What constitutes an event? Propelled by this question, Sounding the Event encounters a variety of theories and a host of issues that have implications for not only conceptions of nature and becoming, subject and substance but also practices of time, art and photography. This book explores dialogue in its writing and as it encounters the philosophical utterances of Michel Serres, Isabelle Stengers, Alfred North Whitehead, Jean-Franbliogçois Lyotard, Maurice Blanchot, Gilles Deleuze and Fbliogelix Guattari, and Alain Badiou.

Yve Lomax is a remarkable artist and writer, who has established a practice of writing that is unique within contemporary Fine Art. Her work has helped to establish a new discipline of Art Writing, which provides a particular space for a critical and analytical approach to writing within contemporary art. Passionate Being, as Anne Tallentire observes, "is both a culmination of and a departure from previous work," including her two earlier books for Tauris. Written through both the first and second (...) person singular, Passionate Being takes its author and its reader on a journey that has them thinking of their experience of and belonging to language. At its beginning, it brings to its author the question "What can you say?" The responses that ensue turn our attention toward presupposition and about how "singularity" can be said. The book also brings into play the work of other theorists, notably Giorgio Agamben. It asks us to view both language and the world taking-place without presupposition, revealing both the political implications, and those for living, that this vision holds. It is a work to be read twice with pleasure, and then again. (shrink)

Brought together for the first time, these writings by visual artist and writer Yve Lomax are united by a common thread: they place writing itself--the written image--into the repertoire of visual art. The book both proposes and demonstrates this development. It also has a twofold purpose and function: it can be read and enjoyed as performance, often resembling poetry, thick with ideas, images and metaphors. It is also an original contribution to theoretical writing on the visual, particularly relating to the (...) image and difference, celebrating and referring to the work of Michel Serres, Gilles Deleuze, Luce Irigaray and others in pursuit of its own strategy of introducing the written image into the theoretical text. (shrink)