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Douglas Anger [4]Alfred Anger [3]Violaine Anger [3]Suzy Anger [2]
Marine Anger [1]F. D. Anger [1]Jiří Anger [1]Jenny Anger [1]

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See also
Claudia Anger
Fernuniversität Hagen
Bibliography: Anger in Normative Ethics
  1.  25
    The dependence of interresponse times upon the relative reinforcement of different interresponse times.Douglas Anger - 1956 - Journal of Experimental Psychology 52 (3):145.
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  2.  16
    Positive Effect of Visual Cuing in Episodic Memory and Episodic Future Thinking in Adolescents With Autism Spectrum Disorder.Marine Anger, Prany Wantzen, Justine Le Vaillant, Joëlle Malvy, Laetitia Bon, Fabian Guénolé, Edgar Moussaoui, Catherine Barthelemy, Frédérique Bonnet-Brilhault, Francis Eustache, Jean-Marc Baleyte & Bérengère Guillery-Girard - 2019 - Frontiers in Psychology 10.
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  3.  44
    Five dogmas of logic diagrams and how to escape them.Jens Lemanski, Andrea Anna Reichenberger, Theodor Berwe, Alfred Olszok & Claudia Anger - 2022 - Language & Communication 87 (1):258-270.
    In the vein of a renewed interest in diagrammatic reasoning, this paper challenges an opposition between logic diagrams and formal languages that has traditionally been the common view in philosophy of logic and linguistics. We examine, from a philosophical point of view, what we call five dogmas of logic diagrams. These are as follows: (1) diagrams are non-linguistic; (2) diagrams are visual representations; (3) diagrams are iconic, and not symbolic; (4) diagrams are non-linear; (5) diagrams are heterogenous, and not homogenous. (...)
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  4.  8
    Agathe SUEUR, Vie de Joachim Burmeister.Violaine Anger - forthcoming - Rhuthmos.
    Ce compte rendu a déjà paru sur le site de la revue Études. A. Sueur, Vie de Joachim Burmeister, Paris, Rhuthmos, 2019, 103 p. Joachim Burmeister est connu, dans toutes les histoires de la musique, comme celui qui, le premier, a proposé, autour de 1600, une analyse rhétorique des œuvres musicales : celles-ci ne sont plus désormais comprises comme de belles formes reproduisant la splendeur et l'unité des structures du monde, selon la grande approche médiévale, mais comme des discours - (...)
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  5.  1
    L’invisibilisation des artistes handicapé·e·s.No Anger - 2024 - Multitudes 94 (1):86-89.
    Tenue le 6 novembre 2021, à l’Hôtel de Ville de Grenoble, dans le cadre du débat « Validisme, intersectionnalité, lutte pour les droits », cette conférence vise à examiner différents biais sur lequel repose l’invisibilisation des artistes handicapé·e·s. J’y explique notamment comment, pendant longtemps, il m’a été impensable d’être artiste : plus qu’inatteignable, cet horizon m’était inimaginable. C’est l’occasion de revenir sur la production sociale de cet inimaginable, ainsi que sur les moyens mis en œuvre pour déverrouiller mon imaginaire et (...)
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  6.  4
    Le sens de la musique: 1750-1900: Vivaldi, Beethoven, Berlioz, Liszt, Debussy, Stravinski.Violaine Anger & Jan Willem Noldus (eds.) - 2005 - Paris: Rue d'Ulm.
    Les Quatre Saisons de Vivaldi imitent-elles les bruits du monde? Peut-on penser l'histoire de la musique comme une libération progressive de la contrainte imitative, d'un ancrage naturel ou même naturaliste? Beethoven, Berlioz, Schumann, Wagner ou Debussy constituent-ils les étapes qui aboutissent à une musique pure? Le romantisme a fait de la musique le paradigme de l'Art en la concevant comme un langage délivré du poids du sens, un art abstrait » parce qu'autonome. Par la richesse savante des auteurs et des (...)
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  7.  61
    Odbrana skepticizma.Piter Anger - 1996 - Theoria 39 (2):127-144.
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  8.  20
    Philosophy and Modern ScienceHarold T. Davis.Carol Jane Anger - 1932 - Isis 18 (1):204-206.
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  9.  17
    The balance equation: Part 2. Derivation of the balance equation for response-specific inhibition.Douglas Anger - 1988 - Bulletin of the Psychonomic Society 26 (1):55-58.
  10.  23
    The balance equation: Part 1. Response-specific inhibition and the operant-contingency puzzles.Douglas Anger - 1987 - Bulletin of the Psychonomic Society 25 (6):468-471.
  11.  17
    Trembling Meaning: Camera Instability and Gilbert Simondon's Transduction in Czech Archival Film.Jiří Anger - 2021 - Film-Philosophy 25 (1):18-41.
    Many experimental found footage films base their meanings and effects on an interaction between the figurative content of the image and its material-technological underpinnings. Can this interaction arise accidentally without artistic appropriation? A recently digitised film by the Czech cinema pioneer Jan Kříženecký, Opening Ceremony of the Čech Bridge (1908), presents such an exercise in accidental aesthetics. At one point, the horizontal and vertical trembling of the cinematograph – obtained from the Lumière brothers – translates into a trembling of the (...)
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  12.  13
    Time, tense, and relativity revisited.Frank D. Anger & Rita V. Rodriguez - 1991 - In B. Bouchon-Meunier, R. R. Yager & L. A. Zadeh (eds.), Uncertainty in Knowledge Bases. Springer. pp. 286--295.
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  13.  10
    Truth to nature: Judaism in the art of Simeon Solomon.Karin Anger - 2018 - Constellations 9 (2).
    Simeon Solomon was a Pre-Raphaelite artist who navigated the modernity of VictorianEngland to create works revolving around explicitly Jewish themes; often creating overtly Jewish images, highly unusual among the generally explicitly Christian movement. This article will deal with how Solomon constructed and dealt with his own identity as a Gay, Jewish man in the modern, and heavily Christian environment of mid-nineteenth century Victorian London. Using contemporary approaches to historicism, observation, and spirituality, his works deal with the complexities of his identity (...)
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  14.  35
    Victorian interpretation.Suzy Anger - 2005 - Ithaca, N.Y.: Cornell University Press.
    Victorian scriptural hermeneutics : history, intention, and evolution -- Intertext 1 : Victorian legal interpretation -- Carlyle : between biblical exegesis and romantic hermeneutics -- Intertext 2 : Victorian science and hermeneutics : the interpretation of nature -- George Eliot's hermeneutics of sympathy -- Intertext 3 : Victorian literary criticism -- Subjectivism, intersubjectivity, and intention : Oscar Wilde and literary hermeneutics.
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  15.  1
    Was von moderner Physik bleibt und fällt.Gottfried Anger, James Paul Wesley & Hans Kaegelmann (eds.) - 2005 - Marktoberdorf: Argo.
    1. Bd. Die Relativitätstheorie fällt : physikalische, philosophische, wissenschaftssoziologische und allgemeinverständliche Korrektur : hundert Jahre Kultus des Irrtums sind genug -- 3. Bd. Die Urknalltheorie fällt.
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  16.  4
    Personality Traits and Further Training.Marie-Christine Laible, Silke Anger & Martina Baumann - 2020 - Frontiers in Psychology 11.
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  17.  18
    Suppression of postpellet licking by a Pavlovian S+.Wendell Stone, David O. Lyon & Douglas Anger - 1978 - Bulletin of the Psychonomic Society 12 (2):117-119.
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