Results for 'aethetics'

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  1. Aethetics, neuroaesthetics and embodiment: theorising performance and technology.Susan Broadhurst - 2018 - In Patrizia Veroli & Gianfranco Vinay (eds.), Music-dance: sound and motion in contemporary discourse. New York, NY: Routledge.
     
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  2. The Aesthetics of Theory Selection and the Logics of Art.Ian O’Loughlin & Kate McCallum - 2018 - Philosophy of Science (2):325-343.
    Philosophers of science discuss whether theory selection depends on aesthetic judgments or criteria, and whether these putatively aesthetic features are genuinely extra-epistemic. As examples, judgments involving criteria such as simplicity and symmetry are often cited. However, other theory selection criteria, such as fecundity, coherence, internal consistency, and fertility, more closely match those criteria used in art contexts and by scholars working in aesthetics. Paying closer attention to the way these criteria are used in art contexts allows us to understand some (...)
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  3. L'armonia estetica: lineamenti di una civiltà laotziana.Grazia Marchianò - 1974 - Bari: Dedalo libri.
     
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    Zum Verhältnis von Kunsttheorie und Ästhetik.Daniel Martin Feige - 2011 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 56 (1):123-142.
    In german aesthetics, aethetic experience is the most prominent concept to emphasize sensual properties of objects and events. Thus, artistic objects can be understood as a special case of aesthetic experience. In this paper I argue that a theory of art should be separated from a general theory of aesthetics. In a first part, referring to Arthur C. Danto’s arguments, I claim that there are many artworks for which sensual properties are not constitutive. In a second step, I try to (...)
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  5. Aesthetics of History: The example of Russia / Эстетика истории: пример России.Pavel Simashenkov - 2019 - Modern European Researches 3 (2019):47-55.
    The article highlights the problem of studying historical time in terms of aesthetics and social ethics. The essence of history, according to the author, is not so much in retrospection or reflection, but in the gap between feeling and awareness. Guided by the apophatic method, the author analyzes the historiosophical views of domestic and foreign scholars and comes to the conclusion that the Soviet paradigm is true, where the only vector of human development is the liberation of labor in the (...)
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