The virtue of higher discernment (gnome) is able to discern when a particular rule must be set aside for some higher principle. Aquinas compares the failure of a particular principle to the production of monsters or defective animals. Most of those who treat of the exceptions to rules ignore this analogy, yet it provides important insights into the virtue of gnome and exceptions to rules. A defective animal is a monster only in relation to the particular cause of (...) the power of reproduction; in relation to a higher cause it is proper and well ordered. Similarly, an exception to a general rule is a kind of monster in relation to that rule, but inrelation to a higher principle it is a well-ordered act. (shrink)

The virtue of higher discernment (gnome) is able to discern when a particular rule must be set aside for some higher principle. Aquinas compares the failure of a particular principle to the production of monsters or defective animals. Most of those who treat of the exceptions to rules ignore this analogy, yet it provides important insights into the virtue of gnome and exceptions to rules. A defective animal is a monster only in relation to the particular cause of (...) the power of reproduction; in relation to a higher cause it is proper and well ordered. Similarly, an exception to a general rule is a kind of monster in relation to that rule, but inrelation to a higher principle it is a well-ordered act. (shrink)

Hegel’s viewpoint on Greek tragedy is a valuable way-station in any theoretical as well as practical consideration of dramatic play. Hegel considered Greek tragedy from the perspective of his dialectical system, thereby indirectly influencing dramaturgical practice in the 19th and 20th centuries. This is why the paper explores Sophocle’s tragedy Oedipus Rex from the viewpoint of Hegel’s theoretical perspective, as well as practical perspectives based on an influential textbook on playwriting by Lajos Egri. The paper further explores the different understandings (...) of dialectics in philosophical and dramatic dialogue. Also, it addresses the kind of applied dialecticism in the work of Greek artists of the 5th century BC. Finally, the text explores the early Greek literary form gnome, which is – hypothetically speaking – the source of the later Greek understanding of dialectics. (shrink)

Critics of South Park—and they are legion—bitterly complain about its relentless obscenity and potty humor. But if one wanted to mount a high‐minded defense of the show's low‐minded jokes, one might go all the way back to Plato to find a link between philosophy and vulgarity. Cartman fights the countercultural forces who invade South Park and mindlessly blames all the troubles of America on “the corporations.” In “Gnomes” a national coffee chain called Harbucks—an obvious reference to Starbucks—comes to South Park (...) and tries to buy out the local Tweek Bros. coffee shop. Having had the audacity to defend Starbucks, in its eighth season South Park went on to rally to the cause of Wal‐Mart—under an even more thinly disguised name in an episode called “Something Wall Mart This Way Comes.” Once again, South Park proclaims the sovereignty of the consumer in a market economy. (shrink)

This study examines the implications of practical reason for entrepreneurial activities. Our study is based on Thomas Aquinas’ interpretation of such virtue, with a particular focus on the partition of practical reason in potential parts such as synesis, or common sense, and gnome, or perspicacity. Since entrepreneurial acts and actions deal with extremely uncertain situations, we argue that only this perspicacity, as the ability of correctly judging in exceptional cases, has the power to find wisdom under such blurred conditions. (...) Perspicacity frees entrepreneurs from their cognitive schemata rendering them able to be truly entrepreneurial. Based on this vision and thanks to a semantic analysis of the meaning of the Greek word gnome, we construct an interpretative model for entrepreneurial judgment composed of three dimensions, specifically, knowledge-cognitive, external-affective and personal-reflective. The model highlights how a ‘successful’ entrepreneurial judgment is also such from a holistic point of view. (shrink)

The term prohairesis has a long history; its usage is crucial for the development and understanding of basic ethical and anthropological assumptions in ancient Hellenic philosophy. In this article the author analyses the most important moments for the semantic transformation of this term, with particular reference to the implications of its usage in Byzantine theological and philosophical heritage, with the ultimate expression in work of St Maximus the Confessor and his christological synthesis. The equation between the terms prohairesis and (...) class='Hi'>gnome and their separation from the authentic human nature, as well as the usage of the term thelesis for the original „human will“, represents the thorough revision of the antique philosophical heritage which could be compared with the distinction of the terms ousia and hypostasis by Cappadocian Fathers. In this article the author will show the extent to which and the way in which Byzantine theological and philosophical thought adopted and transformed its own Hellenic heritage. (shrink)

Some things that we take to be the case in a fictional work are never made explicit by the work itself. For instance, we assume that Sherlock Holmes does not have a third nostril, that he wears underpants and that he has never solved a case with a purple gnome, even though neither of these things is ever mentioned in the narration. This article argues that examples like these can be accounted for through the same content-enriching reasoning that we (...) employ when confronted with non-fictional discourse, with the important difference that fictional discourse essentially involves pretence. Fictional discourse works in much the same way as non-fictional discourse, and what is conveyed without being stated can accordingly be explained through familiar pragmatic mechanisms. It is argued that this account carries some distinct advantages over competing views. (shrink)

I examine all the occasions on which Aquinas uses a particular example, which goes back to Plato's Republic, to shed light on the controversial subject of the immutability of natural law. Aquinas usually transcribes it as depositum gladius non debet restitui furioso, although some variations also occur. We shall first look at the context in which Plato situates this idea, then go on to examine the occasions on which Aquinas draws on it: in the Summa, when discussing the question as (...) to whether the natural law is the same for everyone; in his Commentary on the Nicomachean Ethics, when he explains in what sense natural law may change, and in what sense it remains the same; and finally, where he examines the virtues of gnome and epieikeia, also in the Summa. (shrink)

This paper investigates whether the model of local rhetorical coherence suggested in Knott et al. (2001) can boost the performance of the Centering-based metrics of entity coherence employed by Karamanis et al. (2004) for the task of information ordering. Rhetorical coherence is integrated into the way Centering’s basic data structures are derived from the annotated features of the GNOME corpus. The results indicate that (a) the simplest metric continues to perform better than its competitors even when local rhetorical coherence (...) is taken into account, and (b) this extra coherence constraint decreases its performance. (shrink)

Philosophos Agonistes: Imagery and Moral Psychology in Plato's Republic RICHARD PATTERSON THE COMPETITIVE IMPULSE in its simplest, first and best expression -- be best and first in everything, as Peleus advised Achilles -- seems foreign to the spirit of philosophy for a number of reasons. The most important of these finds metaphorical expression in a "Pythagorean" gnome of uncertain provenance: "Life, said [Pythagoras], is like a festival; just as some come to the festival to compete, some to ply their (...) trade, but the best people come as spectators, so in life the slavish go hunting for fame or gain, the philosophers for the truth" . Plato's celebrated tripartite soul of the Republic provides a psychological underpinning for these observations about the festival crowd, and in particu- lar the distinction between the agonistes -- the competitor hunting victory and fame -- and the philosophical seeker after truth. Bk. IV distinguishes a reason- ing, a spirited, and an appetitive part or aspect of the soul, each having its own proper function and the three together providing a basis for Socrates' discus- sion of the virtues of wisdom, courage, sophrosyne, and justice. Bk. IX is explicit about all three parts having their own particular and natural pleasures and desires: the two lower parts, "spirit" and "appetite," appear respectively as lovers of victory and glory, on the one hand, and money, food, drink, and sex, on the other;.. (shrink)

In fragment B 12 Anaxagoras asserted: ‘And [Mind] has every gnômê concerning everything and is strong to the greatest degree.’ The definitions of gnômê given in the standard Greek lexicon cover a wide range: ‘mark’, ‘token’, ‘intelligence’, ‘thought’, ‘judgment’, ‘understanding’, ‘attention’, ‘conscience’, ‘reason’, ‘will’, ‘disposition’, ‘inclination’, ‘purpose’, ‘initiative’, ‘opinion’, ‘verdict’, ‘decision’, ‘proposition’, ‘resolution’, ‘advice’, and ‘maxim’. Taking a clue from the assonance of ischei (has) with ischuei (is strong), it would be natural to take both parts of the assertion to (...) be concerned with the extent of Mind’s strength, and this would suggest the translation: ‘for it holds every decision concerning everything and (thereby) has the greatest strength’. So understood, both parts of the assertion would be reinforcing Anaxagoras’ basic claim that Mind ‘rules over’ (kratein) everything. Thus, what Anaxagoras’ cosmic nous does is provide just the kind of intelligent oversight nous typically provides in early Greek poetry and philosophy. (shrink)

The revival of virtue ethics in contemporary moral philosophy had a major impact on business ethicists, among whom the virtues have become a staple subject of inquiry. Aristotle’s phronēsis is one of those virtues, and a number of texts have examined it in some detail. But analyses of phronēsis in business ethics have neglected some of its most significant and interesting elements. In this paper, I dissect two neglected components of practical wisdom as outlined in Book VI of the Nicomachean (...) Ethics: sunesis, a capacity to perceptively evaluate testimony, and gnomē, a capacity to rightly discern exceptions to ‘universal’ moral rules. Practical wisdom is a product of experience, so I examine the role that experience plays in the development of these deliberative capacities, asking what it is that the practically wise will have taken away from their experiences. It is, in particular, everyday, ‘mundane’ experience that begets these excellences, so I concentrate specifically on that kind of experience in the domains of sunesis and gnomē as I search for insights about how we develop phronēsis and how we might better do what is right. (shrink)

Christopher Carey, CQ 39 , 287ff. sets out to explain the transition in Pindar, O. 8.52–5 from the story of the building of the walls of Troy to the praises of the trainer Melesias. ‘The myth of O. 8’, he writes, ‘tells of the role of Aiakos in the building of the walls of Troy. It closes with Apollo going off to his favourite haunts while Poseidon drives off to the Isthmus of Corinth, depositing Aiakos at Aigina on the way. (...) The myth is followed by an opaque gnome.’. (shrink)

Aquinas seems to hold following theses on moral autonomy. «Nobody imposes his acts the law»: there is no perfect, no radical autonomy. Natural law is defined as participation in the eternal law. That means «theonomy» which for Kluxen is not primordial, but adventitious metaphysical interpretation. We could speak of «cognitive autonomy»: human reason is competent to formulate norms and moral judgements. But the cognitive acts are accompanied by voluntary consent: which is natural and necessary in first principles; becomes worlds consens (...) in the natural law conclusions ; and becomes correct desire in prudence and, especially, in «gnome» judgments. (shrink)

In his second appearance to Aeneas in Aeneid 4 Mercury drives the hero to flee Carthage with a false allegation that Dido is planning an attack, capping his warning with an infamous sententia about the mutability of female emotion. Building on a previous suggestion that Mercury's first speech to Aeneas is modelled on Athena's admonishment of Telemachus at the opening of Odyssey 15, this article proposes that Mercury's second speech as well is modelled on Athena's warning, in which the goddess (...) uses misdirection about Penelope's intentions and a misogynistic gnōmē about the changeability of women's affections to spur Telemachus’ departure from Sparta. After setting out how Virgil divides his imitation of Athena's speech verbally and thematically between Mercury's two speeches, the discussion turns to why both Athena and Mercury adopt these deceptive tactics. The speeches are shown to be culminations of the poets’ similar approaches to creating doubt and foreboding around the queens’ famed capacities for using δόλος. Common features in the ensuing hasty departures of Telemachus and Aeneas further confirm Virgil's use of Odyssey 15 in devising Aeneas’ escape from Carthage. (shrink)

Heraclitus said: "Wisdom is one thing: to know the gnome, the thought, by which all things are guided through all." Heidegger has said: "To think is to confine yourself to a single thought that one day stands still like a star in the world’s sky." Hegel portrayed the history of philosophy as the development of one single thought, which he expressed throughout a lifetime of philosophical genius: the speculative concept of self-consciousness, the identity of subject and object, of differents (...) and opposites. (shrink)

This paper tests the comparative effectiveness of spokes-characters, both ‘celebrity’ and ‘non-celebrity’, in promoting healthy versus non-healthy foods. An experimental study among 6- to 7-year-old children in Belgium demonstrates that adding a spokes-character to a food product increases the appetite, the wished-for frequency of consumption and the expected number of purchase requests for that product. This finding holds true for healthy foods as well as for unhealthy foods. The effect of the celebrity spokes-character exceeds that of a similar gnome. (...) Nevertheless, the latter is also capable of promoting the healthy and unhealthy products. These findings suggest that using ‘celebrity’ spokes-characters to promote healthy foods to children might indeed be an effective strategy to change children’s diets. Even the use of similar, non-celebrity spokes-characters could be quite fruitful. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Let’s Start AgainSarah Wood (bio)Nicholas Royle. After Derrida. Manchester: Manchester UP, 1995.Robert Smith. Derrida and Autobiography. Cambridge: Cambridge UP, 1995.start... v. i. to shoot, dart, move suddenly forth, or out: to spring up or forward: to strain forward: to break away: to make a sudden or involuntary movement as of surprise or becoming aware: to spring open, out of place, or loose: to begin to move: of a car, (...) engine, etc. to begin to work, to fire, combust: to set forth on a journey, race, career.—v. t. to begin: to set going: to set on foot: to set up: to drive from lair or hiding place: to cause or undergo displacement or loosening of: to startle (obs.): to pour out or shoot.—n. a sudden movement: a sudden involuntary motion of the body: a startled feeling: a spurt: an outburst or fit: a beginning of movement, esp. of a journey, race, or career: a beginning: a setting in motion: a help in or opportunity of beginning: an advantage in being early or ahead: the extent of such advantage in time or distance: a beginning of building work on a new house-site....—Chambers DictionaryAh, did you once see Shelley plain, And did he stop and speak to you And did you speak to him again? How strange it seems and new!But you were living before that, And also you are living after; And the memory I started at— My starting moves your laughter.—Robert Browning, “Memorabilia”The Shelley whose appearance regularly shocks Browning is, of course, a ghost. The bare fact of talking with a ghost is bound to be curious and impressive—enough to make one start. But at the same time it’s not unusual to converse with ghosts, and this generalization can be taken beyond the sphere of literature, beyond the notion of writers struggling with the mighty dead for imaginative priority, as it is conceived in Harold Bloom’s readings of Browning, for instance. Derrida insists that relationship in general requires the spectral: “[w]hat happens between two, and between all the ‘two’s’ one likes, such as between life and death, can only maintain itself with some ghost, can only talk with or about some ghost [s’entretenir de quelque fantôme]” [Derrida, Specters of Marx xviii]. Perhaps, then, what happens in and between the two books reviewed here needs to be approached in terms of ghosts and the psychoanalysis of ghosts, so powerfully thematized by Nicholas Royle. [End Page 4] Both his After Derrida and Robert Smith’s Derrida and Autobiography seek to make contact with something in writing that gets things going and produces breaks, that displaces and startles. Although each volume could still be called a monograph on Derrida, it responds to something other than a corpus.The sense of shock, wonder, and discontinuity that makes the imagined interlocutor in “Memorabilia” laugh illuminates also something playing itself out across the reception of Derrida’s work. Part of that reception could be conceived in familiar terms—the development of a canon of what could be called Derrida commentaries, the establishment of a set of themes readily associated with Derrida studies (charlatanism, the deconstruction of a metaphysics of presence, and so on). Yet to speak with or about ghosts entails having to start reading, listening, and thinking again, in order to broach familiarity anew without innocent recourse to sheer intuition. These books also, despite their scholarly knowledge of the field, share a sense of responsibility to discuss an aspect of writing—hard to ignore in Derrida—that has begun without commentary, that gets commentary started and that subjects the movement of thought to something like fits. Whether these fits are of phobia, laughter, melancholy, delirium, or anger, their irruption marks interesting gaps in thought’s continuity. More than moods, these strange outbursts might be understood better in terms of the theory of metapsychological “phantoms.” The phantom, according to Nicolas Abraham, is “sustained by secreted words, invisible gnomes whose aim is to wreak havoc, from within the unconscious, in the coherence of logical progression” [“Notes on the Phantom” 175]. The phantom is also “alien to the subject... (shrink)

The main objectives of the present paper is to present the difference between the prudent and the unscrupulous in Aristotle’s Nicomachean Ethics, or even try to understand if these two moral types differ only morally, or also rationally. It must be subjected, to this end, with: a) the presentation of prudence, cleverness and unscrupulousness; b) the presentation of the intellectual dispositions that accompany prudence, sýnesis, gnóme and noûs; c) an analysis about these dispositions: if they are actually dispositions or intellectual (...) capacities. (shrink)

Though the problem of the Homeric augment eventually needs a rather intricate handling, it can at first be stated quite simply. Briefly, the facts are these:A. True present-aorists, such as are seen in the similes and gnomes, take the augment idiomatically. In the whole of the similes there are only sixteen unaugmented aorists; three of the instances are difficult, but the rest could be emended by slight changes.B.Iteratives do not take the augment; ν 7 is the only certain exception.

SummaryIn order to use modern infinitary mathematics in the natural sciences, human beings have developed a corresponding picture of the world. The gnomes have made a similar step for their trade — books e.g. are sold and bought in infinite sets. In a gnomic‐human dialogue the problems arrising from such attitudes are discussed and a path from modern to postmodern mathematics is sketched.

Into the central theme of necessity, chance, and providence, Steiner introduces a fascinating description of the nature spirits, particularly the gnomes.

La troisième Pythique de Pindare comporte un nombre extraordinaire de termes relatifs à des états de conscience (νόος, φρήν, γνώμα, ψυχά, θυμός et καρδία). En particulier, la narration mythique de l’ode détaille la façon dont Apollon s’est rendu compte, tout seul et à distance, que la mère d’Asclépios lui était infidèle : le νόος y joue à l’évidence un rôle capital mais le texte requiert un examen minutieux (v. 24-32). Plus loin, Pindare invite son dédicataire à cultiver lui aussi son (...) intériorité (v. 80-82) et esquisse ainsi les contours d’un savoir humain qui n’est ni absolu, ni aveugle, ni corrompu. Un rapprochement avec Pyth. 9, 33 sqq. permet d’éclairer avec humour les troubles de l’omniscience divine. (shrink)