The collection of Edmund Husserl's sketches on time-consciousness from the years 1893-1917, edited by Rudolf Boehm and published as Volume X in the Husserliana series, affords significant new material for the study of the evolution of Husserl's thought. Specifically, the sketches suggest that in the course of analyzing the consciousness of temporal objects Husserl became convinced that a distinction must be drawn between an ultimate or absolute flow of consciousness and the immanent temporal objects or (...) contents -- sense-data, appearances of external things, acts of wishing, judging, etc. -- constituted or known within that flow. Further, the texts indicate that the emergence of the absolute dimension was connected with the development during this period of two distinct interpretations of the constitution of time-consciousness. Husserl apparently worked out the first of these during the years 1901-1907, and only towards the end of this period did the notion of an absolute consciousness, absent in earlier texts, make its appearance. And no sooner did it emerge than Husserl undertook a critique of his first interpretation which ultimately culminated in its rejection. In the new position which then appeared, around 1909, the absolute flow of time-constituting consciousness, and its distinction from temporal objects both immanent and transcendent, was unequivocally affirmed. We propose now to discuss this evolution and the emergence and nature of the absolute flow of consciousness. -/- . (shrink)

This paper concerns the issue as to whether novelty plays a significant role in Husserl’s analysis of time. To address this matter, I show that horizontal and transverse intentionality constitute absolute consciousness as a process of self-differentiation, which enables the ego to anticipate its own renewal and yet to escape coinciding with this synthesising activity. I then further analyse time-constituting consciousness as a process of self-differentiation through a study of Husserl’s account of retention and protention. (...) Addressing Husserl’s presumed neglect of protention, I demonstrate that Husserl reveals that retention and protention modify and motivate one another, and find that this provides a role for novelty within Husserl’s account of the continuity of time. I maintain that this novelty assumes two forms: one that is absolute or necessary, and another that is relative or accidental. (shrink)

This paper approaches Husserl’s analysis of time-consciousness from a mereological perspective. Taking as inspiration Bergson’s idea that pure durée is a multiplicity of interpenetration, I will show, from within Husserlian phenomenology, that the absolute flow can indeed be described as a whole of interpenetrating parts. This mereological perspective will inform my re-consideration of the much-discussed issue of Husserl’s self-criticism concerning the schema of content and apprehension. It will also reveal a fundamental similarity between Husserl’s conception of the (...) absolute flow and Sartre’s conception of lived temporality. This paper consists of four sections. Section 2 presents the basic elements of Husserl’s mereology. Section 3 introduces the difficulty encountered by Husserl’s early account of time that makes use of the schema. I will examine Barry Dainton’s criticism of Husserl’s theory of time-consciousness against the background of the older debate between Meinong and Stern, a debate that has informed Husserl’s own account. Section 4 distinguishes two common criticisms of the schema from Husserl’s own self-criticism, which is in turn divided into two steps. It is shown how the second step of this self-criticism implies the interpenetration of the absolute flow and responds to Dainton’s criticism. Finally, Sect. 5 concludes with some comparative remarks. I will show how Husserl’s notion of absolute flow, as mereologically interpreted, anticipates Sartre’s conception of consciousness as self-transcendence, as well as how it accommodates the apparently conflicting mereological intuitions of Aristotle and Bergson. (shrink)

This article formulates the “enigma of time” as the paradoxical compatibility between the apparent completeness of a temporal object’s presence and the actual incompleteness of its manifestation. Proceeding with the methodological assumption that this paradox cannot be “solved” by positing an atemporal foundation, I point to a constant risk in Husserl’s transcendental phenomenology that the temporality of temporal phenomena is traced to an atemporal activity arranging equally atemporal contents—and thereby is explained away rather than explained. The risk was already (...) recognizable in the “schematic model” of apprehension, and it persisted in the foundationalist interpretation of “absolute time-consciousness.” By contrast, I suggest a hermeneutics that takes time seriously, which comprehends the paradox and make it the productive core of philosophizing. Only in this way can time cease to be a petrifying impasse and instead redefine the landscape of philosophy. (shrink)

This article formulates the “enigma of time” as the paradoxical compatibility between the apparent completeness of a temporal object’s presence and the actual incompleteness of its manifestation. Proceeding with the methodological assumption that this paradox cannot be “solved” by positing an atemporal foundation, I point to a constant risk in Husserl’s transcendental phenomenology that the temporality of temporal phenomena is traced to an atemporal activity arranging equally atemporal contents—and thereby is explained away rather than explained. The risk was already (...) recognizable in the “schematic model” of apprehension, and it persisted in the foundationalist interpretation of “absolute time-consciousness.” By contrast, I suggest a hermeneutics that takes time seriously, which comprehends the paradox and make it the productive core of philosophizing. Only in this way can time cease to be a petrifying impasse and instead redefine the landscape of philosophy. (shrink)

This article revisits Edmund Husserl’s philosophy of time in light of the modern standardisation of time. After assessing Husserl’s innovative analysis of the experience of time and raising key issues pertaining to his derivation of objective time from an originary ‘absolute flux of consciousness’, the article addresses potential relationships between this conception of time and the historically unique experience of time based in the rise of modern clock-time. Drawing on insights from (...) the literature within the sociology of time, the article concludes that Husserl’s conception of time both reproduces and rejects certain features of modern time relations. (shrink)

_ Source: _Page Count 19 This article revisits Edmund Husserl’s philosophy of time in light of the modern standardisation of time. After assessing Husserl’s innovative analysis of the experience of time and raising key issues pertaining to his derivation of objective time from an originary ‘absolute flux of consciousness’, the article addresses potential relationships between this conception of time and the historically unique experience of time based in the rise of modern clock- (...) class='Hi'>time. Drawing on insights from the literature within the sociology of time, the article concludes that Husserl’s conception of time both reproduces and rejects certain features of modern time relations. (shrink)

The aim of this paper is to defend the thesis, found across the works of Edmund Husserl, that the most fundamental level of subjectivity – the so-called absolute consciousness – is given in time as an immediate unity. In order to do so, I first consider Martin Hägglund’s critique of the Husserlian absolute consciousness. My subsequent answer to Hägglund has two parts: firstly, I argue that Hägglund’s own account of subjectivity is contradictory; secondly, I offer (...) a model of absolute consciousness impervious to Hägglund’s critique. Drawing on Husserl’s “Bernau Manuscripts,” I demonstrate that time is, in fact, compatible with the notions of immediacy and unity, and that a correct account of the Husserlian absolute consciousness recognizes the latter to be given as a temporally differentiated immediate unity. (shrink)

Time-consciousness made its appearance in Husserl’s thought in the first decade of the twentieth century in analyses that were notably silent on the issue of the ego. The ego itself made its debut in the Ideas in 1913, but without an account of its relationship to time. Husserl described time-consciousness, particularly what he called the absolute time-constituting flow of consciousness, as perhaps the most important matter in all of phenomenology. He also came (...) to view phenomenology as centered on the study of the ego understood as transcendental subjectivity. It was not until the last years of his life, however, in his late writings on time-consciousness collected as the C-manuscripts, that Husserl made a serious effort to work out the connections between these two themes. The point of this essay is to examine how Husserl sought to understand the relation between the ego and temporal awareness in the C-manuscripts. I will argue that in these late texts, Husserl preserves and deepens his early understanding of the absolute flow of time-consciousness but that he also attempts to show how the flow is interwoven with the ego’s constitution of itself and of the world. Time-consciousness plays a role on every level of egological constitution. At the same time, egological constitution contributes to the consciousness of time, and particularly to the constitution of the Husserlian monad, the ego understood not simply as the bare pole from which conscious acts radiate but in its full concreteness as embracing its unique individual history. (shrink)

The present article is an attempt to set forth and examine the conclusions of what is perhaps Husserl’s finest piece of philosophical investigation, and one of the finest pieces in the whole history of philosophy: the investigation of the consciousness of time, with its extraordinary combination of an unchanging form with an absolute flux of which it is none other than the very form itself. This investigation puts Husserl on a level with the wisest heads on the (...) matter, with Aristotle in Books IV and VI of the Physics, with Augustine in Book X of the Confessions, and with Kant, whose whole Critique of Pure Reason may be said to be an examination of what is necessary to temporal experience. In Husserl’s work we have, we may say, the greatest of recent philosophers tackling the greatest of philosophical problems, one in which contradiction is always appearing in novel forms, to be evaded only by the naïve superficiality of a Minkowski or a Grünbaum, or by such infinitely useful subtlety as Husserl himself practises. As Husserl himself put it near the beginning of his 1905 Lectures. (shrink)

If God exists atemporally, could God still be temporally conscious? This article aims to clarify a conceptual space for a divine temporal mode of consciousness under the traditional assumption that God exists atemporally. I contend that an atemporally existing and conscious God – by the divine nature, and not just the human nature in Christ – could also be conscious of the temporal world – and indeed, all possible temporal worlds – through a temporal mode that is akin to (...) human temporal consciousness, albeit exempt from its limitations. I submit that although (a) God exists atemporally (ontological atemporalism), (b) God could be both temporally and atemporally conscious (bimodalism of divine consciousness), and (c) these two modes of consciousness could be unified in an absolute divine consciousness without incurring schizophrenia-like problems (unity of bimodal divine consciousness). (shrink)

Recent literature on the Young Hegelians attests to a renewed appreciation of their philosophical and political significance. Important new studies have linked them to the literary and political currents of their time, traced the changing patterns of their relationships with early French socialism, and demonstrated the affinity of their thought with Hellenistic theories of self-consciousness. The conventional interpretative context, which focuses on the left-Hegelian critique of religion and the problem of the realisation of philosophy, has also been decisively (...) challenged. Ingrid Pepperle emphasizes instead the centrality of practical philosophy, notably Hegel's dialectic of objectification, arguing that Bruno Bauer in particular derives from this a doctrine of autonomy with politically revolutionary implications. (shrink)

My essay focuses on the relation between consciousness and reality. I argue, following Georg Cantor, that consciousness is a potential infinite driven by care to invest itself in the world historically. As human beings develop an authentic sense of self they are driven by good faith to postulate an Absolute infinite, which, following Spinoza, we may call God. Thus God, as the Absolute infinite, constitutes our reality, which I characterize as implicate information explicating itself through (...) class='Hi'>time. To live authentically is to recognize the nature of God and commit to Him through faith. Faith means to understand one’s self as a potentially infinite consciousness attempting to authentically participate in, and understand, the Absolute of God. (shrink)

The notion of the absolute time-constituting flow plays a central role in Edmund Husserl’s analysis of our consciousness of time. I offer a novel reading of Husserl’s remarks on the absolute flow, on which Husserl can be seen to be grappling with two key intuitions that are still at the centre of current debates about temporal experience. One of them is encapsulated by what is sometimes referred to as an intentionalist (as opposed to an extensionalist) (...) approach to temporal experience. The other centres on the thought that temporal experience itself necessarily unfolds over time. I show how some of Husserl’s more enigmatic-sounding remarks about the absolute flow become intelligible if they are read as attempts to accommodate both these intuitions at the same time. However, I also question whether Husserl ultimately provides good reasons for preferring his intentionalist approach to a rival extensionalist one. (shrink)

Husserl's Absolute-Flow-Model (AFM) represents an approach to a coherent phenomenological description of time-consciousness. Within the AFM framework the streaming of every real moment in the flow of time-consciousness is necessarily concomitant with some retentional or protentional modifications of time-consciousness modes. These modifications of consciousness, i.e. all retentions and protentions, are characterized here as "temporal apprehension." By means of this distinctive function of time-consciousness, all constituents of one and the same (...) class='Hi'>consciousness phase are assigned an intentional sense as their temporal index, so that all these constituents can be temporally represented and distinguished by time-consciousness. In this way, the AFM can overcome some of the difficulties in describing the flow of consciousness. (shrink)

The topic of personal identity has prompted some of the liveliest and most interesting debates in recent philosophy. In a fascinating new contribution to the discussion, Peter Unger presents a psychologically aimed, but physically based, account of our identity over time. While supporting the account, he explains why many influential contemporary philosophers have underrated the importance of physical continuity to our survival, casting a new light on the work of Lewis, Nagel, Nozick, Parfit, Perry, Shoemaker, and others. Deriving from (...) his discussion of our identity itself, Unger produces a novel but commonsensical theory of the relations between identity and some of our deepest concerns. In a conservative but flexible spirit, he explores the implications of his theory for questions of value and of the good life. (shrink)

Normal 0 21 false false false ES-CO X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This paper addresses ‘Absolute knowing’, the process whereby the experiences of consciousness reach heir highest point, as Hegel discusses in the Phenomenology of Spirit. The objective is to analyze this concept both in its epistemological (...) and Cartesian perspective, that is, as fundamental knowledge and in its religious meaning, that is, as knowledge of the absolute. With these two perspectives Hegel seeks to open the path towards speculative thinking where subject and object find their final identity and towards the ‘sublating’ (aufheben) of Religion into Philosophy in the threefold sense of suppressing, elevating and preserving it. This paper also deals with some of the main objections to the above mentioned twofold perspective in Phenomenology. (shrink)

Erwin Schrödinger holds a prominent place in the history of science primarily due to his crucial role in the development of quantum physics. What is perhaps lesser known are his insights into subject-object duality, consciousness and mind. He documented himself that these were influenced by the Upanishads, a collection of ancient Hindu spiritual texts. Central to his thoughts in this area is that Mind is only One and there is no separation between subject and object. This chapter aims to (...) bridge Schrödinger’s view on One Mind with the teachings of Dōgen, a twelfth century Zen master. This bridge is formed by addressing the question of how time relates to One Mind, and subject-object duality. Schrödinger describes the experience of One Mind to be like a timeless now, whereas subject-object duality involves a linear continuum of time. We show how these differing positions are unified in the notion of ‘absolute present’, which was put forward in the philosophy of Nishida Kitarō (1871–1945). In addition, we argue that it is in this notion of absolute present that the views of Schrödinger, Dōgen and Nishida meet. (shrink)

For all its subtle differences, Husserl scholarship on time-consciousness has reached a consensus that Husserl’s theory underwent a significant interpretiveimprovement starting around 1908 / 1909. On this advance, which concerned the intentional structure and directedness of absolute consciousness, I have cautioned against reading Augustine’s theory of time as a philosophical predecessor to Husserl’s. In a recent “confrontation” with my efforts, Roger Wasserman tried to defend a reading of Augustine’s influence on Husserl’s theory of time (...) by criticizing my reading of Augustine and Husserl. This reply to Wasserman’s challenge (i) reestablishes my reservations about attempts to claim a relation between Augustine and Husserl on time-consciousness, (ii) defends the standard interpretation of the development of Husserl’s theory of time-consciousness, and (iii) raises several critical questions about Wasserman’s Neoplatonic or Augustinian reading of Husserl on time-consciousness. (shrink)

For all its subtle differences, Husserl scholarship on time-consciousness has reached a consensus that Husserl’s theory underwent a significant interpretiveimprovement starting around 1908 / 1909. On this advance, which concerned the intentional structure and directedness of absolute consciousness, I have cautioned against reading Augustine’s theory of time as a philosophical predecessor to Husserl’s. In a recent “confrontation” with my efforts, Roger Wasserman tried to defend a reading of Augustine’s influence on Husserl’s theory of time (...) by criticizing my reading of Augustine and Husserl. This reply to Wasserman’s challenge (i) reestablishes my reservations about attempts to claim a relation between Augustine and Husserl on time-consciousness, (ii) defends the standard interpretation of the development of Husserl’s theory of time-consciousness, and (iii) raises several critical questions about Wasserman’s Neoplatonic or Augustinian reading of Husserl on time-consciousness. (shrink)

This book studies various perspectives in the history of European philosophy on the relationship between time and movement. Ever since the pre-Socratic thinker Zeno of Elea linked time and space to understand bodily movement, his so-called paradoxes of motion have remained unsolved. One of his most important critics, the French philosopher Henri Bergson, criticized the usual connection between time and space and established a new way of understanding time as duration (durée). Whereas Zeno presented an objectivist (...) understanding of time, Bergson emphasized its subjectivist meaning. Both contradictory positions seem incompatible, referring to pure intellect (Zeno) on the one hand or pure sensation (Bergson) on the other. Looking at Hegel's Phenomenology, this book shows that the outer and inner consciousness of time became crucial to his principle of movement and change. In his view, time is an integral part of dialectical processes that are historically substantiated. Hegel sought to subordinate pure concepts and ideas so that they would become indispensable moments of the self knowing spirit. Cassirer appreciated the idealism of coming into being but rejected Hegel's concept of the absolute. Instead, he established his philosophy of symbolic forms, in which the development of different perceptions and conceptions of time - from situational affective experience to the mathematical system of relations - determines the direction of the symbolic formation process. In the end, the sensitive concept of time is replaced by the relational concept of natural numbers, in which all here-and-now experiences are embedded. Finally, Bourdieu attempts to reintegrate symbolic forms into social processes. The book reflects on the concepts mentioned here by discussing their pros and cons in order to shed more light on the relationship between time and movement in European thought. (shrink)

_Time, Space, and Phantasy_ examines the connections between time, space, phantasy and sexuality in clinical practice. It explores the subtleties of the encounter between patient and analyst, addressing how aspects of the patient’s unconscious past are actualised in the present, producing new meanings that can be re-translated to the past. Perelberg’s analysis of Freud’s Multi-dimensional model of temporality suggests that he always viewed the constitution of the individual as non-linear. In Freud’s formulations, the individual is decentred and ruled by (...) different temporalities, most of which escape their consciousness. Perelberg identifies the similarities between this and Einstein’s theory of relativity which states that rather than being absolute, time depends on the relative position and speed of the observing individual suggesting that rather than being a reality, time is an abstraction, connecting objects and events. Throughout this text, Perelberg draws together connections between time, mental space, and phantasy showing how time is constantly reshaped in the light of new events and experiences. This book will be of interest to psychoanalysts, psychotherapists, psychologists, and social workers. (shrink)

Introduction 11 PART I: THE HALLE YEARS Chapter One: The Rehabilitation of the Imagination in Husserl’s Early Thought. 17 §1. Brentano’s Rehabilitation of Intentionality and the Problem of Imagination. §2. Husserl and the Breakthrough of Phenomenology. §2.1 The Meaning-Bestowing Act as ‘the Peg from which Everything hangs.’ §2.2 Consciousness is not a Container. §2.3 ‘A Difference that cannot be Phenomenologically Reduced.’ §3. Imagination as an Authentic, Intuitive Intentionality. PART II: THE GÖTTINGEN YEARS Chapter Two: Irreconcilable Differences: Imagination and Image (...) Consciousness. 71 §1. Separations, Convergences, and Goodbyes §2. A nothing in the midst of things that sees me. §3. Wrestling with the angel of Imagination. §4. Images of Productive Phantasy. Chapter Three: The Garden of the Forking Paths: On Time Consciousness. 107 §1. Picking up an Ancient Cross. §2. Continuum of Continua. §3. In Search of Time Lost. Chapter Four: Absence and the Absolute: The Revisions of Phantasy and Time-Consciousness. 143 Recapitulation: Cutting loose the baggage of the ‘Content for an Apprehension and Apprehension’ Schema. §1. The Concept of an Absolute Consciousness and the Embedment of Contents. §2. Transcendental Phenomenology and the Opening Up of a Closed Field. §3. The Breakthrough on the Contents of Consciousness. §3.1. ‘Consciousness through and through’ §3.2. Ambiguities of Immanence. §4. Primary and Secondary Memory revisited. §5. The New Account of Internal Time Consciousness. Chapter Five: The Breakthrough of the Life of Phantasy: Recollection and Pure Phantasy. 187 §1. Introducing the Pure Ego. §2. The Pending Problem of Belief in Presentifications. §3. Recollection and Internal Time Consciousness. §3.1. The Characterization of Recollection as Consciousness ‘Once Again’ following the Revision of the Schema. §3.2. Recollection as a Modified Appearance and a Directedness toward the Past Object. §3.3. Recollection as the Reproductive Modification of the Internal Consciousness of a Past Act. §4. The Differentiation of Recollection and Pure Phantasy on the basis of Internal Time-Consciousness. PART III: THE FREIBURG YEARS AND BEYOND Chapter Six: The Subject in Image: Husserl’s Revisiting of Image-Consciousness. 239 §1. Introducing the Concept of Perceptual Phantasy. §2. The Subject in Image. §3. Is There Temporality in Image?. §4. Revisiting the Theory of Image-consciousness as Depiction. §5. Pictoriality and Phantasy Temporality. Chapter Seven: ‘Myth that is Truest Memory:’ Phantasy and the Literary Work of Art. 303 §1. Theater and Drama. §2. Is the Literary Work of Art Itself Imaginary? §3. The Literary Work as an Idea with a Temporality. §4. Phantasy and the Consciousness of Possibility. Parting Words on Poetry and Philosophy. Bibliography: 361. (shrink)

T. L. S. Sprigge produced an eclectic yet highly original system of metaphysics and ethics, a synthesis of panpsychism, absolute idealism, and utilitarianism, at a time in which orthodox analytical philosophy could only view this system as an anachronism of the nineteenth century. His critics claim that his philosophy has only historical interest to a small group of specialists in the relatively dormant tradition of British Idealism, that an attempt to defend his view of consciousness is a (...) hopeless nonstarter, and that his Spinozistic monism can have no relevance in our intellectual culture.1 Yet others have defended Sprigge as the "most independent of thinkers within the field of metaphysics" and salute him as "a .. (shrink)

In this Festschrift honoring the work of Timothy L. S. Sprigge, Sprigge summarizes his philosophy (a synthesis of absolute idealism, panpsychism, and utilitarianism), defends his position against criticism raised by philosophers in the preceding chapters of this volume, and offers in an addendum a proof for the existence of the Absolute, namely, a final and all-embracing Consciousness akin in many ways to Spinoza’s God. This defense of his philosophy consists mainly of responses to various points of criticism (...) raised about his view of time, the relation between his metaphysics and ethics, panpsychism, the Absolute, and animal rights. (shrink)

A close reading of the final chapter of Hegel's Phenomenology, with special attention to phenomenological method, to the structure of overcomings and preservations that makes for the integrated totality of the ascent to the absolute, to the determinate negations that bind ch.s 6c on Objective Spirit and 7c on Revealed Religion to one another and to ch. 8 on Absolute Spirit, and to the relations of the absolute standpoint to time and to history.

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

In a relational universe, the only properties of a system that have meaning are those that arise from correlations with other systems. No state exists in an absolute sense independently of other states. Our basic premise is that the universe is built from elementary combinatorial (or relational) structures. These structures change and if we are not to suppose the existence of laws over and above the universe, then they must encode the rules for their own change. Geometry, time (...) and consciousness, it is argued, emerge from such a universe as relational Kantian phenomena. (shrink)

Studying the Bernau manuscripts, we find that because protentions are motivated by the sedimentation of retentions and retention is the retaining of fulfilled protentions, the problem of the birth of consciousness arises. I argue that the phenomenon of sleep and awakening is not fundamental enough to understand the problem of the birth of consciousness, since “far” retentions can here serve as motivations. Consciousness at its birth seems to require a pre-consciousness of hyletic unities, such as manuscript (...) C 4 described, to provide these first motivations. I will show that this model of time-consciousness therefore already requires a rethinking of consciousness according to an open (horizontal) affection-and-action model instead of the absolute (vertical) sensation model. As such, the transcendental solidarity between objectivity of knowledge and subjectivity of experience comes to be founded in the primordial transcendence that the pre-consciousness of C 4 implies. Time-constitution at its core is already motivated by the world to constitute it and itself. (shrink)

If the universe is a machine, consciousness is not possible. If the universe is more than a machine, then physics is incomplete. Since we are both part of the universe and conscious, physics must be incomplete and the understanding required to construct conscious mechanisms must be sought through the advancement of physics not the continued application of inadequate concepts. In this paper I will show that an impediment to this advancement is the confusion arising through the use of terms (...) such as 'physical reality' to refer to an absolute a priori Kantian 'Ding an Sich' when they should both be recognized as referring to data structures holding the knowledge upon which we act and nothing more. Once this confusion has been clarified, I will go on to suggest that the cycle of activity updating physical reality becomes a candidate for a conscious process. I will show how implementing algorithms in modern computers can mimic this process but if actual consciousness is to be achieved the update activity must correspond to a cycle in time. Such cycles have been identified with Whitehead's 'actual occasions' and thus I will argue that fundamental events should replace fundamental particles as the building blocks of the universe if consciousness is to be explained. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.1 (2000) 49-77 [Access article in PDF] The Time of the King Gift and Exchange in Zorrilla's Don Juan Tenorio Joan Ramon Resina There is something paradoxical about José Zorrilla's revision of the Don Juan legend, a certain contradiction between the play's structure and the logic of the action. The character of the protagonist, the form and implications of Don Juan's salvation, the strategies and temporality of (...) seduction, even the play's generic status--all come under the law of self-cancellation. And so does the historical time in which the play is set: the time of absolute monarchy. The proportionality between terrestrial and eschatological time, organic to the play's Golden Age precursor, 1 is strangely neutralized in Zorrilla's work through an expanding temporality without equivalent in the afterlife; and the same is true of the king's dramatic role through his removal from the scene, which he regulates nonetheless as deus ex machina of the social edifice.A nineteenth-century reader, Francesc Pi i Margall, remarked that "Zorrilla hace a Don Juan escéptico o creyente según lo van exigiendo las peripecias de su drama, y merced a esa indeterminación del carácter, le pone repetidamente en contradicción consigo mismo" (Zorrilla makes Don Juan a skeptic or a believer depending on the drama's events, and by virtue of this indeterminacy, he brings his character repeatedly into contradiction with himself) [204]. This indeterminacy affects not only the libertine's relation to religion but also the doctrinal coherence of the play, which has been the object of debate [see Mazzeo; Abrams; Wang; Romero]. Others, curiously, detect a contradiction between the play's sound theological conception and the author, who "quizá no sabe apenas nada de teología" (perhaps knows next to nothing about theology) [Alberich 16]. Yet not only Don Juan's piety but also his seductions appear self-annulling. For Luis Fernández Cifuentes, Zorrilla's most original and thus most revealing decision is "presentar el acto de seducción engañosa en el momento mismo en que deja de serlo: la carta con que comienza el drama participa de una tradición que también cancela. En el curso de la obra, es y no es un instrumento de seducción; sin cambiar de palabras, es a la vez falsa y verdadera... " (to present the act of deceitful seduction at the very moment in which it stops being deceitful: the letter with which the play starts participates in a tradition which it also cancels. Throughout the play the letter is and is not a tool of seduction; its words are at once true and false...) [83]. In the same line of structural contradictions must be included the play's temporality, which runs counter to the causal logic of the action. As Gustavo Pérez Firmat points out: "In Juan's verses normal temporal and causal sequence collapses, for future events are always catching up and outstripping the present, as if time were circular and past, present, and future travelled the circle at different speeds" [7]. Even the play's representativeness as a privileged [End Page 49] instance of Spanish romanticism has been flatly denied in light of its inconsistencies with the patterns of that movement [Gies, "José Zorrilla"]. 2 But perhaps the most telling contradiction is the one between the play's undiminished popularity for almost a century and its author's sedulous efforts to undermine its prestige. 3Author's second thoughts? A repentant artist in ascetic revulsion against mundane acclaim? It seems reasonable to assume a link between the play's popularity and the contradictions to which it gives expression. Thus, taking at face value the tired notion that Don Juan presents a fundamentally Spanish profile, 4 I will inquire whether the play's manifest contradictions are culturally efficient. 5 To this end, I will need to consider a possible incongruity between nineteenth-century forms of consciousness and the objective historical conditions. Joaquín Casalduero already pointed out a discrepancy between historical changes and... (shrink)

The “Crisis” itself is an attempt of enlightenment by examining origins. Husserl knows three philosophical origins of evidence and justification: (1) consciousness; (2) the life-world; (3) european philosophy and the history of the sciences. There is a tension of historicity and ahistoricity in all of these origins. I will show in how far all three origins are under this tension. Because even concerning the notion of absolute consciousness one can show, that it is linked to historicity. The (...) exact sciences are, as Husserl says, the accomplishments of the consciousness of knowing subjects. Subjectivity and the accomplishments of consciousness are for Husserl therefore the immanent reason (die immanente Vernunft) without which the objectivity of the sciences becomes absurd (widersinnig). As they are not domains of a priori truths, they derive their inherent reason from subjectivity. Subjectivity and consciousness are therefore prior conditions for the sciences and for the life world. The immanent reason that subjectivity and consciousness is for the sciences and the life-world is also part of the ground that enables critique on the sciences. But does it make sense to try to reconstruct historical anonymous subjective phenomena as the immanent reason of scientific developments as Husserl demands? The reduction to a pure intention or absolute ego is a process, which is dependant on a historical development. Therefore even if we conceded that the epoché was feasible it would still depend on a historical evolved concept. An absolute ego is only conceivable for those who live in a culture that allows such an abstraction. But as Husserl does not adopt a history of philosophy like Hegel that explains how the absolute ego comes to itself in time, the tensions between ahistoricity or non-historicity and historicity are not resolved in the “Crisis”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Time, Will, and Purpose: Living Ideas from the Philosophy by Randall E. AuxierDavid W. RodickRandall E. Auxier Time, Will, and Purpose: Living Ideas from the Philosophy of Josiah Royce Chicago, Illinois: Open Court Press, 2013. 424 pages, incl. index.Randy Auxier’s long awaited book is a major milestone in Royce studies—a systematic tour de force engaging the entire course of Royce’s thought. Auxier’s goal is to achieve (...) an all-round reappraisal of Royce, setting the record straight about major misconceptions accrued throughout the course of Royce scholarship over the past 65 years—if not longer.One of the most significant events in Royce scholarship during the 20th Century was the appearance of John E. Smith’s Royce’s Social Infinite: The Community of Interpretation.1 As Auxier notes: “For the purposes for which it was intended, Smith’s book will never be surpassed in its excellence. Smith’s book is outstanding in numerous ways … but its clarity and brevity are high among its chief virtues” (13). The problem with Smith’s book, for Auxier, is that readers have used it for a purpose it was never intended to serve—that of a crutch or “shortcut to a full understanding of Royce” (13). This tendency has had a compounding effect: “[N]ot only scholarship, but scholarly consciousness about Royce is formed by Smith’s book” (14). [End Page 166]The shortcomings of Smith’s book are partly due lack of available historical information concerning the Peirce-Royce relationship at the time it was written: “The inferences about Peirce and Royce that Smith drew from the available resources were mostly warranted at the time, but they turned out to be only a drop in the pond, if not the ocean, of what was the case” (15–16). But the most damning consequence of Smith’s book is its claim that Royce’s thought underwent a decisive shift in its later stages: “[T]he all-important change in Royce’s conception of the Absolute consists in the shift from the idea that the Infinite thought is an all-embracing consciousness apprehending at a glance all truth … to the idea that the Infinite is actual as a well-ordered system … having a generally triadic form and involving a type of cognition called interpretation” (19).2 Once a bifurcation between the “early” and the “later” Royce is introduced, the tendency is to identify Royce’s “Peircean moment” of 1912 as the decisive point of rupture between the “two Royces”—an incorrect view stemming from the inability to take a longer view of the Peirce-Royce relationship:But our recognition of the intense, constant and long term character of their exchange also eliminates the supposition that that Royce took a sudden turn in 1912. It is not a “Peircean turn” due to some late discovery, it was an insight about how to use Peirce’s theory of signs (which Royce had known for years) as a tool for the application of his (long held) triadic theory of community. … Peirce did not save Royce from absolutism or turn him in any fundamentally new direction.(17)Failure to grasp the integral unity of Royce’s thought results in a tendency to miss the ethical basis of his philosophy—“ethics as first philosophy.” Unlike Smith, and others, who err toward the side of viewing Royce’s philosophical project as an epistemological attempt at a conception of knowledge warranted in terms of ability to provide truth and certainty, “Royce’s method is a hypothetical ontology … not aimed primarily at securing certainty or knowledge, but rather at maintaining intellectual norms … that govern clear thinking and facilitate intelligent practice and action” (23). Royce’s hypothetical ontology underscores the religious dimension of experience because practical, faith-based postulates are recognized as unavoidably intertwined in the process of knowing. Living in a universe of postulates requires formulating ideals as if they were ontologically constitutive; and acting in accordance with these ideals in a way that validates their existence—while recognizing the fallibility and risk of the entire enterprise. Royce’s argument amounts to saying “[W]ell no, we don’t get more than postulates, but don... (shrink)

This book is intended as an exposition of a particular theory of time in the sense of an interrelated set of attempted solutions to philosophical problems about it. Generally speaking there are two views about time held by philosophers and some scientists interested in philosophical issues. The first called the A-theory (after McTaggart's expression A-determinations for the properties of being past, present or future) is often thought to be closer to our commonsense view of time or to (...) the concept of time presupposed by ordinary language. It includes at least the following theses, (a) Logic ought really to include tensed quantifiers for existence on one of its important usages means, present existence. More generally, we can't reduce all tensed locutions to tenseless ones. (b) The distinction between past, present and future is an objective one. It is not, for example, dependent on our consciousness of change; some A-theorists hold also, that the distinction, in effect, is an absolute one. (shrink)

This paper summarizes the main features of the microgenetic account of consciousness, of the transition from self to image, act and object, the epochal nature of this transition, and its relation to introspection, imagination, and agency. The affinities of microgenetic theory to many aspects of process thought should be evident to readers of this journal, but the theory, which was developed in pathological case study, rests on a wealth of clinical detail that is beyond the scope of this article. (...) In brief, the micro-temporal transition from archaic to recent formations (distributed systems) in the phyletic history of forebrain constitutes the absolute mental state, with consciousness the relation of self to image and/or object. The discussion touches on the overlap of states, the continuity of the core over successive states, and subjective time experience. (shrink)

Perhaps even more radically than under the criticism of the ‘Maîtres du soupçon’, a whole world goes down in Greek comedy. Not only traditional religion, but also ethical life and finally even reason itself seem to be affected by the all-destroying power of laughter.The title of Aristophanes’ famous play ‘The Clouds’ has a symbolic meaning: in the comedy, Greek ethical life dissolves into a vanishing mist. Behind the player’s mask hides the principle of this total decomposition: the autonomous, selfconfident individual. (...) This event does not only have a theatrical meaning. It does not only exist in the artist’s imagination. It concerns a whole nation, a whole culture. The comedy is an expression of the way society understands itself. It represents in an aesthetic way the fact that the individual human being sees himself as ‘principium essendi et cognoscendi’ of everything. The comedy voices a new truth, namely that all truth begins and ends with man. The gods — symbols of truth and actuality- have dissolved in the shamelessness of a laughter, which does not halt for anything anymore. Formulated in modern terms: the comedy voices the philosophical principle that from now on the subject will be the reference point of all reality. Long before Descartes’s Cogito, a metaphysics of subjectivity here finds one of its remarkable expressions.At least, that is how Hegel interprets the comedy in his Phenomenology of Spirit. According to him, the destruction of the Greek world announces itself in the comedy. It signals the experience that a certain culture has grown old, that something new is coming. This new actuality will get its first, symbolic expression in the Christian religion. However, this transition is only possible if consciousness undergoes new experiences, by which the self-sufficient and frivolous cheerfulness of the comedy gets lost. In these new experiences the implications of the principle of the autonomous subjectivity, which is decisive for the comedy, come to light. Hegel defines this principle as following: “das Selbst ist das absolute Wesen; das Wesen, das Substanz und an dem das Selbst die Akzidentalität war, ist zum Prädikate herunter gesunken ...”.These new experiences are indicated by a term which is already familiar to the readers of the Phenomenology, namely ‘the unhappy consciousness’. Hegel writes: “We see that this Unhappy Consciousness constitutes the counterpart and the completion of the comic consciousness that is perfectly happy within itself”. The text is clear: the unhappy consciousness is not only that into which the comic consciousness turns. It is at the same time a change in which this consciousness accomplishes itself.The “Self which is for itself the absolute being” could not durably maintain itself in its position. Its “Leichtsinn” makes it “light”, too light to be the substance of everything. Very quickly, it loses its uncomplicated enjoyment of itself and becomes unhappy, even more: it has to become unhappy. I will return to the reason for this “having to” later on. But first, how does Hegel typify this historical experience, which is connected with the origin of Christianity? What does the bitter fruit of Greek comedy consist of? (shrink)

What is time? This is one of the most fundamental questions we can ask. Emily Thomas explores how a new theory of time emerged in the seventeenth century. The 'absolute' theory of time held that it is independent of material bodies or human minds, so even if nothing else existed there would be time.

Royce's Argument for the Absolute w.j. MANDER IN 188 5 IN THE PENULTIMATE CHAPTER of his first book, The Religious Aspect of Philosophy, Josiah Royce put forward an argument for Absolute Idealism based on the possibility of error. He considered the argument a most important one and returned to it on numerous occasions after that, slightly recasting it each time,' but never, he later claimed, really leaving it behind. Nor was he alone in his opinion of it; (...) well received by his contemporaries, such as William James, the argument did much to establish the young Royce's reputation. 9 Like the Absolute Idealism which it was designed to support, Royce's once- famous argument is now largely forgotten, yet there is no real justification for this save fashion, for it deals in a fresh and imaginative way with a subject matter still very much discussed in the literature. The purpose of this study is to recon- sider Royce's argument and to assess its validity. I shall examine it in some detail below, but first let me give a very brief summary of Royce's case keeping as close as possible to his own original presentation of it. The argument occurs in the following places, references to which will be abbreviated by the letters in brackets: The Religious Aspect of Philosophy , Chap. XI; The spirit of Modern Philosophy , Ch. XI; "The Implications of self-Consciousness," reprinted in his Studies.. (shrink)

Hegel's discussion of the concept of “habit” appears at a crucial point in his Encyclopedia system, namely, in the transition from the topic of “nature” to the topic of “spirit” (Geist): it is through habit that the subject both distinguishes itself from its various sensory states as an absolute unity (the I) and, at the same time, preserves those sensory states as the content of sensory consciousness. By calling habit a “second nature,” Hegel highlights the fact that (...) incipient spirit retains a “moment” of the natural that marks a limitation compared to “pure thought” but that also makes perceptual consciousness possible. This makes Hegel's account analogous in important respects to John McDowell's “naturalism of second nature.” But Hegel's account of habit can be seen as a version of a Kantian synthesis of the productive imagination—and hence presupposes a given material that can become one's own by means of habit. This does not mean that Hegel falls into the Myth of the Given, but it does suggest that an appropriate account of second nature might be committed to something McDowell wants to deny: that nonconceptual states of consciousness play a role (even if not a justificatory role) in perception. (shrink)

The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the problematization of the self that had been banished and/or erased by formalism, structuralism and (...) deconstruction. The modernist self erases the absolute ego reconstructing it with a rich, complex, narrative idea of a self‐conscious relational self encompassing memory, repression, autobiography and history. This paper explores the modernist conception of self in Marcel Proust's In Search of Lost Time. Proust demolishes the absolute ego in favor of the paradoxical self which knows itself only in relation to otherness actualized in persons and culture in the sacred time of existence. (shrink)

In the introduction to Zur Phänomenologie des inneren Zeitbewusstseins, Husserl remarks that “we get entangled in the most peculiar difficulties, contradictions, and confusions” (Hua X, 4) the moment we seek to account for time-consciousness. I think most scholars of Husserl’s writings on these issues would agree. Attempting to unravel the inner workings of time-consciousness can indeed easily induce a kind of intellectual vertigo. Let us consequently start with some of the basic questions that motivated Husserl’s inquiry.

https://www.academia.edu/32135680/There_is_no_such_things_as_Mind_or_Consciousness -/- ABSTRACT The introduction presents merely roughly‭ (‬as they undergo change all the time‭) ‬the contemporary,‭ ‬insular,‭ ‬Anglo-Phone speculations‭ (‬supposedly by means of the discourse of philosophy and the socio-cultural practice of philosophizing‭) ‬about notions of consciousness and mind. -/- These,‭ ‬almost epistemological solipsistic,‭ ‬self-centered and anthropo-centered,‭ ‬restricted speculations about the notions of mind and consciousness are made by means of cognitively biased metaphysical,‭ ‬ontological,‭ ‬epistemological and methodological assumptions and selective interpretations of the nature and the (...) doing of philosophy.‭ ‬Individuals or groups of them uttering those speculations form part of the professional academe and subscribe to the principles,‭ ‬attitudes,‭ ‬values and norms of a particular school,‭ ‬movement and community of Western academic philosophers. -/- The next sections situate the individuals who utter these pronouncements and/‭ ‬or argue for them by reasoning,‭ ‬logic and argumentation in the wider context of the multiverse,‭ ‬the universe,‭ ‬planet earth and our species as merely one type of contingent,‭ ‬living organism inhabiting and restricted to a certain eon,‭ ‬era,‭ ‬period,‭ ‬epoch,‭ ‬civilization,‭ ‬historical period and culture‭ (‬or time and place‭) ‬of this planet.‭ ‬In spite of this absolute restriction by place and time individuals try to depict from this restricted point of view an all-inclusive,‭ ‬god-like explanation of the nature,‭ ‬origin,‭ ‬meaning and functioning of every thing.‭ -/- I suggest that because of conceptual misuse mental objects such as the mind and consciousness are imagined and thought to exist.‭ ‬Such misleading notions lead to the creation of unnecessary‭ ‘‬philosophical‭’ ‬problems such as the mind-body problem and notions about things such as‭ ‘‬qualia‭’‬.‭ ‬It is advisable to restrict any‭ ‬experiments to an investigation of particular senses and‭ ‘‬acts‭’ ‬of cognition and identify the areas in the body and brain that play a part in them‭ ‬-‭ ‬and to leave such research to experts of the specialized cognitive and‭ ‬neuroscientific fields and related disciplines,‭ ‬instead of trying to speculate about them or by the use of thought experiments,‭ ‬imaginary cases and simulations,‭ ‬fictional accounts and reasoning or arguments. (shrink)

If one looks at the current discussion of self-awareness there seems to be a general agreement that whatever valuable philosophical contributions Husserl might have made, his account of self-awareness is not among them. This prevalent appraisal is often based on the claim that Husserl was too occupied with the problem of intentionality to ever really pay attention to the issue of self-awareness. Due to his interest in intentionality Husserl took object-consciousness as the paradigm of every kind of awareness and (...) therefore settled with a model of self-awareness based upon the subject-object dichotomy, with its entailed difference between the intending and the intended. As a consequence, Husserl never discovered the existence of pre-reflective self- awareness, but remained stuck in the traditional, but highly problematic reflection model of self-awareness. (shrink)

My research in phenomenology and existentialism has always been drawn, through a deconstructive lens-piece, to the significance and key importance of the issue of temporality – that, indeed, consciousness [Bewusstsein], Being-there [Dasein], and Being-for-itself [Être-pour-soi] are other names for the articulation of time. The horizon of Temporality could be said to refer to the absolute horizon of all horizons of Being. In the following essay on the spacing of temporal articulation , I examine some of the ways (...) in which phenomenology, existentialism and deconstruction have radicalized the treatment and conceptualization of time in contemporary philosophy. The principal focus is on how they have successfully exposed the kinds of aporia that infect the popular model in which time is expressed as a linear succession of 'discrete' moments. The importance of the analyses undertaken by Husserl and Heidegger, in particular, lies in the way in which their 'horizonal' approach to time shows how the 'now,' far from being a discrete moment or extensionless point, is intrinsically 'spanned.' This represents much more than a mere reiteration of the. (shrink)

Preface/Introduction: The question under discussion is metaphysical and truly elemental. It emerges in two aspects — how did we come to be conscious of our own existence, and, as a deeper corollary, do existence and awareness necessitate each other? I am bold enough to explore these questions and I invite you to come along; I make no claim to have discovered absolute answers. However, I do believe I have created here a compelling interpretation. You’ll have to judge for yourself. (...) -/- What follows is the presentation of three essays I have worked on over the past several years seeing publication for the first time. “Hollows of Experience” was written first as an invited chapter for a collection on the ontology of consciousness. However, when cuts became necessary, my chapter got the knife. Its length has prohibited it from publication in any print journal. “Myth and Mind” was written next as a journal article, but as my involvement with it grew so did its length, so it has also idled on my websty awaiting its call. “From Panexperientialism to Conscious Experience” was written most recently, but it is the only one to have been available to the public elsewhere than my own website. Under the name, “The Continuum of Experience”, it was Target Article #95 on the recently closed Karl Jaspers Forum (for discussion purposes only). -/- I have put them in a different sequence here, for reasons of logical sense. Up first, “Panexperientialism” deals with an idea difficult for many to accept, namely that conscious experience is a particular mode of symbolically reflected experience that is largely unique to our species. However, I aver that experienced sensation in itself (as found, for example, in autonomic sensory response systems) goes “all the way down” into nature, and thus the title, panexperientialism. -/- Understanding this idea is helpful to dealing with the focus on language in Part I of “Hollows”, next, since here speech and general symbolic interaction in general are found to be the catalysts for the creation of our consciously experienced world (our “lived reality”). In Part II, however, I explore how experienced sensations must be coeval with existence, and, with even greater temerity, how all this sensational existence might have arisen within some literally inconceivable background of awareness-in-itself that yet has a dynamism that occasionally breaks into existence as experiential events and entities. (The latter may sound wacky, but physicists and cosmologists are themselves attempting to come to terms with that which seethes with vast potential energy in what they refer to as the quantum vacuum.) -/- “Myth and Mind” was put third since it deals with a major lacuna in “Hollows” — that presumed prehistoric period when members of our species made the painful crossing of the symbolic threshold into the beginnings of cultural consciousness. Speech plays a central role here, too, but I look more at narrative structures from the dawn of self-awareness when ritual and myth became vital to human survival. Why would fantastic stories and bizarre rituals be necessary? I speculate that growing foresight led to the unavoidable realization of certain mortality, from which, in turn, emerged the secondary realization that we were now alive. In contrast to our yet-to-come death, we have life here and now, and by ritually identifying with a symbolically expanded mythic, i.e., sacred, reality, we may continue to live on after bodily death, just as our ancestors and loved ones must also do. Language and mythmaking are necessary to avoid mortal despair and they remain at the core of human consciousness. -/- As Ernst Cassirer (1944) has noted, language and myth are “twin creatures”, both metaphoric webs over a reality we can never wholly comprehend. We live in the symbolic and construct our works of imagination and wars of conquest to make life meaningful, to feel immortal, and to sense that we ourselves participate in a reality greater than ourselves. No doubt we do, but this does not mean our culturally constructed self-identities survive the death of our bodies, and it does not imply that our symbolic concepts can ever indicate the ultimate truth. We simply must symbolize an extended reality that was sacred to our ancestors: “Is it not our way, as illusory as it may be, to force continuance on our world and our life in the face of their inevitable ending? Are we not compelled to extend those imaginary horizons as far as we can despite the terror and the sometime joy their extension incites? Is their closure not a form of death?” (Crapanzano, p. 210) -/- Of course, this leaves me in the uncomfortable position of being forced to admit that this venture of mine must inevitably be another attempt at meaningful mythmaking. But what else could it be? This is certainly not a scientific proof though it is indeed an academically rigorous exploration. (Just try to count the citations!) I hope the reader will judge my thesis on the basis of its coherence, the sense of meaning it evokes, my intellectual responsibility, and, finally, the engagement it inspires. If you have read my expositions and found yourself immersed in the timeless questions I here call forth, I would call these writings successful (even if you violently disagree with my answers). -/- I am very grateful to Huping Hu for granting me this special issue of JCER in which to present my ideas in some detail. He has patiently dealt with my exuberant approach and allowed the many changes I kept coming up with right until the final publication date. I also wish to thank the many potential commentators who politely replied to my invitation, and, even more, I thank those who made time to write actual commentaries. -/- References -/- Cassirer, E. (1944). An Essay on Man: An Introduction to a Philosophy of Human Culture. New Haven/London: Yale UP. -/- Crapanzano, V. (2004). Imaginative Horizons: An Essay in Literary-Philosophical Anthropology. Chicago: U of Chicago Press. -/- Gregory M. Nixon University of Northern British Columbia Prince George, British Columbia, Canada Email: [email protected] Websty: http://members.shaw.ca/doknyx. (shrink)