As the editors of the series, New Literary Theory, proclaim in the preface of the book, the purpose of the series is to make more room in literary theory for playful and accessible approaches to li...

Merleau-Ponty and Contemporary Philosophy is an ambitious collected volume of fourteen chapters, accompanied by an epilogue by Jean-Luc Nancy, in which current Merleau-Ponty scholars together aim to demonstrate the urgent relevance of Merleau-Ponty to contemporary philosophy across a range of fields including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art. Divided into four thematic sections, namely, “Legacies”, “Mind and Nature”, “Politics, Power, and Institution” and “Art and Aesthetics”, this collected volume provides a rich resource for Merleau-Ponty (...) scholars who are interested in novel applications and understudied aspects of his thought. It also opens up Merleau-Ponty’s oeuvre to the general reader, presenting many possible entry-ways into the diversity of his work. In my review of Merleau-Ponty and Contemporary Philosophy, I suggest that each of its thematic sections could have been the subject of a separate volume themselves, and that the volume would then perhaps have not suffered from a number of poorly developed lines of argumentation. But I consider that the inclusion of all these thematically diverse sections in a single volume nonetheless presents a forceful display of the wide-ranging relevance of Merleau-Ponty’s work to contemporary philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Locke, Literary Criticism, and PhilosophyDavid GormanLocke, Literary Criticism, and Philosophy, by William Walker; xviii & 227 pp. Cambridge: Cambridge University Press, 1994, $54.95.Locke’s Essay Concerning Human Understanding is one of those large, difficult, canonical works that are cited a great deal more often than they are read. In the case of the Essay this syndrome has resulted in historical mythmaking which, while rightfully monumentalizing Locke’s book, (...) has done so at the expense of its actual or potential significance. Walker’s study is aimed at destroying the myths about the Essay while rethinking its significance, through a carefully rhetorical reading of its text.Rhetoric is, of course, one of the things which Locke—along with Bacon and Descartes—is held to have rejected from philosophical discourse. This image of Locke as a proponent of commonsensical empiricism and an opponent of rhetorically-oriented speculation is one of the mainstays of intellectual history—of several distinct histories, in fact: philosophical, literary, and linguistic. But, Walker argues, it is also a mythic image. He further holds that an attentive, unprejudiced reading of the Essay will illustrate this claim by showing the work to be imagistic through and through. The Locke who emerges from this [End Page 250] rereading is not the sworn enemy of those literary effects to which language lends itself, one who has proven convenient to the formulation of neat defenses of poetry (including rhetoric) against simple-minded epistemologues. Walker’s suggestion is that this Locke, not having existed, had to be invented. The Locke of the Essay as Walker rereads it is, instead, a thinker about mind, language, and their intertwined effects who stands much closer to Nietzsche than anyone might have thought previously. And this Locke is anything but the naive philosophical butt simply awaiting a sophisticated (meaning, linguistically-oriented) deconstruction of the kind associated with Nietzsche.As might be expected from this summary, the spirit of Paul de Man hovers over Walker’s project. But this is deconstruction with a difference (and what other kind is worthwhile?). On the one hand, Walker’s whole analysis follows the mandate laid down in de Man’s celebrated essay on “The Epistemology of Metaphor” (1978), which is to ignore the commonplaces of intellectual history about Locke and to look at the text of the Essay with an eye to what happens there (the relevant passage in de Man is quoted on p. 133). On the other hand, however, the result of following out de Man’s suggestion has been Walker’s discovery and demonstration of severe problems in de Man’s own treatment of Locke and his Essay, a treatment that depends for its effect very strongly on the kind of mythmaking that casts Locke and Nietzsche as antagonists, and more specifically Locke as the problem for which Nietzsche proves the diagnosis.Walker is in fact quite harsh on de Man in places. Thankfully, however, the relevant chapters of his book do more than provide a litany of “de Man’s flagrant violations of fact and reason” (p. 154)—though this is no bad place to start in reconsidering de Man’s analyses, which have all too easily acquired the status of received wisdom. The exemplary achievement of Walker’s book, aside from its careful scrutiny of Locke’s writing, is to have suggested criteria against which deconstructive readings can be judged (a task that deconstructors themselves have been inclined to shirk). After all this, what remains, meanwhile, of the Essay? “I find the Essay to be complicated...,” Walker asserts, modestly but pregnantly (p. xv). Another claim that his study enforces against de Manian orthodoxy is that literary and intellectual history is indeed still possible, not despite but precisely because of close linguistic analysis: the change that rhetorical reading brings to historical study is to show that literary history is more complicated than is often supposed.David GormanNorthern Illinois UniversityCopyright © 1996 The Johns Hopkins University Press... (shrink)

With this work J. B. Schneewind has provided the most comprehensive history of modern moral philosophy available in English. Beginning with the moral theology of the Reformation and ending with Kant, Schneewind’s book offers a panorama of moral philosophy that includes the early modern natural lawyers and their metaphysical critics, the British sentimentalists and their rationalist opponents, and a whole series of eighteenth-century attempts to develop a secular moral philosophy grounded in autonomous human reason and will. (...) Despite its broader multinational scope and its focus on ethics rather than epistemology, Schneewind’s book seems destined to replace Beck’s Early German Philosophy: Kant and his Predecessors, as culminating and summating the work of the next generation of scholars working within the historiographical canons of American Kantianism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Pluralistic Philosophy of Stephen CraneDonald PizerThe Pluralistic Philosophy of Stephen Crane, by Patrick K. Dooley; xxvi & 212 pp. Urbana: University of Illinois Press, 1993, $34.95 cloth, 17.95 paper.Dooley’s study of Crane’s work and ideas is a brave and on the whole successful venture into the often murky waters of the possible philosophical system underlying the nonphilosophical discourse of a creative writer. Dooley is not (...) content, as have been most critics of Crane, to concentrate on the philosophical cast of ideas in a specific Crane work. Rather, he is inclusive in that he deals with the full range of Crane’s writing—from prose to fiction to poetry, and from early to late expression—and he is systematic in that he finds a close similarity between Crane’s basic beliefs and the formal philosophical system of William James.To the reader well-traveled in Crane criticism, much in Dooley’s account of this similarity has a familiar ring. Crane, like James, posits the absence of God in any traditional sense of a supreme being and therefore the uncertainty of ascertaining truth. We live in a world of multiple realities and distinctive perspectives in which, however, the individual, despite the flux of both experience and perception, can still assert the humanistic values of compassion and fraternity. The value of Dooley’s reading lies less in its freshness than in the range and rigor of his demonstration of its centrality and pervasiveness in Crane’s work. What was before a body of suggestive insights into this or that work by a wide range of critics is here, in Dooley’s perceptive exploration of every nook and cranny of Crane’s writing and belief, brought into clear and persuasive focus.This is not to say that The Pluralistic Philosophy of Stephen Crane is the last word on Crane’s ideas. Dooley’s method of dividing his discussion of Crane’s belief into the traditional philosophical categories of metaphysics, epistemology, and so on produces an impression of uniformity in Crane’s expression of his ideas, whereas there is in fact great variety. Some of Crane’s writing achieves its approximation of Jamesian belief more cogently and with greater literary success than other works containing similar ideas. And Crane’s early work often differs significantly from his later writing in the kind of ideas it engages and in its degree of commitment to specific beliefs. Dooley’s argument that Crane had a coherent system of belief, in other words, tends to obscure the distinctive form which his beliefs took in particular works. But this criticism aside, Dooley, with his judicious review of previous discussions of Crane’s ideas (his notes are especially rich in this regard), his carefully modulated responsiveness to the philosophical implications of fictional scene and action, and his sympathetic identification with James’s beliefs, has made a major contribution both to Crane studies and to an understanding of the dimensions of late nineteenth-century American modes of thought.Donald PizerTulane UniversityCopyright © 1995 The Johns Hopkins University Press... (shrink)

This encyclopedia provides a comprehensive survey of philosophy of law. The articles cover every period of Western philosophy and every part of the globe. Every school and methodology of legal philosophy is detailed. There are ninety articles on individual thinkers in both the Anglo-American and European traditions. Every facet of law as a social institution, of criminal law, and of private law, is covered. Relevant political, moral, and epistemological issues are discussed. The general standard, though uneven, is (...) high. To guide readers a subject list by topic and four indexes are included. The editor deserves congratulations for a remarkable achievement. (shrink)

In this review I briefly analyse the main elements of each chapter of the book centred in the general areas of logic, epistemology, philosophy and history of science. Most of them are developed around a fine-grained investigation on the principle of non-contradiction and the concept of consistency, inquired mainly into the broad area of paraconsistent logics. The book itself is the result of a work that was initiated on the Studia Logica conference "Trends in Logic XVI: Consistency, (...) Contradiction, Paraconsistency and Reasoning - 40 years of CLE", held at the State University of Campinas, Brazil, between September 12-15, 2016. (shrink)

Feminist Epistemology and Philosophy of Science: An Introduction is structured around six questions and the answers to them that have been offered by feminist epistemologists and philosophers of science. By showing how these answers differ from those of traditional philosophical approaches, the book situates feminist work in relation to philosophy more generally. The questions are: Who knows? What do we have knowledge of? How do we know? What don't we know? Why does it matter? and How can (...) we know better? In addressing these questions, the book reviews feminist accounts of objectivity, agnotology, issues in social epistemology--including epistemic injustice--and considers how feminist epistemology and philosophy of science aim at better knowledge production. The audience for the book is upper division undergraduates, but it will be useful as a foundation for graduate students and other philosophers who are seeking a general understanding of feminist work in these areas. (shrink)

The Philosopher Queen: Feminist Essays on War, Love, and Knowledge. By Chris Cuomo. Lanham, Md.: Rowman and Littlefield Publishers, Inc., 2003. The Philosopher Queen is a powerful illustration of what Cherríe Moraga calls a "theory in the flesh." That is, theorizing from a place where "physical realities of our lives—our skin color, the land or concrete we grow up on, our sexual longings—all fuse to create a politic [and, I would add, an ethics, spirituality, and epistemology] born out of necessity" (...) (Moraga 21). Cuomo's theory in the flesh combines standard philosophical essays with personal narratives and invites us to do philosophy from this joyful and witty place. Readers are invited to reframe and reexamine war, science, gender, sexuality, race, ecology, knowledge, and politics in a voice that is fearless, funny, faithful, and feminist—one that disrupts common understandings of how philosophy ought to be done. Instead philosophy should help us to "negotiate a wild, wicked world, and to provide some understanding of being and existence. The best philosophy aims to promote good and to produce knowledge, and therefore enable flourishing" (xi). Accepted philosophical approaches alone are inadequate. Life's challenges resist formulaic solutions. Knowledge is not always produced through neat deductions: truths are partial, power divides, stomachs growl, hearts are broken, and emotions influence... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Rethinking Knowledge: Reflections Across the DisciplinesAdriano P. PalmaRethinking Knowledge: Reflections Across the Disciplines, edited by Robert F. Goodman and Walter R. Fisher; 246 pp. Albany: State University of New York Press, 1995, $59.50 cloth, $19.95 paper.The more disciplines talk about their methods, the less they do. Observe the scarcity of methodological problems for dentistry. This book collects papers, originally delivered as talks at a conference organized around (...) a loosely defined notion of epistemology in the social sciences, by economists, philosophers, ethnographers, and psychologists, either reflecting upon larger issues raised by their work or trying to explain why it is relevant in the first place.The papers belong to two gaggles of views. The first gaggle (including the economist Donald McCloskey, the philosopher Charles Taylor, George Marcus, and Michael Arbib) does something quite productive. They weigh the influence of certain rhetorical modes of thinking on their disciplines. In the second gaggle are those, including the literary critic Barbara Herrnstein Smith and Jane Flax, who offer no view of anything much, but engage in the peculiarly Anglo-Saxon sport of pseudo-philosophy. They babble about the “West” and indulge a tendency to sheer narcissism.On to the good parts. An important recent advance is the demise of the pretense of neutrality and purity of interest among social scientists. In her essay, for instance, Marcus traces how ethnographers have progressively relinquished narratives of the exotic intended to reinforce a smug superiority of white civilizations. There is a danger: no one would be too interested in reading dozens of dissertations on the subject of graduate students in anthropology departments. Nonetheless, it is a real gain to mark the limits of an excessive reliance on the rhetoric of the “white men’s burden” and all that. Similarly, McCloskey is good at pointing out that economics is not obvious at all, and that rhetorical devices, then, have helped to shape its present form. Taylor gives a quick though not trivial history of the birth in relatively recent times of a discourse of the self, distinguishing between reflexive consciousness and the discourse of the self. Arbib shows how recherché data about brain lesions can shed light on our cognitive structure.Now to the confusingly confused parts. There is the usual dogmatic nonsense backed by no evidence. I offer one example: “... the meanings or the existence of reason, science, knowledge, etc.,... have been subjected to increasingly corrosive attacks,” Flax says in his essay. “The challenge to Western political-economic hegemony by Japan and other countries, the rise of nationalist and anticolonialist movements in the Third World, women’s movements everywhere, and antiracist struggles have disrupted the order of things” (p. 151). What worries me is the lack of thinking: can an instance be shown in which, say, the antiapartheid movement in South Africa made an impact and changed or kicked out of existence the concept of knowledge?Herrnstein Smith is guilty of a more interesting form of bad reasoning. On [End Page 406] the one hand, we are told that all “value judgments” are relative, radically contingent, and blah blah. On the other, we are also told that this is not the same as relativism. The sloppiness is evident: it is a trivial point that lots of value judgments are relative to something else. That a dollar bill is worth a dollar is contingent upon the existence of federal reserve, a mint, and an immense set of background conditions, given all of which it is a dollar bill and not a simple piece of paper. If the contingency of judgments comes to nothing more, one is left to wonder why we need entire departments in top universities to discover it. The more insidious part is the claim that relativity is self-exemplified in discourse and that indeed all there is to assertions is the desire to satisfy one’s chosen audience (p. 36). If this is so, is there any interest in professors talking to other professors about the methodological problems of their disciplines?Adriano P. PalmaNational Chung Cheng University, TaiwanCopyright © 1995 The Johns Hopkins University Press... (shrink)

In his “Making it Explicit”,1 Robert Brandom set up a new philosophical paradigm, concentrating especially on the link between language and the world, but extendable (in the way familiar from the dawn of the linguistic turn) to the rest of philosophy. He views modern philosophy in terms of the tension between “representationalist” and “inferentialist” approaches to language (which, according to him, also underlies the much more commonly cited struggle between empiricism and rationalism); and elaborating on the ideas of (...) his teacher Wilfrid Sellars he develops a distinctive kind of inferentialist framework. (shrink)

Philosophy of emotions has become an established sub-discipline of philosophy, and emotions are no longer exclusively seen as disturbances that threaten our rational faculties. Philosophers now take seriously the multi-facetted relation between emotion, knowledge, and reason. Laura Candiotto's edited volume on emotions and their role in epistemic practice brings together texts that look at this relation from different angles and from different traditions. The volume includes texts that zoom in on a wide variety of themes, like agency, emotion (...) regulation, group emotions and social epistemology, cognitive science, and pragmatist accounts of emotions. The book will be interesting not only for those engaging with philosophy of emotions but... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dante’s Vision and the Circle of KnowledgeAnthony RodaDante’s Vision and the Circle of Knowledge, by Giuseppe Mazzotta; 328 pp. Princeton: Princeton University Press, 1993, $37.50.Future students of Dante, The Divine Comedy, literature, criticism, the history of ideas, theology, philosophy, and many other disciplines will be in permanent debt to Giuseppe Mazzotta for his keen study of Dante’s Vision and the Circle of Knowledge. While tracing the principal (...) streams of Western thought which irrigate Dante’s fertile genius, Mazzotta reconstructs the intellectual topography of Dante’s Europe and show how “l’altissimo poeta” reorders and refines it and arrives at a radical reformulation of the foundation of knowledge in contrast to the standard philosophical and theological currents of the times. This new vision of the foundation of knowledge is the central concern of The Divine Comedy which for Mazzotta provides a world view no less monumental than the synthesis of the classical and Judeo-Christian traditions of Thomas Aquinas. Perhaps, more so, for he argues Dante’s great epic provides not only an alternative epistemology but one which captures much more adequately the human historical experience.Vico’s insights, a thorough familiarity of Dante’s sources and his alert appreciation of the unique treatment these sources receive in the context of “la commedia divina” supply Mazzotta with a theoretical framework for his own brilliant critical, historical, and etymological analyses. He marshals these researches around his overriding concern to show that inherent within the Comedy is the view of “poetry as nothing less than the foundation of all possible knowledge” (p. 3). Dante’s radical claim is designed to provide an account which accords with the educational and intellectual development of the individual within history. Consequently for Mazzotta, Dante’s poetic (metaphorical) mode attempts to reconcile what must have been an intellectual and moral landscape of hopeless contradictory systems and projects. Dante’s poem [End Page 194] provides a vivid survey of the breakdown of human bonds, human projects, and human justice and suggests a corrective that escaped the methods of reason, as well as those of the mystic’s. Since both of these are at bottom antihistorical, they attempted to deny conflict and uncertainty (Dewey’s ultimate traits of experience).The above comments should suggest both the general appeal as well as, and I must emphasize, the high level of scholarship Mazzotta exhibits in his project which is arranged into three parts. The first part (Chapter 1–5) is devoted to “poetry and the arts of language,” and a quick glance at these chapters reveals that it is concerned with that part of the liberal arts called the trivium (grammar, rhetoric, and dialectic). In addition to their educational role, the author examines the role and intricate connections these disciplines have to the central social structures of the times. Consequently, these are not mere sterile academic exercises but serious attempts that show the intimate connections between methods of knowing (discourses) and social structures, especially authority in all of its modes (moral, intellectual, political, etc.). Further, by virtue of this, he shows the need for a reexamination of knowledge which does justice to the lived experiences of the individual and to which the second part (Chapters 6–8) is devoted. Briefly, this means coming to terms with language, memory, imagination, dreams and visions, and that great nightmare, human history. It also invokes the aesthetic (poetic/metaphorical) foundations of all knowledge in contrast to the Cartesian dismissal. The claim, however, enlightening for the Comedy, is controversial as a general tenet and demands will be forthcoming for an evaluation, even though there is much good work in philosophy which lends support to it, e.g., Stephen Pepper’s World Hypotheses, R. G. Collingwood’s The Principles of Art, and Lewis E. Hahn’s A Contextualistic Theory of Perception, etc.In the last part (Chapters 9–11) Mazzotta argues that Dante’s final organizing vision figures the world sub specie ludi. These chapters examine the problems and experiences of order, transgression and exile which for Mazzotta demand a Theologia Ludens whose roots are imbedded deep in Aristotle’s Ethics and expressed by the virtue of eutrapelia, “a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Women PhilosophersDavid NovitzWomen Philosophers, edited by Mary Warnock; xlvii & 301 pp. London: Everyman, 1996, $8.50 paper.A collection entitled Men Philosophers would strike many as bizarre. This not just because of the difficulty of deciding who and what to include in it, but because philosophy, as Mary Warnock explains it in her introduction, should have nothing to do with being a man—and certainly should not be prized (...) on the basis of the gender (religion, nationality, race, class, sexual orientation) of its author.What makes Warnock’s collection any less bizarre? A book entitled Male Philosophers (or, better still, Male Philosophy) would make some sort of sense if it contained examples of the ways in which men unconsciously (or consciously) privilege their sex in their philosophical writing. This would be a meta-philosophical critique designed, one supposes, to preserve the integrity of a discipline that seeks, among other things, to follow the argument. But this is not the aim or rationale of Women Philosophers. By contrast, the title Feminist Philosophers, whenever it occurs, is much less puzzling, for feminist philosophy is a first-order enterprise in the service of a particular political cause. When we read such a title, we know what to expect.But Mary Warnock has declined to edit a collection of feminist philosophy. More significantly, she does not believe that such works are properly a part of philosophy. Writing in her introductory essay of “what used to be called ‘the Women Question,’” she maintains that “there tends to be too much unexamined dogma in these writings, too much ill-conceived proselytizing, too little objective analysis, to allow them to qualify for inclusion among philosophical writing proper” (p. xxxiii). A philosopher, she contends, “must be concerned with matters of a high degree of generality, and must be at home among abstract ideas. It is not enough,” she tells us, “to seek the truth, for truth can be established with regard to particular facts; it can be the aim of historians and novelists....” A genuine philosopher wants truths and theories of sufficient generality to “explain the particular and the detailed and the everyday” (pp. xxix–xxx). Philosophical theories need to be defended with arguments rather than dogma or reformist zeal, and it is in the quality of these arguments that the merits of any philosopher become apparent. It is, Warnock says, “these generalizing, explanatory, and argumentative aspects” of women’s philosophical work that she has tried to include in the volume.Sandra Harding, Lorraine Code, Alison Jagger, and Susan Hekman number among those who seem but, according to Warnock, fail in the end to make the grade. “For the great subjects of philosophy, the nature of human knowledge, the limits of science, the foundations of morality or of aesthetics... must be concerned with ‘us’ in the sense in which ‘we’ are all humans. The truths which philosophers seek must aim to be not merely generally, but objectively, even universally, true. Essentially they must be gender-indifferent” (p. xxxiv). To [End Page 541] deny the possibility of this, to insist that there are many perspectives, no one to be preferred over any other, is to engage “not in philosophy, but in a species of anthropology.”There are no arguments for this view; only the claim that many feminists and postmodernists would agree with her assessment. Nor is the assessment always fair, for whatever the philosophical shortcomings, say, of Lorraine Code’s Epistemic Responsibility, a predilection for unexamined dogma is not one of them. And although a work of feminist epistemology, it is not clear to me that the theoretical perspective that Code’s book develops does not apply universally.The aim of Women Philosophers plainly is to show that there are women who do not just proselytize, but who have performed, and who still perform, the Enlightenment task of defending general claims and theories with arguments, who do so without succumbing to the partial, sometimes self-serving, claims of religion and feminism, and who advance their thoughts with the sort of argumentative rigor that reaches beyond the call of gender, race, and class.The book offers a lively array of examples. The first is an... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Introduction to Philosophical HermeneuticsLeon SuretteIntroduction to Philosophical Hermeneutics, by Jean Grondin; foreword by Hans-Georg Gadamer, trans. Joel Weinsheimer; xv & 231 pp. New Haven: Yale University Press, 1995, $25.00.Introduction to Philosophical Hermeneutics, a commissioned study for the Yale Studies in Hermeneutics, provides a comprehensive historical survey of interpretive theory from antiquity to the present. In addition it has a sixty-page bibliography subdivided into no fewer than thirty categories. (...) Unfortunately, the translator, Joel Weinsheimer (himself the translator of Gadamer and general editor of the series) has not added English translations to the bibliography, though he does cite from English translations. The index is inadequate—especially for a quasi-textbook.Grondin sets out to revise and correct the standard view of the development of philosophical hermeneutics: that it began with the formulation of fragmentary hermeneutic rules in the classical and patristic period, was refined with the systematic hermeneutics of Protestant theologians, then broadened into a universal methodology of the human sciences by Schleiermacher and Dilthey, culminating in Hans Georg Gadamer’s philosophical hermeneutics, which extended its reach into a critique of ideology, theory of science, and practical philosophy (p. 3).In place of this story, Grondin presents a single aperçu, “the ancient and perhaps antiquated doctrine of the verbum interius: the ‘inner word’ that is never spoken but nevertheless resounds in everything that is said,” and which he traces to the Stoics via St. Augustine (p. 119). Grondin reveals in his preface that he learned of the centrality of the inner word from Gadamer himself in a Heidelberg pub in the fall of 1988 while he was working on this book (pp. xiii–xiv). Gadamer told him that the claim to universality of philosophical hermeneutics is founded on the recognition of the primordiality of the inner word, to which the uttered word must strive to be adequate (pp. xiv and 123). This interior meaning can never be fully grasped, but it nonetheless provides a prophylactic against relativism. As Grondin puts it in a happy phrase, “original meaning... remains at best the asymptote of understanding, the telos that the interpreter is trying to reach behind the words” (p. 127). In this way philosophical hermeneutics turns philosophy away from epistemology—the concern with the outside, that to which language points, its propositional content—toward hermeneutics—the concern with that from which language emerges, “the conversation of the soul with itself” (p. 139), and the question (p. 119). If Grondin’s account is accepted, Richard Rorty is explicitly renouncing Gadamer when he asserts in Contingency, Irony, and Solidarity (p. 21) that “it is essential to my view that we have no pre-linguistic consciousness to which language needs to be adequate.”The historical survey is broken down into seven chapters: the first four cover [End Page 249] Classical, Patristic, Protestant, Romantic, and Historicist hermeneutics. Heidegger, Gadamer have one each, while Betti, Habermas, and Derrida are discussed in the last chapter. The historical survey is subdivided into authors too numerous to list. Grondin’s explication is uniformly clear and cogent; both novices and experts will find material for thought in his story.Grondin might be faulted for ignoring the Dutch, Italian, and English humanists, and for leaving Paul Ricoeur largely out of account. The only post-Medieval non-Germans to receive extended consideration are Emilio Betti and Jacques Derrida; the former because his hermeneutic theory precedes Gadamer’s by a few years, and the latter because he is a Heideggerean.Grondin sees deconstruction as “a regression into the propositional logic of metaphysics that dominated the entire West” because it is founded on a destructive critique of propositional logic—whereas Gadamerian philosophical hermeneutics is founded upon its replacement by the doctrine of the verbum interius (p. 138). Interestingly, he is also hostile to “historicism,” which—in contrast to Karl Popper—he sees as a positivistic effort to overcome the historicity of understanding (pp. 107–11).Leon SuretteUniversity of Western OntarioCopyright © 1996 The Johns Hopkins University Press... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Holocaust Visions: Surrealism and Existentialism in the Poetry of Paul CelanVéronique M. FótiHolocaust Visions: Surrealism and Existentialism in the Poetry of Paul Celan, by Clarise Samuels; x & 134 pp. Columbia, South Carolina: Camden House, 1993, $53.50.Samuels’s thesis is that Celan’s poetic work in its entirety can and should be understood as a comprehensive and unified philosophical system, in which each poem is assigned its place. This system (...) is not outlined in terms of its organizing principles, but rather in its topography of three superimposed layers. The top layer (which an empiricist would consider foundational) mirrors an “objective” reality and is informed by finehoned observation, whereas the middle layer constitutes an “ideological program” that “attempts to establish a socio-political value system” (p. 2), while the supporting bottom layer offers an “existentialist epistemology.”Despite her stress on systematicity (obsolete since Hegel), Samuels identifies surrealism (particularly the strand deriving from Breton) and existentialism as the formative influences on Celan’s poetics; and she carefully explores the interrelations of these movements of thought with the heritage of French symbolism, and with Dadaism and Marxism. She does not, however, use guiding concepts, such as “epistemology” or “ideology,” in any precise philosophical sense. By “epistemology” she seems to mean a fundamental concern for reality and truth, coupled with the belief that truth is accessible beyond [End Page 382] social constructions of meaning, whereas “ideology” is used in the various senses of revolutionary program, utopian vision, structure of ideas, or even just ideation (as in “On the ideological level, the Holocaust fulfills the surrealist intention of entering the individual’s subconscious,” p. 108).On the basis of her analyses of surrealist and existentialist thought, Samuels examines Celan’s poetry and poetics with a view to his search for an “alter reality” that would transcend, but not negate, the “Holocaust universe.” She first researches Celan’s syntactic structures, such as the “genitive phrase,” the elliptical sentence, or the fragmentation (and recombination) of words, to move on to a discussion of his tropes, which she arranges broadly into “representations of space, time, persons, and actions” (p. 39). Her discussion of Celan’s spatial tropes, particularly of his devastated imaginary landscapes and places of loss (unfortunately “space” and “place” are not distinguished), is especially compelling. It is further enriched, in the final chapter, which seeks to elucidate Celan’s notion of utopia and to locate utopia in art, by reference to the visual work of Tanguy, Ernst, and Magritte.The book as a whole is meticulously researched and includes extensive discussions of the secondary literature, with a slant toward Germanistik rather than philosophy, and with perhaps a particular debt to Marlies Janz. Its weakness is, in a way, tied to its strength: in her discussions of philosophical concepts and movements, Samuels seems to rely largely on (somewhat dated) secondary literature, so that her philosophical understanding is frequently a confused amalgam. For instance, she links Sartre’s in-itself to the Kantian noumenon (p. 20) and goes on to locate it, not only in the “universe,” but also “at the core of the human self,” so that the for-itself contrasts with it as a “superficial” construction, a sort of artifact that needs to be “controlled.” She assimilates the nihilating character of Sartrean consciousness to a “principle of nihilism” that supposedly characterizes existentialism, while nevertheless interpreting Sartre’s humanism as a turn toward “the eternal aspect” of mankind. Heidegger is cast as an existentialist in search of a literalized authenticity, while his critique of Sartrean humanism is simply ignored.In treating Celan’s poetry as systematically coherent and as, in some sense, ideological, Samuels not only disregards the striking stylistic changes that characterize its various phases, but she also does not try to unravel its intricate textual fabric of allusions (notably to Hölderlin and Trakl), to analyze textual structures such as the displaced re-inscription of the date (notably Büchner’s Jänner), or to respond to its unleashing of the semantic energies that lie latent beneath the surface of ordinary language. Sometimes she overlooks her own inchoate interpretive insights, as in her two discussions of parts of... (shrink)

Guy Axtell's new book, as the title suggests, is an attempt to assess the limits of reasonable religious disagreement. In trying to delineate those limits Axtell thinks that it is useful to employ the notions of luck and risk in examining how reasonable a particular religious (or atheistic) stance is. A central concern of the book is with religious groups which exclude others in some way and which ascribe traits to those other groups that are very unlike the (...) traits the group ascribes to themselves. For example, a group might describe its own members as being saved but describe members of other similar groups as being lost. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Skeptical Selves: Empiricism and Modernity in the French NovelDaniel GordonSkeptical Selves: Empiricism and Modernity in the French Novel, by Elena Russo; 225 pp. Stanford: Stanford University Press, 1996, $35.00.Skeptical Selves explains how linguistic relativism has shaped French literature from the Enlightenment to the present. Elena Russo provides three cases: Prévost’s Histoire d’une Grecque moderne (1740), Constant’s Adolphe (1816), and des Forêts’s Le Bavard (1946). Her fascinating scholarly goal (...) is to portray the inexorable decline of the novel in a climate of ever growing doubt about the truthfulness of narration. Her remarkably ambitious philosophical goal is to save the novel by refuting skepticism!More precisely, Russo’s target is not every form of doubt but rather a specific current of French skeptical consciousness. In recent years, the representatives of this current have been Derrida and Blanchot. Its main feature is a denial of the correspondence notion of the language-truth relationship combined—paradoxically—with an intense nostalgia for a perfectly mimetic language that has allegedly been lost. The seemingly most radical critics of the sign, Russo claims, never overcome the perverse yearning for the very mimesis whose possibility they deny (p. 3).Russo is getting at an interesting distinction here, the distinction between epistemological modesty, which she upholds, and French skepticism, which she deplores. Epistemological modesty means the redefinition of truth according to some criterion other than perfect representation of the external world. French skepticism for her means the insistence on an absolute standard of mimetic reliability and a simultaneous denial that this standard can ever be reached. “Much of the language of negativity we have grown accustomed to in contemporary criticism rests upon the following syllogism: to know is to know directly and without mediation; this is not possible; therefore, the world is unknowable. Any conceptualization is ipso facto viewed as suspect, hence the flight towards nonverbal forms of expression, such as music and silence” (p. 13).After suggesting in her first chapter that French skepticism is a specific style of thought, not a final answer to our epistemological queries, Russo goes on to illustrate the impact of this skepticism on the novel. Prévost’s text, she observes, is one of the first novels built around the distorted point of view of a fallible [End Page 179] narrator. The narrator is the French ambassador to Constantinople who falls in love with a woman, Théophé, recently freed from a seraglio. Both his love and his comprehension are frustrated by the woman’s apparent simplicity and virtue. “Signs acquire a meaning opposite to their manifest one,” Russo notes. “It is precisely the discourse that should have made Théophé look credible that makes her appear suspicious. She is cunning and deceptive because she appears ‘naive’ and ‘innocent’; she is opaque because of her ‘simplicity’ and ‘openness’” (p. 42). The whole point of the novel is to show that we are imprisoned in subjectivity and there is no way out. For a time the narrator attempts to resolve his doubts regarding Théophé’s words by concentrating instead on her body. But here as well he can discover only ambiguity: nothing reveals clearly whether she is conquerable and whether she already has another lover.The novel ends with the unexplained death of Théophé, and Russo comments: “we are given the impression that, rather than ending his text, Prévost is ridding himself of an intractable problem” (p. 66). Artfully, the rest of the book helps us see that the tendency to thematize philosophical problems that have no solutions is intensified in the nineteenth and twentieth centuries—to the point where not merely the ending of novels but novels themselves disappear. (Of course, Russo means not that people no longer write novels but that the genre has succeeded in diminishing its own stature by so frequently decrying the limits of language.)The chapter on Constant did not strike me as the strongest part of the book. The problem is due perhaps to the fact that Constant was a truly great thinker, a brilliant political theorist and philosopher of religion as well as a romantic novelist. One chapter does not... (shrink)