a book that Krieger did not wish to write. His method has produced important results, for Krieger has discerned developmental trends overlooked by others. Otherwise, the only area that I think needs further discussion is Ranke's conception of the nature and function of science. Krieger seems to imply that science automatically means (...) a nomological approach modeled upon the mechanical physical sciences. But Ranke was nourished in an atmosphere where science was often equated with Naturphilosophie. Certainly, Ranke's language is filled with images and terms popularized by Naturphilosophen. Ranke's quest for a science of history may fit very nicely with the ideal dimension of his thought if the science that he is talking about is analogous to Naturphilosophie. It may turn out that the basic polarity in Ranke's idea of history is an analytic construct that has little meaning for Ranke's own intentions. Krieger ends his study with a chapter devoted to the meaning of Ranke's work for modem historiography. It is the dialectical synthesis of the whole study. After recapitulating Ranke's achievements, Krieger then emphasizes the breach that separates Ranke from our conceptual world. We no longer share Ranke's beliefs or values. In fact, for most of us "he must seem simply archaic, and the more he is himself historically restored the more archaic he must seem" (p. 355). For the reader who had to struggle through this difficult book and to contend with Professor Krieger's passion for complex dependent clauses, this announcement appears as a grand denouement. But the shock is only temporary. Krieger's assertion of the differences that separate Ranke from us serves as a warning to those who still take Ranke's approach as an objective model for historical reconstruction. The deeper meaning of Ranke's view of history is the affirmation of history as an autonomous and independent form of knowledge. "History is an inimitable way of rendering comprehensible modes of humanity which must otherwise be incomprehensible" (p. 356). This form of knowledge, which is devoted "to the actual but equipped with a language of common sense organized around the categorical," proceedes by arranging things along a time line (p. 357). Here Krieger launches a spirited counterattack against those modem theorists who have questioned the viability of history as an independent form of knowledge or who have minimized the importance of developmental analysis, preferring instead to concentrate upon relatively static deep structures. Krieger's study affirms Ranke's project in its most general sense; that history is a cumulative logic of the actual, "the meeting ground of philosophy, science, and cataclysmic experience" (p. 356). And it serves, at the same time, as a positive demonstration that a developmental analysis does impart knowledge that other approaches cannot achieve. In this sense, Krieger's masterful study of Ranke reaffirms Ranke's central position as a founding father of modem historical thought. PETER HANNS REILL University of California, Los Angeles Arthur Quinn. The Confidence of British Philosophers:An Essay in Historical Narrative. Leiden: E. J. Brill, 1977. Pp. xii + 289. Gld. 80. This is a remarkable book. Almost all of it is a study, very well researched and presented, of four major English philosophical movements: Newtonians, the Utilitarians, the Oxford Hegelians, and the Russell, G. E. Moore, and Whitehead group. The study shows the initial enthusiasm, optimism, and confidence of each of the groups. Each believed that it had found a way to solve the intellectual and perhaps moral and social problems of mankind. As each movement developed, the confidence slowly eroded when philosophical problems and difficulties failed to disappear. The picture Quinn presents of these movements is very interesting. He has grouped together 128 HISTORY OF PHILOSOPHY much detail that makes us see the original intentions of the leaders of each of these movements. He also deftly shows how as stumbling blocks arose each movement lowered its goals and began to fade. Employing a very wide range of printed sources, Quinn presents a series of convincing vignettes, and in so doing be often reveals features of these movements that have been... (shrink)

Over the last fifty years there has been much discussion about the value of narrative in the production of historical knowledge whereby it is generally assumed that “narrative” is a given and that the only thing at issue is its epistemological value. This article critically examines this assumption. It shows how conceptions of “narrative” have mutated in response to changes in cultural practice and, as importantly, how they have been implicitly modeled on the particular medium envisaged for telling stories: (...) the stand-alone monograph. The belief that history's natural form is a book written by an individual historian has thus informed most discussions of narrative in the twentieth century, meaning that the primacy of language, the autonomy of the author, and the finished, self-contained character of the work have been taken for granted. The “naturalness” of the stand-alone monograph can no longer be taken as a given, however, in the new media ecologies. Digitization and the internet offer new technologies for producing and disseminating historical knowledge and, in the process, present both opportunities and challenges to professional historians. Beyond their practical implications, the digital media also provide a new theoretical model for viewing historical narrative in terms of its social production by multiple agents across different platforms, and this changes our understanding both of past and of future practices. (shrink)

There are historical events which cannot easily be made sense of by reference to the actions of single individuals. I suggest that one way to understand such events is by building on the involved agents' joint experience, or reports thereof. The phenomenology of joint involvement, so my suggestion, is of use in a particular kind of sense making that combines hermeneutical and explanatory elements. Such sense making, I argue, is narrative in character. I suggest a particular conception of (...) class='Hi'>historical narratives that aligns them with what I call, taking up an idea from Ian McEwan's novel Atonement , `psychological realism' — the idea that what renders stories accurate is a reality with both physical and mental characteristics. I end by illustrating my account with a historical example. (shrink)