The eighteenth century was a time of brilliant philosophical innovation in Britain. In Of Liberty and Necessity James A. Harris presents the first comprehensive account of the period's discussion of what remains a central problem of philosophy, the question of the freedom of the will. He offers new interpretations of contributions to the free will debate made by canonical figures such as Locke, Hume, Edwards, and Reid, and also discusses in detail the arguments of some less familiar (...) writers. Harris puts the eighteenth-century debate about the will and its freedom in the context of the period's concern with applying what Hume calls the "experimental method of reasoning" to the human mind. His book will be of substantial interest to historians of philosophy and anyone concerned with the free will problem. (shrink)

The description for this book, Eighteenth-Century British Logic and Rhetoric, will be forthcoming.

18th-century British aesthetics addressed itself to a variety of questions: What is taste? What is beauty? Is there is a standard of taste and of beauty? What is the relation between the beauty of nature and that of artistic representation? What is the relation between one fine art and another? How ought the fine arts be ranked one against another? What is the nature of the sublime and ought it be ranked with the beautiful? What is the nature (...) of genius and what is its relation to taste? -/- Although none of these questions was peripheral to 18th-century British aesthetics, not all were equally central. The question on which the others tended to turn was the question concerning the nature of taste. But this question was not simply how best generally to define taste. Everyone seems to have been in at least rough agreement with Joseph Addison’s early definition of taste as “that faculty of soul, which discerns the beauties of an author with pleasure, and the imperfections with dislike” (Addison and Steele 1879, no. 409). But agreeing with Addison meant agreeing only to use “taste” to refer to that faculty and to acknowledge that such discerning has something of the phenomenology of sensation. The central question was how to think of taste so defined. Is taste a higher, cognitive faculty, akin perhaps to reason, with objects of a primarily intellectual nature? Or is it a lower, bodily faculty, more akin to the five bodily senses, and with objects of a primarily material nature? The major theories that arose in response to this question can be grouped into three main lineages: (a) internal-sense theories, of which the theories of Shaftesbury (1711), Hutcheson (1725), Hume (1739–40, 1751, and 1757) and Reid (1785) are representative; (b) imagination theories, of which theories of Addison (1712) and Burke (1757/59) are representative; and (c) association theories, of which the theories of Gerard (1757) and Alison (1790) are representative. (shrink)

INTRODUCTIONThe contemporary debate over the moral status of animals reflects a mixture of traditions. Utilitarianism, which measures moral standing in terms of the ability to suffer, has been used to defend the widening-circle conception of morality. The difference between humans and other animals vis-à-vis moral standing diminishes in its light. Focusing on questions of agency, conscience, and reflective powers, the differences between humans and nonhumans seem greater. Darwinism has been invoked to bridge the gaps between the intellectual and moral capacities (...) of humans and those of other animals. This has led some to argue either that differences in agency, conscience, and the power to reflect are overrated or that they may not be absolute indicators of moral consideration.Debates over the moral status of nonhuman animals have had a long and stormy history. The considerations that drive the current debate – questions of the intellectual capacities of animals, questions about their moral sensibilities, and questions about their sensitive capacities – are ancient. Nonetheless, they first began to assume their modern form in the writings of the eighteenth-century British moral philosophers. Those individuals were struggling with the moral implications of discoveries in the natural sciences and an increasingly secularized approach to philosophical issues. Vivisection experiments and rudimentary anatomical studies not only showed that the bodies of animals were remarkably similar to the bodies of human beings but also showed that the brutes were capable of experiencing pain and suffering. (shrink)

This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart (...) the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. (shrink)

Do people only act out of self-interest? Or is there a less pessimistic explanation for human behaviour? Maurer delves into early-Enlightenment debates on self-love from both famous and lesser known authors, including Lord Shaftesbury, Bernard Mandeville, Francis Hutcheson, Joseph Butler, Archibald Campbell, David Hume and Adam Smith.

Early modern historians and philosophers interested in human freedom can profitably read this book, which provides a synoptic view of the eighteenth-century British free will debate from Locke through Dugald Stewart. Scholars have not ignored the debate, but as they have tended to focus on canonical figures , the author’s inclusion of lesser-known yet significant thinkers such as Lord Kames, Jonathan Edwards, and James Beattie is especially welcome. The main thesis of James Harris’s book is that the (...) eighteenth-century British debate was animated by a general commitment to “experimentalism,” i.e., the view that we should be faithful to the data of our experiences of willing. Locke initiated the turn to experimentalism, but in Harris’s judgment it was Hume who first fully adopted it. Of course, Hume’s deflationary moves did nothing to slow the debate, let alone settle it, and necessitarians continued to battle libertarians. (shrink)

This is a very informative and lucid account of the career of a central philosophical topic in eighteenth‐century Britain, the debate between libertarians and necessitarians, from Locke to Dugald Stewart. The work has many strengths, and I learnt much from it. It will be of great interest to historians of the period, but the readership should be wider than that. Those working on the debate today should also read this book. Harris (quite legitimately) does not see his task (...) as that of a historian of philosophy, mining old texts in pursuit of contemporary discussion. Instead he seeks to understand the philosophers and their problems on their own terms. In doing so, however, he offers an alternative perspective that may be enlightening to those in the thick of present‐day trench warfare. He not only discusses some neglected figures but also changes our understanding of those with whom we are familiar, especially Hume. I begin by laying out the main themes of the book and its contents. I then discuss Harris' treatment of Hume in more detail. (shrink)

This chapter describes various aspects of the impact on philosophy of Newton’s Principia. It shows how Newton’s achievement dramatically influenced debates over the way subsequent philosophers conceived of their activity, and thus prepared the way for an institutional and methodological split between philosophy and science. These large-scale themes are illustrated by attention to a number of detailed debates over the nature and importance of Newton’s legacy: debates concerning gravity and matter theory, the status of Newton’s “laws of motion”, (...) the role of final causes in natural philosophy, and the interpretation of Newton’s “rules for the study of natural philosophy”. Important contributors to these debates included Hume, Colin Maclaurin, Priestley, and Reid. The chapter also includes discussion of how eighteenth-century philosophers understood Newton’s place in the history of science. (shrink)

This is a comprehensive reference source on 18th-century authors writing in the English language about philosophical ideas and issues. It features authors taken from 1689 through to the mid-19th century, the period beginning with John Locke and ending with Dugald Stewart. The word philosophical is used in a wide, 18th-century sense. Therefore, the Dictionary includes epistemology, ethics, aesthetics, education, politics, rhetoric, science, medicine, biology, geology, chemistry and theology.

Studies of hermeneutics have rarely dealt with eighteenth-century British thought, yet during this period debates over the interpretation of texts plagued and invigorated religious, intellectual, and political life in England. This important book is the first to deal with hermeneutical issues in British scriptural, legal, historical, political, and literary interpretation. Examining the work of Swift, Locke, Toland, Bolingbroke, Hume, Reid, Blackstone, and Burke, Joel C. Weinsheimer discusses common philosophical problems of understanding, concentrating especially on their theories (...) about the application of taste to discern interpretive truth. Weinsheimer's approach is primarily philosophical. In each area of hermeneutic endeavor, he asks such questions as why it is necessary to interpret, what it means to interpret, what does not need interpreting, what constitutes the signs of right understanding, and what accounts for the multiplicity of interpretations. He concludes that hermneutics in eighteenth-century England became the site of a contest and possible reconciliation between reason and history. Driven by the need to escape rationalist formalism as well as an opposite though equally sterile antiquarianism, interpretation offered a new way of thinking about truth, as belonging to reason and history together. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Dictionary of Eighteenth-Century British PhilosophersHeiner F. KlemmeJohn W. Yolton, John Valdimir Price, John Stephens, general editors. The Dictionary of Eighteenth-Century British Philosophers. Vols. 1, 2. Bristol: Thoemmes Press, 1999. Pp. xxiii + 1,013. Cloth, $550.00.Good dictionaries are like good maps of a city: they indicate the main and minor quarters, give you an impression of its internal developments, and they indicate (...) to where its highways eventually lead. In philosophy, comprehensive subject dictionaries have a long history, and they do seem to experience a revival these days. To be sure, the lives and works of the leading figures of the history of ideas are generally well explored and documented. We even know which French dishes Hume liked to cook or which types of wine Kant preferred. But the lives and works of lesser known philosophers and men of letters still seem to be more or less neglected. The Dictionary of Eighteenth-Century British Philosophers fills this gap for the period and the subject it covers. It comprises entries on almost six hundred persons as well as a number of entries on anonymous works. The work of close to a hundred scholars from several countries, it is unique in its attempt to bring together in two extensive volumes all minor and major British philosophers of the period between John Locke and Dugald Stewart. Since "British" is to be understood in a broad sense meaning authors who lived under British rule, it also includes Americans writing before 1776, Irish philosophers (like George Berkeley) and the French thinker Pierre Desmaizeaux, who lived and worked for a long period in Britain. Nor is the Dictionary restricted to philosophers in today's sense of the word, comprising entries on people who made in one way or the other a contribution to the history of ideas, even if their contributions are of marginal importance. Besides historians, poets, translators, mathematicians and physicists, dissenting ministers and physicians are well represented.In almost all cases, the selection makes sense. The boundaries between philosophy and, say, natural sciences were not as nicely drawn in the eighteenth century as they are today. But there are a few entries where one might wonder whether the subject's work had any specific philosophical importance or influence at all, as for example: Charles Burnet, author of a history of music; John Ellicott, who wrote on Electricity, and Thomas Innes, who published in 1729 a book on "Ancient Inhabitants on the Northern Parts of Britain or Scotland." One might also wonder if Gaelic scholar Beg Eolach Moidhach would appreciate being remembered today as a British philosopher.The length of the entries varies from several lines to up to seven pages. Generally, each entry gives the details of the life and work of the person covered, provides a bibliography of his or her main works, references to "other relevant works," and a section of "further reading." While the larger entries are naturally devoted to the better known figures, most of the authors dealt with in the minor sections cannot complain either. In many cases, information about the life and work of these minor authors is scarce and the entries are useful for this reason alone. But unfortunately, there are also cases in which essential references to "classical" biographical accounts are not listed in the bibliography, like Williams Smellie´s account of James Gregory or George Skene Keith´s biography of John Campbell.The entries on Lord Kames and George Turnbull lay, as far as their length is [End Page 282] concerned, somewhere in the middle between the shorter and longer contributions. They nevertheless are highly informative, densely argued, and are good reading. Knud Haakonssen sees in Kames "perhaps the most complete 'Enlightenment man' among the eighteenth-century Scottish thinkers´" because he covers like no other author "the whole spectrum of human knowledge and its applicability to his society" (503). The most philosophical work of Kames is his Essays on the Principles of Morality and Natural Religion (1751). According to Haakonssen, it is important because in it Kames "turns the previous moral-sense criticism of moral scepticism into a refutation of general epistemological scepticism" (504). By arguing that our... (shrink)

Introduction -- Stoic ethics and rhetoric -- Eighteenth-century common sense and sensus communis -- Taste and sensus communis -- Propriety, sympathy, and style fusing individual and social -- Victorian language theories and the decline of sensus communis.

Taste and Experience in Eighteenth Century Aesthetics acknowledges theories of taste, beauty, the fine arts, genius, expression, the sublime and the picturesque in their own right, distinct from later theories of an exclusively aesthetic kind of experience. By drawing on a wealth of thinkers, including several marginalised philosophers, Dabney Townsend presents a novel reading of the century to challenge our understanding of art and move towards a unique way of thinking about aesthetics. Speaking of a proto-aesthetic, Townsend (...) surveys theories of taste and beauty arising from the empiricist shift in philosophy. A proto-aesthetic was shaped by the philosophers who followed Locke and accepted that theories of taste and beauty must be products of experience alone. Francis Hutcheson, David Hume, Alexander Gerard and Thomas Reid were among the most important advocates, joined by others who re-thought traditional topics. Featuring chapters tracing its philosophical principles, issues raised by the subjectivity of the empiricist approach and the more academic proto-aesthetic formed toward the end of the century, Townsend argues that Lockean empiricism laid the foundations for what we now call aesthetics. (shrink)

Despite the fact that the High-Church Tory, Mary Astell, held political views diametrically opposed to the Whiggish Catharine Trotter Cockburn and Catharine Macaulay, it is here argued that their metaethical views were surprisingly similar. All were influenced by a blend of Christian universalism and Aristotelian eudaimonism, which accepted the existence of a law of nature, that we strive for happiness, and that happiness results from living in accord with our God-given nature. They differed with regard to epistemological issues; the means (...) by which we can know the law of nature, and with regard to the characterization of that nature; our telos. Traces of the ethical theories developed by these women can also be seen in the works of the philosophically informed novelists, Sarah Fielding, Jane Collier, Sarah Scott, and Hannah More. (shrink)

Self-love was a pivotal topic of debate for moral philosophers in the first half of the eighteenth century. But, as was also the case for related concepts like sociability and virtue, philosophers meant many different things by ‘self-love.’ The historians of philosophy who discuss self-love often do as well. A great virtue of Christian Maurer’s Self-Love, Egoism, and the Selfish Hypothesis is to disambiguate five senses of self-love in eighteenth-century discussions. ‘Self-love’ and its synonyms variously (...) refer to egoistic desire, love of praise, self-esteem, amour propre, and self-respect. Maurer uses these ideal types forensically to provide a better understanding of what is being debated by... (shrink)

This dissertation examines Locke's influence on moralists of the eighteenth century. I will show how Locke's moral theory and the problems it raises set the tenor of moral discussion for subsequent theorists. My analysis does not rely upon proving explicit and direct influences of Locke on the theorists I examine. Rather, I want to show that Locke's influence was more general and systemic than would be revealed through the search for explicit debts and appropriations. Locke's attempt to produce (...) a moral epistemology took for granted the assumptions of a traditional realist and rationalist natural law theory. In Locke we find an early and quite unique attempt to work out an epistemology of natural law that assumes neither innatism nor Hobbism. Locke endeavoured to find an account of natural law consistent with his own anti-innatist empiricism that might still support a realist conception of moral law. With this aim, he established the terms of moral theorizing for subsequent eighteenth century thinkers. As I will show, Locke's moral epistemology fails to fully cohere the presuppositions of his own realism and his commitment to natural law. In subsequent thinkers, we see attempts to solve this problem while maintaining Locke's basic moral assumptions. I look specifically at the works of Samuel Clarke, Francis Hutcheson, and Catharine Trotter Cockburn. What unites these theorists are the broad goals of establishing morality upon necessary and universal laws and of developing moral epistemologies that avoid both moral innatism and Hobbesian constructivism. More specifically, each is working to establish an epistemology that makes moral laws intuitively certain while maintaining a metaphysics of morality that relates moral law to the general teleological order of the universe. Despite the specific differences in their views, they can all seen to be working within a broadly Lockean frame of reference. (shrink)

British writers of the eighteenth century such as Shaftesbury and Hutcheson are widely thought to have used the notion of disinterestedness to distinguish an aesthetic mode of perception from all other kinds. This historical view originates in the work of Jerome Stolnitz. Through a re-examination of the texts cited by Stolnitz, I argue that none of the writers in question possessed the notion of disinterestedness that has been used in later aesthetic theory, but only the ordinary, non-technical (...) concept, and that they did not use this notion to define a specifically aesthetic mode of perception or a specifically aesthetic mode of anything else. The nearest thing that they had to the Stolnitzian conception of “the aesthetic” was their conception of taste, which differs from the former in some essential respects. (shrink)

The 18th-century emergence of aesthetics has been interpreted as a symptom of the entrance of a new image of man, individuality, a modern conception of subjectivity, a new mode of experience, as well as a new ideology or the modern concept of (fine) art into European consciousness. And even though these narratives all situate aesthetics within heteronomous contexts—from physiology and psychology to morality and politics, from social and economic history to belief and religion—one narrative came out as victorious, which (...) neglects the eighteenth-century interpenetration of various disciplines. It offers instead a teleological history of aesthetics which leads towards the concept of autonomy, aesthetic and/or artistic, as it takes shape, allegedly, in the aesthetics of Kant and then Romanticism. The new volume of the Routledge Studies in Eighteenth-Century Philosophy, entitled Beyond Autonomy in Eighteenth-Century British and German Aesthetics, joins the growing body of scholarship that re-examines the influential narratives of autonomy. (shrink)

The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Francis Hutcheson, arguably the founder of the modern discipline of aesthetics, and one of the most important figures of the Scottish Enlightenment. This new edition brings Peter Kivy's seminal work back into print, substantially expanded by the addition of seven essays, which deal primarily with Hutcheson's relation to other thinkers, and his influence on eighteenth- and early nineteenth-century aesthetics.Part I of (...) The Seventh Sense presents a detailed analysis of Hutcheson's aesthetic theory. Part II traces the considerable influence of Hutcheson's theory up to the early years of the nineteenth century. Part III is a new and substantial addition to the original work, collecting Peter Kivy's essays on this topic since the first edition appeared, which deal primarily with Hutcheson, David Hume, and Thomas Reid. Philosophers of art, historians of philosophy, and historians working on eighteenth-century European art and culture will find this new edition an invaluable resource. (shrink)

It would be, at this hour of the day, supererogatory to argue the pre-eminence of Locke's influence on eighteenth-century thought. But though this claim has been made often enough, 1 and has often enough been shown to be true, it has not been shown for aesthetics. I believe it to be true of aesthetics as well, but that the fact has gone unremarked, because the line of influence here is not so overt as in the case of, say, (...) political theory or epistemology. It is, rather, oblique and devious; that the influence is there at all is, even, paradoxical. (shrink)

It would be, at this hour of the day, supererogatory to argue the pre-eminence of Locke's influence on eighteenth-century thought. But though this claim has been made often enough, 1 and has often enough been shown to be true, it has not been shown for aesthetics. I believe it to be true of aesthetics as well, but that the fact has gone unremarked, because the line of influence here is not so overt as in the case of, say, (...) political theory or epistemology. It is, rather, oblique and devious; that the influence is there at all is, even, paradoxical. (shrink)

This is the first book to provide comprehensive coverage of the full range of philosophical writing in Britain in the eighteenth century. A team of experts provides new accounts of both major and lesser-known thinkers, and explores the diverse approaches in the period to logic and metaphysics, the passions, morality, criticism, and politics.

Plato and Platonism held a significant place in British intellectual inquiry in the eighteenth century. Louise Hickman enters this largely unexplored territory with a valuable study of select elements in the theological and political arguments of certain British divines. She is particularly concerned to expose the limitations of familiar and narrowly-rational arguments that in the eighteenth century supported natural religion and theology, and to bring to the fore a countervailing rational theology that discovers in (...) and for the human mind the eternal and immutable truth that is divine.The principal figure in Hickman’s study is Richard Price, rational dissenting minister, friend of liberty and America, and author of... (shrink)

"Recent years have seen a growing interest among scholars of 18th-century German philosophy in the period between Wolff and Kant. This book challenges traditional interpretations of this period that focus largely on post-Leibnizian rationalism and, accordingly, on a depreciation of the contribution of the senses to knowledge about the world and the self. It addresses the divergent ways in which eighteenth-century German philosophers reconceived the notion and role of experience in their efforts to identify, defend, and (...) contest the contribution of foundational a priori principles and empirical data to the various branches of metaphysics, the natural sciences, and emerging disciplines such as psychology and aesthetics. The chapters are organized according to the four major schools that defined the various phases of German Enlightenment philosophy: Wolff and Wolffianism, Eclecticism and Populärphilosophie, the Berlin Academy, and Kant. Each chapter is devoted to one or more philosophers, several of whom are seriously under investigated or even unknown outside small circles of specialists. By framing the period in terms of the notion of experience, this book presents a more nuanced understanding of the German reception of British and French ideas and theories, dismisses the prevailing view that German philosophy was largely isolated from European debates, introduces a number of relatively unknown, but highly relevant philosophers and developments to non-specialized scholars, and contributes to a better understanding of the richness and complexity of the German Enlightenment"--. (shrink)

Over ten years ago Professor A. E. Taylor pointed out that one of the most unfortunate effects of that philosophical conquest of England by Germany in the nineteenth century was the almost complete neglect of the great line of British moralists from Cumberland to Price. Little has been done since then to remedy this defect. There is a widespread study of Bishop Butler by students in our Universities, but as regards the other members of the series, there appear (...) no signs of a renaissance. The selections of Mr. Selby-Bigge are admirable, but they serve, as all selections from the authors of a period must, to focus attention on historical similarities, not to stimulate to an examination of individual philosophies. (shrink)

Although nowadays aesthetics tends to be marginalized, all the great philosophers of the world, from Plato and Aristotle on, through St. Bonaventure and Pseudo-Dionysus the Areopagite, to Kant and Hegel clearly thought that the Beautiful ought to be in close companionship with the True and the Good. The only open question remains when, specifically, aesthetics came to be recognized as an autonomous or self-controlled discipline. Kivy is the first who makes a solid and eloquent argument for the paternity of the (...) somewhat obscure Francis Hutcheson. The second edition of his book came out conveniently close to a new edition of one of Hutcheson’s main works, Inquiry into the Original of our Ideas of Beauty and Virtue. During his examination Kivy constantly refers in particular to the first part of this work, Inquiry Concerning Beauty, Order, Harmony, Design. (shrink)