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  1.  24
    On the Indian origins of the Tibetan practice of depositing relics and dhâran. îs in stûpas and images.Yael Bentor - 1995 - Journal of the American Oriental Society 115 (2):248.
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  2.  70
    On the symbolism of the mirror in indo-tibetan consecration rituals.Yael Bentor - 1995 - Journal of Indian Philosophy 23 (1):57-71.
    The Mahāyāna ideal isaprati $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{s} \underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{t} $$ hā-nirvā $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{n} $$ a — liberation with a basis in neithersa $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{m} $$ sāra nornirvā $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{n} $$ a, that is to say, neither in the conventional world nor in the true nature of all things (Nagao 1981). Through the consecration proceedings ayidam, Buddha, or Bodhisattva is established insa $$\underset{\raise0.3em\hbox{$\smash{\scriptscriptstyle\cdot}$}}{m} $$ sāra. Through the employment of the mirror in the consecration ritual, thatyidam, Buddha, or Bodhisattva participates in the actual nature of all things as (...)
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  3.  18
    Consecration of Images and Stupas in Indo-Tibetan Tantric Buddhism.H. G. & Yael Bentor - 2002 - Journal of the American Oriental Society 122 (1):183.
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