Results for 'Yevgeny Mugerman'

9 found
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  1.  26
    Doing the Right Thing? The Voting Power Effect and Institutional Shareholder Voting.Efrat Dressler & Yevgeny Mugerman - 2023 - Journal of Business Ethics 183 (4):1089-1112.
    Through a combination of a controlled experiment and a survey, we examine the effect of voting power on shareholders’ voting behavior at general meetings. To avoid a selection bias, common in archival voting data, we exogenously manipulate shareholders’ power to affect the outcome. Our findings suggest that, when it comes to corporate decisions involving conflicts of interest, voting power nudges shareholders to oppose management and to choose the “right” alternative, that is, vote against a proposal which _prima facie_ does not (...)
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  2.  14
    Semantic Philosophy of Art.Yevgeny Basin & C. English - 1981 - Journal of Aesthetics and Art Criticism 39 (3):326-328.
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  3.  56
    ""The" Other" Russian Economy: How Everyday Firms View the Rules of the Game in Russia.Timothy Frye, Andrei Yakovlev & Yevgeny Yasin - 2009 - Social Research: An International Quarterly 76 (1):29-54.
    We report results from two original surveys of 500 firms conducted in 2000 and 2007 in eight regions in Russia that explore the business environment for manufacturing and service sector firms. We find that the formal and informal rules of the game for everyday firms in Russia have changed dramatically in the Putin years. Most importantly, while the informal and formal rules of the game in 2000 were quite similar for firms that were investing and those that were not, in (...)
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  4.  48
    Yevgeny Zamyatin: The Essential, the Superfluous, and Textual Noise.Michael Beehler - 1986 - Substance 15 (2):48.
  5. Marx, Lenin and Pashukanis on Self-Determination: Response to Robert Knox.Bill Bowring - 2011 - Historical Materialism 19 (2):113-127.
    This response to Robert Knox’s very kind and constructive review1 of my 2008 book The Degradation of the International Legal Order: The Rehabilitation of Law and the Possibility of Politics gives me the opportunity not only to answer some of his criticisms, but also, on the basis of my own reflections since 2008, to fill in some gaps. Indeed, to revise a number of my arguments. First, I restate my attempt at a materialist account of human rights. Next I explain (...)
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  6. The Nihilistic Image of the World.Michael Bourke - 2017 - Modern Horizons 1:1-18.
    In The Gay Science (1882), Nietzsche heralded the problem of nihilism with his famous declaration “God is dead,” which signalled the collapse of a transcendent basis for the underpinning morality of European civilization. He associated this collapse with the rise of the natural sciences whose methods and pervasive outlook he was concerned would progressively shape “an essentially mechanistic [and hence meaningless] world.” The Russian novelist Turgenev had also associated a scientific outlook with nihilism through the scientism of Yevgeny Bazarov, (...)
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  7.  25
    The Beautification of Dystopias across Media: Aesthetic Ambivalence from We to Black Mirror.Miguel Sebastián-Martín - 2021 - Utopian Studies 32 (2):277-295.
    Despite the implied critical stance of dystopian narratives, there is a strand of beautiful, aesthetically pleasant dystopias—inherently ambivalent texts that are—both fascinating and horrifying. Drawing from examples in literature and television, this article argues that “beautified dystopias” generate a surplus of aesthetic enjoyment, harboring a mystifying potential in tension with the critical-satirical potential of dystopias. In a rereading of Yevgeny Zamyatin's We, this article first examine how D-503's aestheticizing voice—although undeniably constructed for a satirical effect—fosters a degree of fascination (...)
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  8.  21
    The Creativity of Theatrical Geniuses in “the Proposed Circumstances” of the October Revolution.Tatiana S. Zlotnikova - 2017 - Russian Studies in Philosophy 55 (3-4):239-251.
    This article considers revolution as a political clash and revolutionism as an aesthetic position, which is a topic inspired by the philosophical, social, and aesthetic experience of the twentieth century. This topic has been considered on the eve of the 100-year anniversary of the October Revolution. The author proceeds from the claim that one of the theatrical geniuses, Vsevolod E. Meyerhold, was, above all, a man of politics, while the other, Yevgeny B. Vakhtangov, was first and foremost a man (...)
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  9.  35
    The Dystopian Imagination.Oskar Gruenwald - 2013 - Journal of Interdisciplinary Studies 25 (1-2):1-38.
    This essay seeks to exploe the nature and effects of the new Post-Industrial Revolution as epitomized by the digital universe, the fusion of synthetic biology and cybenetics, and the promise of genetics, engendering new hopes of a techno-utopian future of material abundance, new virtual worids, human-like robots, and the ultimate conquest of nature. Central to this prefect is the quest for transcending human limitattons by changing human nature itself, consciously directing evolution toward a posthuman or transhuman stage. Less well understood (...)
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