ABSTRACT The philosophical tradition approaches to morals have their grounds predominantly on metaphysical and theological concepts and theories. Among the traditional ethics concepts, the most prominent is the Divine Command Theory (DCT). As per the DCT, God gives moral foundations to the humankind by its creation and through Revelation. Morality and Divinity are inseparable since the most remote civilization. These concepts submerge in a theological framework and are largely accepted by most followers of the three Abrahamic traditions: Judaism, Christianity, and (...) Islam: the greatest part of the human population. Holding faith and Revelation for its grounds, the Divine Command Theories are not strictly subject to the demonstration. The opponents to the Divine Command conception of morals, grounded in the impossibility of demonstration of its metaphysical and religious assumptions, have tried for many centuries (albeit unsuccessfully) to devalue its importance. They held the argument that it does not show material evidence and logical coherence and, for this reason, cannot be taken into account for scientific nor philosophical purposes. It is just a belief and, as so, should be understood. Besides these extreme oppositions, many other concepts contravene the Divine Command theories, in one or another way, in part or in full. Many philosophers and social scientists, from the classic Greek philosophy up to the present date, for instance, sustain that morality is only a construct, and thus culturally relative and culturally determined. However, this brings many other discussions and imposes the challenge to determine what is the meaning of culture, which elements of culture are morally determinant, and finally, what are the boundaries of such relativity. Moral determinists claim that everything related to human behavior, including morality, is determined, once free will does not exist. More recently, modern thinkers argued that there is a strict science of morality. However, the scientific method alone, despite explaining several facts and evidence, cannot enlighten the entire content and full meaning of ethics. Morals’ understanding requires a broader perception, and an agreement among philosophers, which they have never achieved. All of these questions have many different configurations depending on each philosophical strand, and start complex analysis and endless debates, as long as many of them are reciprocally conflictive. The universe and the atmosphere involving this thesis are the dominions of all these conceptual conflicts, observed from an objective and evolutionary standpoint. Irrespective of this circumstance and its intrinsic importance, however, these questions are far distant from the methodological approach of an analytical discussion on objective morals, what is, indeed, the aim and scope of this work. We should briefly revisit these prominent traditional theories because this thesis shelters a comparative study, and its assumptions at least differ profoundly from all traditional theories. Therefore, it becomes necessary offering direct and specific elements of comparison to the reader, for the right criticism, dispensing interruptive researches. However, even revisiting the traditional theories, for this comparative and critical exposure purpose, they will be kept by the side of our main concerns, as “aliena materia.” Irrespective of the validity of any or all of the elements of this discussion, and their meaning as the philosophical universe of this thesis, the purpose of this work is demonstrating and justifying the existence and meaning of prehistoric moral archetypes arisen directly from the very first social needs and efforts for survival. These archetypes are the definition of the essential foundation of ethics, its aggregation to the collective unconscious and corresponding logic organization and transmission to evolutionary stages of the human genome and different relations space-time, irrespective of any contemporary experience of the individuals. The system defined by these archetypes composes an evolutionary human social model. Is this a metaethical position? Yes, it is. Moreover, as in any metaethical reasoning, we should look carefully for the best and coherent routes, as the Analytical Philosophy offers them. Thus, this work should reasonably demonstrate that morals are not a cultural product of the civilized men or modern societies and that despite being subject to several cultural relative aggregations and subtractions, its essential foundations are archetypal and have never structurally changed. This reasoning induces that morality is an original attribute of the “homo sapiens”; it is not a property and nor an accident: it integrates the human essence and belongs to the realm of the ontological human identity. The human phenomena is a continuing process, playing its role between random determination and free will, and we need to question how morality began and how did it come to us in the present. (shrink)

In this novel re-examination of the archetype construct, philosopher Jon Mills and psychiatrist Erik Goodwyn engage in spirited dialogue on the origins, nature, and scope of what archetypes actually constitute, their relation to the greater questions of psyche and worldhood, and their relevance for Jungian studies and analytical psychology today. Arguably the most definitive feature of Jung's metapsychology is his theory of archetypes. It is the fulcrum on which his analytical depth psychology rests. With recent trends in post-Jungian (...) and neo-Jungian perspectives that have embraced developmental, relational, social justice, and postmodern paradigms, classical archetype theory has largely become a drowning genre. Despite the archetypal school of James Hillman and his contemporaries and the archetype debates that captured our attention over two decades ago, contemporary Jungians are preoccupied with the lived reality of the existential subject and the personal unconscious over the collective transpersonal forces derived from archaic ontology. Archetypal Ontology will be of interest to psychoanalysts, philosophers, transpersonal psychologists, cultural theorists, anthropologists, religious scholars, and many disciplines in the arts and humanities, analytical psychology, and post-Jungian studies. (shrink)

The Jungian concept of archetypes is of immense value for critically distinguishing what is potentially of universal practical value in religious and other cultural traditions, and separating this from the dogmatic elements. However, Jung encumbered the concept of archetypes with debatable constructions like the 'collective unconscious' that are unnecessary for understanding their practical function. This book puts forward a far-reaching new theory of archetypes that is functional without being reductive. At the centre of this is the idea (...) that archetypes are adaptations to help us maintain inspiration over time. Humans are such distractable beings that they need constant reminders to maintain integration with their most sustainable intentions: reminders using the profound power of symbol linked to embodied experience. This multi-disciplinary book weaves together religious studies, ethical philosophy, the psychology of bias, the neuroscience of brain lateralisation, the linguistics of embodied meaning, the feedback loops of systems theory, with a lifetime's experience of Buddhist practice and appreciation of symbolism in the arts: all with the aim of producing a fresh understanding of the role of archetypes in religion and beyond, that can also be directly applied in practice. (shrink)

Resumen La figura femenina en el arte cinematográfico ha sido mostrada mediante arquetipos y cumpliendo distintas funciones. Nos proponemos en este estudio analizar los personajes femeninos por medio de la narrativa audiovisual en dos películas emblemáticas de la cinematografía de Hitchcock: Recuerda y Vértigo, en las que la mujer se contempla como empoderada, pero también sometida, llegando a una negación de su propia identidad. Consideramos que la forma del tratamiento de la mujer en el cine de dicha época radica en (...) la situación social de la misma, sufriendo un tratamiento discriminatorio, que es admitido por los personajes femeninos justificándolo en un enamoramiento, que anula la propia personalidad. Abstract The female figure in cinematographic art has been shown through archetypes and performing different functions. We propose in this study to analyze female characters through the audiovisual narrative in two emblematic films of Hitchcock’s cinematography: Spellbound and Vertigo, in which women are seen as empowered, but also subjected to a denial of their own identity. We consider that the treatment of women in the cinema of that time lies in the social situation of the same, suffering a discriminatory treatment, which is admitted by the female characters justifying it in a crush, which annuls the own personality. (shrink)

Metaphysics, Psychology and Philosophy have defined the notion of archetype. We will argue that there is another concept, the “anarchetype” which could escape to the centralization and to any pre‑defined structure building on archetypes. Anarchetype belongs to anarchic and unpredictable structures denying center and logos. It could be used to study marginal or non coherent works far beyond occidental pattern. Eschatype is finally analysed. Some structures without any archetype have to draw an internal evolution before building any model or (...) order. If eschatype is not initially known, it finally shows up and exposes explanations, meanings and even a structure. Eschatype may then give birth to a new theme. It finally may be found in other supports or works, structure and archetype. (shrink)

Archetypal Process is a pioneering study linking the ideas of process philosophy, as developed by Alfred North Whitehead and Charles Hartshorne, with the archetypal psychology of C. G. Jung and James Hillman. This is the first work to examine the interconnections of these two modes of thought. Archetypal Process examines the importance of cosmological thinking and the need to ground archetypal psychology in a metaphysical, philosophical framework. It treats the necessity for symbol and myth, the nature of the spirit, and (...) language as a metaphorical vehicle of thought, and finally, it adds a much-needed feminist perspective to the debate. (shrink)

The concept of 'Archteypes' and the hypothesis of 'A Collective Unconscious' are two of Jung's better known and most exciting ideas. In this volume - taken from the Collected Works and appearing in paperback for the first time - Jung describes and elaborates the two concepts. Three essays establish the theoretical basis which are then followed by essays on specific archetypes. The relation of these to the process of individuation is examined in the last section. _The Archetypes and (...) the Collective Unconscious_ is one of Jung's central works. There are many illustrations in full colour. (shrink)

Cet article est la synthèse d’une recherche approfondie sur l’archétype de la déesse mère exposée dans mon livre, Mère terrible, la déesse dans la religion du Mexique ancien (2007). Ici est présenté un résumé schématique des changements et métamorphoses dans la conception de la divinité féminine tout au long d’une histoire de plus de 4000 ans (2500 avant à 1520 après J.‑C.). Voici certaines des questions qui guident la recherche : Comment les habitants du Mexique ancien concevaient‑ils le mystère de (...) la féminité? Quelle relation mythique détient la déesse avec le miracle de la germination du maïs? Quelle place occupe la déesse, symbole cosmique de la naissance et de la mort, dans la société sacrificielle et guerrière des Aztèques? (shrink)

This reader-friendly book examines philosophies and philosophers using an engaging, non-condescending approach that speaks to you at your level.

Soccer, or football, attracts vast numbers of passionate fans from all over the world; yet clinical psychology is yet to study it in depth. In this book, David Huw Burston, a consultant football psychology and performance coach, uses a phenomenological research method inspired by Amedeo Giorgi to consider what we can learn from the spirit of the game, and how this can be used positively in the consulting room and on the field of play. By examining detailed qualitative research with (...) professional soccer players of both sexes, Burston identifies and considers nine particular themes, including the family, god, heroes and dreams, and discusses how what we can learn from the game of football and team culture can be applied to Jungian analysis today. This book bridges the gap between clinical psychology and sport, outlining potential shortfalls in current youth development in sport, as well as discussing how traditional Jungian archetypes can be identified in everyday settings. It will be of key interest to researchers from both the fields of analytical psychology and sports studies. (shrink)

In this era of intense migration, the topic of the foreigner is of paramount importance. Joanne Wieland-Burston examines the question of the 'foreign' and 'foreigner' from multiple perspectives and explores how Jung and Freud were more interested in the wide phenomenon of the foreign in the unconscious rather than in their own personal lives. She analyses cultural approaches to the archetype of the foreigner throughout history using literary, cultural (as seen in mythological texts and fairy tales) and psychological references and (...) interprets the scapegoating of foreign minorities as a projection of the monster onto the foreigner. The book includes contemporary perspectives on immigration and displacement throughout, from analysing patient case material, the archetypal needs of people who join terrorist groups, feelings of alienation, and the work of Palestinian-German psychologist Ahmad Mansour. Throughout this personal and highly topical study, Wieland questions and studies C. G. Jung's own reflections on himself as a foreigner and her own personal experiences. (shrink)

Many influential philosophers have argued that in pgh. 608 of Zettel (hereafter Z608) Wittgenstein appears to say that language and thought might emerge out of physical chaos at the neural “centre”. By contrast, the present paper argues that these scholars are, in a fashion that would be readily understandable by Thomas Kuhn, assuming the very Anglo-American paradigm that Wittgenstein is actually critiquing in Z608 when they interpret his remarks. In opposition to this, the paper argues that Wittgenstein’s notion of emergence, (...) chaos and the center in Z608 (and elsewhere in his works) is better understood in terms of the universal cross-cultural archetypes, emphasized by Carl Jung and Mircea Eliade of emergence, chaos and the center found in numerous religious and cosmological traditions around the world. The paper also points out that Wittgenstein also uses many other cross-cultural symbols also emphasized by Jung and Eliade, including the Shadow (which, in Jung, represents the opposite of the ego), the Trickster (or Devil), the mandala, the labyrinth, the microcosm, the crystal, the abyss, darkness, circular movement and creation (genesis), in order to illustrate his view. Perhaps the most fascinating of these concerns the archetypal cosmological symbolism in Wittgenstein’s self-reported but largely ignored“ alchemical” dream, including the Indian mandala symbolism in that dream. The paper concludes that Wittgenstein that is not restricted by Anglo-American “analytical” philosophy or the associated “scientistic” paradigms but is informed by a way of looking at things implicit in a fundamental archetypal symbolism found in very different cosmologies, religion and cultures all around the globe. (shrink)

It is very curious that C.G. Jung has had so little influence upon the anthropology of consciousness. In this paper, the reasons for this oversight are given. The archetypal psychology of Jung is summarized and shown to be more complex and useful than extreme constructivist accounts would acknowledge. Jung's thinking about consciousness fits very well with a modern neuroscience view of the psyche and acts as a corrective to relativist notions of consciousness and its relation to the self.

Social innovations (SIs) offer creative solutions to complex social problems and often require the exchange of necessary resources, knowledge, and expertise among various actors. These actors form an ecosystem that can support the development of successful SIs. In this special topic forum introduction, we first discuss the literature related to the support function of ecosystems. We use the theoretical lens of prosocial behavior to explain the various types of support in an ecosystem. We argue that there are three archetypes (...) of support in ecosystems, namely, altruistic, communitarian, and commercial support. Subsequently, we present the three papers accepted for publication in the special topic forum. One paper refers to the three support archetypes, although indirectly, while the other two refer to one specific archetype of ecosystem support for SIs. This introductory paper concludes with discussion on the opportunities for future research. Without a clear understanding of the different archetypes of support, it would be difficult for both scholars and practitioners to design vibrant ecosystems in assistance to SI. (shrink)

A one-premiss rule is said to be archetypal for a consequence relation when not only is the conclusion of any application of the rule a consequence of the premiss, but whenever one formula has another as a consequence, these formulas are respectively equivalent to a premiss and a conclusion of some application of the rule. We are concerned here with the consequence relation of classical propositional logic and with the task of extending the above notion of archetypality to rules with (...) more than one premiss, and providing an informative characterization of the set of rules falling under the more general notion. (shrink)

In discussions of state surveillance, the values of privacy and security are often set against one another, and people often ask whether privacy is more important than national security.2 I will argue that in one sense privacy is more important than national security. Just what more important means is its own question, though, so I will be more precise. I will argue that national security rationales cannot by themselves justify some kinds of encroachments on individual privacy (including some kinds that (...) the United States has conducted). Specifically, I turn my attention to a recent, well publicized, and recently amended statute (section 215 of the USA Patriot Act3), a surveillance program based on that statute (the National Security Agency’s bulk metadata collection program), and a recent change to that statute that addresses some of the public controversy surrounding the surveillance program (the USA Freedom Act).4 That process (a statute enabling surveillance, a program abiding by that statute, a public controversy, and a change in the law) looks like a paradigm case of law working as it should; but I am not so sure. While the program was plausibly legal, I will argue that it was morally and legally unjustifiable. Specifically, I will argue that the interpretations of section 215 that supported the program violate what Jeremy Waldron calls “legal archetypes,”5 and that changes to the law illustrate one of the central features of legal archetypes and violation of legal archetypes. The paper proceeds as follows: I begin in Part 1 by setting out what I call the “basic argument” in favor of surveillance programs. This is strictly a moral argument about the conditions under which surveillance in the service of national security can be justified. In Part 2, I turn to section 215 and the bulk metadata surveillance program based on that section. I will argue that the program was plausibly legal, though based on an aggressive, envelope-pushing interpretation of the statute. I conclude Part 2 by describing the USA Freedom Act, which amends section 215 in important ways. In Part 3, I change tack. Rather than offering an argument for the conditions under which surveillance is justified (as in Part 1), I use the discussion of the legal interpretations underlying the metadata program to describe a key ambiguity in the basic argument, and to explain a distinct concern in the program. Specifically that it undermines a legal archetype. Moreover, while the USA Freedom Act does not violate legal archetypes, and hence meets a condition for justifiability, it helps illustrate why the bulk metadata program did violate archetypes. (shrink)

When we consider the concepts and assumptions of a way of interpreting we are not abstracting ourselves from concrete analytical practice, but are dealing with one dimension of that practice. When a person’s assumptions and concepts change, aspects of his therapeutic work will also change. The philosophical ideal of conceptual clarity means that one strives to be able to recognize how he interprets what is going on—he strives to recognize how he proceeds with the therapeutic process in relation to other (...) options. In that way he has a far better chance of allowing the experience to speak for itself to him, i.e., when he knows something about his own assumptions in relation to a variety of other assumptions, he is able to hear how an occurrence exceeds or differs from his own accustomed ways in which he makes sense of things. (shrink)

_Archetypal Expressions_ is a fresh approach to one of Jung's best-know and most exciting concepts. Richard M. Gray uses archetypes as the basis for a new means of interpreting the world and lays the foundations of what he terms an "archetypal sociology". Jung's ideas are combined with elements of modern biology and systems theory to explore the basic human experiences of life, which recur through the ages. Revealing the implicitly cross-cultural and interdisciplinary nature of Jungian Psychology, _Archetypal Explorations_ represents (...) a significant contribution to the literature of archetypes and integrative approaches to human behaviour. (shrink)

The article is focused on the author’s understand- ing of the phenomena that are the basis of the ideological picture of the world of different social group categories. The author presents the histori- cal stage-by-stage development of the fundamental ideas that are the essence of social identity and, consequently, influence the legitimization of power throughout the organized history of mankind and in modern times. This understanding of archetypes in political science is presented for the first time. The article is (...) built around the concept of “arche- type” and expands its meaning to political and ideological dimensions. Thus, using the methodolo- gy of categories of archetypes, the following forms prevailing in the organized history of mankind were identified: archetypes of the Sun, Church, Nation and Law. Such forms can be a convenient meth- odology in conflictology, political science, and the science of international relations. The presented approach opens a new theoretical direction in these sciences. (shrink)

A form (or pattern) of inference, let us say, explicitlysubsumes just such particular inferences as are instances of the form, and implicitly subsumes thoseinferences with a premiss and conclusion logically equivalent to the premiss and conclusion of an instanceof the form in question. (For simplicity we restrict attention to one-premiss inferences.) A form ofinference is archetypal if it implicitly subsumes every correct inference. A precise definition (Section 1)of these concepts relativizes them to logics, since different logics classify different inferences ascorrect, (...) as well as ruling differently on the matter of logical equivalence which entered into the definitionof implicit subsumption. When relativized to classical propositional logic, we find (Section 2) thatall but a handful of `degenerate' inference forms turn out to be archetypal, whereas matters are verydifferent in this respect for the case of intuitionistic propositional logic (Sections 3 and 4), and an interestingstructure emerges in this case (the poset of equivalence classes of inference forms, with respect tothe equivalence relation of implicitly subsuming the same inferences). Thus a more accurate, if excessivelylong-winded title would be 'Archetypal and Non-Archetypal Forms of Inference in Classical andIntuitionistic Propositional Logic'. Some left-overs are postponed for a final discussion (Section 5).The overall intention is to introduce a new subject matter rather than to have the last word on thequestions it raises; indeed several significant questions are left as open problems. (shrink)

Les approches de la tradition philosophique de la morale reposent principalement sur des concepts et des théories métaphysiques et théologiques. Parmi les concepts éthiques traditionnels, le plus important est la théorie du commandement divin (DCT). Selon la DCT, Dieu donne des fondements moraux à l'humanité par sa création et par la Révélation. Morale et Divinité sont inséparables depuis la civilisation la plus lointaine. Ces concepts plongent dans un cadre théologique et sont principalement acceptés par la plupart des adeptes des trois (...) traditions abrahamiques : le judaïsme, le christianisme et l'islam : la partie la plus considérable de la population humaine. Tenant la foi et la Révélation pour ses fondements, les Théories du Commandement Divin ne sont pas strictement sujettes à la démonstration. Les opposants à la conception de la morale du Commandement divin, fondée sur l'impossibilité de démontrer ses présupposés métaphysiques et religieux, ont tenté pendant de nombreux siècles (mais sans succès) d'en dévaloriser l'importance. Ils ont soutenu l'argument selon lequel il ne montre pas de preuves matérielles et de cohérence logique et, pour cette raison, ne peut pas être considéré à des fins scientifiques ou philosophiques. Ce n'est qu'une croyance et, en tant que tel, doit être compris. Outre ces oppositions extrêmes, de nombreux autres concepts contreviennent aux théories du Commandement Divin, d'une manière ou d'une autre, en partie ou en totalité. (shrink)

This paper explores the influence of transpersonal thinking, including the mythological perspective of Joseph Campbell and the holotropic perspective of Stanislav Grof, on actor training using the neutral mask. An outline of training in the neutral mask is given, focusing on the approach of David Latham, as experienced by the author in his own training. Points of correspondence with the vision of Campbell and Grof, and their influence, are discriminated and discussed. These correspondences open up two areas of inquiry: the (...) transformative effect of the mask work when conducted in a transpersonally-oriented set, and the use of the neutral mask as an approach to the study of myth and archetype. Both are discussed, and some preliminary conclusions drawn based on experiences reported by student-actors and the author’s observations during his own research and his practice as actor and teacher. (shrink)

It is my goal in this paper to offer a strategy for translating universal statements about utopia into particular statements. This is accomplished by drawing out their implicit, temporally embedded, points of reference. Universal statements of the kind I find troublesome are those of the form ‘Utopia is x’, where ‘x’ can be anything from ‘the receding horizon’ to ‘the nation of the virtuous’. To such statements, I want to put the questions: ‘Which utopias?’; ‘In what sense?’; and ‘When was (...) that, is that, or will that be, the case for utopias?’ Through an exploration of these lines of questioning, I arrive at three archetypes of utopian theorizing which serve to provide the answers: namely, utopian historicism, utopian presentism, and utopian futurism. The employment of these archetypes temporally grounds statements about utopia in the past, present, or future, and thus forces discussion of discrete particulars instead of abstract universals with no meaningful referents. (shrink)

John Locke’s claims about relations (such as cause and effect) and mixed modes (such as beauty and murder) have been controversial since the publication of the Essay. His earliest critics read him as a thoroughgoing anti-realist who denies that such things exist. More charitable readers have sought to read Locke’s claims away. Against both, I argue that Locke is making ontological claims, but that his views do not have the absurd consequences his defenders fear. By examining Locke’s texts, as well (...) as the intellectual context in which they were written, I show that Locke’s position is at once radical and thoroughly traditional. (shrink)

The Archetypal Sunnī Scholar: Law, Theology, and Mysticism in the Synthesis of al-Bājūrī. By Aaron Spevack. Albany, NY: State University of New York Press, 2014. Pp. viii + 212. $80.

The study of literature from the point of view of the search for archetypal images and the study of artistic creativity from the standpoint of structuralism are two important trends. Both of these trends have emerged in the contexts of different scientific paradigms. The origin of archetypal criticism is associated with the figure of Herman Northrop Fry, and the basis of archetypal criticism is psychology, namely the concept of psychoanalysis, founded by Sigmund Freud and Carl Gustav Jung. While the origin (...) of structuralism is associated with linguistics and the name of Ferdinand de Saussure, who first began to consider language as a system of signs in which each element defines other elements and is itself determined by them. With all the difference in origin, in general, both theories do not contradict each other - on the contrary, they complement each other. Archetypal literary criticism and structuralist theory of art have deep internal theoretical connections in several ways: both theories look for repetitive elements in literature, both consider literature as a space of memory about the past. Archetypal literary criticism and the structuralist theory of art direct the appeal to the psychology of man as the creator of works of art. Both directions are also largely based on the idea of binary oppositions: within the framework of the archetypal criticism of the pair, many archetypes are grouped into pairs, whereas within the framework of structuralism, the idea of structure itself is based on elementary concepts opposed to each other; finally, both methods have been criticized for the same shortcomings, such as the denial of author subjectivity and the denial of human progress. This article attempts to show that the theory of archetypes in literature and the structuralist theory of art complement each other, and how exactly this complementarity is achieved. (shrink)

An examination of animate from reveals corporeal archetypes that underlie both human sexual behavior and the reigning Western biological paradigm of human sexuality that reworks the archetypes to enforce female oppression. Viewed within the framework of present-day social constructionist theory and Western biology, I show how both social constructionist feminists who disavow biology and biologists who reduce human biology to anatomy forget evolution and thereby forego understandings essential to the political liberation of women.

The Milesian protophilosophy was an important phase in the development of Western thought. The first philosophical ideas of the origin and the nature of the world arose from the mythological images. The author tries to show, that the Milesian conceptions do not draw on the particular Greek myths, but on the archaic mythology embodying various mythological motives - the archetypes. The latter emerge spontaneously from human unconciousness and become a part of consciousness. Thales' idea, that "water is the origin (...) of all tings... and therefore the earth floats on water", is the expression of mythical experience based on the archetype of chaos. Its archetypal image is "the primal water" as the source of the arising world. Similarly there is an analogy between Anaximander's apeiron and the archetype of chaos. The transition from the mythical-imaginative thought to rational and abstract one is represented also by Anaximenes, who also makes use of various archetypes . The mythical-imaginative thought differs from rational conceptual thought in that in the former the part is identical with itself as well as with the whole, while in the latter the relationship between the part and the whole is dichotomical. The Greek thought developes into a purely dualistic way of thinking, which is fully manifested in Parmenides. (shrink)

The Left is scientific, rational, paradigmatic; its concern is with the networks of relationships within which all things are located and through which all things have their significance. The Right is aesthetic, emotional. It attempts to understand in terms of some concrete specific, an archetype. Hybrids of these two, such as Christianity, Communism, and Fascism, mix paradigm and archetype and are dangerous. With the reification of form and idolatry of image, inhuman criteria of reality are automatically set up and give (...) license to idealists and fanatics to ignore the integrity of individual persons in the name of those theories and images. Countervailing factors can be swept away. Human events stand to one another both as parts and wholes; historians need to recognize events as simultaneously episodes and narratives. Paradigms and archetypes are half-truths only and deny the experiential openness that is history. A mysticism of persons would defuse and absorb the Left and Right while transcending them, putting to the fore instead the diversity and novelty of history. (shrink)

Recent marketing theory uses the Jungian concept of the archetype to design strategies for the improvement of product selling. Mark and Pearson propose that archetypes such as the ruler, the hero, the outlaw, and the sage are useful in promoting a product. This article suggests that the concept of archetypes as well as myths such as the Prometheus myth and the myth of the expulsion from Paradise, when combined with the insights offered by Mark and Pearson, may help (...) in understanding the management of trials of dissent as well. The article presents seven motifs that recur in trials of dissent and shows how they form a part of the phenomenon of the political management of dissent: the demonization and otherization of defendants and their supporters; the tendency to employ the charge of conspiracy and thus target a group rather than a single individual; the bending of the laws of procedure; the utilization of previously-untested substantive charges; the appeal made by each side to an external principle or vision--typically, the government resorts to the law of necessity whereas the defense resorts to natural law or a vision of "true justice" ; focus on the judge as manipulator of laws; and the appellate court assuming the role of the ultimate sage, performing its task with balance and detachment. The appellate court may use softer rhetoric in an effort to minimize the damage to the appearance of legality. When it does so, the rule of law is reaffirmed as a concept that benefits all sides; there is thus unity in the commitment to the rule of law, not to patriotism or to identification with the government. In addition, an effort is made to reaffirm the maxim that the government is a government of law, not of men. (shrink)

One of Jung's most influential ideas has been his view, presented here, that primordial images, or archetypes, dwell deep within the unconscious of every human being. The essays in this volume gather together Jung's most important statements on the archetypes, beginning with the introduction of the concept in "Archetypes and the Collective Unconscious." In separate essays, he elaborates and explores the archetypes of the Mother and the Trickster, considers the psychological meaning of the myths of Rebirth, (...) and contrasts the idea of Spirits seen in dreams to those recounted in fairy tales.This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London. (shrink)

This paper starts with an overview of C.G. Jung’s notion of archetypes. His ideas imply that Jungian archetypes can be viewed as the most general examples of the shared awarenesses that occur in groups of people of all sizes, ranging from families to humanity as a whole. The term ‘archetype’ is used in connection with such shared awarenesses in the subsequent discussion. The distinction that Jung made between archetypal representations and archetypes themselves is retained and emphasized. It (...) is then pointed out that archetypal representations are sets of Dawkins’ memes appearing in awareness. Pursuing the line of thought suggested by this, it is further proposed that the meme set can be regarded as analogous to the genotype in biology, while the representation itself resembles the phenotype in heuristically useful respects. Archetypes, as opposed to their representations, are the factors which predispose particular sets of memes to spread within a group of people and enter their awarenesses. It follows from the biological analogy that archetypes can be thought of as regularities that occur in an ‘ecology’ of representations. Because memes are subject to pseudo-Darwinian influences, parallels between the behaviour of representations and the phenomena of parasitology and epidemiology will sometimes be observed. The view of archetypes arrived at opens up a possibility that they might be responsible for some mass behaviours; e.g. those involved in the production of social movements such as Nazism or certain medical conditions of obscure aetiology. Archetypal representations possess in some circumstances the power to fill the consciousnesses of individuals ‘infected’ by them for long periods of time. These points are illustrated in a brief account of fatigue syndromes. Finally, should consciousness have a quantum theoretical basis, details of the epidemiology of archetypal representations will differ from those to be expected if it has no such basis. The phenomenon of alien abduction, presumed to be of archetypal origin, is discussed as an example. (shrink)

Do people classify nature in ways that can be described as archetypes? Could it be that these can be interpreted as health promotive? More and more researchers today suggest that archetypes can be used to analyze, describe, and develop green spaces. In parallel, an increasing number of research results since the 1980s have shown that human health and well-being are positively affected by stays in certain nature areas. The qualities in these nature areas which stand out to be (...) most health-promoting are interpreted to be properties of nature that humans through evolution are prepared to perceive in a positive way. In this study, 547 respondents in southern Sweden answered a questionnaire on properties in natural areas. Through cluster analysis, these properties have been grouped into 10 types of nature and landscape. The 10 clusters are related to specific phenomena and places in Scandinavian nature, which could be described as archetypal. These natural phenomena and places are discussed, partly based on references to archaic Scandinavian mythology, Scandinavian lifestyle, and cultural canon, and partly on research on evolution, human preferences, and how nature can affect human health. We discuss how these nature archetypes evoke anxiety, fear, and distancing as well as calmness, tranquility, and connection. However, researchers have so far focused on how visits to natural environments have affected the sympathetic nervous system, and not realized the possibility of including the calm and connection system as well as the oxytocin in their explanatory models. In a follow-up article, we intend to develop a model for how the nature archetypes can interact with the calm and connection system. (shrink)

The present paper is based on one entitled ‘The papyri and the text of Thucydides’, which I read before the Fifth International Congress of Papyrology in Oxford on August 31st, 1937. Later in the same year appeared Vittorio Bartoletti's Pisa dissertation Per la storia del testo di Tucidide, of which I was privileged to see a draft in 1935. I have several times saved space here by referring to Bartoletti for a collection of the evidence.

Archetypal psychology suggests the possibility of a leadership archetype representing the unconscious preferences of human beings as a species about the appropriate relationships between leaders and followers. Mythological analysis compared God’s leadership in the Abraham myth with modern visionary, ethical and situational leadership to find similarities reflecting continuities in human thinking about leadership over as long as 3600 years. God’s leadership behavior is very modern except that God is generally more relationship oriented. The leadership archetype that emerges is of a (...) leader that develops his/her follower by reliably maintaining a vision, behaving according to firm ethical values even when it weakens the leader’s authority, accepting suffering when the follower is unreliable, and always forgiving even when the follower behaves with hubris in an attempt to overthrow the leader. If God’s leadership principles were mandatory in management, many dysfunctional leaders would be disqualified and many of the negative consequences of poor leadership might be averted. (shrink)

Review of Mădălina Moraru, Mit și publicitate (Myth and advertising) (Bucharest: Nemira, 2009).

Reprint. Originally published: 1959; 1st Princeton/Bollingen pbk. ed. published: 1970.

What we mean when we use the word ‘nature’ critically affects design culture. Since nature has many different interpretations, the following lexicon is not intended to be an exhaustive exploration of the word’s etymology or usage by designers. Instead, I offer ten archetypical perspectives of nature that can help designers and non-designers alike clarify the different, sometimes overlapping, sometimes conflicting ways in which we understand the fundamental relationships between humans and our environment.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.